Showing posts with label courage. Show all posts
Showing posts with label courage. Show all posts

Uprising (2001) Review

Uprising (2001)
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"Uprising" is a story of the Holocaust that really could not be told until NBC showed this two-part made-for-television movie in 2001. The story of the Warsaw ghetto uprising has been told before. In the 1978 mini-series "Holocaust," a major subplot had to do with Moses Weiss (Sam Wanamker), who becomes active in the uprising before being caught and shot by the Nazis at the end. Other movies dealing with the Holocaust have touched on this heroic but futile act of resistance against Hitler's army. This time, however, the point is to cast the uprising in terms that count for more than a moral victory.
When Poland fell to Nazi Germany the city's Jewish population was put into a walled in section of the city, thereby creating the ghetto. In the summer of 1942, after 300,000 Jews were deported from Warsaw to Treblinka the first reports of mass murder were heard in the Warsaw ghetto. Mordecai Anielewicz, then 23-years-old, and other young Jews formed the Zydowska Organizacja Bojowa (Jewish Fighting Organization), issuing proclamations calling for the Jewish people to resist being sent away in railroad cars to the death caps, and firing upon German troops trying to round by Jews for deportation.
The "Uprising" began on April 19, 1943, when German troops and police entered the ghetto and were repulsed by the fighters. It is believed that less than a thousand such fighters held off the heavily armed and better trained Germans for almost a month, using mostly pistols and Molotov cocktails, but on May 16 the revolt was finally crushed. Seven thousand of the 56,000 Jews captured were shot, and the rest were deported to either killing centers or concentration camps to be exterminated by the Nazis. At one point the Warsaw ghetto consisted of 450,000 human beings.
The point of "Uprising" is not only that for the first time somebody stood up against German occupation, but that some of the fighters did indeed survive. Mordechai Anielewicz (Hank Azaria), Yitzhak Zuckerman (David Schwimmer), Tosia Altman (Leelee Sobieski), and many others depicted in "Uprising" are historic figures. Azaria and Schwimmer obviously stand out, not because of the roles they play in the narrative but also because the actors are going to great pains to remind fans they are not just comic actors. Also standing out are Sadie Frost as Zuckerman's wife, Zivia, and Stephen Moyer as freedom fighter Kazik Rodem, who wrestle with the hard questions of not only knowing what to do, but how to do it. Director and executive producer Jon Avnet has recreated the ghetto in great detail and makes full use of cinematographer Denis Lenoir and composer Maurice Jarre to make sure this television movie looks and sounds like a theatrical film.
"Uprising" repeatedly asks the question of how a moral person can sustain a moral code in an immoral world, and the uprising serves as the obvious answer. Where "Uprising" is different from its predecessors is how Avnet recasts history to emphasize a sense of how the Jews "win" here. Even though the Nazis will kill 99% of the Jews in the Warsaw ghetto, they did not get them all and they did not get them fast enough to please Himmler and Hitler. Nazi General Jurgen Stroop has to endure being out thought and out fought by a bunch of rabble, all the way having his failure filmed by documentarian Fritz Hippler, who is working on "The Eternal Jew" because for some reason the Nazis do not find the German people to be anti-Semitic enough. The Nazis continue to commit atrocities throughout this movie, but the emphasis is clearly on what the other side is doing.
"The Grey Zone," which also came out in 2001, is of a similar mind in terms of presenting Jews fighting back, and depicts the October 7, 1944 uprising when members of the 12th sonder-kommando succeeded in blowing up two of the four crematoria at Auschwitz II-Birkenau. The sonder-kommandos were the ones who escorted their fellow Jews to die in the gas chambers, then took the bodies to the crematoriums, and disposed of the ashes. For four months the sonder-kommandos carried out their duties, and enjoyed certain privileges (compared to the other inmates), and then were executed. This group of Jews also decided to fight back and like those who resisted the Nazis in the Warsaw ghetto, deserve to be remembered. But only once we have accepted the total horror and scope of the Holocaust can we tell stories such as these, ever mindful that they represent a minority report. How many of you were stunned with a train full of Jews left Auschwitz in "Schindler's List"? The incident was true, but it becomes difficult for us to accept that other side of the story given the overwhelming death count of the Final Solution.
The two commentary tracks are a mixed bag. Avnet spends too much time commenting on the historical accuracy of the action and not enough talking about his decisions as a director, particularly with regards to what changes he had to make when his planned theatrical film was downgraded to a television movie. Azaria, Schwimmer, and Voight recorded their commentary two weeks about September 11th, and engage each other to talk about the production and their performances. Sobieski's comments were recorded separately and edited in, and like Avent, she has a hard time going it alone. There are two documentaries accompanying "Uprising." "Resistance" is a too brief look at the history of the resistance movement in the Warsaw ghetto, although it does provide background on the characters and interviews with some of the surviving fighters. "Breaking Down the Walls: The Road to Recreating the Warsaw Ghetto Uprising," is a behind the scenes featurette with clips and interviews. However, anyone inspired to find out more about the history of the events dramatized here will find plenty of resources easily accessible on the Internet.

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After Germany invades Poland in 1939, the Nazis decree that 350,000 Warsaw Jews be forcibly moved into a cordoned area known as the Warsaw Ghetto. Idealistic teacher Mordechai Anielewicz (Hank Azaria) decides the Jews must rise up against the Nazis and creates the Jewish Fighting Organization (JFO).He tries to secure the support of Adam Czerniakow (Donald Sutherland), the morally conflicted head of the Warsaw Ghetto's Jewish Council, but Adam declines because he knows that any act of resistance will provoke the Germans to retaliate by killing innocent Jews.Determined to mobilize a resistance alone if he has to, Mordechai recruits his friends and covert couriers whose ability to pass as Aryan helps them smuggle in arms and explosives from the Aryan side of the city, building up an arsenal to fight the Nazis. When the Germans begin deporting 300,000 Jews to the Treblinka death camp, the JFO begins acts of resistance that culminate with ghetto fighters firing their first gunshots against the Nazis.When it becomes clear that the JFO is a force to be reckoned with, the German High Command sends in General Stroop (Jon Voight), who is determined to end the uprising in two or three days. Capturing the horror that unfolds is Fritz Hippler (Cary Elwes), a filmmaker assigned by Hitler's chief propagandist to promote anti-Semitism with a film about Jewish life in the ghetto. When the Nazis continue to suffer more casualties in their battle with the ghetto fighters, General Stroop decides to raze the ghetto.But even that can't stop the JFO.Forced to go underground into bunkers but energized by their success, the resisters fight on, ultimately holding off the Nazi army longer than the entire country of Poland.They're determined to live with honor--and if need be, die with honor--while lighting the torch for resistance in the occupied territories.

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Courage the Cowardly Dog: Season One (Cartoon Network Hall of Fame) Review

Courage the Cowardly Dog: Season One (Cartoon Network Hall of Fame)
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Back in the day, when Cartoon Network was in their prime, they had a killer lineup every Friday night. This included Dexter's Lab, Powerpuff Girls, Cow and Chicken, Johnny Bravo, and my personal favorite, a show about a cowardly dog named Courage. I was hooked from the first episode I ever watched, which featured the little black duckling. This show had it all. Great stories were first and foremost. They were like mini-films. The stories were ridiculous, but it didn't matter because they were treated in such an epic way. The animation was great, and the backgrounds were out of this world. As much as I liked Dexter and Powerpuff Girls, their backgrounds were VERY simplistic. It was refreshing to see the style used for Courage, where the backgrounds displayed so much detail and atmosphere, which drew you in to the story all the more. As for Courage himself, true, he was a coward, but in each episode, he had to find a way to put that all aside to save his owners, Muriel and Eustace. Courage was the kind of hero you could relate to. He didn't wanna be the hero, and if you had to go up against some of the crazy stuff he did, you wouldn't wanna be either. But there was something about the dog's anxious disposition and terrified personality that made him a likeable character. He didn't talk much, but what he said mattered. "I know I'm not gonna like this" was his battle cry when it came time for action. Then he would pull out some off-the-wall prop or devise some master plan to save the day, and things would go back to normal again, except for the fact that most of the time, the family house was destroyed by the end of the episode.
This is one of the best cartoon series ever made. It's timeless and truly fun to watch. I'm ordering a copy, and so should everyone else who enjoys good storytelling.
P.S.- It's too bad all the negative reviews for a DIFFERENT DVD release are showing up here. Those are for the Australian release, not this one.

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The things he does for love! Welcome to the middle of Nowhere, Kansas. Population: one kind old lady, one crabby old man, one timid dog and all sorts of creepy creatures, scary monsters and crazed villains! It\'s a living nightmare for poor Courage, who faces these unthinkable dangers with his body shaking and his tail between his legs. But Courage loves his sweet Muriel and grumpy Eustace, so he digs deep to find the strength to save his beloved family from deadly weremoles, dark shadows and other sinister elements that pop up all over this terrifying town. With clever nods to classic horror films, this action-packed animated series keeps laughs and scares coming as Courage outwits evil with his singular brand of bravery. Get your spook on with the 13 episodes of this 2-Disc Complete Season One Collection!

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And the Band Played On (1993) Review

And the Band Played On (1993)
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I never made it all the way through Randy Shilts's book so I won't presume to know whether this film did right by Mr. Shilts. Simply put, this is great drama. The patronizing statements about made-for-tv movies don't apply here. The drama, sadly, comes from the real events that are depicted--the collective denial about the reality of AIDS as that disease first began appearing in the gay and Haitian communities, the government's (read "Ronald Reagan's") persistent indifference, the professional jealousy within the medical communities vying to be the first to identify the agent (the virus) that causes AIDS, and how human beings resist having their preconceived notions about life challenged (as when a group of gay activists insists on keeping gay bath houses open even as it became apparent that AIDS was spread through sexual contact). This movie really took me back twenty years to when I first read a short article buried somewhere in the middle of the New York Times about a gay-related cancer little realizing how much my life would change from that point onward.
The performances across the board are great. I was especially impressed by Matthew Modine (I've liked him since "Birdy" and I like to see him get meaty roles as here), Alan Alda (not the likable mensch from MASH), Ian McClellan, B.D. Wong, and Phil Collins (who knew?).
Aside from some cast biographies this DVD has no other "extras". Nor does it need any.

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AND THE BAND PLAYED ON - DVD Movie

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Impact Review

Impact
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"Impact" was originally a made for TV mini-series so it is lacking the big Hollywood studio "feel". This is actually a good thing if you want the drama and character development that is possible in a movie that is 3 hours and 10 minutes long.
No plot spoilers from me; the movie centers on the events that occur immediately after what is believed to be an asteroid hits the moon (which happens very shortly after the movie starts), the effects it has on the earth, and the efforts of the governments and scientists of the world to set things right... before the world is destroyed.
I am a Sci-Fi and disaster movie junkie, so I likely rated this higher than many movie purists would since there are a lot of scientific faults, implausible events, and has almost every cliché from just about every other disaster movie. The special effects ranged from laughable to outstanding, but the cinematography was actually very good. The acting was right on par for a TV movie and the characters well played and given time to develop.
While all movies of this type require some suspension of disbelief, there were several things that bothered me more than the obvious technical and scientific flaws, and the biggest was the portrayal of the government and military leaders as obstructionist and paranoid to the point where they would risk the lives of every person on the planet. That is a cliché that needs to be let go of.
Overall, this was a watchable and even enjoyable movie if you are a disaster movie fan.


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A rogue asteroid smashes into the moon in a tremendous explosion of rock and debris. Within days, disastrous abnormalities start happening on Earth. What started as the most beautiful and the largest meteor shower in 10,000 years unexpectedly becomes the catalyst for a potential collison between the moon and planet Earth. The world's leading scientists, Alex Kittner (David James Elliott, TV's JAG) and Maddie Rhodes (Natasha Henstridge, Species) have 39 days to stop the moon's course or the Earth - - and all of mankind - - will perish. Also starring James Cromwell (W. and The Green Mile). The countdown is on.

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Masada - The Complete Epic Mini-Series (1981) Review

Masada - The Complete Epic Mini-Series (1981)
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Masada is one of the most eagerly anticipated DVD releases of the year. This Classic TV 1981 miniseries is arguably one of the greatest ever produced in its genre, and garnered a lot of awards in its day. It is MORE than highly recommended!
It is well written and has a stellar cast that more than lived up to the script. The series, based on Ernest K. Gann's historical novel The Antagonists, is a dramatization of a documented revolt by nearly a thousand Jerusalem Jews against Roman oppressors in A.D. 72 to 73.
Epic in its scope, the actors bring nobility and pathos to the ultimately inspiring and tragic story. Following a city-wide siege by Rome's soldiers, Jewish Zealots move into a desert fortress in the mountains of Masada of Judea. It is from that remote location that they make their last stand against the tyrannical Roman Empire. Amazingly, their defensive battlement is strong enough to convince the enemy to negotiate after a two-year battle!
The brilliant Peter O'Toole, portrays Cornelius Flavius Silva, commander of the Roman legions, while Peter Strauss (who was cast in several miniseries in the 80's) portrays the Zealot leader Eleazar ben Yair, who end up developing an improbably respect for each other during the life-and-death struggle.
O'Toole, is fresh from the Roman conquest of Judea. Exhausted emotionally and physically, he has been affected by the constant warring, but remains the ruthless Commander of the elite Tenth Legion. He yearns to return home to Italy, but is prevented from doing so by a violent uprising of a small band of courageous Jews led by the volatile renegade soldier, Eleazar ben Yair (Strauss).
Silva is ordered to capture Eleazar and his followers. He is beset by internal strife because the brutal desert conditions have his legion teetering on the brink of mutiny, while he finds himself falling in love with a Jewess (portrayed with sensitivity by Barbara Carerra.) At the same time, Pomponius Falco, portrayed by David Warner, is working to steal his command.
Inside the fortress, Eleazar is struggling to keep his followers together. A diverse mix of defected soldiers, wanted criminals along with women and children totally about 900, they struggle to find enough food and water to survive their courageous stand against impossible, truly hopeless odds.
The actors leave nothing on the cutting room floor in their heart wrenching renditions of their unforgettable characters. Somehow, O'Toole brings humanity to his character, while Strauss is integrity, fury and courage personified.
Both of their characters believe the negotiations are real, and represent each side in good faith, struggling to find a way out of the deadly situation.
Unfortunately, neither realizes that Rome has no intention of yielding, but instead sends thousands of soldiers in a horrible seige of Masada resulting in one of the worst tragedies in Jewish history.
Masada was brilliantly directed by Boris Sagal (The Omega Man), and the musical score is unforgettably moving.

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In first century A.D., Flavius Silva (Peter O’Toole), commander in Roman Palestine, leads his forces in combat against the remaining Jewish Zealots who have taken refuge in the seemingly impregnable fortress of Masada. There, the engineering and military might of Rome faces the passion and ingenuity of Eleazar Ben Yair (Peter Strauss) and his people. Based on the novel "The Antagonists" by Ernest K. Gann, this epic, 4-part mini-series was shot on location in Israel.

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