Showing posts with label adult. Show all posts
Showing posts with label adult. Show all posts

Fat Girl - Criterion Collection (2001) Review

Fat Girl - Criterion Collection (2001)
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It upsets me that reviewers have focused on the issues of weight and female competition and jealousy that do exist in this film, but completely ignore the major point of this film. Breillat gives us a brutally honest portrayal of female "baptism" into sexuality. It is not pretty, or romantic, or even sensual (as the socially astute "fat girl" realizes). The older sister, whose bed is surrounded by issues of Cosmo, appropriately enough) is hyper-feminized, and believes that she needs to look as if she stepped off the pages of Cosmo to get and keep and please a man--the most important tasks a woman is given by our culture. Her younger sister is less accepting of these--in fact she repeatedly says that she wants to lose her virginity to someone she doesn't love (a fact consistenly ignored by reviewers in their reviews, and vital to understanding the ending and the distinction between the two sisters). The shocking ending is so significant in this regard--Breillat dares us to question the nature of female adolescent sexual experiences, and to blur the line between consensual and nonconsensual sex in the context of female adolescent sexual awakening. I believe that the consistent overemphasis on weight, (note the strange translation of A Ma Soeur to Fat Girl???) which certainly is an important underpinning of all that transpires in the film, is to the detriment of fostering open discussion of the issue of sexuality; I can only assume that this stems from an inability on the part of the public to get past the reality that adolescent females are in fact sexually active, do not have adequate and reliable resources and information to deal with newfound feelings and cultural expectations and norms, and face often traumatic circumstances as a result.

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Twelve-year old Anaïs is fat. Her older sister, Eléna, is a teenage beauty. While on vacation with her parents, Anaïs tags along behind Eléna, exploring the dreary seaside town. Eléna meets Fernando, an Italian law student, who seduces her with promises of love, as the ever-watchful Anaïs bears witness to the corruption of her sister’s innocence. Precise and uncompromising, Fat Girl (À Ma soeur!) is a bold dissection of sibling rivalry and female adolescent sexuality from one of contemporary cinema’s most controversial directors.

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Shortbus (Unrated Edition) Review

Shortbus (Unrated Edition)
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I will admit, One of the main reasons I wanted to see this movie was because of the buzz about it being one of the most sexually explicit movies ever made in the non-porn industry. I didn't really expect to find the movie interesting, I just wanted to see what everyone was talking about.
The first minute or so was nothing but explicit sex and I almost turned the movie off thinking it was going to be pointless, that this was all there was to the movie, but I had nothing better to do so I kept watching.
This movie is not porn, nor is it erotica. This movie IS an uncensored look at the truth about love and sex, and is probably one of the best movies I have ever seen. It is brutally honest, thought provoking, intense at times, and funny at others. These are characters that we can relate to, because they are real.
I can not say enough positive things about this movie, it is art, it is truth, it is exceptional.
It will definitely be a part of my DVD collection.

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From the director of ‘Hedwig and the Angry Inch’ comes SHORTBUS, an exploration into the lives of several characters living in present-day New York as they navigate the comic and tragic intersections between love and sex. Male and female, straight and gay, the characters find one another – and eventually find themselves – when they all converge at a weekly underground salon called "Shortbus," a mad world of art, music, politics, and polysexual carnality.One of the true sensations of this year’s Cannes Film Festival, presents sex and sexuality as never before seen in mainstream entertainment, and promises to be one of the most talked-about films for months – and years – to come.

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Love Stinks (1999) Review

Love Stinks (1999)
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This feature just has that campy, date flick style written all over it. Two people joined in the institution of dating take a severe turn into disaster when one is ready for marriage immediately and the other is just getting started. The entire film takes a lot of silly twists and turns into a very comical ending that just sends it over the top. Good movie for a couple thinking of getting engaged or divorced!

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LOVE STINKS - DVD Movie

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Tell Me You Love Me - The Complete First Season (2007) Review

Tell Me You Love Me - The Complete First Season (2007)
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I love HBO shows so when I found this on sale for $19.99 I grabbed it. I wouldn't recommend paying more than about $30 for it - if I'd paid more I would have been very disappointed. I haven't had an experience with a show like this before - by the second episode I thought it was one of the best TV shows I'd ever seen, up there with "Six Feet Under". It was fascinating to see a very realistic view of four different relationships, shown very realistically, even including very real sex scenes. That somehow made the couples even more human. By about the seventh episode I got tired of the characters' slow, meandering everyday lives, and the whining. I started thinking the sex scenes were just interfering with the progress of the story, and I realized, it's difficult to maintain interest in very realistic lives when you're living one yourself every day. I guess I learned I enjoy more drama and excitement in a TV show than I realized.

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Sex. Life. This is the story of three couples trying to stay afloat - and one woman's efforts to show them how to do it. HBO's newest adult drama series explores issues of intimacy - through the point of view of a 20-something couple, prenumpital concerns and fidelity are examined, while the series' 30-something couple confront their failed attempts to start a family, coping with the effects it has on their sex life. And after two kids and 12 years of marriage, a couple in their early 40s question why their love and devotion hasn't translated into physical intimacy in nearly a year. Tell Me You Love Me explores the telling, everyday moments that can make or break a couple's commitment to one another, both emotionally and physically.

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Nip/Tuck: The Complete Third Season (2005) Review

Nip/Tuck: The Complete Third Season (2005)
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I realize that by saying anything negative, I will alienate fans of the show. TV fans are a notoriously fickle bunch. I defy you--go to any other TV show DVD listing on Amazon. Pick one that you think is terrible and the fan reviews there will be 5 star! I think you can be a fan, but still be objective. There are lots of shows that I have loved for various reasons--but that doesn't always make them good shows. It means that I have overlooked their flaws.
Now let's talk realistically about "NIp/Tuck". I have seen every episode and continue to watch Season 4. FX created a whole roster of "adult" programs designed to provoke the viewers--to "push the envelope". Trust me, I respect that and I watch them all. "Nip/Tuck" started out a bit erratically--the first season, for me, was about 3 1/2 stars. I saw the promise, yet the episodes lacked a certain cohesion and the characters didn't seem fully flushed out yet. Season 2, however, really hit the stride. It became a gloriously over-the-top soap opera that was good, nasty fun! I LOVED it, especially the deliriously campy Famke Janssen storyline. Still didn't make it a "great" TV show, but it made for "great" TV. I'd have given it 5 stars on entertainment value.
Then there's Season 3. People who object to this season often site the "Carver" storyline as being problematic. I couldn't care less, the "Carver" plot was just as valid as any other (killing mobsters and feeding them to alligators from Season 1, anyone?). The problem for me was a lot more serious.
The show began to sell out it's core characters. Now I have never been a big fan of the McNamara clan. Strangely enough, they are the least compelling part of this show. But I accepted the characters-- and as long as they made sense and the writers understood who they were--then I was fine. The problem with Season 3 was that they no longer made sense. The plots and outrageousness came first! The writers made up the situations that "pushed the envelope" and then just plugged the characters into those scenarios however conveniently. So we had characters doing or believing things every week that were not consistent with the "people" that we knew. And if they needed to flip flop back for another storyline, that's what they did. Don't ask me to care about your characters if you don't! (Another FX show, the sometimes brilliant "Rescue Me" went through the same crisis).
I wish "Nip/Tuck" well, it seems to be starting season 4 in good, fun shape. No matter what, Christian will remain one hell of a great TV character. KGHarris, 9/06.


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He -- or is it she? -- slices, they stitch. He maims, they heal. Plastic surgeons Sean McNamara and Christian Troy have vowed to make whole the victims of the elusive, mysterious serial slasher called the Carver. But mending the rifts in their own families and careers will require much more than their famed technical skills. Dylan Walsh and Julian McMahon return for a sensational Season 3 filled with eroticism, suspense and medical challenges ranging from a daring facial transplant to a 650-pound woman whose skin has fused with her sofa. There's a new doctor on staff, too: Dr. Quentin Costa, a tango expert and perhaps an expert at dissecting the practice for his own ends. Plus: Julia launches a new career, troubled Matt falls in with skinheads and the Carver turns out to be.... Sorry, our lips are sealed. Watch and find out.DVD Features:Deleted ScenesDocumentaryFeaturette


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Royal Pains: Season One (2009) Review

Royal Pains: Season One (2009)
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In some ways, the rich are no different from the rest of us: they get sick, get hurt, and need doctors to figure out what makes them ache. "Royal Pains: Season One" follows the misadventures of a doctor who finds himself at their beck and call, and it has the right mix of everything -- luxurious living in the Hamptons, weird medical crises, and a fair amount of humor.
Hank Lawson (Mark Feuerstein) is a successful young E.R. doctor in New York... until the day when a wealthy trustee dies because he focused on saving a dying teenager. Trying to distract him from his woes, his brother Evan (Paulo Costanzo) whisks him to an exclusive party in the Hamptons, at the palatial mansion of the reclusive, absurdly-wealthy Boris Rabanisch (Campbell Scott).
Then a woman nearly dies at the party, and Hank manages to save both her and Boris' treasured privacy. As a result, he soon finds himself drafted as the new concierge doctor for the wealthy Hamptons residents, along with Evan and a physician's assistant named Divya (Reshma Shetty). And his work often brings him to see Jill Casey (Jill Flint), the administrator of a local hospital.
Among the cases: breast implant disasters, an epidemic at a "bark mitzvah," a mystery shark bite, a hemophiliac teenager and his "cyberchondriac" girlfriend, and mystery ailments afflicting a senator's son, a ballerina, a horseback rider, a restauranteur, and a bestselling illustrator. Since Hank cares more about curing people than making money, he also provides care for people who can't afford the best -- but the person who needs his help the most may also be the wealthiest.
I normally can't watch medical shows -- every time I try, I develop a massive case of "medical students' disease" and end up having to go watch "Psych" instead. Fortunately, "Royal Pains" is relatively light on the medical gore (despite the "flail chest" episode) -- the biggest problem is that Hank's McGuyveresque medskills sometimes stretch credibility (he makes a microscope out of jeweler's loupes?).
Despite all the deadly medical stuff, the writers also include a lot of light humor (the hot tub disaster) and fun dialogue ("She is my right hand AND my left hand, and occasionally my brain!"). But there are some heavier currents woven into the story, such as Jill's struggles to open a free clinic for the poorer people of the Hamptons. And there's a running mystery about what Boris is doing, and what his motivations might be.
Feuerstein is quite likable and endearing as a kind doctor with a conscience, who cares more about curing people than for money or politics -- and the on-off romance he has with Flint is rather cute, if complicated by Jill's ex-hubby. Costanzo's bumbling Evan can be a bit annoying at times (especially in the season finale), but he does seem to be improving. And Shetty's Divya is awesome: a sharp-tongued, sharp-minded young woman who is trapped into an arranged engagement by her arrogant parents.
And there are some great supporting actors as well -- Scott's elegant and mysterious Boris, Christine Ebersole's kindly but eccentric socialite, and Ezra Miller's neglected teenager Tucker (who becomes a sort of little-brother/nephew figure to Hank).
"Royal Pains" has some areas that need polishing, but the mixture of medical drama and guilty pleasure is pretty addictive stuff. Just don't make Dr. Hank detox you.

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Hank is a rising star in the New York City medical community, until he loses everything fighting for the life of a patient. With his career stalled and his personal life in shambles, Hank is in need of a new beginning. That\'s where his younger brother Evan (Paulo Costanzo) steps in. Fed up with Hank\'s personal pity party, he convinces Hank to join him on a last-minute trip to the Hamptons for Memorial Day weekend. When the brothers crash a party at the home of a Hamptons billionaire and a guest falls critically ill, Hank saves the day. His dramatic medical rescue draws attention from the crowd.Inadvertently, Hank becomes the hot new \'concierge doctor" in town. With encouragement from Evan and an ambitious young woman who volunteers to be his physician assistant he decides to stay in town solving medical crises and helping those in need. Hank is back to doing what he does best. And now he\'s reinvented himself as the Hamptons\' hottest new \'doctor-in-demand."

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The Wire: The Complete Second Season (2003) Review

The Wire: The Complete Second Season (2003)
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Coming off the utter triumph of its first season, The Wire faced a pretty big test in trying to move on without compromising its astoundingly high quality, but having just finished watching I'm pleased to say any traces of a sophomore slump are virtually nonexistent. Once again, the show brings just the right mix of cynicism, humor and tragedy to its stories of crime, punishment, and lives on the edge. I don't know about the claims on this site that season two is superior to its predecessor, but The Wire's standards of writing, characterization, and realism are still very much intact. Not to mention, The Wire's sprawling focus and blink-and-you're lost complexity are, if anything, stepped up as it juggles multiple, often tangentially related, plotlines over the course of its twelve-hour running time. This season certainly doesn't see The Wire abandoning its examination of crime in Baltimore's black ghettoes, but rather expanding the view of its microscope to cover the illegal activities of the (mostly) white working class on the docks of the city's East Side and the international syndicate that provides their side income. As a result, the reach of the show has become even more comprehensive, stretching from the projects to the docks to the police headquarters to the prison system. At times there's a bit of a too-many-cooks feel to the events of this season as the show tries to shoehorn the struggles of the disrupted Barksdale-Bell drug crew into the main plotline (in a setup for the third season, it turned out), but that's a small complaint, as what goes on the screen is still probably the best TV out there.
Season two starts with the major players, on both sides of the law, dispersed all around Baltimore, with McNulty and Daniels serving punishment duty as a result of their actions at the conclusion of the first season, Avon Barksdale and his nephew D'Angelo in lockup following their arrests, Omar hiding out in New York waiting to testify in a key murder trial, and Stringer Bell left trying to maintain his and Avon's housing-project drug empire in the face of serious supply problems. McNulty, especially, has become a train wreck, with his addictive personality and dissatisfaction with his new post on the Maritime Police reaching new heights of self-destructiveness highlighted by an hilarious episode-opening bender that sees him smashing up his car and having random sex with a diner waitress before passing out in her bed. It's not long, though, before everyone gets back together, as a personal vendetta draws the attention of Major Stan Valcheck (aka Prez's father-in-law) to the longshoreman's local led by his old neighborhood rival Frank Sobotka. It does feel a bit contrived seeing the wire team brought together for another case, but seeing them do their thing in all its detail is still just an fascinating as ever when they finally get to it. The show still provides a better look into modern policing than anything I've ever seen, from the nuts and bolts of surveillance work to the internecine wrangling that does nothing but impede the actual solving of crimes. Not to mention, there are plenty of shocking moments thrown in to shake up the audience, from a pile of dead bodies in a container at the conclusion of the first episode to some truly cringe-inducing murder scenes to the sight of shotgun-toting street criminal and all-around tough guy Omar making out with his boyfriend.
Season two introduces a new cast of villains, led by the mysterious elderly crime lord known only as The Greek and his murderous underlings, who have taken advantage of the local longshoremen's declining fortunes to turn the city's docks into their own personal way station for drugs, prostitutes, and God knows what else. It also delves into the hard-boiled existence of a people who, in their own way, have been forgotten almost as much as blacks in the housing projects as the U.S. continues its transition to a middle-class country. In the role of Frank Sobotka, Chris Bauer makes a more than convincing everyman, as we see the character dealing with everything from his crumbling union to his bumbling wannabe-criminal son to his nephew's increasing involvement in the urban drug trade. As he struggles to keep his local (and his family) together in the face of the tightening scrutiny of the cops and the pressure of the Greek's crew, Sobotka also becomes increasingly symbolic of the decline of American union labor, but at the same time he emerges as a compelling character in his own right. Frank is a relic and a dinosaur and he's starting to realize it more and more, but he still fights to maintain as much of his niche as he can, keeping up his determined front even as things fall apart around him. He's proud of his job and what he's accomplished, and his grim resolve to resist his declining fortures sends him on an inexorable path to the season's grim resolution.
While they don't assume center stage as much as in the first season, the Bell-Barksdale crew and many of its central figures are still around to one extent or another, with a whole new set of problems (ranging from the imprisoned D'Angelo's newfound independence to the aforementioned dearth of quality product) putting Stringer and Avon in major damage-control mode. Left to run the crew largely on his own, Stringer emerges as an even more fascinating and complex character, a villain whose intelligence and calculation are matched only by his ruthlessness; you get the sense this guy would kill his own mother in the name of business. At the same time, though, it's hard not to admire his single-minded commitment to being the best at what he does, no matter how tough the decisions it requires of him. Watching Stringer work, I couldn't help but think he would've made a great captain of industry if he had been born in the suburbs instead of the projects. This season also sees the start of the rift between Stringer and Avon that would only intensify in the third season. Needless to say, the emergence of this division is handled in the show's usual organic and realistic manner, with the tension between Avon's street-soldier philosophy and Stringer's all-business approach culminating in their vastly different attempts to resolve their supply problems. Fortunately, the problems in the Bell-Barksdale camp do give us viewers Brother Mouzone, a bowtie-wearing Muslim hitman from New York with an odd combination of comprehensive education and seemingly unmatched deadliness, who's brought in by Avon to protect the crew's territory and ends up running into some problems of his own involving a long-running grudge between Omar and Stringer.
As others have noted, the events of any season of The Wire are difficult to encapsulate in a review; anything anyone can write short of a full-length magazine feature is just going to be a bare-bones outline that comes nowhere near capturing the exhaustive detail that goes into each episode. Suffice it to say, then, that season two is a seamless progression from its predecessor, while at the same time setting up events that continue to unfold even now, two seasons later. It's just part of an ongoing saga, but at the same time everything that happens in this season is worth watching in its own right. Every season is brilliant in its own way, from the intense, propulsive first to the sprawling, tragic, recently completed fourth, and season two is no exception. If you've never seen this show, you're missing out on the best TV has to offer. Seriously.


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(HBO Dramatic Series) The most unvarnished, uncompromising and realistic police drama ever returns for another hard hitting season. McNolty has been demoted to harbor patrol, Daniels is in the police archive dungeon, Prez is chafing in the suburbs and Gregs is stuck behind a desk. Meanwhile, on the docks of the Baltimore harbor, the rank and file scrounge for work and the union bosses take illegitimate measures to reinvigorate business, but a horrific discovery is about to blow the whole port inside out. While the detail is on ice, a new case begins...DVD Features:Audio Commentary:Audio commentaries with Dominic West and Michael K. Williams, executive producer Karen Thorson and editor Thom Zimny. Episodics and Recaps Episodic Recaps


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Caligula (The Unrated Edition) (1980) Review

Caligula (The Unrated Edition) (1980)
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I will concentrate on the movie's historical accuracy (or its lack of it), since the previous reviews seem to either have overlooked it, or claimed that it is "historically accurate", or on the opposite extreme, that it totally ignored history.
"Caligula" does have some merit from the historical point of view, surely already present in Gore Vidal's original script. It's also very weak in many points.
The bare events of Caligula's life and reign are actually quite accurate. It may surprise many viewers that most of the secondary characters - Emperor Tiberius, Senator Nerva, the praetorian prefect Macro, Tiberius's grandson and Caligula's rival for the succession Gemellus, Caesonia, Chaerea (who murdered Caligula), his sister Drusilla - were all historical and, as far as the facts have come down to us, their portrayal in "Caligula" was fairly accurate, at least according to some ancient authors.
Tiberius did retire to the island of Capri in his last years and did invite the elderly Nerva to join him there, and ancient authors do claim that he indulged in sexual perversions there. Nerva really committed suicide as shown in the movie.
The conversations between Caligula, Nerva and Tiberius, probably by Vidal, really reflect contemporary views and issues - for instance, the deification of Julius Caesar and Augustus, Tiberius's predecessors: Tiberius was totally cynical about the whole thing, whereas Caligula firmly believed it. Throughout the movie, many of Caligula's lines come straight from ancient authors.
On the other hand, Nerva's comment on Caligula's "gift for logic" seems to owe more to Camus than to ancient sources - still, a nice touch, I thought.
Tiberius's murder by Caligula and Macro, Caligula's removal of Macro and Gemellus, his incestuous relationship with Drusilla, her death, his marriage to Caesonia, her giving him a daughter, his increasing tyranny, his farcical invasion of Germany and attempted invasion of Britain, and his murder by his own guard - are all historical facts, and on the whole not too inaccurately shown in the movie.
On the other hand, the movie's biggest weaknesses from the historical point of view are (1) the way it *looks* and (2) the suggestion that Caligula's and Tiberius's depravity were somehow "normal", part of Rome's "decadence".
The sets and clothes all look more like something from a Fellini film than from ancient Rome. Tiberius's palace on Capri is perhaps the most unrealistic, along with that ship, and the execution machine - and countless details.
The clothes aren't very realistic, either. Romans were more casual about nudity than we are today, and I suppose that their clothes might reveal much some times. But I doubt that Roman ladies would be as casual about parading half-naked as portrayed in the movie (I mean in normal situations, not the sex scenes).
Moreover, it's simply not true that "orgies" such as that portrayed in the movie were common among the Roman upper classes. Actually adultery - also on the part of males - was an offense punishable by death, at least for the upper classes (this didn't cover prostitution). The vast majority of the Roman senatorial class would, and did, find behavior such as that of Tiberius and Caligula scandalous.
However, Caligula's in cognito wanderings through Rome after Drusilla's death give perhaps for the first time in a movie a good impression of what ancient Rome actually was at night - dangerous, dark, chaotic, where no person of means would venture without an armed escort.
I also enjoyed the glimpse of what an emperor's routine largely consisted of, with Tiberius and Caligula stamping their seal onto endless piles of official documents.
"Caligula" was obviously intended to be mainly a pornographic movie - Bob Guccione made sure of that. But it also, at some point, was intended to have a core of historical accuracy, which is why Gore Vidal was asked to write the script.
This core is still present in the movie, and it's not true that you don't learn anything of Roman history by watching it.
But of course, I know that that's not what most people will watch it for. So perhaps Guccione was right.

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Before Rome. Before Gladiator. The most controversial film of all time as you've never experienced it before! Combining lavish spectacle and top award-winning stars, this landmark production was shrouded in secrecy since its first day of filming. Now, this unprecedented special edition presents a bolder and more revealing Caligula than ever before, with a beautiful new high-definition transfer from recently uncovered negative elements and hours of never-before-seen bonus material! From the moment he ascends to the throne as Emperor, Caligula enforces a reign like no other as power and corruption transform him into a deranged beast whose deeds still live on as some of the most depraved in history. Malcolm McDowell (NBC's top-rated Heroes, Rob Zombie's Halloween, A Clockwork Orange, Time After Time, If..., Cat People and O Lucky Man), Helen Mirren: 2007 Academy Award & Golden Globe Winner for The Queen; 2007 Emmy & Golden Globe winner for HBO's Elizabeth I; star of hit TV series Prime Suspect and films including National Treasure: Book of Secrets, Calendar Girls, Excalibur, The Mosquito Coast, and The Cook, the Thief, His Wife & Her Lover), Peter O'Toole (Lawrence of Arabia, The Lion in Winter, The Ruling Class, My Favorite Year, Venus, The Stunt Man), John Gielgud (Gandhi, The Elephant Man, Kenneth Branagh's Hamlet, Alfred Hitchcock's Secret Agent, and Academy Award-winning role in Arthur). Supporting cast includes a wide array of European cult actors including Teresa Ann Savoy (Salon Kitty), John Steiner (Mario Bava's Shock), Leopoldo Trieste (Cinema Paradiso), Mirella D'Angelo (Tenebrae), Paolo Bonacelli (Mission: Impossible III) and Adriana Asti (The Best of Youth).

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Dante's Cove - The Complete Second Season (2005) Review

Dante's Cove - The Complete Second Season (2005)
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In the second season of the guilty pleasure "Dante's Cove" (think of it as a cross between "The O.C." and the old series "Dark Shadows", but with gay erotic content that makes "Queer As Folk" look like an afterschool special), the hunky boys and beautiful girls who live at Dante's Hotel are living and loving, while still having to deal with the problems caused by its previous inhabitant, exiled warlock Ambrosius, and his ex-girlfriend and eternal nemesis, the witch Grace.
This season, they're joined by a mysterious, more powerful witch, Diana (played by Thea Gil, previously of QAF). As we rejoin the gang, somewhat naive Kevin is tired of living under Toby's shadow, wants to get a job and become more self-sufficient, which makes Toby insecure about their relationship. Seeing this as a chance to get Kevin back into his clutches, Ambrosius updates his image ("Call me 'Bro!") and tries to dazzle the young man with a fast car and to-die-for beach house. Toby's ex Adam (recast this year, for the better) gets involved with Ambrosius as well, and gets hooked on a local drug with supernatural origins. Meanwhile, Van gets further into dabbling in magic, with a book she found on the beach, learns the truth about Ambrosius and Grace, and takes desperate measures when her girlfriend Michelle says she has to choose between the magic or their relationship. The five (apx.) hour-long episodes also reveal a former boyfriend of Kevin's visiting the hotel, Adam's involvement with a gay afterhours sex club, the resort's handyman trying to seduce boss man Marco, more background on the two child ghosts that appear to Toby, as well as much more detail on the ins and outs of Grace's and Ambrosius' powers, and how they must ally themselves with a hotel guest in order to battle it out by the upcoming Solstice. Comic relief is provided by the appearance of an old porcelin doll, which has a spell causing anyone who touches it to fall in instant lust with the next person (male or female) they see.
Critics say "This is nothing more than a gay soap" and point at the often over-the-top dialogue and occasional overacting. Hey, it is what it is, and it works on that level exceedingly well, as most "guilty pleasures" should! They definitely cranked up the "camp" quotient a notch or two this year, with Tracy Scoggins as Grace (trying to teach young protege' Van the nuances of black magic) losing her cool and occasionally seeming to be channeling Agnes Moorehead in "Bewitched"! The photography, music and eye candy is outstanding, and I found myself powerless to avoid going through all five episodes in one sitting.
Note that the format of this 2-DVD set can be a bit confusing, in that there is a top menu to choose the episode you want to see (which should obviously be viewed in order), and then a submenu to play that episode (No option to view all episodes on the disk consecutively.) The second disk also includes some excellent extras, including deleted scenes, interviews with the cast, "backlot" featurette and "coming out" stories by the three openly-gay cast members. It isn't Emmy-worthy, but a fun diversion for you and open-minded friends. I'm under a spell not to give it anything less than a full five stars out of five.

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(Gay & Lesbian) Since its premiere in 2005, "Dante’s Cove" has grown from a cult sensation to a gay cultural phenomenon. Fun and provocative, the show has seduced thousands with its unabashed and unapologetic delivery of sex and camp, placing itself as the ultimate guilty pleasure. Season 2 is even more outrageous with the introduction of more deadly secrets, more intriguing twists and most importantly, more hot-bodied stars!

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Spartacus: Blood and Sand - The Complete First Season (2010) Review

Spartacus: Blood and Sand - The Complete First Season  (2010)
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I felt compelled to give my review in contrast to some of those I have been reading saying this series is aimed at a male demographic. I am educated, gainfully employed, well read, happily married and middle aged.
I love everything about Spartacus.
I think the problem is that some people go into it with specific expectations. Start watching with an open mind.
As film art, it is absolutely beautiful. Some of the visuals are obvious CGIs and in my opinion they were done to enhance the visual experience and it works. I think the director is presenting it as his vision to us. For a television series its stunning to watch.
As a story, it is riveting. They have done a great job baiting the viewer and building interest and depth in the plot. You become fully vested in the characters without even realizing it. There is a natural continuity through it without becoming predictable. So much going on, even the side plots are interesting.
As history, it is what it is. A fictional story based on facts. I know watching this sort of historical saga always piques my interest in true history and I research. Some people get all up in arms about how it really was. I find the way a writer or director fills in the gaps or interprets history interesting and accept it for what it is.
Frankly, this bloody, dirty, depiction of that era is far more believable then some Disneyfied version. (Don't attack. I'm a big Disney fan as well)
As far as the actors and acting is concerned, kudos all around. Lucy Lawless is the big name draw and she is amazing. But equally good is about everyone else in the film whether you like their characters or not, the acting is all top notch. The costuming and even the lack thereof, is beautiful without detracting from the show as a whole. I wouldn't be surprised to see an award nod to the costume designer at some point.
All in all I have found this one of the most worthwhile and entertaining things I have put my time into to date.
Will everyone like? Of course not, for various reasons, just like everything. I just hope they keep making it.
On that note, all the wishes and good thoughts to Andy Whitfield for his improved health.

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Betrayed by the Romans. Forced into slavery. Reborn as a Gladiator. The classic tale of the Republic\'s most infamous rebel comes alive in the graphic and visceral new series, Spartacus: Blood and Sand. Torn from his homeland and the woman he loves, Spartacus is condemned to the brutal world of the arena where blood and death are primetime entertainment. But not all battles are fought upon the sands. Treachery, corruption, and the allure of sensual pleasures will constantly test Spartacus. To survive, he must become more than a man. More than a gladiator. He must become a legend.

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