Showing posts with label maggie smith. Show all posts
Showing posts with label maggie smith. Show all posts

A Room with a View (1986) Review

A Room with a View  (1986)
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...if you have the least interest in this film-BUY the new DVD. It's simply amazing. I've scanned these reviews here, and apparently there was an earlier DVD issue that wasn't up to par at ALL-but rest assured, this reasonably-priced "Special Edition" looks and sounds crisp, clean-and stunningly beautiful. Obviously I loved the film when it was originally released, and plenty of others did as well-see reviews below. But watching this new DVD the other night, I was struck at how amazing this movie really is: in the first place, it's rare(to put it mildly!)for a film nearly 20 years old to not look "dated" at ALL-this one doesn't. It could have been shot yesterday. I'd be willing to bet that in 15 years "Shakespeare in Love" *will* look somehow "late '90s"-it's the norm for period costume pieces to wind up reflecting the styles of the times they were made, even if we can't see it without the distance of years passing. What an achievement, then for James Ivory, Ismail Merchant, and the designers/cinematographer/costumer...and the actors-! Superb, all of them. The second audio track is, I'm afraid, a little superfluous(although it was enjoyable to hear the producers chatting away with Simon Callow-"the Rev. Beebe"-and the only actor to record commentary, alas)...but it doesn't matter a whit. Truly one of those things where everything came together perfectly. If you buy this, you'll have a great shot at converting a few jaded kids(assuming you've got some around the house)to the glories of another time and place, and *real* romance(and just about the sexiest kisses you could ask for). Enjoy!

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Nominated for eight Oscars in 1986, including Best Picture, and winner of three (Costumes, Art Direction and Adapted Screenplay), A Room With a View is the film that defined Merchant-Ivory as the masters of the romantic period piece. A brilliant adaptation of E.M. Forster's novel, A Room With a View tells the story of the coming of age of Lucy Honeychurch (Helena Bonham-Carter). Longing to burst free from the repression of British upper class manners and mores, she must wrestle with her inner romantic longings to choose between the passionate George (Julian Sands) and the priggish but socially suitable Cecil (Daniel Day-Lewis). Boasting a brilliant supporting cast, A Room With a View isone of the most romantic of romantic comedies ever filmed.DVD Features:Audio CommentaryFeaturetteOtherPhoto gallery


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Murder by Death (1976) Review

Murder by Death (1976)
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Murder By Death is one of those comedies I watch about once a year, as it always makes me laugh. Five famous detectives from the literary world are spoofed when they and their partners are invited to a mysterious mansion to witness a murder and a million dollars is offered to whomever can solve the case.
Written by Neil Simon (The Odd Couple, California Suite), this film has tons of great lines and truly wonderful performances by all the actors. There's Dick and Dora Charleston played by David Niven and Maggie Smith, Inspector Milo Perrier (I'm not a Frenchie! I'm a Belgie!) played by James Coco and his secretary/chauffeur Marcel (James Cromwell), Miss Jessica Marbles (Elsa Manchester, probably most famous for her role as the Bride of Frankenstein) and her nurse, Inspector Sidney Wang (Peter Sellers) and his number 3 adopted Japanese son Willie, and finally Sam Diamond (Peter Falk) and his secretary Tess Skeffington (Eileen Brennan). Rounding out the cast is Alec Guinness, playing the blind butler, Truman Capote as the eccentric host Lionel Twain, and Nancy Walker as the deaf and mute maid, Yetta.
Peter Sellers has always been one of my favorite comedic actors, and he certainly shines here, but, in my opinion, Peter Falk edges him out here. His comic imitation of Humphrey Bogart's Sam Spade is dead on. All the actors perform wonderfully, but watch for Alec Guinness as Jamesir Bensonmum, Lionel Twain's blind Butler. Alec Guinness is best know for his serious roles, but he did a number of very funny comedies earlier in his career, including such films as The Lavender Hill Mob, The Man in the White Suit, and Kind Hearts and Coronets.
As the clues present themselves, the speculation flies. The pacing of the film is kept brisk throughout, with snappy dialogue and excellent characterizations as Simon truly keeps the viewer engaged with a great script. The direction by Robert Moore is wonderful, keeping things from getting confusing and allowing all members of this ensemble cast to enjoy enough screen time for us to appreciate the characters. Credit must also be given to the creators of the sets, as they add so much to the overall feel of the movie.
Not a lot in the way of extras, but the picture looks great and is available in both wide screen and full screen formats. I am going to end this review with one of my favorite lines from the movie, spoken by Peter Falk playing Sam Diamond "My hat's off to the man with the shiv in his back. Except for the fact that he's dead, he was no dope."
Cookieman108

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The Millionairess Review

The Millionairess
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When one gets tired of the violence, sex, and quite frankly,
impermissible bad language in modern films, it's nice to go back to someone who knows how to use language. eg. George Bernard Shaw. This movie was done (poorly) with Sophia Loren and
Peter Sellers...but I adored the play with Maggie Smith. Oh...how she dominates her role. At once, we understand how magnificent a star she is. She plays the richest woman in England who is obsessed with getting what she wants, and having the cash to do it. She is beautiful and arrogant yet brilliant in the ways of capitalism. When she is given the challenge of
getting a job and supporting herself without her wealth, well,
she can do it because she understands money. Indeed she walks into businesses and transforms them into profitable enterprises. Whether the impact of her changes hurts the poor or middle class is of no concern to her...profitability is the key. This is a wonderful production and is a MUST for any Maggie Smith fan.

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Epifania (Maggie Smith) is glamorous, clever...and also the richest woman in the world. After yet another row with her spendthrift husband, Epifania meets an intriguing Egyptian doctor (Tom Baker). But she faces the challenge her money-mad father imposed on her before his death: She can only consider for marriage a man who can convert 150 pounds into 50,000 pounds within six months. Coincidentally, the good doctor has a similar challenge from his mother and can only consider for a wife a woman who can make her own living for six months with only 35 pence to start. Will Epifania be able to prove her profitability? And is the good doctor even interested in the challenge of a woman used to getting whatever she wants?

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