Showing posts with label robert patrick. Show all posts
Showing posts with label robert patrick. Show all posts

The X-Files: The Complete Ninth Season (1993) Review

The X-Files: The Complete Ninth Season (1993)
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Sure, the ninth and final season of The X-Files was probably its weakest season, but here's the deal: The X-Files at its worst is much better than most TV shows out there today. This season retained excpetionally high production values and looking back, actually had some standout episodes, including the spectacular 2-hour finale that could never satisfactorily wrap up such a long-running series but did have a feel of the classic mythology episodes from the show's glory days.
This season tries to pass the baton to Agents Doggett and Reyes, a partnership that is very solid but would never ever have the appeal of Mulder and Scully. Scully is present all season in a somewhat annoying advisory role, only occasionally getting her feet muddy. Towards the end of the season though, she steps into the spotlight much more.
David Duchovny's return for the 2-hour finale isn't handled perfectly, but it's so satisfying to see David and Gillian together on screen that you can all but forgive the fact that he left.
The DVD presentation is simply superb, as we have come to expect from this show. Spread over 7 dvds as opposed to the 6 dvd sets of recent seasons, this set has fantastic extras. But here's the deal: the real gem on this set is the hour long documentary, The Making of The Truth. Ever since the show started I've wanted to see something like this and never have until now. It takes you into the production meetings, location scouts and then the production itself, and it gives you a real sense of how hard working every member of the crew was and how much they loved working on it. It's an extremely thorough making of, not the usual puff-piece you see on DVDs.
Another little treat is "Reflections on The X-Files", in which various guest stars discuss in new interviews what it was like to be a part of the show. Cher, Seth Green, Ed Asner, the Dust Brothers, Burt Reynolds are some of the participants.
Other behind the scenes documentaries include Secrets of The X-Files and More Secrets of The X-Files, two shallow 45-minute shows from the heydey of the show. Nothing special but they do take you back to when the show was omnipresent. Also included are the usual promo spots, and a couple of decent new documentaries on Season 9 as a whole and also "Reflections on The Truth", which features key crew members talking about working on the last episodes. It's nice that the show's editors get a voice here.
There are a couple of commentaries, one from Chris Carter on the episode "Improbable". They're very matter-of-fact but are very interesting and frank.
One thing I cannot forgive about this season is the fact that even though the show's producers knew this was the last season well before the end, they did not use the last, say, 5 or 6 episodes to wrap up the show. Instead they wrapped up a couple of plot points quickly in one (good) episode (directed by David Duchovny), and then give us some mediocre stand alone episodes. And the biggest slap in the face is that the penultimate episode ever is wasted on a silly story involving the Brady Bunch. Oh well, too late now. The show has passed up so many opportunities for true geatness in its nine-year run, but like I said before, it remains one of the best TV shows ever.
Recent press reports indicate that a second movie is likely to go ahead. So, now's a good time to start familiarising yourself with the show's last year.
It feels great to put this up there with the previous eight seasons and see the entire collection on one shelf. It's hard not to get all warm and fuzzy inside knowing you own every episode of this groundbreaking series. And you can't argue with the price for this beautiful set!

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Now you can own the entire ninth season of THE X-FILES?. All 19 classic episodes (including the 2-hour series finale) are available for the first time in this exclusive 7-disc collector?s edition. From the revelation about Scully?s baby in ?Nothing Important Happened Today? and the mystery surrounding the murder of Agent Doggett?s son in ?Release? to Mulder?s final confrontation with those who would deny ?The Truth,? these Season Nine episodes are a must for every X-Files fan!

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The X-Files: The Complete Eighth Season (1993) Review

The X-Files: The Complete Eighth Season (1993)
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Season 8 (21 episodes airing 2000-2001) was the most atypical of all nine years of THE X FILES for several reasons:
1. Much of the season makes due without the services of David Duchovny.
2. New characters, assuming key roles, are introduced.
3. An unprecedented percentage (nearly half) of the episodes are devoted to the mythology arc.
There is a noticeable, almost "symphonic", symmetry to the season (composer Mark Snow's haunting "Scully theme" functioning as "idee fixe") with the mythology arc divided into several well-defined sections: an opening 2-part prelude, massive 5-part mid season "adagio" and grand 2-part finale.
The loss of David Duchovny's full participation actually had the effect of re-focusing THE X FILES. Chris Carter and company were put to the test in coming up with an interesting and (somewhat) cohesive storyline that would work around the practical ( business related ) realities they faced behind the scenes. Though not without missteps, Season 8 succeeded both in revitalizing the dramatic intensity of the myth arc and maintaining the shows inexorable momentum toward a conclusion revealing much of Chris Carter's longstanding underground project.
In Season 8 Gillian Anderson became the lynchpin of THE X FILES, continuing to summon up her considerable skills in service to the show. The casting of Robert Patrick as Agent John Doggett was a stroke of genius; Doggett was written and acted in complete distinction to Mulder. This well-planned strategy allowed the imaginative landscape of THE X FILES to be viewed through the fresh eyes of a new character; in the process, some of the excitement of the show's early years was regained for longtime aficionados. Additionally, a measure of stability and strength is found in the season-long emphasis of producing truly serious scripts. The result is a consistently "dark" mood, similar to the melancholia found throughout Season 4. In fact, only in a short midseason slump did the show exhibit signs of true weakness.
The "stand alone" scripts, while certainly not the main emphasis of Season 8, were noticeable improvements over the previous season:
Vince Gilligan's ultra-violent "Roadrunners" (his only contribution in Season 8) is the single finest "stand alone" of the year, a savage parody of a religious sect ( barely disguised ) combined with an homage to the sci-fi classic "Invasion of the Body Snatchers". This is the first episode (aired early in the season) in which it is apparent that Gillian Anderson and Robert Patrick really "click" as a team; a most fortunate happenstance as the fate of the remaining two years depend in large part on their convincing onscreen chemistry. THE X FILES would never have maintained its integrity had the (platonic) Scully/Doggett partnership failed onscreen.
David Amann's moving "Invocation" is the first of several episodes over the course of the final 2 seasons that deal with the past event that most shaped Agent Doggett: the kidnapping and murder of his son ("Empedocles" was the other script so featured in Season 8).
Longtime staff writer Frank Spotnitz has a very prominent role in shaping Season 8; in addition to co-writing several episodes with Chris Carter, Spotnitz penned several solo scripts:
The excellent "Via Negativa", in addition to being superior on its own terms, has the additional virtue (shared with "Invocation") of allowing Robert Patrick to flesh out his character (David Lynch style cinematography adds a visually disturbing element to the storyline).
"The Gift" is one of the strangest X FILES episodes ever produced, a hallucinatory combination of "stand alone" and "mythology", all the more bizarre for the flashbacks which (purportedly) explain Mulder's pre-abduction illness.
"Alone" (aired late in the season) is essentially written for the elegiac touches of its final minutes, with Scully and Mulder humorously yet touchingly "passing the torch" on to a young and admiring FBI agent, the latter character symbolic of the legions of loyal (and often demanding) "X-Philes".
Regarding the failures in Season 8:
"Salvage", "Sure kill" and especially the execrable "Baddlea" should never have been aired. One of the most valuable aspects of this complete DVD set will be to allow the viewer to bypass inferior episodes and concentrate on the otherwise laudable unity demonstrated throughout Season 8.
Regarding the mythology arc:
The aforementioned symphonic structure of the season begins with Chris Carter's two-parter ("Within"/"Without"), which has the pregnant Scully searching for an abducted Mulder.
Carter and Spotnitz collaborate on the pivotal mid season block of mythology episodes dealing with the death and resurrection of Fox Mulder. One cannot help but notice the debt owed to the 2nd/3rd season trilogy ("Anasazi" / "The Blessing Way" / "Paper Clip" ).
Chris Carter wrote the season finale ("Essence"/"Existence"), which is the mirror image (in terms of title and plot) of the season opener. The series' philosophical (indeed, theological) underpinnings, while by no means hidden in previous seasons, are laid bare with allusions and typological references to the New Testament (as well as the metaphysics of Aquinas reflected in the episode titles).
While "Essence"/"Existence" was fashioned in such a way as to provide a satisfactory conclusion to both the 8th season and the series as a whole (should it have ended in 2001), it turned out that many of its themes would be carried over into what would in actuality become the final year. THE X FILES would eventually complete its long (9 year) run in artistic and spiritual unity; a testimony to the integrity of cast, writers, crew and (above all) creative vision of Chris Carter.


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