The Mistress of Spices (2005) Review

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(More customer reviews)Came across this by sheer accident and I'm very grateful for it.
"Mistress of Spices" is a nice cross between "Bell, Book, & Candle" and "Like Water for Chocolate", with a dash of "Practical Magic". The rules are the same the Heroine maintains her powers and influence over the lives of others though selflessness and the manipulation of food stuffs. However to fall in love will result in negative consequences.
Arguably the main character of the movie is the Spice Bazaar itself. The set is lush in color and design, it is so remarkable that while watching the movie you might feel as though you are standing right in the middle of it and will begin to imagine the scent of all the combined spices.
Aishwarya Rai's natural radiance gives Tilo a gentle warmth that conveys a concern for others with very little effort and it's nice to see Dylan McDermott return to playing a handsome romantic lead who combines sensuality with respect. The two leads are charming, classy and beautiful, the story is stimulating and dreamy in quality compared to so many other romance movies which leave nothing to the imagination.
For a soothing and vibrant viewing experince, a bit of romance, and a touch of class with a satisfying ending. This movie is highly recommended - especially for repeat viewings, the Spice Bazaar is a pleasant place to visit.

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(Romance) Tilo runs a spice store in San Francisco and has a magical gift of seeing into her customers' lives and desires.But, when a handsome, enigmatic American with a secret past enters her store, Tilo’s own desires are stirred for the first time.

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Blind Dating (2007) Review

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(More customer reviews)The title and cover of this DVD suggest a film that is more fluff than substance. But don't be fooled by these clues. BLIND DATING is a well-written (Christopher Theo), well-directed (James Keach - brother of Stacy Keach and husband of Jane Seymour) story about the coping of the visually impaired, the quirks of Italian and Indian families, brotherhood, and the gamut of finding the right partner in a world of essential blind dating! One of the reasons the movie works so well is the ability of actor Chris Pine to make us believe he is blind and convey the positive manner in which people with impairments may 'view' those around them.
Danny (Chris Pine) was born prematurely and as a result is blind, and as he grows toward age 21 he feels he is unattractive to women. His family is warm, loving and Italian and supportive - especially his brother Larry (Eddie Kaye Thomas) who runs a Limo service and is constantly trying to find Danny his first physical encounter, be that with hookers, girls from the office or neighborhood, or just referrals - each of whom is a disaster when it comes to dealing with a date who is blind! Danny discovers an operation that implants a camera-like contraption in his brain that will allow him the possibility to see again, even if the images are simply black and white and indistinct. In the office of ophthalmologist Dr. Perkins (Stephen Tobolowsky) is a young girl Leeza (Anjali Ray) who is Indian and whose parents have arranged a wedding with a man she does not love. And yes, in time Danny and Leeza are attracted to each other in what appears to be a doomed relationship - for family reasons. Danny has his operation and is able to see some images, but the implant fails and Danny once again is without sight - but far from being without hope, as both his and Leeza's families undergo changes of heart.
There is a sense of love that emanates from the screen, due in part to the script, the direction, and to the acting. Chris Pine is exceptionally fine in a challenging role, finding the balance between courage, comedy, and tenderness that makes his character believable and lovable, and never once making a move that breaks his image as a sightless person. The entire cast is fine, including a hilarious Jane Seymour as Dr. Evans, Chris' therapist with a penchant for disrobing in front of her sightless patient! But the aspect of the film that sets it apart from many is the presentation of everyday type prejudices that can be every bit as hampering as a physical impairment! This is a warmhearted, very human comedy with many messages. Grady Harp, April 08

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Danny (Chris Pine) is smart, handsome, popular, and blind... and not just physically: He also can't see how wild women are for him. Even his sexy therapist (Jane Seymour) can't keep her clothes on around Danny. After a series of painful "blind dates" set up by his brother (Kaye Thomas), Danny falls for a young Indian woman named Leeza (Anjali Jay), and finally everything seems picture perfect. But when cultures clash, and Leeza reveals that she's been promised to someone else, Danny must prove to her that there's more to love than meets the eye!

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Masterpiece Theatre: The Wilkie Collins Set - The Woman in White/The Moonstone (1997) Review

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(More customer reviews)Both of these films are intriguing British pieces. The Woman In White is perhaps slightly over-dramatized in this version, but the heart of the story is well captivated by the actors.
The Moonstone has long been a favorite mystery of mine, and this portrayal is rather brilliant.
It was a good purchase for those anglophiles that enjoy nothing better than a good British period movie.

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Masterpiece theatre productions of the woman in white & moostone.Studio: Wgbh WholesaleRelease Date: 10/17/2006Run time: 224 minutes

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Born into Brothels (2004) Review

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(More customer reviews)In order to photograph in the red light districts of Calcutta, India, photojournalist Zana Briski lived there for several years. Though many of the residents were wary of her camera, Briski found that the neighborhood children were unafraid and curious. So she began teaching them photography, giving each child a point-and-shoot film camera with which to photograph his or her environment and providing classes on technique and editing. This eventually resulted in international acclaim for the children's photographs and media coverage for Briski's unusual photo classes. "Born Into Brothels" is a documentary of Briski's class of young photographers filmed by Zana Briski and Ross Kaufman about 2 years into the project that has become known as "Kids with Cameras".
The best thing about "Born Into Brothels" is that it allows the children to tell their story in their own words. Zana Briski's class of 8 photographers -who call her "Zana Auntie"- are children of prostitutes, born and raised among the harsh realities of Calcutta's Sonagachi red light district. There are 5 girls: Kochi, Tapasi, Shanti, Puja, and Suchitra, and 3 boys: Manik, Gour, and Avijit, ranging in age from 10 to 14 years, but mostly pre-teens. The documentary is dominated by interviews with the children and by their photographs, with occasional voiceover or footage of Zana Briski. The filmmakers are commendably respectful of the children and their decisions. These kids understand their situations very well and tend to be philosophical about it, yet many of them yearn for opportunities to escape life in the brothel. Interestingly, the kids are not fatherless children of single prostitutes, as I might have expected. Many of their mothers' are married and live with large extended families.
"Born Into Brothels" lets the kids talk about themselves, their families, and their world. We sit in on their photo classes, accompany them on photo field trips to the zoo and the beach, and sympathize with Zana Briski's frustration as she struggles with bureaucracy and prejudice to find boarding schools that will accept children of sex workers. We also see the kids beaming with pride and having some fun as they enjoy international success and a bit of fame in India as well. Zana Briski has obviously done a great deal of work and invested a lot of emotional energy in a project that may change the lives of a handful of children if she is lucky. But even if the kids lives' turn out no different than their parents', photography has broadened their outlook and given them some great experiences. "Born Into Brothels" is an engaging documentary of that process. To learn more or purchase prints, visit www.kids-with-cameras.org .
The DVD (Thinkfilm 2005): There are text bios of Zana Briski and Ross Kaufman. "About the Photographers" includes text bios of the children, which are useful in figuring out who is who.

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A tribute to the resiliency of childhood and the restorative power of art, BORN INTO BROTHELS is a portrait of several unforgettable children who live in Calcutta's red light district, where there mothers work as prostitutes. Spurred by the kids' facination with her camera, Zana Briski, a New-York-based photographer living in the brothels and documenting life there, decides to teach them photography. As they begin to look at and record their world through new eyes, the kids, who society refused to recognize, awaken for the first time to their own talents and sense of worth. Filmmakers Ross Kauffman and Zana Briski capture the way in which beauty can be found even the seemingly bleakest and most helpless of places, and how art and education can empower children to transform their lives.
This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

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Good Hair (2009) Review

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(More customer reviews)Comedian Chris Rock takes a look at the lengths some people in the African-American community, especially women, go to for "good hair". Near the beginning and end of the movie Rock visits the Bronner Hair Show in Atlanta, Georgia, a huge trade convention for the manufacturers of black hair products. Here he highlights four stylists competing for the title of champion platform performer, an elaborate stage show featuring music, dance, costumes and, of course, hairstyling. In between Rock discusses all the time and money spent using relaxer and getting weaves as well as the possible psychological and cultural reasons behind this obsession with hair.
Rock's take on the subject seems to be that it is more important what's in your head than on your head. But it also recognizes the pressures placed on black women to fit in with society's beauty standards and understands why these women forsake their natural hair for perms and extensions. The film delves into serious subjects but maintains a funny and playful tone throughout. I certainly found myself laughing more than I did at the usual Hollywood comedy. And I even left the theater feeling a little smarter about a topic I knew almost nothing about. One of the better documentaries of the year.

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Chris Rock visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the black community in this exposé of comic proportions that only he could pull off. A raucous adventure prompted by Rock\'s daughter approaching him and asking, "Daddy, how come I don\'t have good hair?", GOOD HAIR shows Chris Rock engaging in frank, funny conversations with hair-care professionals, beauty shop and barbershop patrons, and celebrities including Ice-T, Nia Long, Paul Mooney, Raven Symoné, Dr. Maya Angelou, Salt-N-Pepa, Eve and Reverend Al Sharpton – all while he struggles with the task of figuring out how to respond to his daughter's question.

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Slumdog Millionaire (2009) Review

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(More customer reviews)Slumdog Millionaire deserves a place among the masterpieces of world cinema. Praise is pouring in for this brilliant film, directed by Danny Boyle from a screenplay by Simon Beaufoy adapted from a novel by Vikas Swarup.
The settings move from the bleakest - the slums outside Mumbai, where our hero, Jamal Malik, lives as a child with his older brother Salim - to high rise vistas and no less than the Taj Mahal. The story ranges from the worst despair and heartbreak to the noblest sacrifice and most romantic love.

We are introduced in the opening moments to the young adult Jamal, played by Dev Patel. He is a contestant on the Indian version of Who Wants To Be A Millionaire and has just answered the ten million rupee question prior to the end of the show. His next question will be worth twenty million rupees, an unimaginable fortune to the average Indian. The arrogant, primping star of the show, played with artificial charm concealing an oily narcissism by Anil Kapoor, cannot stand that young Jamal is stealing some of his spotlight, and believes that the young, uneducated "slumdog" is cheating. (One of the key sequences involves the host "proving" to himself that Jamal MUST be cheating.) Jamal has been handed over to the police, who torture him to make him confess his deception. This moment in Jamal's life frames the rest of the film, told in flashback, and explains the torturous road that allowed Jamal to answer even the most difficult questions.
We are not told about Jamal and Salim's father, but in an early sequence we see their mother murdered in a brutal religion riot as club-wielding Hindu's attack a Muslim slum. Orphaned, Jamal and Salim live in the trash dump at the edge of the slum. They befriend another orphan, the young girl Latika.
The remainder of the film fills in the gaps of the lives of Jamal and Salim and Latika, who call themselves the Three Musketeers, but only got far enough in school before the murder of their mother to learn the names Athos and Porthos. Along the way they encounter police brutality, orphanage directors who make Fagin and Bill Sykes look like Mother Teresa, as well as Indian gangsters and other people-traffickers. Several sequences show us that Salim is becoming hardened by their harsh life, although he retains a degree of love for Jamal. For his part Jamal makes the most of what life gives him. He only resorts to the criminal activities Salim sees as the only way to make it out of necessity. At two different times Jamal is heart-breakingly separated from Latika, and at one level the entire film is a love story about Jamal's single-minded dedication to reunite with the only girl he ever loved. (Nine astonishing performances are given of the "Three Musketeers" at three different ages of life, and it is appropriate to give credit to Ayush Mahesh Khedekar, Azharuddin Mohammed Ismail and Rubiana Ali as the youngest Jamal, Salim and Latika as well as Tanay Chheda, Ashutosh Lobo Gajiwala and Tanvi Ganesh Lonkar as the just-past-puberty versions. Dev Patel and the beautiful Freida Pinto may become international sensations as the adult star-crossed lovers. Madhur Mittal has less screen time as the adult Salim, but his character plays an important role.)
The faint-hearted should know that the language could appear on American television and that there is no nudity, but the violence, in particular two torture scenes, are flinch-inducing.
Slumdog is a piece of fiction - a fantasy - but it includes real emotions and believable human characters. I walked from the theater feeling a little better about being alive, and knowing that I had just viewed a stunning artistic achievement.
One of the inequities of the movie business is that a film like this can only open in a few theaters in New York, Chicago and Los Angeles, and take weeks to arrive at "lesser" destinations like Atlanta and Houston and St. Louis, while Beverly Hills Chihuahua opened nationwide on thousands of screens. I'm just sayin'.


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Jamal Malik (Dev Patel) is just one question away from winning a fortune on India's version of "Who Wants To Be A Millionaire?" But how has this uneducated young man from the slums succeeded in providing correct responses to questions that have stumped countless scholars before him? And will he ultimately win it all or lose everything, including his true love?
Audio: English: 5.1 Dolby Surround / French: Dolby Surround
Language: Dubbed: English & French / Subtitled: English, French & Spanish
Aspect Ratio: Widescreen: 2.35:1

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Mother Teresa Review

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(More customer reviews)Surely most everyone has at least some sketchy knowledge of the legacy of Mother Teresa. There is great power in grace, in kindness, in doing good unto others with little or no regard for oneself. But I've long been curious to know more: who is this selfless woman? is it really possible to be completely altruistic? or, is doing good for the pleasure it brings us to be good, or for our reward in the afterlife, motive that negates true altruism? and, what kind of background gave birth to such a modern-day saint?
The movie, "Mother Teresa," directed by Fabrizio Costa and with Olivia Hussey in the lead role, did little to answer any of these questions for me. Indeed, that it begins with Mother Teresa already in Calcutta as a nun, quite disappointed me. I gained no knowledge of what kind of background had formed this remarkable woman. Nevertheless, I was enthralled. Hussey's careful and completely believable portrayal (the viewer forgets it is an actress on the screen and not indeed Mother Teresa herself, which is surely the goal of any actor) matched any actual history I had glimpsed in media during the latter years of her life.
From what was shown in this portrayal did entice to find out more. This woman is surely as awe-inspiring as I had expected. I found myself thinking back to this movie, to her life and her deep faith, days, even weeks, after watching it. In an age of violence and self-indulgence, of pleasure seeking and materialism, to view this life and all the lives affected by hers lifts one out of the mire for a moment and gives great pause. We can do better.
Mother Teresa teaches us not with words but with actions. How she lived her life, devoted to helping those who were too weak or poor to help themselves, in a manner of strength and simplicity, unfalteringly trusting that God will provide, inspires all, and of whatever belief system.
Highly recommended.

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In a powerful portrayal, Golden Globe winner Olivia Hussey illuminates the life story of Mother Teresa, the selfless missionary who brought hope, love and salvation to the poorest of the poor. A shrewd diplomat and an indomitable force, Mother Teresa is unwilling to accept what others deem impossible, fearlessly fighting for the unloved and the forgotten. Her good works transcend hardships and ultimately earn her international acclaim, including the Nobel Peace prize. The small miracles and humble triumphs of Mother Teresa will inspire you in this poignant tale of a modern-day saint.

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The Mahabharata (1990) Review

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(More customer reviews)This is a heavily abridged version of Peter Brook's wonderful film. About 1/2 the film has been cut from this version. I owned the VCR version of this movie which is 325 minutes long. I had assumed this was a long-awaited reprint of an out-of-print classic. Instead, this is a HEAVILY abridged (170-minute) version of the show.
I bought this as a birthday present for my husband, after five minutes of watching painful cut after painful cut, we had to turn the film off. I will be returning it ASAP.
I have NO IDEA why the studio did this.
Amazon.com should mark this as an ABRIDGED VERSION.
I can only hope that the studio comes to their senses and released a version of the DVD that is the full 325 minutes, because the VCR tapes I bought 14 years ago are wearing out...

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One of the great masterpieces of world literature comes to vivid life in an elaborate production from acclaimed theater and film innovator Peter Brook (Marat/Sade, Lord of the Flies). This collection of ancient Sanskrit stories (composed into the longest book ever written) comprises a series of enlightened fables at the heart of countless beliefs, legends, and teachings; indeed, its very title means "the great story of mankind." Brook and award-winning writer Jean-Claude Carriere worked for eight years to develop this epic concerning two sides of a royal family, the Pandavas and the Kauravas, whose struggle leads to a fascinating voyage of emotions, contradictions, and dreams, filled with subplots which are alternately comic and tragic but always gloriously entertaining. Now newly remastered and restored for a dazzling audio-visual experience you'll never forget.

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Sherlock Holmes - The Sign of Four (1987) Review

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(More customer reviews)The late Jeremy Brett's portrayal of Sherlock Holmes is so real, so vital, and so thoroughly mesmerizing that I can never imagine another actor playing the part. The man literally oozes charisma, and his aristocratic, finely chiselled looks perfectly match the Holmes I've always envisioned. Brett also captures the nuances that make Holmes such a memorable creation: the moodiness, the nervous bursts of energy, the unexpected moments of humour, and all his other maddening (but wonderful) eccentricities. Brett also has the perfect speaking voice for Holmes - a perfectly enunciated, slightly fruity, upper class Etonian accent. The death of Jeremy Brett in 1995 robbed us of Holmes' finest interpreter and a fascinating actor.
Happily, however, Brett has left us with a large legacy of performances as the great detective. The British Granada television series, filmed between 1984 and 1994, is now available on video (and occasionally on DVD) and includes many stand-out episodes. The present video is one of several feature-length episodes filmed for the series, and was made in 1987. This was around the period in which Brett's health started to decline (he suffered from a combination of heart disease and depression), but personally I have always felt that he transcended the effects of his illness, and in some ways his performances as Holmes were even more compelling because of it. At times he would have to husband his vocal resources as breath control became a problem, but his portrayal remained compelling right up until the end. Here he looks fine for the most part, and if anything, his slightly red-rimmed eyes and sallow complexion suit the character of Holmes, who was hardly the picture of robust good health himself.
Brett is ably supported by Edward Hardwicke as a sympathetic and intelligent Watson. This is the confidante whom Conan Doyle always envisioned, not the bumbling twit that one remembers from the Nigel Bruce caricature of the 1930s and 1940s.
The rest of the cast is uniformly good, with John Thaw excellent as the nominal villain, Jonathan Small, and Ronald Lacey hilarious in the dual roles of the eccentric (and appallingly hair-styled!) Sholto brothers.
As always in this ten-year series, the direction is top-notch, and the period atmosphere is beautifully evoked. There is also some clever use of shadow and mirrors that add a touch of class to the visual effects.
With great performances and direction to match, why, then, have I not given this adaptation five stars?
My reservations lie with the story itself. The Sign of Four lacks the suspense of say, The Hound of the Baskervilles or the darkly compelling Dying Detective. To be sure, it is a very interesting story with all the usual Conan Doyle flourishes (exotic background, eccentric personalities and a hint of romance), but it all comes to a conclusion much too soon with the anti-climactic narrative from Jonathan Small that occupies the last ten minutes or so of the episode. Nevertheless, there is still much to enjoy along the way in this witty evocation of Doyle's novel. In short, I recommend this episode with the proviso that dedicated Sherlockians also check out many of the other programmes in the series.

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SHERLOCK HOLMES:SIGN OF FOUR - DVD Movie

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