Showing posts with label tartan noir. Show all posts
Showing posts with label tartan noir. Show all posts

Taggart: Set 1 Review

Taggart: Set 1
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"Taggart,"a British mystery television series made by Scottish TV, premiered in the United Kingdom in September 1983. It was led by actor Mark McManus, as DCI Taggart. Unfortunately, McManus died in 1994, and the series also lost the flavorful actor playing its medical officer. However, the show was then led for several seasons by actor James McPherson, (a likable enough actor, but too lightweight to carry the show), who had already been a cast member, playing DCI Mike Jardine. From 2002 to the present day, Alex Norton, (Patriot Games (Special Collector's Edition)), has led the series as DCI Matt Burke. Blythe Duff (DS Jackie Reid) and Colin McCredie (DS Stuart Fraser) remain from the earlier cast, playing cops as hardened by Glasgow life as the criminals they pursue. John Michie (To Walk With Lions) has joined them, playing DS Robbie Ross.
This is the world's longest running police drama; it celebrated its 25th onscreen year in the U.K. in 2008, while still consistently ranking in the top 10 dramas in that country. Set 1, now released here, runs approximately 398 minutes. It consists of seven contemporary episodes, the complete 19th season of the series that aired in the U.K. in 2002. The bonus features of the set include a documentary that certainly fascinated me,at least, "Taggart's Scotland," about its locations. There are also, praises be, subtitles, thank you Acorn: that Glasgow accent is a killer, though it's delightful to listen to it in its localized particularity, so long as you don't have to struggle to comprehend it. The series was created by Glenn Chandler, who succeeded in giving us a show as gritty as the city in which it takes place, pitting a hard-bitten team of detectives against some of the hardened natives of the city.
Initially, as the series opened on broadcast television, you saw a montage of Glasgow street scenes, and heard a biting "This Town is so Mean," sung, in regard to Glasgow, of course, by the magnificent Glasgow-born blues singer Maggie Bell. The montage remains, updated, with views of, for example, the fairly new, odd looking cultural center that natives call "the armadillo," that is sited by the River Clyde. An instrumental take of the song also remains, but without Bell's vocal; this is unfortunate, as she contributed greatly to the show's mood.
At any rate, after the montage came one of the very best police procedural series ever made for television. One of the great strengths of this series, still, is the Glasgow flavoring, available in almost every scene: we learn a lot about Glasgow high and low. As the crazed mystery fan that I am, I not too long ago stayed in a Clyde-side hotel, within walking distance of the armadillo; and the series shows this landscape exactly as I saw it.
"Taggart" must be considered a landmark; a precursor to the current Scottish school of "tartan noir:" the sheer bloodthirsty, dark violence, the unsentimental humor of this series has seldom been matched, and never bettered. Glasgow is a city centered on a dark, cold, scary, industrialized river; the city has some of the meanest streets in the world, and it produces some hard, hard people.
Mark Mc Manus, who played Inspector Jim Taggart in the old days, brought a great deal to a part that must have been strongly-written on the page: he added a tightly-wound Glasgow note all his own, and an irascible, angry charm. He somehow conveyed a feeling that, as a Glaswegian, he took local crime as an offense to himself, and his city. I had quite a crush on him, but unfortunately McManus died of a heart attack, rather young, overwhelmed by a series of personal losses. In the contemporary series, the actor Clark, playing DCI Burke, seems to play his character as always over-the-top angry; it doesn't take anything to set him off. The current series also bows to contemporary taste by making each story arc only one episode long, rather than three, as the earlier stories were. They have therefore lost a lot of the complexity, subtlety - and subversive humor - that were hallmarks of the earlier series.
The episodes are: Hard Man, Fade to Black, Blood Money, New Life, Bad Blood, Halfway House, and An Eye for an Eye. Now, mind you, they do still constitute a strong British crime drama; one of the stronger to be found.


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The world\'s longest continually running police drama
Meet detectives Burke, Ross, Reid, and Fraser--a team of Glasgow cops as hard as the criminals they chase and as gritty as the city they call home. Matthew Burke (Alex Norton, Patriot Games) is their leader, a chief inspector who has seen it all before and fully expects to see it all again. Robbie Ross (John Michie, To Walk with Lions) often finds himself on the receiving end of Burke\'s sarcasm, though the hardworking Jackie Reid (Blythe Duff) and fresh-faced Stuart Fraser (Colin McCredie) do not escape either. Together, the formidable foursome takes on everything that the mean streets of Glasgow throw its way.
Edgy mysteries, intriguing characters, and a dark sense of humor give the series a universal appeal even while reveling in its seamy Scottish setting. "Compelling… a mad cocktail of Sherlock Holmes, Agatha Christie, and old Vincent Price movies" --The Sunday Times (U.K.).
DVD BONUS FEATURES INCLUDE Taggart\'s Scotland: About the locations.

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McCallum: The Complete Series Review

McCallum: The Complete Series
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As it appeared on broadcast television, at least, episodes of this series opened on a dark, moody and threatening looking Thames River flowing through London, under the famous bridges, while a sultry chick singer delivered "Cry Me a River." Now recently released on dvd, scuttlebutt says this production of Scottish Television Enterprises has lost the voice-over opening song. Licensing difficulties, I suppose. But this is a blow to me, and, perhaps to others: the English singer Mari Wilson's take of this famous song put me right in the mood for what followed.
At any rate, hunky Scottish actor John Hannah, whom I first noticed in an episode of Taggart,came to widespread public notice playing "Matthew"in "Four Weddings and a Funeral." Here he plays Dr. Ian Mc Callum, forensic pathologist based at St. Patricks Hospital in London's East End. The darkness of the Thames continues into the hospital, which always looks so dark and dusty, I wonder how the pathologists can see anything through their microscopes. As befits a Scot, Hannah's character, McCallum is painted in dark, morose tones too. At one point he and a friend take a stroll through London: it seems that, at almost every street, there has been a murder, and he has examined a body, and it is obvious that he carries all those violent deaths, and all those bodies, as a burden all his waking, and sleeping hours.Hannah, who was born to a large family in East Kilbride, Scotland, and began his working career as an electrician's apprentice, evidently has a gift for these dark law enforcement roles. He played Rebus in several made for tv episodes of the Ian Rankin books, until a corporate reorganization resulted in his replacement by another actor.
At any rate, Mc Callum's plots, too, are dark, but taut and spare: this is a well-written series. I call to mind an episode about a Jewish family that owns a bakery, and a really resonant one about illegal Brazilian immigrants being exposed to a mysterious fatal illness by the unlicensed English doctor they must consult for their medical needs. There's an excellent one in which a female coworker of McCallum's is murdered shortly after they've made love: he's in an uncomfortable, untenable position: doesn't want to admit he was the last to see her alive, but unable to prevent the investigation from going forward and snaring him at last. And there's a dandy one about a man who believes Mc Callum has injured him, trying to take revenge.
There's some of that Scottish wit too, of course. Guess you'd have to conclude that this television series fits into that school of British mysteries now known as tartan noir: darker, more violent, more bloody than the norm. But with some humor, too. At one point, McCallum, talking to a woman he's about to get to know better says, "Please, I'm Scottish. We don't even make eye contact until after we've had sex." Of course, there is sex, Hannah/Mc Callum is much too easy on the eyes to be going without, and almost every episode features a shot of Hannah's tasty tousch. Another good reason to check this series out.

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From deep within the morgue at St. Patrick's Hospital in London's East End, Dr. Iain McCallum (John Hannah) and Dr. Angela Moloney (Zara Turner, Sliding Doors) along with a team of brilliant pathologists and detectives help the dead tell their stories. Together, they painstakingly use their expertise to deduce how and why a life has ended – proving that while it may be too late to find a cure, it's never too late to solve the puzzle.

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