Queen: The Freddie Mercury Tribute Concert (1992) Review

Average Reviews:

(More customer reviews)I agree with just about everyone else who has reviewed this DVD, how can the people who edited this cut out the BEST performance of the concert which was Extreme's medley of Queen songs. I thank my lucky stars I still have it on tape from when MTV first aired the concert 10 years ago. It's my favorite part of the show and by far one of the coolest moments. The band, most especially Gary Cherone, payed tribute to Freddie and Queen in the best way I've ever seen. The medley of songs were performed with such excitment and the audience loved them. So did I :) This DVD just starts the concert with Joe Elliott doing Tie Your Mother Down, that's like the middle of the show! There were several performances cut out mainly Metallica, Guns 'N Roses, Def Leppard, and the above mentioned Extreme. This DVD needs to be re-issued in it's entirety. I did, however, like those Freddie segments included on the dvd that were shown to the audience during intermission. Those were really cool. Great concert but not shown to it's fullest potential on this dvd and that's a real shame. QUEEN AND FREDDIE deserve more...and so do the fans :)

Click Here to see more reviews about: Queen: The Freddie Mercury Tribute Concert (1992)

Item Name: The Freddie Mercury Tribute Concert; Studio:Capitol

Click here for more information about Queen: The Freddie Mercury Tribute Concert (1992)

Heart - Alive in Seattle (2003) Review

Average Reviews:

(More customer reviews)The 2003 DVD release HEART: ALIVE IN SEATTLE is one of the best video recordings of a live performance of a rock band, and it is especially impressive when considering that it documents a recent performance from a band that has been playing kick-*ss rock for nearly 30 years (their debut album, DREAMBOAT ANNIE, was released in 1976).
The performance was recorded at the Paramount Theater in Seattle (Heart's hometown) on Aug. 8, 2002, the last gig on the band's 2002 "Summer of Love" tour. The response to the tour was tremendous, with longtime fans and newbies alike enthusiastically welcoming fronters Ann and Nancy Wilson and their new back-up band--an ensemble that includes former Ozzy Osbourne and Alice In Chains bassist Mike Inez and Lovemongers drummer Ben Smith. The tour was so successful, in fact, that they turned right around and toured again in 2003 (the "Alive in America" tour) playing basically the same song set. So fans who missed either or both of those tours can still experience that concert atmosphere vicariously with the HEART: ALIVE IN SEATTLE disc--but with much better "seating"!
The Wilson sisters made an excellent choice for the set list, which includes the band's very popular pre-`80s hard-rock standards like "Crazy on You," "Straight On," "Magic Man," and "Barracuda," as well as some great post-70s tunes such as "Alone" and "These Dreams." In addition, the band does a fantastic job on covers of Led Zeppelin's "Battle of Evermore" and "Black Dog," the Elton John ballad "Mona Lisas and Madhatters," and an old garage-band ditty called "The Witch."
Dark-haired Vocalist Ann Wilson, as beautiful as ever, proves that she still has what it takes to belt out the band's old hard-rock standards, and she still sounds as angelic as ever on the softer melancholy favorites like "Dog and Butterfly" and "Dreamboat Annie." When Heart plays their classic stuff, Ms. Wilson sounds exactly like she did when the songs were first recorded--which is a lot more than you can say for most rock vocalists from the '60s and '70s, who can no longer hit those high notes. But she and sister Nancy (who mainly plays guitar and other strings) also easily keep up with the newer, younger artists when they perform some of their latest compositions like "Heaven," "Sister Wild Rose," and the really cool hard-hitter "Break The Rock." Both women are certainly in top form and prove they can go the distance in the studio and on stage. And with HEART: ALIVE IN SEATTLE, they leave no doubt that they are still two of the most talented and creative women in rock.
The picture quality on this DVD is crisp and clear, with great color saturation and nice contrast, and the cinematographer does a top-notch job of capturing the energy of the artists and the spirit of their performances. The Dolby sound quality is also excellent, and a sound system that takes advantage of the DTS Surround Sound can really make viewers feel like they are at the live performance.
No longtime fan of HEART will be disappointed with HEART: ALIVE IN SEATTLE. And the DVD will certainly give newbies a taste of just how powerful and emotive this band and the talented duo that drives it can be.

Click Here to see more reviews about: Heart - Alive in Seattle (2003)

Music's most famous sisters, Ann and Nancy Wilson, have been successfully writing and performing chart-toppers since their 1975 debut album. From acoustic to folk to hard-driving rock 'n' roll, the ladies instill emotional energy into every song. This special hometown concert showcases a rich musical legacy that's distinctively Heart! Songs: Barracuda, Sister Wild Rose, Mistral Wind, Wild Child, Dog and Butterfly, Magic Man, Crazy on You, Dreamboat Annie, Love Alive, These Dreams, Alone, Two Faces of Eve, Break the Rock, Heaven, Straight On, Black Dog, The Witch, Mona Lisa and Mad Hatters, Battle of Evermore.

Get 12% OFF

Click here for more information about Heart - Alive in Seattle (2003)

Roy Orbison - A Black & White Night (DTS) (1988) Review

Average Reviews:

(More customer reviews)When Springsteen wrote and created his Born To Run album he explained to critics that he wanted "to have an album with lyrics like Dylan, singing like Roy Orbison, and a sound like Phil Spector." If you're 25 or older and you can only give your children one snapshot of popular music, circa '60- '90, buy them a copy of this tape. Bonnie Raitt, Jennifer Warnes, k.d. lang, John David Souther, Jackson Brown and Steven Soules sing backing vocals. Elvis Costello, Tom Waits, Bruce Springsteen and T-Bone Burnett, among others,play instrumental second fiddles. And they all do it for The Man. Roy Orbison. The architect of the symphonic, Ravel-like love song. The singer of singers. Just weeks before he died he played a concert in Boston and the local critic said, (I paraphrase) "he repeated that last line, in his falsetto voice, over and over and over as if to say, 'I'm still here and can do it...anytime.'" The videotape is revelatory. Stephen Burton (gtr) shows, over and over again, why he is to studio musicians and especially to guitar players, an icon non-pareil. He is Chet Atkins, Django Reinhardt, Bucky Pizzarelli, all in one. The tape does a tidy review of Orbison's hits. More remarkable than the performance of those hits is the reverential looks and obvious excitment of Springsteen, Costello, lang, Raitt, Browne, etc. as they accompany him on his tour of transistor radio hits. Forget the Wilbury's. This is Roy's night. Deservedly. Roy knew how to constrain all that emotion behind his words until he was ready to release it. In the last moments of the tape Roy sings "Pretty Woman" and it opens up into a jam-for-all. Noteworthy is how Springsteen acquits himself in a mano a' mano guitar trade with Burton. First they trade twelve bar solos, then they raise the stakes and trade four bar exchanges. Springsteen shows that all those hours spent in his bedroom paid off, ("..well I got me a guitar and I learned how to make it talk...") not topping Burton but filing a tasty, even nasty, testament of his own licks and sources. Perhaps most easily, and unjustly, overlooked in a star studded vid like this is Elvis Costello who plays, no, contributes in a huge way, turns as a harp (harmonica) player, guitar player, singer and pianist. But instrumentally, Burton, Springsteen and Alex Tutt (long-time Orbison drummer) truly set themselves apart. And...It's a real hoot to see k.d. lang and Bonnie Raitt and Jennifer Warnes doing "steps" and singing "sha la la la" and "doo wah doo wah doo wah" and obviously loving it. It is a video to love. And that doesn't even begin to address Orbison's lyrics: "A candy colored clown they call the sandman; tiptoes to my room every night; just to sprinkle star dust and to whisper: "go to sleep, everything is alright." Dylan, Springsteen, Orbison, ..... Quick. Name three more lyricists of that stratum. Buy the tape. Re-learn what was good and true (men "do" cry") about popular music in the sixties and the seventies.

Click Here to see more reviews about: Roy Orbison - A Black & White Night (DTS) (1988)

ROY ORBISON: BLACK & WHITE NIGHT - DVD Movie

Get 12% OFF

Click here for more information about Roy Orbison - A Black & White Night (DTS) (1988)

Chuck Berry - Hail Hail Rock N' Roll (4 Disc) (1987) Review

Average Reviews:

(More customer reviews)This documentary-concert-behind-the-scenes look at Rock and Roll's original lyrical master is back. I have been waiting for its release to DVD for ten years and here it is with a four disc set! How good is that! I had the original movie when it was released in 1987 on VHS and have been playing it ever since.
There are many, many highlights and you will see them all over and over when you get this show. Some of them are:
1) Chuck talking about his meeting with Leonard Chess and his reluctance to play in front of him.
2) How Chuck shows up at a gig alone and always used local bands to back him up. Bruce Springsteen tells the delightful story of his band doing backup when he opened for Chuck and Jerry Lee Lewis early in his career. Chuck comes to the show late out of nowhere ignores the band goes out onstage and starts playing. The band was in a panic, "What song is it?" "What key?", "What arrangement?"...Chuck just comes over and says "Play for that money boys" and Bruce says he didn't know we were doing it for free!! The whole story about going to the bass player for the key was priceless! I know its true-I've seen him do it! 1-2-3 go--that's Chuck Berry!
3) How Chuck got paid in cash (had lots of IRS problems). Here in Australia I saw Chuck in 1975 and he was caught at Sydney Airport with $50000 AUD in an attache case. We still have currency restrictions due to this famous incident!!
4) His reluctance to talk publically about his time in jail (it ruined his career-he was going to be much bigger but that stopped him until the British rediscovered him in 1964!!).
5) His playing steel guitar at the end- a nice country touch, and rare, by himself in his Clubhouse at Berry Park.
You can hear more of this on the rare track "Deep Feeling" released on his "Blues" CD.
6) My highlight is his rehearsal with Keith Richards and the band doing "Carol" or "Oh, Carol" and Chuck correcting him even though the Stones had sold millions of this tune on their first LP. It is priceless I have watched that (and Keith's lovely 1960's Stratocaster) hundreds and hundreds of times and it's so fantastic! And a previous reviewer is right: the arrangements were different. Keith also plays the same solo he did in 1964!
7) Great footage of the late, great Johnnie Johnson. His piano playing made Chuck Berry's records (just imagine "Sweet Little Sixteen" without it!"). Check out his great solo in "Wee Wee Hours", he was a great Blues Pianist in the style of Roosevelt Sykes and in the Kansas City tradition of Jay "Hootie" McShann.
He added so much to Chuck's music and never got any credit, in fact, Chuck took over HIS band in the beginning. It's also telling that, unlike all other Rockers who play in guitar keys of E,A and D, because of Johnson's influence, all of Chuck's tunes are in Jazz and Piano keys like Bb, F, Eb and so on. I remember trying to play "Johnny B. Goode" on my first electric guitar about 1965-I couldn't understand why it wasn't in A!! (It's in Bb! And we had no books, DVD's or Tabs!! just records and sheet music). This is a further insight into why Jimi Hendrix tuned down his guitar a half step--lots of explanations have been given (helped singing, fuller sound for a power trio and so on!), but this gave him guitar key access to a jazzier sound! I am glad Johnnie got to play with Chuck again and get some of the recognition he deserved.
8) The Opening of the concert in St Louis for Chuck's 60th birthday (I'm 60 in 3 years yikes!!!). We see Chuck doing "Roll Over Beethoven" and going to Keith and saying "Let's change the key to Bb from C". Keith says "no" and what follows is classic. Chuck is the original "wing it" musician!
9) Highlights of the actual concert are Eric Clapton's version of "Wee Wee Hours". It's just about his best Blues playing on film, his phrasing is great and he uses both upper and lower registers. Compare this with his "Concert in Hyde Park" (5 Long Years) and the "Cream Reunion Concert" (Stormy Monday). This playing on a ES-350T Gibson (this guitar had been given to Chuck by Keith Richards, but he didn't want it, he liked his ES-355 as it was more "modern"-Eric still plays this guitar today, watch him do "Reptile" on the "One More Road" DVD)in the style of early Rock and Chuck Berry is fantastic!
10) Other great tunes are "Almost Grown", "Little Queenie" (best ever version of this classic!)and "Too Much Monkey Business" which have Keith Richard's best solos. "Memphis, Tennessee", a great version very delicate and Chuck's best solo on the night. Also really good is "No Particular Place To Go" Chuck's big come back hit when he was rediscovered and started to record again in the mid-sixties. The interplay between Chuck and Keith is very good on this tune with them exchanging leads. There is plenty of great music in this concert! Robert Cray's version of "Brown Eyed Handsome Man" is also very good!
The four disc set is definately the way to go unless you have only a casual interest in this topic. The extra three discs have hours and hours of very interesting items:
Disc 2 has the rehearsal and we wish there was a lot more than the 50 odd minutes. The "guitar jam" is really great, however, the actual best playing are the organ and piano solos.The whole segment on Etta James("I sang backup on 3 or 4 of Chuck's tunes at Chess with Minnie Riperton!!") is very interesting and is the best (albeit casual) performance I have ever heard from her. You hear Johnnie Johnson's piano the whole time on this section and he is great! On the blues "Mean Old World" (T-Bone Walker) we hear Eric Clapton and others, but disappointingly, no Keith Richards blues solo!
The whole mini-documentary on the making of the film is also fascinating. Chuck comes across as a money hungry tax cheat, but you still have a soft spot for him, especially after what he went through growing up and then being ripped off so much (but so was Dylan). Actually I believe he was probably a lot worse than the producers made him out!!!
The big insight in this "making of" film is that he did a gig in Ohio before the big 60th concert to make a few bucks, blew his voice out and had to do the concert we see twice (also charged the producers twice!) and then had to overdub the vocals in LA (which he also charged extra for--I always suspected that the concert was "Too Good" to be live Chuck Berry in 1987!!). Very interesting!
Disc 3 has three parts; The interview with Chuck, Bo Diddley and Little Richard is very good. It opens one's eye's to the racism and discrimination these artists had to go through in the early days. Bo's story of the Georgia State Police is shocking! Little Richard's description of R&B as "Real Black" music has them all in stitches! We also see Chuck playing boogie woogie piano with Little Richard, another insight!
The other two parts deal with Robbie Robertson from the Band going through an old scrapbook, which had been in a fire, and bascially interviewing him. He touches gently on Berry's prison experience (which he had done 3 different stints)and the final section "Chuckisms" is, as previous reviews have said-very interesting and moving with Robertson's gentle guitar backround.
Disc 4 has three-and-a-half hours of historical interviews with the founders of Rock and Roll, modern pop music and the recording industry. All fascinating and compelling viewing. The sound on all these discs is superb, the editing great and the colour is magnificent.
This film was made by Taylor Hackford, who introduces each section of each disc in an interesting way that makes you want to view it, is a great documentary filmmaker. He goes back to the 1960s and many documentary specials on US TV. His latest film "Ray" of course got him the recognition he deserves. Get this DVD and get the 4 discs pay the little extra money and get hours more enjoyment from a film about an American institution. This is probably the music release of 2006!


Click Here to see more reviews about: Chuck Berry - Hail Hail Rock N' Roll (4 Disc) (1987)

The unforgettable life and music of pioneering legend Chuck Berry are celebrated in this landmark feature film, capturing a once-in-a-lifetime gathering of rock and roll's finest!In 1986, Keith Richards invited a roster of musicians to honor Berry for an evening of music to commemorate his 60th birthday, including performances by Eric Clapton, Robert Cray, Linda Rondstadt, Etta James and Julian Lennon, along with footage of an unforgettable duet by Chuck and John Lennon!Also featuring interviews with many of the original creators of rock and roll: Jerry Lee Lewis, Little Richard, Roy Orbison, Bo Diddley, The Everly Bros, and Willy Dixon.This dynamite crowd pleaser from director Taylor Hackford (Ray) will keep your toes tapping and your soul rocking all night long! ROCKING EXTRAS! 54 minutes of never-before-seen Chuck Berry rehearsals in DTS and 5.1 audio, featuring Keith Richards, Eric Clapton, Johnnie Johnson, Chuck Lavell and Etta James! "Witness to History," featuring Little Richard, Bo Diddley and Chuck Berry together for the first time; "The Burnt Scrapbook," with Chuck Berry and Robbie Robertson revealing the remains of Chuck's collection of musical memories; "Chuckisms," a collection of classic Chuck Berry remarks; "Witness to History 2," an amazing 3-and-a-half hour look at the birth of rock music with Jerry Lee Lewis, Bo Diddley, the Everly Brothers, Roy Orbison and more!

Get 42% OFF

Click here for more information about Chuck Berry - Hail Hail Rock N' Roll (4 Disc) (1987)

Chicago and Earth, Wind & Fire: Live at the Greek Theatre (2008) Review

Average Reviews:

(More customer reviews)Check it OUT~! I purchased this live DVD to watch Chicago take over Los Angeles. I had been to several Chicago concerts through the years and was wondering if Chicago could still reach the high notes.
I have never seen such a pumped-up session by Chicago until they performed with Earth, Wind and Fire. I could see that the baby boom generation (yep, that's me) in the audience were trying to keep up with Chicago and EWF. Bill Champlin and Jason Scheff struggled on many notes, but they looked happy as ever while performing. It was worth every penny to watch them. Jimmy Pankow and the horns, and Tris Imboden and the percussion, gave tremendous performances. My highest accolade goes to Robert Lamm when he comfortably sang `with soul' "Does Anyone Know What Time It Is" with full support from my leading man Verdine White and EWF.
Step it OUT~! I had only heard of Earth, Wind and Fire. The closest I got to their music was hearing the Tomorrow Land Band at Disneyland play the tune "Let's Groove" through the years. I also didn't realize I was that old. :(
The first person I could not avoid from the beginning to the end of the DVD was Verdine White. I stared at disbelief at this absolutely crazed dancer. On the other hand, was he an absolutely crazed bass guitarist? OK, which is it? His attitude from the get-go was "We are the Greatest, You are the Greatest, let's Dance Together and be the Greatest Together!" He hypnotized me. :)
Earth, Wind and Fire is one of the most talented bands in the World, at any level. The singing of Philip Bailey and Ralph Johnson is absolutely superb. I was dancing like an absolutely crazed fool on the couches, on the tables and on the walls of my living room (it can be done) trying to keep up with Verdine White. As I was gasping for air, I listened to all the hits of Earth, Wind and Fire for the first time in my life. Over and over again, this band performed each song with class, style and charm. The graceful and talented Ms. Krystal Bailey gave a wonderful performance while trying to maintain Verdine White (who am I kidding).
BUY IT NOW~! You must buy this DVD. You will fly on Fire to the Windy city of Chicago for weeks after you get it. This is one of the most spectacular live performances on DVD. The ambience at the Greek Theatre with the combined sounds of both groups musically sharing their hits together was eclectic. Here is a secret. You have to see Verdine White shake it up with Robert Lamm and Philip Bailey when both groups play "September." When you play this DVD at a party, there will be M A G I C in the room. Let's Groove Together and Don't Care What Time It Is with this DVD. Did I mention that Verdine White is one of the greatest performers in the World? We Wanna Be Free - Peace.

Click Here to see more reviews about: Chicago and Earth, Wind & Fire: Live at the Greek Theatre (2008)

The teaming of legendary groups Chicago and Earth, Wind & Fire was the tour hit of the summer. Playing to sold-out venues, this spectacular show brought the GRAMMY-winning artists together in a show that both individually and together highlighted their revolutionary melding of rock, soul and jazz as well as their numerous #1 and Top 10 hits. Now you can have a front-row seat for this amazing concert, performed at the Greek Theatre in Los Angeles. Every moment, all the energy and excitement of this final show of the tour, was captured in high-definition for this extraordinary DVD. SONGS INCLUDE: Earth, Wind & Fire Set: Magic Mind - Boogie Wonderland - System of Survival - Jupiter - Getaway - Serpentine Fire - Kalimba Story - Got to Get You into My Life - The Way You Move - After The Love Has Gone - That's The Way of the World - Reasons - Fantasy - Let's Groove - Mighty MightyChicago Set: Make Me Smile - Color My World - If You Leave Me Now - Call on Me - Alive Again - Hard Habit to Break - Mongonucleosis - Old Days - Just You n' Me - Saturday in the Park - Feelin' Stronger - I'm a Man - Hard to Say I'm SorryChicago/Earth, Wind & Fire Finale: September - Free - Sing a Song - Does Anybody Really Know What Time It Is? - Shining Star - 25 or 6 to 4

Get 24% OFF

Click here for more information about Chicago and Earth, Wind & Fire: Live at the Greek Theatre (2008)

Gene Simmons Family Jewels - Complete Season Two (2007) Review

Average Reviews:

(More customer reviews)I do not know how much of the episodes are staged, but they make for compelling viewing. I had tears in my eyes watching the plastic surgery episodes, and felt for poor Sophie when she got a little overwhelmed. It is also a real kick seeing how Gene works his mojo in all the different situations. This is good stuff!

Click Here to see more reviews about: Gene Simmons Family Jewels - Complete Season Two (2007)

Demon rocker Gene Simmons and his family hide nothing from the cameras in Season Two of this hit reality series. Whether he s showing a young friend the ropes in Vegas or planning to buy himself an island, the legendary KISS frontman still wants to rock and roll all nite. But Gene is forced to balance his hedonistic lifestyle with new domestic concerns: Shannon Tweed, the former Playmate of the Year to whom he s been happily UNmarried for 23 years, wants a new baby; their son Nick is planning to go away to college; and their little girl Sophie is growing up fast, attracting the attention of fashion photographers.From family vacations gone awry to problems with a rent-a-bachelor auction, the Simmons face one crisis after another in their uniquely raw and honest syle. Gene and Shannon even allow cameras into the operating room to follow every step of their simultaneous plastic surgeries and their heartbreaking, hilarious recoveries at home.DVD Features: Bonus Episode It Was a Very Good Year ; Never-Before-Seen Clips

Get 73% OFF

Click here for more information about Gene Simmons Family Jewels - Complete Season Two (2007)

Crossroads (1986) Review

Average Reviews:

(More customer reviews)CROSSROADS (Walter Hill's Blues film, NOT Britney Spears' self-indulgent 2002 fluff) is a terrific introduction to a uniquely American musical genre, with a remarkable cast and a dead-on southern 'atmosphere'. It has always astonished me that when released, critics were unable to look past Ralph Macchio's previous film work, and accept this gem on it's own merits, but it's subsequent status as a cult classic is certainly well-deserved, with films such as the Coens' O BROTHER, WHERE ART THOU? utilizing the Robert Johnson subplot and borrowing many of CROSSROAD's visual elements. Perhaps the film, with a magnificent Ry Cooder score, was just too far ahead of it's time, a strange criticism to apply to a Blues movie!
The tale involves young Long Island guitar prodigy Eugene 'Lightning Boy' Martone (Macchio), a rebel at the Julliard School with his passion for the Blues ("Primitive music," one professor sneers), on a quest to recover legendary guitarist Johnson's fabled "30th Song" of 1938. His research leads him to a NYC nursing home, where fabled harmonica player Willie Brown (the late actor/singer/songwriter Joe Seneca), a friend and collaborator of Johnson's, is confined. Promising to 'give' the song to the youngster if he can be "busted out" and returned to his Mississippi home, the pair are soon on a cross-country odyssey, with Martone learning about discrimination, the darker side of humanity, and love's loss (through a brief encounter with Jami Gertz, who was never lovelier), providing him with the core of sadness Brown says is essential to truly play the Blues.
The climax of the film is legendary; arriving home, Brown, who had 'sold his soul' to the Devil at the 'Crossroads' as a young man (just as his friend, Johnson, had), attempts to get 'Scratch' (skeletal Robert Judd) to tear up the contract. The Devil informs him that he will, only if Martone can defeat his Champion in a 'Guitar Duel'. If the youngster loses, his soul, as well as Brown's, will be lost, forever. Martone rashly agrees ("I don't believe any of this s*** anyway!"), and he and Brown find themselves in a broken-down church converted into a dance hall, with demons and lost souls cavorting to the rock strains of insanely talented Jack Butler (Frank Zappa guitarist/composer Steve Vai). With only his love of the Blues, Julliard training, and Brown's 'ju-ju' to aid him, the humbled Martone must play for far more than his life, in a 'Duel' (with the amazing Vai actually playing both guitar parts) that is so fabulous that it is unbelievable that it was NOT included in the soundtrack album of the film!
Walter Hill was no stranger to music-themed fantasies (he also directed another 'ahead of it's time' cult film, STREETS OF FIRE), and with CROSSROADS, he took a simple storyline, and turned it into an unforgettable musical cinematic experience.
That the film is FINALLY on DVD is a MAJOR cause for celebration...now, let's hope an expanded "Special Edition" with added bonus features, will follow!

Click Here to see more reviews about: Crossroads (1986)

CROSSROADS - DVD Movie

Get 20% OFF

Click here for more information about Crossroads (1986)

Bob Dylan - Don't Look Back (1965 Tour Deluxe Edition) Review

Average Reviews:

(More customer reviews)Don't Look Back is the best documentary about a musician on tour that I've ever seen. I can't say enough good things about it, and it is all I can do to imagine how D. A. Pennebaker simultaneously made himself so ubiquitous and so unnoticed as to capture the remarkable footage that he got on Dylan's British tour. From the incredible sequence of Joan Baez warbling the then-unreleased "Percy's Song" even as Dylan is pounding out the lyrics on his typewriter, to the revealing moments where Dylan manager Albert Grossman quite literally strong-arms the BBC into a high-paying deal for a tv appearance, to Dylan himself, at the most accessible he would ever be in his long career, alternately jousting and jesting with the British press, most of whom seem completely ignorant as to which is the jest and which is the joust. Dylan again, talking with a fan who doesn't like "Subterranean Homesick Blues" because "it just doesn't sound like you," (which was the whole point of the song), and Dylan's gritted-teeth reply: "Oh, I see what kind of person you are right away." Dylan yet again, in an astonishingly unguarded moment, bawling out everyone in his hotel room over a wineglass Alan Price dropped out of the window, acting like the only responsible adult in a kindergarten class...and when a drunken Price admits the deed, Dylan lets him have it with both barrels and finally kicks him out, despite Price having been Dylan's best friend in England throughout the entire film. In fact, a lot of this movie is about Dylan shedding elements of his persona, entourage, and his music. Bringing it All Back Home had just been released when Don't Look Back was being filmed, and the album served as a harbinger of the rock and roll shift Dylan's music was about to take. It's far more noticeable in hindsight, of course, but in this film you see Dylan breaking his ties with his folkie past. "Subterranean Homesick Blues" being shown right up front is a dead giveaway, but you may miss some of the more subtle signs: His growing disenchantment with being pegged as a folkie, evidenced by both the abovementioned reaction to his fans and his jests/jousts with the press, both harbingers of the surreal "anti-interviews" Dylan would give over the next few years. Then there is the slow disintegration of his relationship with Baez -- there is a moment about midway or 2/3 of the way through Don't Look Back where Joan walks out of Dylan's hotel room...and though she appears later in the film through the judicious use of editing, Baez has since admitted that that was the moment she walked out of Dylan's life. Another folk-music tie broken, as much by Dylan as by Baez (his near-indifference to her through much of the film is chilling...). There is also Dylan's discomfort with the "Donovan issue", both in being compared to Donovan and in meeting the guy. You can see the uncertainty all over Bob's face during this sequence, and the nicer he tries to be to Donovan -- who quite honestly sholdn't even be in the same room with Dylan -- the funnier the whole thing gets. Then there is Dylan's meeting with the President of Dylan's British fan club -- the bespectacled weedy fellow who looks like he just stepped whole and breathing out of the nightclub scene in A Hard Day's Night. Dylan's conversation with this guy is polite on the surface, but again, there are undertones of discomfort, even dislike, so palpable that they make you want to cringe. Dylan is so clearly disenchanted with some aspects of his career, even though he puts on a game face and acts satisfied with what he's doing, that it's a wonder he didn't completely telegraph his shift to electric music. (Actually, he did -- it's just that most people were too blind to see it coming at the time.)
As I said above, the footage in this film is incredibly revealing. Never again would Dylan be so accessible, so honest and forthright, as he was in Don't Look Back -- and even here, as I've said, you can sense his withdrawal from that accessibility begin. How Pennebaker managed to capture all this intense, remarkable, human footage of Dylan and co., without his subjects noticing or caring about how they came across, is beyond me. Few music documentaries, before or since, have had such verve, or such nerve, as to show their subjects in such a potentially-unflattering light (the only two I can think of that come anywhere close are Gimme Shelter, the Maysles Brothers' astonishing Stones/Altamont document, and Let It Be, the Beatles' on-film disintegration (and final live performance) which stupidly remains out of print). Don't Look Back does all that and more, never cheating, never prevaricating or retreating, always telling the truth. It was a rare achievement for its time, and a film that could never be made today.
(FINAL NOTE: All right, Messrs. Dylan and Pennebaker -- now that Don't Look Back has been remastered and rereleased, how about doing the same with the long-missing and much-missed 1966 followup, Eat the Document? It's no less raw, revealing, and astonishing than its predecessor, and is richly deserving of a rerelease. Here's hoping!)

Click Here to see more reviews about: Bob Dylan - Don't Look Back (1965 Tour Deluxe Edition)

BOB DYLAN: DONT LOOK BACK--65 TOUR DELUXE EDITION is the ultimate look at Bob Dylan's concert tour of England in the spring of 1965--one of the most intimate profiles of an artist ever put to film. This definitive set includes the remastered classic film by D.A. Pennebaker, a brand-new, hour-long look at Dylan, and the original 168-page companion book to the film. More than just a concert film, DONT LOOK BACK is a window into the spirit of the 60s, and one of the poet-musicians whose words and songs defined it.DISC 1: BOB DYLAN DONT LOOK BACKThis digitally-remastered version of the cinema verite classic follows Dylan on his extraordinary 1965 concert tour of England--his last as an acoustic performer. With unobtrusive equipment and rare access to Dylan, legendary filmmaker D.A. Pennebaker achieved an unprecedented, fly-on-the-wall glimpse of one of music's most influential figures--and redefined filmmaking along the way.DISC 2: BOB DYLAN 65 REVISITEDForty years after the release of DONT LOOK BACK, D.A. Pennebaker has created this new work culled from over 20 hours of never-before-seen rare footage from his personal archive of film negatives. Raw and unassuming, '65 REVISITED provides a fresh perspective of the young Dylan on the road during his 1965 English tour.BONUS - DONT LOOK BACK COMPANION BOOK & FLIPBOOKOriginally published in 1968, the 168-page companion book features a complete transcription of the film, over 200 photos, and a new forward by D.A. Pennebaker. The collectible Subterranean Homesick Blues flipbook provides a frame-by-frame look at the film's famed 'cue-card' sequence, considered by many to be the first contemporary music video.DVD Features Include:Five Additional Uncut Audio Tracks; Two Commentaries by D.A. Pennebaker and tour road manager Bob Neuwirth; Alternate Version of the Subterranean Homesick Blues Cue Card Sequence; Original Theatrical Trailer; D.A. Pennebaker Filmography; Bob Dylan Discography; Cast and Crew Biographies

Get 22% OFF

Click here for more information about Bob Dylan - Don't Look Back (1965 Tour Deluxe Edition)

The Last Waltz (Special Edition) (1978) Review

Average Reviews:

(More customer reviews)Rumor has it that at the debut screening of The Last Waltz in 1977, Ronnie Hawkins stood up at the end of the film and remarked sarcastically, "That was all right, but it sure could've used a few more shots of Robbie!" By now, any serious fan of the Band will be familiar with the antipathy between Robbie Robertson and some of his former comrades. A quarter-century later, this classic movie's disproportionate concentration on Robertson at the others' expense not only remains palpable, it's even more lopsided in the updated version. But for better or worse, that is a key part of the story of the Band; and in retrospect, the Last Waltz is surely an even more accurate documentary than Robertson had aimed for. More importantly, it captures one of the greatest concerts of the rock era.
As Levon Helm relates in his rather bitter memoir "This Wheel's on Fire," the decision to disBand was Robertson's alone and the Last Waltz was a somewhat reluctant exercise on the part of the other four. This shows to varying degrees in the interviews which are dispersed throughout the concert footage: Robertson, who appears far more often than the others, looks animated and a bit rehearsed (although it's hard not to feel some animosity towards him if you've read Helm's book) while the others look tired or worse. (Helm's description of Richard Manuel as "looking like Che Guevara after the Bolivians got done with him" is all too close to the mark!) While unflattering to a degree, the interview scenes do speak volumes about what the music industry did to one of rock's all time greatest bands and the truth about the then-impending breakup. The Band did, after all, reunite sans Robertson as soon as they were legally able to use the name again without his blessing. The commentary itself is still interesting as well, particularly some of the saltier stories of life on the road in the early 1960s, a time too often thought of as rock's "innocent" years.
But the music itself is still the most important part of the show by far. However uncomfortable things had become behind the scenes, these guys could still play like no other band before or since, and it's almost magical to watch them do so for the very last time. Given Helm's well-documented distaste for the whole project, it's remarkable how happy he looks during most of the performances, almost as if the bad blood disappeared during those last few hours while they were doing what they did best together. The late Rick Danko's showstopping solo performance of "Stage Fright" just might be the concert's most intense moment, which is perhaps just as it should be given the subject matter of that song and the reality behind the scenes.
If there is any complaint to be made about the concert footage itself, it is that the guest performances by Hawkins, Bob Dylan, Neil Young, Eric Clapton, Joni Mitchell, Muddy Waters and Van Morrison featured here don't necessarily do justice to the full brilliance of that night. The complete soundtrack (which was only recently released legitimately, after years of bootlegging) reveals stunning performances that didn't make it into the movie, although Martin Scorcese claims in the retrospective documentary that this is only because he simply wasn't able to shoot satisfactory footage of some of them. Nonetheless, the performances that did make the cut are superb across the board. Even the wildly out of place Neil Diamond does a decent job with his one song of the evening, even if I was left grateful that it was only one song. Best of all, we're treated to dozens of unintentionally hilarious shots of Robertson singing with such emotion that the veins stand out on his neck - into a microphone which, as Helm gleefully recounted in his book, wasn't plugged in. (This was no accident; guitar genius though he was and is, Robertson's vocal abilities always paled in comparison to those of Helm, Danko and Manuel, who also delievers a number of touching performances here.)
The new footage consists mostly of Scorcese and Robertson reminiscing about the making of the film; it's predictably self-congratulatory, but fairly informative. More interesting to me, though, are recollections spread throughout the show from a wide variety of people who were involved with the project in various ways, playable as voice-overs with any given part of the concert. After 25 years, these provide a perspective on the event and its meaning through the eyes of someone - or really, many someones - other than Robbie Robertson. Perhaps this was the original intent behind the movie. In any case, it should have been. The new perspectives and footage are an undeniably nice touch, but the music still stands alone, and it sounds better than ever. It all makes for a new and improved look at one of rock's all time great events.

Click Here to see more reviews about: The Last Waltz (Special Edition) (1978)

It started as a concert. It became a celebration. Join an unparalleled lineup of rock superstars asthey celebrate The Band's historic 1976 farewell performance. Directed by Martin Scorsese (Raging Bull, Goodfellas), The Last Waltz is not only "the most beautiful rock film evermade" (New York Times) it's "one of the most important cultural events of the last two decades" (Rolling Stone)!

Get 50% OFF

Click here for more information about The Last Waltz (Special Edition) (1978)

Gene Simmons - Family Jewels - Season One (2006) Review

Average Reviews:

(More customer reviews)I started watching the show out of pure older-fan curiosity, and I didn't have particularly high expectations. But I got hooked with the first episode, and have enjoyed every show this season. Yes, they sometimes seem a bit contrived--most noticeably in the episode where the daughter gets a horse--but generally, this was good for laughs, and I believe we're seeing these folks as they really are. Not completely candid, of course, but not phony either.
And, not least of all, how refreshing to see a well-adjusted family for a change.
A good time here. Consider buying.

Click Here to see more reviews about: Gene Simmons - Family Jewels - Season One (2006)

GENE SIMMONS FAMILY JEWELS is your personal invitation to go home with rock 'n roll superstar Gene Simmons. Enter the extraordinary Simmons household where former KISS front man Gene Simmons and Playmate of the Year Shannon Tweed have raised two charming, well-behaved teenagers, Nick and Sophie. Or is it the other way around? From a surprise birthday party that turns into a surprise wedding, to driving lessons that take a wrong turn for father and son, to horseplay that puts a daughter in hot water, day-to-day family life has never been so outrageously unpredictable--and surprisingly touching. The story of a uniquely American family fully unveiled in the original thirteen episodes from the debut season on DVD. DVD Features: Exclusive interviews with the Simmons family; Cast Biographies; Photo Gallery; Interactive Menu; Scene Selection 8/7/06 Happily Unmarried (#1) 8/7/06 Next Generation Rock Star (#3) 8/14/06 The Demon Lives (#10) 8/14/06 Driving Me Crazy (#2) 8/21/06 Food or Sex? (#6) 8/28/06 Sexercise (#8) 9/11/06The Un-Anniversary (#12) 9/18/06 Loose Change (#9) 9/25/06 Fan... Tastic (#7) 10/2/06 Horsin’ Around (#5) 10/16/06 Gene’s Addiction (#4) 10/23/06 Shrinkwraped (#11) 10/30/06 Behind the Makeup (#13)

Get 37% OFF

Click here for more information about Gene Simmons - Family Jewels - Season One (2006)

Led Zeppelin - The Song Remains the Same Review

Average Reviews:

(More customer reviews)This 1976 concert film is one Led Zeppelin item that really did deserve to be improved and expanded. In the November 2007 glut of new Zep products related to the film, this 2-DVD set is clearly the optimal purchase. (Note that this review was written after actually purchasing and consuming the item in question, which appears to be a real rarity so far.) The "Collector's Edition" DVD set adds merchandise that will only be of value to super-diehards, and the new edition of the soundtrack album is apparently built around the new remaster of the movie itself and displays some odd editing choices. I have always felt that the purely audio soundtrack of the movie suffers from the lack of visuals - for example, all 27 minutes of "Dazed and Confused" makes more sense visually because you can watch the theatricality of Jimmy Page's stage performance, while merely listening to the accompanying soundtrack can be tedious. To a lesser extent, the same goes for the extra lengthy "Moby Dick" because while soloing, John Bonham could be even more enjoyable to watch than to listen to. So the film itself is the apotheosis of the entire "The Song Remains the Same" project, and this 2-DVD set presents much needed improvements in audio and video quality, with some bonus items that add value for the enthusiastic fan without becoming obsessive.
Though I'm a lifelong Zep fan, I actually hadn't seen this movie in around 20 years. And I had forgotten how cheesy the non-concert footage truly is, with the fantasy sequences serving as little more than period vanity pieces that rarely rise above the amateurish. But who cares, because the concert sequences are stupendous, and in this DVD set they have been presented for maximum aural and visual impact (yes these two shows weren't the band's best, but they were still light years beyond most other rock acts). As for the DVD extras, the interviews and news segments have some curiosity value, but the true goodies are the extra concert sequences. We finally have official video for the blistering performance of "Celebration Day," which was always my favorite from the old original soundtrack album. Other bonuses include "Misty Mountain Hop," though the uncoordinated performance of this song deserved to be left out of the original film; plus a surprisingly heavy take on "Over the Hills and Far Away."
For many years the original movie and soundtrack were the only (official) live Zep documents available. For the real live goods, we now have the 2003 CD package "How the West Was Won" and the 2003 self-titled DVD set, which are considerably more hard-hitting and far-reaching than "The Song Remains the Same." But even though it's no longer the definitive live document, fans have long deserved an improved version of the film. For all but the most obsessive collectors, the 2-DVD set is the way to go. [~doomsdayer520~]

Click Here to see more reviews about: Led Zeppelin - The Song Remains the Same

The line forms here for the world’s greatest and possibly most influential band – Led Zeppelin! With Dazed and Confused, Stairway to Heaven, Whole Lotta Love and more signature performances, this mesmerizing movie built around Zep’s famed ’73 NYC concerts is convincing proof why. Band members supervised the Re-mastering and Dolby 5.1 Re-mixing of the film’s image and sound. In addition to their performances, fantasy sequences and at-home glimpses of Jimmy Page, Robert Plant, John Paul Jones and the late John Bonham, this 2-disc Special Edition has over 40 minutes of newly-added extra features including: Two (2) never-before-released songs in rare performance footage: Celebration and Over the Hills and Far Away; Vintage TV Footage: Drake Hotel Robbery during the New York Concert Stand; Robert Plant BBC Interview and Tampa Concert Band Arrival. Also available in Hi-Def and Blu Ray!

Get 67% OFF

Click here for more information about Led Zeppelin - The Song Remains the Same

The Beatles Anthology (1995) Review

Average Reviews:

(More customer reviews)This video series is highly recommended for any serious Beatle fan! While I agree that you can't say it all in just 8 hours, all 4 beatles share stuff you won't find in any book on the Beatles.
Tape 1 begins with a video collage of their history, features their youthful beginnings, days in Hamburg, how Ringo joined the band, and their rise to the top in England.
Tape 2 shows their growth as a band, talks on their BBC sessions, performing for the Queen, stories about touring, and some hilarious TV segments!
Tape 3 begins with their introduction into America, talks about their performance on the Ed Sullivan Show, Ringo's tonsilitis, and their 1st movie A Hard Day's Night.
Tape 4 talks about the pressures of touring, drugs, Dylan, the making of Help!, the inspiration for Yesterday, and winning the MBE award.
Tape 5 talks about their Shea Stadium performance, meeting Elvis, Rubber Soul and Revolver.
Tape 6 talks on the events that led to the Beatles' final tour in 1966 (the Philippines and John's remarks about Jesus), Strawberry Fields Forever, Penny Lane,Sgt. Pepper, and their holiday in Greece.
Tape 7 starts with the One World performance of "All You Need Is Love", and talks about the Maharishi, the death of Brian Epstein, Magical Mystery Tour, the opening of Apple, Yellow Submarine, and John's new companion, Yoko Ono.
Tape 8 begins with the White Album, discusses the closing and dissolution of Apple, Hey Jude, Let It Be, Paul's marriage to Linda, John's marriage to Yoko, George and John's drug busts, Abbey Road, and the Free As a Bird video (what? Real Love isn't included! ).
A splendid time is guaranteed for all!

Click Here to see more reviews about: The Beatles Anthology (1995)

BEATLES ANTHOLOGY - DVD Movie

Get 11% OFF

Click here for more information about The Beatles Anthology (1995)