Showing posts with label class. Show all posts
Showing posts with label class. Show all posts

Slumdog Millionaire (2009) Review

Slumdog Millionaire (2009)
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Slumdog Millionaire deserves a place among the masterpieces of world cinema. Praise is pouring in for this brilliant film, directed by Danny Boyle from a screenplay by Simon Beaufoy adapted from a novel by Vikas Swarup.
The settings move from the bleakest - the slums outside Mumbai, where our hero, Jamal Malik, lives as a child with his older brother Salim - to high rise vistas and no less than the Taj Mahal. The story ranges from the worst despair and heartbreak to the noblest sacrifice and most romantic love.

We are introduced in the opening moments to the young adult Jamal, played by Dev Patel. He is a contestant on the Indian version of Who Wants To Be A Millionaire and has just answered the ten million rupee question prior to the end of the show. His next question will be worth twenty million rupees, an unimaginable fortune to the average Indian. The arrogant, primping star of the show, played with artificial charm concealing an oily narcissism by Anil Kapoor, cannot stand that young Jamal is stealing some of his spotlight, and believes that the young, uneducated "slumdog" is cheating. (One of the key sequences involves the host "proving" to himself that Jamal MUST be cheating.) Jamal has been handed over to the police, who torture him to make him confess his deception. This moment in Jamal's life frames the rest of the film, told in flashback, and explains the torturous road that allowed Jamal to answer even the most difficult questions.
We are not told about Jamal and Salim's father, but in an early sequence we see their mother murdered in a brutal religion riot as club-wielding Hindu's attack a Muslim slum. Orphaned, Jamal and Salim live in the trash dump at the edge of the slum. They befriend another orphan, the young girl Latika.
The remainder of the film fills in the gaps of the lives of Jamal and Salim and Latika, who call themselves the Three Musketeers, but only got far enough in school before the murder of their mother to learn the names Athos and Porthos. Along the way they encounter police brutality, orphanage directors who make Fagin and Bill Sykes look like Mother Teresa, as well as Indian gangsters and other people-traffickers. Several sequences show us that Salim is becoming hardened by their harsh life, although he retains a degree of love for Jamal. For his part Jamal makes the most of what life gives him. He only resorts to the criminal activities Salim sees as the only way to make it out of necessity. At two different times Jamal is heart-breakingly separated from Latika, and at one level the entire film is a love story about Jamal's single-minded dedication to reunite with the only girl he ever loved. (Nine astonishing performances are given of the "Three Musketeers" at three different ages of life, and it is appropriate to give credit to Ayush Mahesh Khedekar, Azharuddin Mohammed Ismail and Rubiana Ali as the youngest Jamal, Salim and Latika as well as Tanay Chheda, Ashutosh Lobo Gajiwala and Tanvi Ganesh Lonkar as the just-past-puberty versions. Dev Patel and the beautiful Freida Pinto may become international sensations as the adult star-crossed lovers. Madhur Mittal has less screen time as the adult Salim, but his character plays an important role.)
The faint-hearted should know that the language could appear on American television and that there is no nudity, but the violence, in particular two torture scenes, are flinch-inducing.
Slumdog is a piece of fiction - a fantasy - but it includes real emotions and believable human characters. I walked from the theater feeling a little better about being alive, and knowing that I had just viewed a stunning artistic achievement.
One of the inequities of the movie business is that a film like this can only open in a few theaters in New York, Chicago and Los Angeles, and take weeks to arrive at "lesser" destinations like Atlanta and Houston and St. Louis, while Beverly Hills Chihuahua opened nationwide on thousands of screens. I'm just sayin'.


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Jamal Malik (Dev Patel) is just one question away from winning a fortune on India's version of "Who Wants To Be A Millionaire?" But how has this uneducated young man from the slums succeeded in providing correct responses to questions that have stumped countless scholars before him? And will he ultimately win it all or lose everything, including his true love?
Audio: English: 5.1 Dolby Surround / French: Dolby Surround
Language: Dubbed: English & French / Subtitled: English, French & Spanish
Aspect Ratio: Widescreen: 2.35:1


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The Up Series (Seven Up / 7 Plus Seven / 21 Up / 28 Up / 35 Up / 42 Up / 49 Up) Review

The Up Series (Seven Up / 7 Plus Seven / 21 Up / 28 Up / 35 Up / 42 Up / 49 Up)
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Given one of the most sublime points of this series, that time is precious and fleeting, it's interesting to see that people ask why they should spend so much money on this series, rather than the more important question of why should they spend so much time.
I resisted seeing 42 UP in the theater because I knew that one day these films would be on DVD and I wanted the pure experience of watching them all. Well, here they are and I'm not disappointed.
While Apted is very skillful in using previous clips to make each work stand on it's own, it's far more valuable to see each new clip as it unspools in real-time. For one thing, Apted can't know the future when he makes each installment and so can't edit with an eye to the future (and he admits on the commentary track of 42 UP that the two times he tried, he got it completely wrong -- and in one of those cases lost a valuable participant). For another, much of the richness of each interview is necessarily lost when it's chopped down to a sentence or two in later editions. Some of the most telling and poignant moments are those when one of the subjects gives a look to the camera (or the loved one next to them) in silence. Even Apted comments that about 80% of a particular film is edited out when he makes the next one.
While it's true there is a bit of repetition if you watch all these movies back to back, the total sweep of the experience is awesome which more than makes up for it. Apted does an amazing job by not commenting at all on the subjects (except through editing), letting the individuals speak for themselves. Their statements are loaded in a way that only an outside observe can see.
There are a lot of sad moments here as innocent childhood perceptions get washed away by the realities of life and it's telling that at least one participant seems to have dropped out permanently. One of the lessons that you can see here is that regardless of place in society, not enough of us ever really consider, in a deep way, the values and dictates that our elders speak to us as children. Perhaps that's why Suzy, Neil, Bruce, and Nick stand out for me - each has obviously done deep soul searching even in these snippets of their life. (And what I wouldn't give for an interview with Charles who seems to have reconsidered his life once he didn't get into Oxford.) For all their stature and privilege, John and Andrew seem the least imaginative of the entire lot and have lived lives on the conveyor belt as Charles puts it. Wait for the mid-life crises to erupt in 49 UP.
Be sure to listen to Apted's commentary on the 42 UP program. He clearly explains why Symon was absent on 35 UP (the reason is one might guess after seeing him on 42 UP) and John and Paul are absent (probably forever). It's most telling to me that it is the upper class (privileged) people who have the most problems with the Up Series (apparently Suzy does it reluctantly, but as part of her duty).
Watching this set of DVDs is a totally valuable experience and excellent reminder that our time on this planet is finite, so enjoy them...and life!

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710 total minutes, color & b/w* Six Disc Collector's Edition Includes all Seven Films:Seven UP, 7 Plus Seven, 21 UP, 28 UP, 35 UP, 42 UP, 49 UPDVD Bonus Features:* Exclusive Interview: Roger Ebert talks with Michael Apted * Audio Commentary by Michael Apted (on 42 UP) * Photo Gallery for each film * Apted Biography "Give me the child until he is seven and I will give you the man." Starting in 1964 with Seven Up, The UP Series has explored this Jesuit maxim. The original concept was to interview 14 children from diverse backgrounds from all over England, asking them about their lives and their dreams for the future. Every seven years, renowned director Michael Apted, a researcher for Seven Up, has been back to talk to them, examining the progression of their lives. From cab driver Tony to schoolmates Jackie, Lynn and Susan and the heart-breaking Neil, as they turn 49 more life-changing decisions and surprising developments are revealed. An astonishing, unforgettable look at the structure of life in the 20th century, The UP Series is, according to critic Roger Ebert,

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