Showing posts with label horror films. Show all posts
Showing posts with label horror films. Show all posts

Wolf Creek (Unrated Widescreen Edition) (2005) Review

Wolf Creek (Unrated Widescreen Edition) (2005)
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As per usual, there have been a great many moronic things said about this movie. Some critics have been offended by it, but don't let that make you think this is some sorta gorefest. The violence is intense and reasonably graphic, but it's certainly not gory in the conventional sense. I find it amusing that those who were offended by the film have more or less said that it was too horrifying, cause ya know, god forbid that someone actually be horrified by a horror movie. They've also said it is misogynistic, just like they've said about every other slasher movie ever. (Slasher movie isn't entirely appropriate for describing this, but it's as good as we'll get.) This is a particularly irritating complaint, first because they always say this, second because it's a bullcrap non-argument evasion intended to avoid any real analysis, and finally because it isn't true. In fact, it's even less true here than it usually is, cause the film doesn't make the killer into the hero. Yes, bad things happen to the women in this film, but we AREN'T supposed to be happy about it. And, of course, very bad things happen to men in the film as well, but who the hell cares about them anyway? Everyone knows that women are much, much more important than men. I also think it's interesting that the killer is a fat, greasy dude from out in the country, as they so often are in this sorta movie, yet it has not been accused of being bigoted against rural people, nor has any horror movie I've ever heard of. What a bizarre coincidence. Wonder why critics don't seem to care about those sorts of people. Maybe they really think that they all are killers. I dunno.
But, critical idiocy aside, this is a very nicely done horror film. The plot is simplicity itself- 3 youths are captured and tormented by a backwoods psychopath while vacationing near Wolf Creek in Australia. Subplots are rarely of interest in slasher films, and 'Wolf Creek' fortunately has none of them. Still, with the very small cast we get to know these characters quite a bit better than we usually would in a slasher film, and they are certainly far more likable than the hot young teens of the American slasher revival. (Of course that doesn't mean much, as said hot young teens are usually loathsome.)
'Wolf Creek' was really made on the cheap, only about 1 million bucks, I hear, and it's certainly got a rough, gritty look. Some people claim that grainy, DV films with handheld cameras are more realistic, which makes precisely no sense as life is not especially grainy, and I tend to hold my head fairly still. However, this technique can allow for a greater sorta intensity and physicality, which works well here. Despite the generally rough visuals, it's still got some rather beautiful cinematography at times, and the great Australian deserts are a fine backdrop for such events.
Yeah, the film does take a while to get going, certainly longer than is necessary, but seriously, are you guys all 3 years old or what? Go out in the lobby and drink your juice and then go potty, and then it'll almost be time for the killing to start. The acting is extremely good for a film with this kinda budget. The 3 leads all do a fine job, with some fairly authentic, if not exactly fascinating, casual banter in the first half of the film. Still, the second half is much more important, and they play it a bit different from most horror films, which is largely why this bothers so many critics. In most horror movies, none of the characters are ever authentically terrified. They're pretty nervous and jumpy and may let out a scream before they die, but they're pretty much in control. Not so here, as Magrath and Morassi spend much of the latter part of the movie in near hysterics, and are utterly convincing, with two of the finest performances of this sort since Marilyn Burns' classic turn in the original 'Texas Chainsaw Massacre'. John Jarrat is also excellent as the killer. They use a trick which is fairly common, in that we are introduced to him as if he were a normal character, who seems amiable enough, if a bit odd, and we then slowly see his violent side revealed. It's an old trick, but a good one, and it works especially well here, aided by his Australian accent, which are always inherently non-threatening to me, for some reason. He does get to be a bit wisecracking at times, but never to the point which he becomes the hero of the film.
Many will say this has an anticlimactic ending, and while I can't help but agree with this to some degree, it's also kind of interesting in that it is so different from what you'd usually see in this sorta film. The small cast also makes it quite a bit less predictable, as most slasher movies have the few central characters who will obviously survive, along with plenty of cannon fodder. With only 3 main characters there just aren't enough people to allow any meaningless little kills stuffed in at the beginning, and it's tougher to predict the order in which they will be offed.
Though I'm sure many of you are sick of hearing this, `Wolf Creek' really is a throwback to the more intense horror films of the 70's like `The Texas Chainsaw Massacre' and `The Hills Have Eyes'. It's got an intensity and seriousness that is almost inevitably lacking from later slasher movies, and the old rough and violent feeling. As such, it certainly isn't for everyone, as many people seem to only like gentle, feel-good horror or conventional gorefests. But, it you've got a taste for something darker and more intense, `Wolf Creek' is definitely worth a look.
Grade: A- (This is after watching it again on DVD, and determining that it was even better than I'd thought initially. I'd change the rating to a 5, if I could.)

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Welcome to Wolf Creek, where the suspense of The Blair Witch Project meets the horror of The Texas Chainsaw Massacre. Inspired by Australia’s "Backpacker Killer" who murdered seven backpackers in the ‘90s, Wolf Creek won wide acclaim from critics, filmmakers and audience members alike at the Sundance Film Festival.Three unsuspecting hikers take off for a drive across Australia. When the trio returns from a four-hour hike to Wolf Creek National Park, they find their car is dead. Help comes in the form of big, back-slapping bushman Mick (John Jarratt).Since Mick appears to be more Crocodile Dundee than Freddy Krueger, the trio trusts him…which proves to be a grave mistake.Quentin Tarantino said, "Jarratt delivers a performance that’s destined to go down as one of the greatest film heavies of the last 25 years."Not since the original Texas Chainsaw Massacre has terror felt so real."Ken Fox, TVGuide

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Count Dracula (BBC Mini-Series) Review

Count Dracula (BBC Mini-Series)
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I first saw this version of "Dracula" on PBS back in the 70's (shortly after having read the novel) and thought it a wondererful (albeit a little stiff) and very faithful film adaptation of Bram Stoker's classic gothic novel. Of course there have been hundreds of films featuring Count Dracula down through the ages but very few of them adhered closely to the orignal source material. In fact most of them just borrowed a few key characters and maybe a plot thread or two and then just created their own story. Thankfully the BBC decided to rectify matters by filming their own adaptation for television and this is the first film that I am aware of that really does stay true to the novel. In fact this was the first film to show many of the famous scenes from the novel that previous films had ignored. Namely the scenes of Dracula crawling down the castle walls and a very controversial (at the time) scene where the Count offers a baby to his three vampire brides.
Now keep in mind this is 70's era BBC televsision. While the acting is quite good some of the other production values are not going to be of the same quality that many of today's viewing audiences are used to. For example many of the exterior scenes are filmed outdoors while the interior scenes are filmed on sets. Consequently there is going to be some sequences with a certain stagey quality to them. Some of the special effects shots are going to be...well, lets just say not all that special. Now having said all that I still can tell you that there are more chills to be had from this version than the BBC's most recent and very disapointing adaptation of "Dracula". In fact, I'll go so far as to say that this version is even better than Coppola's "Bram Stoker's Dracula". I never really cared for Coppola's version anyway but I will give it high marks for production values. One of the big mistakes with Coppola's film was the changing of Dracula's character from Stoker's concept of evil vampire to that of a silly, romantic love-struck vampire. Louis Jourdan (Gigi, Octopussy) does a fine job as the Count despite the fact that he is one of the few things in the film that doesn't quite mesh with Stoker's original concept. He does however convey very well that strange dichotomy of vampires. Namely the sensual yet evil qualities we've come to expect from many other screen Dracula's.
To sum up: this film may be cheap in the production values department but if you are looking for a version that is faithful to Stoker's original story, character and concepts then you are on the right track with this offering from 70's era BBC. There's lots of atmosphere and plenty of good chills to be had from this version despite the shortcomings it may have.

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This fan favorite three-part series from the BBC is now available on DVD for the first time! Louis Jourdan stars as the deliciously blood-thirsty Count Dracula in this version of Bram Stoker's horror classic. Keeping close to the original novel, the series begins with Jonathan Harker visiting the Count in Transylvania to help him with preparations to move to England. It is in the Count's castle that Jonathan becomes a prisoner, and discovers Dracula's true nature. Many scenes shot on location -- such as the Gothic graveyard of London's Highgate Cemetery -- add extra atmosphere to an already powerful production.

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