Roughnecks - The Starship Troopers Chronicles - The Complete Campaigns (1999) Review

Roughnecks - The Starship Troopers Chronicles - The Complete Campaigns (1999)
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This is a television series based both on a book by Robert Heinlein, Starship Troopers, and a movie of the same name, directed by Paul Verhoeven. The movie was problematic in several respects. On the director's commentary of that movie, Verhoeven explains that he did not have enough money to create the alien insect warriors and create the human military technology in Heinlein's book. He decided to create the aliens and present the human soliders without the weapons that they had in the book, making it appear implausible most of the time that the humans had any chance in the battles at all. This series corrects this problem by providing the troopers with weapons that give them that chance. The other problem with the movie was that Verhoeven disagreed with the political theory advanced in the book, in which only those who serve in the military can become full citizens and can vote. Apparently having lived through World War II as a Dutch child, Verhoeven has a very low opinion of any militaristic society. He therefore satirizes Heinlein's views and fills the movie with military uniforms based on Nazi uniforms, often making it hard to sympathize with the defenders of humanity. Verhoeven's satire was great in Robocop, but produces an uneasy effect in the movie. Happily, the military philosophy is hardly mentioned in the series and the military uniforms are not based in any obvious way on German World War II dress. The series actually resembles most closely the cable mini-series Band of Brothers produced by Tom Hanks for HBO. In the Hanks series a group of soldiers train, fight their way across Europe, and end up in Germany. Like Hanks series, Roughnecks is organized into a series of campaigns, beginning with battles on Pluto (there is nothing much about basic training until episode 20) and ending up with a defense of Earth on the ground. People die; the ones who don't are affected and change in various ways, for better or worse. With regard to the animation, it was incredible CGI 3-D style animation for its time. It is not quite as good as Toy Story or Shrek in many respects, but the main reason is that it was operating on a television budget, not a major motion picture budget. Plus it was trying to animate characters that looked like real people rather than cartoon characters. The goal of the series in terms of animation was the same as that of the creators of the film Final Fantasy that appeared about a year or so later. This series does not miss the quality of Final Fantasy by much and it did it first. Because the series was canceled four episodes before the end of the season, the title of the DVD, suggesting that it is complete, is controversial. The four episodes that should have completed the forty episode season, 33, 38, 39, and 40, are still missing. The DVD gets to forty with four clip show episodes, which summarize past events with voice over narrations. The last of these is a court martial of the Lieutenant Rasczak, reshowing events and questioning whether he acted properly. These four clip shows allowed the producers to meet their obligations to produce 40 shows without having to create new CGI images. The series is not actually complete in that four planned episodes were never finished. However, The series does have considerable unity. In truth, the series could have been tied together nicely if it had ended one episode earlier with the funeral of Lieutenant Rasczak and the elevation of Johnny Rico, the main character in the book, to lieutenant to replace him. There is actually no end to the war in the book, and no plan to end the war in the series. Presumably the creators of the series meant to continue the war for many seasons. Thus, the final episode can be regarded as a hint of what would have come in the future with Rico now functioning as an officer. The series is a worthy tribute to Heinlein's book and will most likely be regarded as an important step along the way in CGI animation. I have given it five stars because technically is probably more of an achievement for television than Final Fantasy was for the big screen. One regret is that it is not in widescreen. The opening scenes in each episode are in widescreen, suggesting that it would have been possible to produce widescreen much as Babylon 5 was reformated from 4:3 to 16:9. It is sad that this fine animation project was never given an opportunity to find an audience on television the first time aournd, since it was scheduled at such a poor time of day (very early morning), when sci-fi fans were unlikely to be awake. Hopefully, it will do better as a DVD collection.

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