Showing posts with label historical dimensions and perspectives. Show all posts
Showing posts with label historical dimensions and perspectives. Show all posts

Empires - Holy Warriors: Richard the Lionheart & Saladin (2005) Review

Empires - Holy Warriors: Richard the Lionheart and Saladin (2005)
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Like a previous reviewer, I found the omissions in this program to be glaring & laughable. If anyone is expecting to get a comprehensive treatment of the Third Crusade, look elsewhere. One is gets as accurate a treatment of history as in "Kingdom of Heaven," which played fast & loose with historical accuracy.
One would get the impression that Richard I was the prime force behind the Crusade, depsite the fact that Barbarossa & the Germans left for the Holy Land a full two years earlier. The program would have you believe that after Barbarossa's death, the German armies simply melted away --- I believe the narrator actually said that most of the Germans "went home." If he meant that "home" was Antioch, then I suppose that is an accurate statement. It was the remnants of the German army (largely decimated by plague) that successfully defended Tyre (left almost unmentioned in this program) against Saladin's forces. Also barely mentioned is Phillip II of France, who played a key role in the political events that unfolded in the Holy Land.
The producers at least mentioned Richard's execution of the 3000 prisoners (following the siege of Acre), but left unmentioned is Richard's complicity in the assasination of Conrad of Montferrat, recently crowned King of Jerusalem, in 1192. The program would prefer to paint Richard as a noble warrior, rather than a political strategist of the first order. The political in-fighting between the Germans, French & English (not to mentioned the already entrenched Crusader States) is a not insignificant part of the story of the Third Crusade, but it goes entirely unmentioned here.
In fact, this program skims the topwaters to such a degree that only a historical neophyte could find much value in it. This program is a big disappointment overall.

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Studio: Paramount Home VideoRelease Date: 10/11/2005

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All Creatures Great and Small: The Complete Collection Review

All Creatures Great and Small: The Complete Collection
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Having the entire All Creatures Great and Small collection is really terrific in that you can view all episodes in order including the specials. This series is not just a vetinary saga but the life of a North country community and how this changes over time. Sensitively filmed, it is a timeless portrayal - history in a fun way if you like.

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Experience the phenomenally successful series, All Creatures Great and Small, based on the best-selling books by James Herriot. Set in the fictional Yorkshire Dales town of Darrowby, the series offers comforting reflections of a much gentler time when life moved at a somewhat slower pace. This collection features every episode, tracing the endearing career of this country veterinarian, from the 1930's through World War II and the hopeful 1950s. It's a joyful journey that will warm the hearts of fans everywhere.

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Augustus Review

Augustus
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A wonderful and expansive recounting of the life and times of Rome's first emperor, Augustus Caesar. A conversation between Augustus and his daughter Julia provides the narration that covers the early years of his life through to his death.
The story begins with us finding Augustus, after many years on the throne, walking among the enthusiastic crowd in the Roman Forum. Their reaction seems authentically happy to be close to a popular leader who is now in the latter years of a long and successful career. From here we travel back with Augustus to Spain, Egypt, Greece, and of course Rome and spend time with Julius Caesar, Marc Antony, Cleopatra, Marcus Agrippa, and his wife Livia. All these characters are given depth and you truly get a view into why they may have done the things they did.
The settings are generally good and the reproduction of the Forum, while not perfect, is among the best I've seen.
My only significant criticism is the unevenness of how some of the dialog is presented. It seems that many of the actors were not speaking English and their voices overdubbed in English. This sometimes breaks the flow of the dialog and makes it appear unnatural. Hence I believe it rates a 4 star rating rather than 5. Other than that, the acting is very good, especially that of Peter O'Tool who delivers a very convincing elder Augustus. Some critics have cited flaws in the history it portrays, especially around the character of Julia. True or not, this in no significant way takes away from the production.
It's tempting to compare this to the BBC's landmark production of "I Claudius" or the Hollywood production of "Cleopatra". Overall "I Claudius" is a better production but is sometimes too myopic; one gets the feeling from "I Claudius" that the emperors never ventured outside a few rooms in their palace. Compared to "Cleopatra", this production provides less Hollywood-type settings and more depth to the characters.
A must see for any enthusiast of Roman History or anyone who has a child who does not always follow your wishes.

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King (1978) Review

King (1978)
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This miniseries is great in that it presents Dr. King as the complex human being that he was with some of his insecurites and personal issues intact as opposed to the saint that he is often portrayed. The intracacies behind the Birmingham, Memphis, and Vietnam campaigns are handled well and Winfield makes a very good MLK. Cicely Tyson does very well as Coretta and incidentally, Rosa Parks is played by MLK's daughter Yolanda. The scenes of MLK smoking cigarettes and the adultery issue will shock a lot of people, but after all, the man was born in Atlanta and not Bethlehem, and these are based on acknowledged facts.
However, these is a scene that will annoy historians and Malcolm X fans. The treatment of King's meeting with M/X is an unfair fictionalization of what really happened. M/X is shown as hatemongering lunatic who encourages people in the ghettoes to burn down their cities. The producers have Malcolm confused with a later generation of militants, as the record shows that while the real Malcolm had his faults, he never publicly condoned mindless violence aside from self-defense.
This aside, and the composition of characters as prototypes of Bayard Rustin and Jesse Jackson aisde, this stays pretty close to the facts. Watch and enjoy, but read a good King bio such as "Bearing the Cross" by Taylor Branch, or "Let the Trumpet Sound" by Stephen Oates afterwards to get a broader picture.

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Nominated for nine Emmy AwardsÂ(r), this "astute and compelling" (Variety) biographybased on the remarkable life of Nobel Peace Prize winner Dr. Martin Luther King, Jr., takes an intimate look at one of the world's most public heroes during one of the most tumultuous times in American history. Starring Paul Winfield, Cicely Tyson and Ossie Davis, King is a riveting tale that appropriately honors a true legend.In 1950s/60s America, the civil rights movement found its leader in a Southern Baptist minister. Using lyrical eloquence, Dr. Martin Luther King, Jr., motivated masses of peopleblack and whiteto demand equality by way of nonviolent protest. But in spite of his peaceful agenda, Dr. King was often the target of terrible violence. He was never swayedfrom his path, however; for by the time he was assassinated in 1968, Dr. King had already defined adream that would change a nation forever.

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Alexander Hamilton (2007) Review

Alexander Hamilton (2007)
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PBS has assembled absolutely some of Broadway's most talented stage actors today to recreate, based upon the diaries and writings of the time, an intensely engaging and extremely informative look at arguably one of the most important and influential founding fathers, Alexander Hamilton.
Hamilton is studied and dissected from his most ignoble birth as an illegitimate from the West Indies to his rise to fame as leader pro-temp of the American Revolution and his ultimate death in a duel. There is nothing candy-coated about PBS's approach to Hamilton, superbly acted by Tony Award Winning stage actor Brian O' Byrne (DOUBT,FROZEN).Hamilton is presented in an extremely fair and unbiased way as the genius that he was, the braggart and irascible pain he could be,as a dutiful husband, as an adulterer, as an abolitionist,as a friend to Washington and as a foe to Jefferson.In other words, Hamilton will be seen with all of his bravado and all of his warts. Even the most amateur psychologist would have a field day with Hamilton!
The pace is brisk and lively and informative.There is nothing boring or overly documentarian about this PBS special.History becomes VERY ALIVE with this interpretation of Alexander Hamilton. The times, the people and the historical events are portrayed accurately and with real panache, perfect for teaching or simply informative viewing.You will learn about the struggle to bring the Constitution to law, the founders who opposed it and why, and that a lot DOES NOT change to the present!!! A MUST SEE AND HAVE FOR THE SERIOUS VIEWER!
A great companion film would be the Ric Burns' 5 or 7 set NEW YORK which contains a lot of info on Hamilton.

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One of the most controversial men of his age Alexander Hamilton was a gifted statesman brought down by the fatal flaws of stubbornness extreme candor and arrogance. His life and career were marked by a stunning rise to power scandal and tragedy. He had one of the most notorious love affairs of any public figure in American history and met his death in a startling act of political violence the famous duel with Aaron Burr. But his contributions as a statesman survive. As first Secretary of the Treasury during the tumultuous early years of the republic Hamilton led the transformation of the young country into a commercial and industrial powerhouse. He was the one founder who had a vision not of what America was but of what it could become. This two-hour AMERICAN EXPERIENCE tells the story of the underappreciated genius who laid the groundwork for the nation s modern economy including the banking system Wall Street and anopportunity societyin which talent and hard work not birth determined success.System Requirements:Running Time: 120 Mins.Format: DVD MOVIE Genre:DOCUMENTARIES/MISC. Rating:NR UPC:841887052108 Manufacturer No:705210

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The Three Musketeers (1948) Review

The Three Musketeers (1948)
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I'm a huge fan of just about everything musketeers related (look at my other reviews), and this is my favorite big screen adaptation. Kelly is easlily the most fun D'Artagnon to watch and the sword play in this movie is excellent with his athleticism.
Of course, anyone who read the novel would know that though it includes sword play it is the charaters and plot that move the story along, so in that respect this movie does a much better job than most Musketeer adaptations. It stays fairly close to the original plot and though there is little time spent developing their personalities the Three are more consistant with their literary counterparts than in, well really, any of the other adaptations.
Over all one of the most fun adventure movies I've seen.

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A classic tale set during the reign of Louis XIII. A young man joins the musketeers to foil an evil cardinal's plot to seize control of France.

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The George Eliot Collection (Middlemarch / Daniel Deronda / Silas Marner / Adam Bede / The Mill on the Floss) (2007) Review

The George Eliot Collection (Middlemarch / Daniel Deronda / Silas Marner / Adam Bede / The Mill on the Floss) (2007)
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George Eliot (Mary Anne Evans) penned many stories and all are worth reading. These wonderful performances do justice to her work. No expense looks spared and the locations are so atmospheric that it all adds to the strong story lines and character development. It is a collection of Victorian life studies worth owning. There is an additional feature called A Scandalous Life...guess who...talk about a woman with real courage...she lived her own life against all the constraints of her time which is hard to fathom in today's world of "free everything". Women lived confined...most authors of the day were men...women wrote romances, so Mary Anne created her "George Eliot" to be taken seriously. You will recognize many of the performers including Sir Ben Kingsley as Silas Marner. The price is great for the set...you won't be disappointed!

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The next collection in the successful BBC Classics line comes to life with an assortment of all-star casts in five of George Eliot's beautifully astute literary works, all lovingly portrayed in critically acclaimed productions from the BBC. This 5-disc set includes Adam Bede, Silas Marner: The Weaver of Raveloe, The Mill on the Floss, Middlemarch, and Daniel Deronda.DVD Features:Featurette:George Eliot: A Scandalous Life (60 min)Featurette:Middlemarch-A Reader's Guide (40 min)Photo gallery


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Feast Of All Saints (2001) Review

Feast Of All Saints (2001)
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i [tried] to read this book, but couldn't get past the first 250 pages or so. while it was fascinating to read and i found the characters intriguing, i didn't have the TIME to sit down and read it through: the pacing was entirely too slow. so, i put it down and promised myself to 'come back to it,' wishing SOMEONE would adapt it to film so that i could have time for the actual STORY.
i was thrilled when i discovered this dvd at the local blockbuster.
the film, which outlines the lives of one french-creole-haitian family in louisiana who--by a series of questionable and irreversible decisions made through generations--enjoyed the privilege of being part of the 18,000-strong community of those both black and free in early-1800's louisiana, is paced WONDERFULLY.
i found that the film adaptation was true to what i'd read in the book and the characters, except for anna bella who i thought would look more african, were just as i had imagined them in my mind. this is def. the best book-to-film I'VE ever seen. the movie was beautiful to look at and of altogether intriguing subject matter. I WAS NOT DISAPPOINTED. on the contrary, because it was a made-for-tv movie, i was expecting quality far LESS than that which i actually saw. the relationships between the characters were believable, as was the plot of the film. it's about 3 1/2 to 4 hours long, but it certainly didn't feel that way. in fact, i was disappointed when it ended.
the acting was great (the accents, less so). and my goodness, the cast read like a who's who in black hollywood. forest whitaker, pam grier, jasmine guy, ruby dee, ozzie davis, james earl jones, eartha kitt, goodness...the list goes on. however, those that were newer to me, such as the films protagonist marcelle (robert richard) did as well--sometimes better--than the veterans.
i love historical movies, especially those about wwii and america in the 1800s. this is the best movie of the latter category i've ever seen. it neither over-dramatizes or under-dramatizes the situation of the people it depicts (which is more than what u can say for classics such as 'gone with the wind').
i'd recommend this one to anyone.

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Anne Rice’s The Feast of All Saints is a tale set in 1840’s New Orleans about "free people of color", who formed their own class at a time when the predominant role of blacks in society was as slaves. The film focuses on the ordeal of one young man named Marcel Ste. Marie (Ri’chard), who searches for the truth about his heritage. As he finds his individual path into the future, Marcel is fully aware that he is a child of African and European descent, but his story is uniquely American.

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The Forsyte Saga, Series 1 (2002) Review

The Forsyte Saga, Series 1 (2002)
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I approached this remake with an open mind, having already been enchanted by the novels and the original series on PBS. This series is good, but suffers greatly from miscasting of pivotal character of Irene Heron Forsyte. Gina McKee, a talented actress, does not convey the mystery and allure of Irene the way Nyree Dawn Porter had already done in the original series. Gina McKee's coldness and drabness makes it hard to believe that men would be captivated by her. For instance, I found it hard to believe that Philip Bosinney would throw over sweet and pretty June for this coldblooded woman. Nyree Dawn Porter on the other hand was Irene Forsyte, matching the description of Galsworthy as a beautiful woman with brown eyes and blonde hair who was charming. Ms. Porter effectively portrayed the aversion she had for Soames Forsyte, her first husband, and the warmth and devotion she showed to her second husband, Young Jolyon and their son, Jon. She made it easy to understand why Bosinney would leave June for her.
The male characters were better: Rupert Graves, Ioan Gruffaud, Damien Lewis, and Corin Redgrave were wonderful. Damien Lewis captured the tormented Soames quite well and Ioan Gruffaud was an improvement over the actor who played Bosinney in the earlier series. Corin Redgrave was an outstanding Old Jolyon and Rupert Graves was sympathetic as Young Jolyon. The only problem was that Ms. McKee's Irene looked more mature than her love interests, Philip and Young Jolyon. Irene was sixteen years younger than Young Jolyon, but Rupert Graves looked younger than Gina McKee. Ioan Gruffaud looked more suited to the actress playing June than the more mature Irene.
The scriptwriters I felt took liberties with the novel that really clashed with what the characters were all about. For instance, the proud Young Jolyon after his exile from his family, would never have gone back to his Uncle James and Cousin Soames asking for a loan. This scene was totally out of character. Also, Irene was supposed to be gentle and passive; Gina McKee's Irene slapped June. This too was totally out of character. There was never a scene with Soames asking his fiancee Annette to throw Young Jolyon and pregnant Irene out of a restaurant. The scene was absurd and totally unnecessary. It would have been better had the writers stayed with the novel and had Soames seeing Irene and Jolyon in a crowd at Queen Victoria's funeral. I also could have done without the graphic bedroom scenes involving Irene and Soames. The first series and the novels more appropriately left their intimate relationship to the imagination.
Overall, this was a good effort. I hope that care is taken in casting Fleur Forsyte, who was brilliantly played by Susan Hampshire in the earlier series. If she is miscast, like Irene, the second half will fall apart, since Fleur is such a pivotal character in part two.

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Elizabeth R (1972) Review

Elizabeth R (1972)
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This is a superb BBC miniseries, or "cycle of six plays", with extraordinary acting and most of all, a script that is a marvel, which uses original documents and the writings of Queen Elizabeth I as its source, making the story, so full of intrigue and drama, for the most part very accurate.
My favorites are the monologues, spoken with such power by Glenda Jackson, whose performance is a treasure. The cast that surrounds her is also wonderful, and often having a physical similarity to the historical character (with kudos to the make-up department).
There are so many reasons to buy this fantastic DVD package, which may seem expensive but is actually an excellent value. For historians this is a must, and anyone who appreciates great English theater will be delighted. The quality of the film is also exceptional, with an exceedingly clear picture and audio.
I bought it to prepare for a portrait of Queen Bess, and was enthralled by the detail of the costuming; what amazed me was how the fashion changed during the queen's forty-four year reign. It was a time rich with culture and style, with the emergence of Shakespeare and other great writers, and the queen loved clothes and jewelry, and surely set the trends.
The music by David Munro also adds to the atmosphere, and the sets have an authentic feel.
This is a brilliant production, and total running time is 540 minutes.
The DVD "extras" are terrific, are the entire content of the 4th disc, and should perhaps be viewed before the film, for full appreciation of the history. The "extras" are:
1: A lengthy interview with Glenda Jackson
2: An interview with historian Alison Weir
3: "Elizabeth I", an A&E documentary with commentary by various authors and historians, and marvelous imagery to illustrate it.
4, A: Glenda Jackson reads documents. B: Portrait Gallery (there is an error here, where the portrait of Robert Dudley is actually one of Sir Francis Drake). C: Historical Sites, including the queen's tomb, palaces, etc.
5: Behind the scenes, with a Who's Who of the cast.


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Episodes: The Lion's Cub, The Marriage Game, Shadow of the Sun, Horrible Conspiracies, The Enterprise of England, Sweet England's Pride. This magnificent 6-volume collection recounts the epic life and times of the remarkable Elizabeth I in a cycle of 6 plays. Won multiple Emmy Awards.DVD Features:Audio CommentaryInterviewsPhoto gallery


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Conspiracy (2001) Review

Conspiracy (2001)
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"Conspiracy" is a perfect example of what happens when you pair a first-class cast with a first-rate script. You discover (or re-discover) that you do not need explosions, MTV-style editing or gimmickery to tell a good tale. This movie has all the budget and movement of a play, and is entirely dialogue-driven. But it works. Oh boy, does it work.
It is generally credited by historians that the infamous "Wansee Conference" of January 1942 was the real beginning of the Holocaust, i.e. of the Nazi Reich's all-out effort to exterminate the Jews of Europe. Prior to that, the Reich had contented itself with kicking them out of public life, taxing them into beggary, subjecting them to every form of humiliation, and essentially negating their status as human beings. When the war started, however, this policy, known as the 'emigration solution' (i.e., solve the "problem" of Jews living in the Reich by forcing them to emigate) became obsolete. The inefficient and corrupt Nazi bureaucracy was ill-suited even to handle the relatively small population of German Jews; and Nazi conquests, however, quickly increased the number of Jews in German-occupied territories to around eleven million. In other words, the very success of the German military effort in Europe had actually increased the size of the 'Jewish problem' a hundred times over. And since forcible emigration of 11 million people outside the German sphere of influence was not possible, something else had to be done to tackle this 'problem.' But what?
"Conspiracy" is about the bureacratic genesis of the Holocaust. It shows, in more or less real time, a fictionalized version of a real-life conference of 15 officials from the SS/SD, Gestapo, Railway Ministry, Interior Ministry, Government General, and Ministry of Justice, which was chaired by Reinhard Heydrich and organized by Adolf Eichmann. As a movie, however, it is really a study in the essential amorality of bureacracy and, to use a tired phrase, the banality of evil.
First off, the performances are superb. Kenneth Branagh gives probably the best turn of his career as Heydrich, a man who has absolutely no philosophy, ideology or morality other than a Terminator-like determination to carry out his orders, whatever they may entail, and to crush any obstacle in his path. You get the feeling he would be just as content to kill everyone with brown hair or webbed feet if that was his assignment, and if a few fellow Nazis happen to oppose him, then he would be just as happy to 'evacuate' them as any Jews. In fact, the description that Dr. Stuckart uses for the Jewish people in the film, "arrogant, self-obsessed....(but) sublimely clever, and intelligent as well" is actually a very good description of Heydrich. Branagh portrays him as a man with no human qualities himself, but excellent instincts about human nature. He knows when to condescend, when to bully, when to threaten, and when to appeal to self-interest, and he can shift from one to the other and back without a trace of discomfort.
Stanley Tucci, as Eichmann, is also very good. Like Heydrich shifts his personality around like a revolving door depending on what is required of him, but he is also a true-blue bureacrat in the worst sense of the word. To his superiors, especially Heydrich, he is utterly subservient; hovering about like a dog, laughing politely at jokes he doesn't find amusing, attempting with limited success to be 'one of the guys' when Nazi vulgarity rears its head. But to his subordinates he is a coldly arrogant bully, slapping one soldier in the face for throwing snowballs outside, telling another he will pay for a dish he broke by accident. In fact, he reminds me of a couple of schoolteachers I had growing up....and at least one boss.
Colin Firth is brilliant as Wilhelm Stuckart, the lawyer who drafted the Laws for the Protection of German Blood and Honor (better known as the Nuremburg Laws), and who is perfectly content to see all the Jews of Europe sterilized and shipped off
to be used as slave labor, possibly even exterminated wholsesale, so long as it is all done within a 'legal framework' (HIS legal framework). Eichmann characterizes the bureaucrat from hell, then Stuckart is certainly the lawyer from hell; a person who has no gods before the law, and simply cannot abide the idea of the whole crazy scheme being perpetrated without benefit of a legislative blessing. Eleven million murders? That's nothing. But without enacting a law first? Unthinkable!
Ian McNeice, as Stuckart's nemesis Dr. Klopfer, a corpulent Nazi Party bigwig with a disgustingly smug and vulgar way of handling himself. .... He's a raging anti-Semite who is all for killing the Jews, so long as the Party doesn't lose any administrative turf to the SS in the process. He has no respect whatever for the law despite being a lawyer himself (as is almost everyone in the room....go figure that one....); and unlike the brilliant but rather naive Stuckart, Klopfer has no illusions about rule of law in Nazi Germany. We have the power to do what we want, he says; we can always re-write the laws afterwards.
"Conspiracy" was written by Loring Mandel, who deserves special praise for penning a movie that is nothing but conversation but which is still very gripping. I'm surprised some people would quibble with his dramatic interpretation of what happened; how could you make an entertaining about what the actual conference was probably like -- fifteen Nazi lawyers drinking wine, eating canapes, and reading figures about mass deportations and what does or does not constitute a Jew? Mandel's script gets to the heart of the mentality behind the Holocaust, which was that despite being at war with the British Empire, the Soviet Union and the United States of America, despite being outnumbered six to one in manpower and 20 - 1 in industrial capacity, despite fighting on multiple fronts and lacking most of the natural resources necessary for war, and despite the unspoken consequences to themselves and their country's reputation if they lost the war and their 'secret' was exposed, the mentality of WWII Germany was still open to the idea of diverting massive resources into slaughtering defenseless civilians by the million. If that isn't the bureacratic blindness from hell, what isn't?

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Anna Karenina (2000) (2001) Review

Anna Karenina (2000) (2001)
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This is a stunning, not-stuffy-at-all adaptation of Tolstoy's seminal work. The casting is excellent and the script is true to the story line. Anna is particularly well-cast. She's passionate, loved by men and women alike, smart and compelling to watch. The two men in Anna's life are well cast, as well. Anna's husband's character is portrayed with all of the depth that he has in the book, which is an impressive feat. The man who plays Vronsky was a perfect choice even if he is blond and in the book he is dark.
The Kitty/Konstantin parallel plot is very well done, and both characters are also very well cast. In the book, Kitty has more depth than is portrayed, but she is beautiful and charming here nonetheless.
They don't rush the plot. It is presented thoughtfully which does Tolstoy's masterpiece the due it deserves. Watch this over several nights if you want. You'll think about it all day, every day until you're done watching the whole thing.

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Happy families are all alike; every unhappy family is unhappy in its own way. This famous line commences a refreshingly modern interpretation of Leo Tolstoy’s Anna Karenina--an epic tale of love, duty, marriage and infidelity. This richly detailed film charts the tragic romantic triangle formed when the dashing Count Vronsky defies social conventions and falls into forbidden love with Anna, the ignored wife of an aristocrat. Soon, Anna’s children-a son by Alexei and illegitimate daughter by Vronsky-become pawns in Alexei’s game to see that Anna pays a terrible price for her indiscretion.With its gripping narrative and unbridled romance, Anna Karenina reveals the uncontrollable passion, emotional betrayal and courage of a woman who violates moral strictures and risks everything to follow her heart.Helen McCrory stars as Anna, along with Kevin McKidd (Trainspotting) as Count Vronsky, the handsome object of her desires; and Tony Award-winner Stephen Dillane (The Real Thing) as Alexei Karenin, Anna’s callously principled husband.

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Masterpiece Theatre: Frenchman's Creek (2006) Review

Masterpiece Theatre: Frenchman's Creek (2006)
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Tara Fitzgerald makes a lovely Dona and Anthony Delon portrays the Frenchman pirate of the title, Jean Aubery, to perfection. In fact all the players were selected admirably: Rockingham is disturbingly sly and manipulative, William combines the right combination of sex appeal with devoted servitude and Harry exudes vulnerability and inner strength as Dona's husband. Just like Du Maurier intended them to be, fleshed out from the pages of her novel and set on the lonely wild coast of Cornwall.
My main objection to this film, if it can be called an objection, is that it fails to tell the story of the novel. Yes, the characters are not changed and the local is the same. What differs is the setting--this story is driven by the religious revolution of 1688--Catholic King James has fled to France as Protestant William of Orange marches in from the Netherlands. Lady Dona is a Catholic fleeing the eventual destruction of the court of which she is alligned. France has declared war on England at this crucial time and so the pirate is, in a sense doing his duty, rather than ravaging the English coast simply for his own amusement as he does in the novel. Navaronne, Lady Dona's estate is not the idyllic refuge of the book, it too has transformed into a battle ground where corpses litter the roads patrolled by befeathered Orangeman troops.
There are far too many differences in this film version to comment on individually, so instead I will say that it simply does not faithfully adhere to the story told in the novel. The adventure and romance remains, but even this is twisted to appeal to a more modern day audience. Most disturbing was the addition of tension between Dona and her young daughter which unfortunately weaves its way into the dinner scene at the film's climax. The producers most likely and sadly felt that the notion of a woman wanting to escape the life she thought at one time satisfying not meaningful enough for audiences who expect the Lifetime Channel's grander causes. There is none of the frivolity that makes Du Maurier's work a delightful escape albeit with a philosophical tone.
Despite its plot differences, the film still entertains. Lady Dona remains a free spirit encumbered by her station in life. As much as I enjoyed Anthony Devon's Jean,I would have liked to have seen what he would have brought to the man-without-a-cause depicted in the book. Whether this is how Du Maurier intended Frenchman's Creek to flow, the film provides an enjoyable two hours of entertainment.

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In search of peace and solitude, wealthy Dona St. Columb retreats to her country estate in Cornwall and discovers the exact opposite. Tara Fitzgerald (The Woman in White) and Anthony Delon recreate classic romance in Daphne du Maurier's enduring story of piracy and betrayal.

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Silas Marner, The Weaver of Raveloe Review

Silas Marner, The Weaver of Raveloe
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If it weren't for movies based on books today, many of us would never become acquainted with classic literature. Silas Marner is a gem of a movie, obviously based on a classic, and after seeing it, I understand why the book is required reading in many English classes. I myself have never read the book, and therefore appreciate becoming acquainted with it through this movie.
The setting appears to be in the 1600-1700s England. Silas Marner is wrongly accused of murder and is exiled from his community. When he arrives in another village, he becomes the mysterious weaver of fine cloth, who lives alone and rarely speaks to anyone. The squire from whom he rents his cottage meanwhile, is providing for his opium-addicted wife that he has secretly married. He keeps her and their baby daughter hidden from the public in a tiny apartment in the village. Struggling to the squire's mansion one night to reveal her existence to his family, the woman dies in the snow, and Silas Marner finds the toddler in his cottage. Immediately he takes to her, and convinces people he should adopt her. The following part of the movie of his developing relationship with this adorable little acress is precious.
Marner lives frugally, raising the child, but when she is 16, the squire steps in, and Marner and his daughter must make a decision that will test their relationship. There is a subplot concerning the squire's wayward brother whose actions affect all their lives, forcing all the characters to a turning point.
Ben Kingsley's acting is excellent as he goes through the different periods of his life, and the movie does a fine job of portraying the era. The movie, like the book, may not be top-draw, but like the book, it also deserves classic status.

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Silas Marner was a man who had everything - until he lost it all. Falsely accused of theft and driven out of his town, Silas starts life anew. One day, upon arriving home, he discovers a foundling child asleep on the hearth. Could this young girl be the redemption to love and happiness that Silas has been looking for?

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Heartbreak House Review

Heartbreak House
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The technical quality of this movie is appalling. Technical quality? There was none. The sound was indistinct and sccratch at the best of times. When characters moved upstage, the sound was either distorted or disappeared altogether. This should NEVER have been put on DVD. Please don't waste your money on this shoddy product.

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This rollicking romp through the minefields of romantic entanglement takes place on the Sussex estate of Captain Shotover, an eccentric poet, retired seafarer and inventor who is reluctantly hosting a weekend house party for his two daughters and their bohemian friends. Vivaciously alive with dangerous flirtations, this game of hearts and philosophies will keep you chasing the key to life and love. DVD Features:Featurette:George Bernard Shaw Lived Here: In this featurette, Bernard Levin explores the details of Shaw's life Other:Two radio addresses from George Bernard Shaw


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The Forsyte Saga - The Complete Series (1969) Review

The Forsyte Saga - The Complete Series (1969)
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Possibly the greatest TV miniseries of all time, it is wonderful that it has been released with great care and pride in this marvelous DVD set.
What sets this particular adaptation apart from others, especially the recent (2002) version, is the outstanding ensemble acting and rich characterizations. For example, as Soames, compare Eric Porter's crisp, impeccable diction in this version with Damian Lewis's mushy delivery in the 2002 version. Compare the delightful, comic realization of James (Soames's father), played by John Welsh in 1969, with the indistinguishable-from-all-the-other-Forsytes character in 2002. Most compelling, compare Nyree Dawn Porter as Irene in 1969, with... well, there really is no comparison here.
Of course, visually, this version suffers compared to last year's. It's shot in black and white, mostly on stage sets. Clearly, they used very few takes (another tribute to the actors), as minor defects like coats falling off racks, cameras getting bumped, slightly muffed lines are retained. But, really, who cares when you're watching the finest combination of acting and screenwriting ever put on TV?
This DVD not only contains the entire set of 26 fifty-minute episodes, but also additional material: cast interviews, behind-the-scenes, even deleted scenes and outtakes. Altogether, a beautiful job.

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The miniseries that started it all! In 1969, a internationally-acclaimed BBC show began airing on the fledgling public broadcasting network. The Forsyte Saga, in telling the remarkable story of a nouveau riche English family, introduced America to a new kind of TV. Millions of Americans devoted the next half year of their lives to following the frank treatment of all sins, foibles and peccadillos of the Forsytes and their circle. The passing decades can never the erase the memory of their extraordinary eveningswith the Forsytes: Kenneth More as Jo, the philosophical outsider; Eric Porter as Soames, the grasping man of property; Nyree Dawn Porter as Irene, "born to be loved and to love" and in later episodes, Susan Hampshire in an Emmy-winning performance as Fleur, Soame's 'restless' daughter. The series was so popular that Masterpiece Theatre was created to meet the new demand for great literary adaptations. With 150 characters, 2000 separate costumes and over 100 sets, this sprawling yet intimate saga continues to move, provoke and entrance viewers today. DVD Features:BiographiesFeaturette:Archival behind-the-scenes featurette


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Oliver Twist (BBC, 1985) (1985) Review

Oliver Twist (BBC, 1985) (1985)
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This version of Oliver Twist was a real pleasure! While a dramatization that stays fairly close to the original, the producers did this one right by giving it the time it needed. While the cast is of people little-known in the US, fans of classic literature should sit up and take notice of this one.
Ben Rodska does a wonderful portrayal of Oliver Twist that really brings home just how difficult life was in the workhouse. Dickens' book brought the plight of the poor into the public light in Britain, causing the dismantlement of the workhouse system and the poor laws. The actors and acresses in this episodic telling of the story convincingly prove to the viewer just how bad life could be in the early-to-mid 1800s.
Bill Sikes is frighteningly well played. Fagin is absolutely disreputable. Nancy is pitiable and trapped in a life filled with misery--and knows it.
Performed in twelve half-hour episodes, Oliver Twist has a simple musical score that enhances the rich visual imagery. People and places abound. This is the England of 1825 you long to see.
Oliver says it best: "Please, sir. I want some more!"

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The classic story of the poor orphan, Oliver experiences the terror and brutality of the criminal world with his companions: a pickpocket, a thief, a prostitute, and a fence. Born and raised in the appalling deprivation of the workhouse, the orphan Oliver escapes only to fall in with a gang of child thieves. Oliver's rescue by the kindly Mr. Brownlow is only the beginning of a series of adventures that lead him to an incredible discovery.

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