Showing posts with label aliens. Show all posts
Showing posts with label aliens. Show all posts

History's Mysteries - Ancient Aliens (History Channel) (2008) Review

History's Mysteries - Ancient Aliens (History Channel) (2008)
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Hello.
Listen. you probably saw a show called "Ancient Aliens" on The History Channel recently and thought it was cool, so you wanted to buy the DVD. Well, I was the same way. BUT, this isn't it! I bought this DVD and it's OLD. It just has the same name as the other one that was more recent. The one you want is also called "Ancient Aliens" but it hasn't come out yet. Check the History Channels website and do a search there. The cover you want has a silver UFO and a crop circle animal looking thing. I just want to save people from doing what I did.

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In modern times, the first UFO was reported in 1947. But many people believe that aliens have been among us for thousands of years. And for evidence, they point to certain ancient texts and monuments. Do they, in fact, tell the story of extraterrestrial contact eons ago? Join the worlds leading UFO experts including the authors of the bestselling Alien Identities and Fingerprints of the Gods for an extraordinary investigation that journeys through human history in search of evidence of alien contact. Why do so many structures, from different societies worldwide, seem to point towards the same spot in the skies? What other possible explanation is there for the frequent references to strange flying objects in ancient texts? Do some clues point to the presence of aliens among the ancients themselves? With dramatic re-creations, footage from around the world and inspired scholarship, ANCIENT ALIENS attempts to uncover the truth.

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Ancient Mysteries: UFOs - The First Encounters Review

Ancient Mysteries: UFOs - The First Encounters
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This DVD presents the old ancient astronauts story in every detail. The Bible for example is looked at as a science book; basically a collection of UFO reports. There's a lot of food for thought here, and facts I never put together. As an example I never knew that when Moses brought down the 10 commandments his hair had turned white and his skin was shiney, as if from radiation burns. This DVD is loaded with unusual and little known UFO facts and theories from ancient times.

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Has the earth ever been visited by aliens from another world? confront one of the most challenging puzzles of all time in this scintillating program that attempts to unravel the riddle.Studio: A&e Home VideoRelease Date: 04/26/2005

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Repo Man (Collector's Edition) (1984) Review

Repo Man (Collector's Edition) (1984)
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Repo Man is completely unclassifiable. Funny, dark, biting, thrilling, confusing, action, adventure, it's all there. Emilio Estevez plays Otto, a "white suburban punk" living in LA's sprawl, with a nowhere job that he loses in the film's second scene. When his hippie parents admit they sent his college fund to a TV preacher (We're sending Bibles to El Salvador!), Otto meets Bud (Harry Dean Stanton), a cocaine-driven Repo Man who needs an extra driver. Otto joins the firm and soon learns the Repo Code; Bud's version (You see, a Repo Man gets himself INTO tense situations), and the other regulars at Helping Hand Auto share their philosophies too. Light finds Bud's view tedious but is willing to handle shoot-outs when he's not reading parodies of Scientology (Diuretix), Miller seems completely neuron-fried (The more you drive, the less intelligent you are), and Oly is along to make a four-pack. (Did you notice the four experienced Repo Men are named after beers?) Let's go get a drink, kid!
Multiple plot strands at first seem unrelated, but bind together closer and tighter as the film moves along. Otto and the other Repo Men are on the lookout for a 1964 Chevy Malibu, with a $25,000 bounty. So are some creepy FBI agents, who stalk and kidnap Otto. And so are Helping Hand's arch-rivals, who careen into the plot whenever things are getting dull. The car's driven by a nuclear physicist in from Los Alamos, who warned a CHP officer not to look in the trunk (with deadly results). Otto's punk friends find the car while breaking into a pharmaceutical factory, but they're too stupid to keep it. (These three are some of the dumbest criminals ever shown in film, including Kevin Kline's Otto in _A Fish Called Wanda_) Otto finds love, after a fashion, but since this is Reaganesque LA, even his girlfriend has her own motives. ("Otto! What about our relationship?" Otto's reply is a brilliant retort to Cary Grant's last line in Gone with the Wind.)
The film abounds with hilarious throw-away lines, signs, and labels. Several scenes take place in food stores, and all the food is generically labeled. Multiple viewings are required to catch them all; be sure to read all the signs in the windows. Even the TV preacher shows up on several television sets. Repo Man takes its structure from Miller's bizarre rant about the cosmic latticework of interconnectedness, because everything is interconnected, and Miller turns out to be right about all of it by the end. "And flying saucers are... You got it. Time Machines."
Top it off with a TERRIFIC sound track by Iggy Pop, Black Flag, The Circle Jerks, and a host of others from the punk scene and this is one of the best movies ever made.

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REPO MAN SE - DVD Movie

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Talking to Heaven (2002) Review

Talking to Heaven  (2002)
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Why they changed the title is questionable since "Living With The Dead" is much more appropriate. Husband and wife, Ted Danson and Mary Steenburgen, head an extremely fine cast in a film that will hold your attention regardless of whether you define it as fiction or non. Ted does a credible Van Praagh but Mary steals the show with her superb portayal of a borderline skeptic detective who puts her reputation on the line. And she looks terrific. A suprising entree is Jack Palance. The old pro never misses a beat and can still steal a scene. The same can be said of Michael Moriarty who continues to be one of our finer character actors.
The real deal, Mr. Van Praagh himself, can be seen in a quick cameo as the church organ player.
3 hours of fine film. Nice job.

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Item Name: Talking to Heaven; Studio:Timeless Media Group

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I Know What I Saw (2007) Review

I Know What I Saw (2007)
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This film is made so well because it highlights the best cases, and presents solid facts and information leaving the viewer with a clear path to decide whether the UFO issue is real or not. Fox shows people on the street saying that people who see flying saucers or UFO's are all crazy, then goes on to show some respectful, professionals, pilots, military personnel, even a governer, who have compelling tales.
I saw this documentary late at night, and it scared me because of the potential of what they are uncovering. Weird stories of huge (sometimes a mile long) UFO's seen in many places of the world.
If you don't believe in UFO's watch this video. I am not sure anyone can view this and come away saying it's all in a person's mind or just made up. Scary and very well made. Highest recommendation.

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Director and host James Fox assembles the most credible UFO witnesses from around the world to testify on the subject and share their experiences and observations. Air Force generals, astronauts, military and commercial pilots, government and FAA officials from seven countries gather at the National Press Club in Washington D.C. to tell stories that, as former Arizona governor Fife Symington states, 'will challenge your reality.' These accounts reveal a behind-the-scenes U.S. operation whose policy, in the eyes of some observers, seems to involve confiscation of substantiating evidence from close encounters--to the extent that even Presidents have failed to get straight answers.

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Alien Quadrilogy (Alien/ Aliens /Alien 3 /Alien Resurrection) (1986) Review

Alien Quadrilogy (Alien/ Aliens /Alien 3 /Alien Resurrection) (1986)
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This consists of two discs for each film, the original and an alternate version (more on that below) on the first disk, and collections of approximately 2 hours of featurettes and other bonuses on the second disc. The ninth disc is a hodgepodge of trailers and other items from previous DVD and laser disk versions. Although the extras have been released in a variety of forms over several years (the John Hurt documentary 'The Alien Saga', being the latest), THIS is the definitive version.
'Alien' (average user rating: 4.6). If you haven't seen this classic film, then you must be living under a rock. The collection includes the original theatrical version (which I prefer) and the "Director's Cut", notable for its inclusion of the controversial captain-cacooned by alien scene (controversial because from the Alien mythology developed in later films, we know that only the massive queen can lay eggs). I prefer the original (which is actually 1 minute longer), and interestingly enough, it appears that Ridley Scott prefers the original as well. The making of featurettes are extensive and reveal Giger's extensive participation and how what was originally expected to receive a b-moive budget became one of the very few examples where Fox studios followed the vision with a classic.
'Aliens' (average user rating: 4.7). This is the only sequel I know of that is rated higher than the original. This time, the "Special Edition" version (also on the previous 'Alien Legacy' box set) is a superior experience and exactly is how upstart director James Cameron (who had written the script prior to the release of 'The Terminator') wanted to release the film, but was constrained entirely by time limits. The result is additional scenes featuring the colonists and Ripley's family lost to the time she spent in hypersleep. As with the first installment, the featurettes are interesting and thorough, although the Viet Nam War metaphor is not as thoroughly explored with Cameron as has been in other releases.
'Alien 3' (average user rating: 3.2). As a fan of the franchise, this was perhaps the most anticipated part of this new box set. The "working print" of the film (the longest of all the versions here, and complete with subtitles for missed sound editing), adds a depth to the film that was not in the original. That is, the arrival of Ripley and the characters are covered much more thoroughly, the alien creature is begotten by an oxen with a much more original look, there is an additional plot twist arising from the nature of the inhabitants (criminally delusional), and there is no riduculously-timed chest-burster scene at the end. Still, the film is a flawed masterpiece. The film is better appreciated in light of the bad situation first-time director David Fincher had been placed in - not the least of which is an incomplete script during production and a set that had already been constructed for the ill-conceived "wooden planet/monestary" vision of the previously assigned director. In this sense, the three production featurettes come across as almost an apology/tribute to Fincher. (NOTE: Fincher is the only director who is not interviewed on the box set.)
'Alien Resurrection' (average user rating: 3.0). What happens when you put the French director of 'Amelie' (Jean-Pierre Jeaunet) in charge of an alien movie? Well, foreign/art movies were all the craze in the last 1990s, so . . . Fox studios thought, "Why not?" In the end, many fans of the franchise did not appreciate the obviously satirical slant on this final installment. The opening scene and ending scenes (the only additions of substance) on the extended version make the film even more tongue-in-cheek. Despite the French director and crew's obvious regard for the original 'Alien' (as documented in the featurettes), armed with the return of Sigourney Weaver and the addition of superstar Winona Ryder, the director ultimately made a quirky, campy action film. But in the end, it was the last quarter of the script that makes this the weakest of all the installments by far. Postscript to Fox studios: if you had given Fincher this much creative freedom, you would have have a third masterpiece.

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Disc 1: Alien Collector?s Edition Disc 2: Aliens Collector?s Edition Disc 3: Alien 3 Collector?s Edition Disc 4: Alien Resurrection Collector?s Edition Disc 5: Bonus Disc

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PSI Factor: Chronicles of the Paranormal - Season Three Review

PSI Factor: Chronicles of the Paranormal - Season Three
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I think they are releasing season 3 on dvd for region 1(USA).Gosh,I hope so!!!!This series was basically about a team of scientists and former cops who investigated paranormal cases- it was a series filmed in Canada in the late 90's into the year 2000. The series was introduced every week by Dan Ackroid(spelling?)who also introduced the kind of case and who would be investigating it(Barclay Hope,Maurice Dean Wint,etc)-Dan was one of the executive producers of the series. This series has been out on Region 2 for awhile-come on release it here I'm waiting......

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Mysterious abductions and disappearances. Plagues of deadly snakes and mutated insects. Poltergeist attacks, psychic predictions, and demonic possessions...PSI Factor: Chronicles of the Paranormal will change the way you perceive reality. In 22 episodes, a fearless team of investigators from the covert Office of Scientific Investigation and Research (O.S.I.R.) explore bizarre, top-secret cases inspired by real, documented events. As O.S.I.R. agents face the supernatural in their search for clues, their quest for truth is often stranger than fiction itself.

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The Sorcerer's Apprentice (Three-Disc Blu-ray/DVD Combo+Digital Copy) (2010) Review

The Sorcerer's Apprentice (Three-Disc Blu-ray/DVD Combo+Digital Copy) (2010)
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Dave was your typical ten-year-old until one fateful afternoon on a field trip when he passed a note to his crush. The note was swept up in a gust of wind and through a series of odd coincidences ended up inside a shop. It was in this shop that Dave met Balthazar, who informed Dave that he is a sorcerer.
Fast forward ten years and Dave is now a socially inept physics geek. Balthazar reenters Dave's life and tells him he needs to begin his training. Dave quickly realizes he's caught up in a centuries-old rivalry that could result in the end of the world- and he is the only one who can prevent it. Balthazar quickly tries to train Dave so they can battle the forces of evil that are trying to destroy the world.
The Sorcerer's Apprentice is an exciting and entertaining film for the whole family! It has a little of everything in it- action, magic, humor and romance! The characters are funny and interesting (everything from geeky Dave to the greatest wizard ever known, Merlin). The content is family friendly so you can enjoy it with the kids, but it's exciting enough to be a great movie for adults as well. I enjoyed the acting, and everyone did a spectacular job! There were quite a few familiar faces- Nicholas Cage is fantastic (as always) and Jay Baruchel once again shows that he is a pro at portraying the painfully awkward guy! Alfred Molina is also present, and plays a great villain! There are also many new faces- Toby Kebbell is showing us that he is an extremely diverse actor, one moment he's playing a rugged Persian prince and the next he's an egocentric magician!
One of the things I love about this movie is that Disney gives a nod to some of its past endeavors (Hint: think of a character by the same title and you'll have an idea of what I'm referring to). Subtle homage to various films and characters can be seen throughout the movie, providing what computer geeks would refer to as "Easter eggs" for the viewer to catch. Some are relatively obvious, but if you're like me, you'll have to brush the cobwebs off of your memories of some of the older Disney flicks!
I also love that the trailers didn't ruin every funny scene. There were many other parts of the movie that made me laugh! This movie has plenty of surprises, and it keeps you engaged for the entire length of the film. The soundtrack is also excellent, with fantastic compositions from Trevor Rabin. His music sounds like a cross between Klaus Badelt's Pirates of the Caribbean score and Steve Jablonsky's Transformers score, with a few distinct touches of his own. The primary song repeated throughout the film is OneRepublic's "Secrets", which I feel was an appropriate song choice!
The movie is a bit predictable, but it's not as if you can expect otherwise from a Disney film. Some of the characters weren't incredibly well developed, however I don't feel it detracted from the film. To have gone into the details of every character would have made the movie too long. Regardless, I would highly recommend this movie to anyone! So, if you're in the mood for something a bit more action packed, definitely consider this one! Also, if you tend to be a film score junkie (like me), you should definitely consider grabbing the soundtrack! It's got some great tracks!

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Magic is everywhere in Disney's The Sorcerer's Apprentice-the fun family adventure from the creators of National Treasure. Balthazar Blake (Nicolas Cage) is a modern-day sorcerer with his hands full defending Manhattan against dark forces. When a seemingly average kid shows hidden potential, Balthazar takes his reluctant recruit on a crash course in the art and science of magic to become the ultimate sorcerer's apprentice. Experience more extraordinary thrills, heart-stopping action and spectacular special effects than you can imagine as these unlikely partners show us that the real world is far more magical than we ever knew!

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The X-Files: The Complete Ninth Season (1993) Review

The X-Files: The Complete Ninth Season (1993)
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Sure, the ninth and final season of The X-Files was probably its weakest season, but here's the deal: The X-Files at its worst is much better than most TV shows out there today. This season retained excpetionally high production values and looking back, actually had some standout episodes, including the spectacular 2-hour finale that could never satisfactorily wrap up such a long-running series but did have a feel of the classic mythology episodes from the show's glory days.
This season tries to pass the baton to Agents Doggett and Reyes, a partnership that is very solid but would never ever have the appeal of Mulder and Scully. Scully is present all season in a somewhat annoying advisory role, only occasionally getting her feet muddy. Towards the end of the season though, she steps into the spotlight much more.
David Duchovny's return for the 2-hour finale isn't handled perfectly, but it's so satisfying to see David and Gillian together on screen that you can all but forgive the fact that he left.
The DVD presentation is simply superb, as we have come to expect from this show. Spread over 7 dvds as opposed to the 6 dvd sets of recent seasons, this set has fantastic extras. But here's the deal: the real gem on this set is the hour long documentary, The Making of The Truth. Ever since the show started I've wanted to see something like this and never have until now. It takes you into the production meetings, location scouts and then the production itself, and it gives you a real sense of how hard working every member of the crew was and how much they loved working on it. It's an extremely thorough making of, not the usual puff-piece you see on DVDs.
Another little treat is "Reflections on The X-Files", in which various guest stars discuss in new interviews what it was like to be a part of the show. Cher, Seth Green, Ed Asner, the Dust Brothers, Burt Reynolds are some of the participants.
Other behind the scenes documentaries include Secrets of The X-Files and More Secrets of The X-Files, two shallow 45-minute shows from the heydey of the show. Nothing special but they do take you back to when the show was omnipresent. Also included are the usual promo spots, and a couple of decent new documentaries on Season 9 as a whole and also "Reflections on The Truth", which features key crew members talking about working on the last episodes. It's nice that the show's editors get a voice here.
There are a couple of commentaries, one from Chris Carter on the episode "Improbable". They're very matter-of-fact but are very interesting and frank.
One thing I cannot forgive about this season is the fact that even though the show's producers knew this was the last season well before the end, they did not use the last, say, 5 or 6 episodes to wrap up the show. Instead they wrapped up a couple of plot points quickly in one (good) episode (directed by David Duchovny), and then give us some mediocre stand alone episodes. And the biggest slap in the face is that the penultimate episode ever is wasted on a silly story involving the Brady Bunch. Oh well, too late now. The show has passed up so many opportunities for true geatness in its nine-year run, but like I said before, it remains one of the best TV shows ever.
Recent press reports indicate that a second movie is likely to go ahead. So, now's a good time to start familiarising yourself with the show's last year.
It feels great to put this up there with the previous eight seasons and see the entire collection on one shelf. It's hard not to get all warm and fuzzy inside knowing you own every episode of this groundbreaking series. And you can't argue with the price for this beautiful set!

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Now you can own the entire ninth season of THE X-FILES?. All 19 classic episodes (including the 2-hour series finale) are available for the first time in this exclusive 7-disc collector?s edition. From the revelation about Scully?s baby in ?Nothing Important Happened Today? and the mystery surrounding the murder of Agent Doggett?s son in ?Release? to Mulder?s final confrontation with those who would deny ?The Truth,? these Season Nine episodes are a must for every X-Files fan!

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Tripping the Rift: The Complete Third Season (2007) Review

Tripping the Rift: The Complete Third Season (2007)
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I really like Tripping the Rift; I have the first two seasons on DVD. Then I purchased the movie, which I was very disappointed with, so I was hoping that season three would bring me back to the fold. Unfortunately, not so much. 3 or 4 of the episodes are straight from the movie (or the movie is straight from 3 or 4 episodes depending how you look at it), so the claims of "13 ALL-NEW EPISODES" on the DVD cover doesn't ring true.
I also don't understand how they came up with the censoring of foul language. In one episode ("Raiders of the Lost Crock of $%?&*!"), they bleeped the word b*****d (but left enough in that you could tell what it was) and a couple of minutes later the word was said again but not bleeped. It seems to be a little random. I don't get why they can't put out a "grown-up" version of Tripping the Rift (i.e. rated 18 or even 16). I can handle the swearing, the crude jokes, even a little CGI nudity (the censored banners in the Raiders episode mentioned above).
There are no extras with this DVD set. No outtakes, no trailers, nothing. It really seemed like it was put together quickly and released. If I hadn't seen the movie, I probably would rate this season a bit higher. I feel the movie has damaged the franchise somewhat. Who knows if there will be a fourth season. If there is, I hope they realise there are grown ups out there who watch "Tripping the Rift" and we're OK with adult content in our favourite animated shows.

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The eclectic crew comes back more twisted and outrageous than ever before in new exciting adventures. Now produced in high definition, you will be amazed by the richness of the images and textures found in the series. With 13 new episodes available, this latest production is constituted of a unique blend of action, comedy and sexiness to delight the fans. Writers and directors have pushed the envelope even further and came up with unpredictable storylines and spectacular scenes.

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Stargate SG-1: The Complete Seventh Season (1997) Review

Stargate SG-1: The Complete Seventh Season (1997)
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Looking back on the seventh season of "Stargate SG-1" it seems clear that the show was caught between the idea that this was the final season and an impulse to retool the series to keep in going into an eighth season. In short, I think if they knew then what they know now they would have done things differently, especially with the question of Richard Dean Anderson's status for season nine. When the new president made Dr. Elizabeth Weir (Jessica Steen) the new civilian head of the Stargate project that had a lot of interesting possibilities, both because of her gender and because she had an extensive background in diplomatic negotiations. But the two-part "Lost City" that ends this season becomes more about stopping Anubis from destroying the Earth than retooling the show and Weir is going to end up on "Stargate: Atlantis" (to be played by Torri Higginson). There is a lot that happens in those last three episodes, when President Hayes (William Devane) takes office and Anubis attacks, with the potential for more all sorts of interesting ramifications, more so than with what happens when the season starts.
That is when Daniel Jackson (Michael Shanks) returns from being an ascended being, albeit on an alien world without his memory ("Fallen"). This required getting rid of Jonas Quinn (Corin Nemec) to get the old gang back together again, which happens when Anubis download Jonas' memory and the Goa'uld attack Kelowna ("Homecoming"). Wisely, this is not the last appearance of Jonas for the season ("Fallout") as he becomes another one of recurring guest characters that are a major strength of the series. There are several Daniel Jackson stories that make a point of giving the actor interesting things to do, such as "Lifeboat," where his mind becomes a resting place for a bunch of alien minds, "Enemy Mine," which requires Jackson to show diplomatic skills, and big time flashbacks in "Chimera," to before Daniel first saw the Stargate. Overall, Jackson comes running to the rescue more often than any other character during this season (e.g., "Resurrection").
I understand now that Anderson had a reduced workload for Season 7 of "Stargate SG-1," and there are some interesting attempts to make the best of that situation, as when O'Neill is transformed into a teenage boy ("Fragile Balance"). For the most part the main tactic is to make O'Neill a supporting character and let the other characters do the heavy lifting. But when I look over the 21 episodes for the season it becomes clear that Teal'c (Christopher Judge) is primarily a supporting player for the year as well, with "Orpheus" and "Birthright" being the only episodes to really focus on Teal'c. You do have to admit, that nobody on the show milks a stare better than the big fella.
Overall, Season 7 is really Samantha Carter's season and Amanda Tapping has several episodes where she pretty much goes it alone. "Space Race" has her joining an alien pilot for a little intergalactic competition, while "Death Knell" finds Carter being hunted by the supers soldiers of Anubis after an attack on Earth's secret off-world base. In "Grace" Carter literally ends up alone when the Prometheus is attacked and she wakes up to find herself the only one on a ship drifting in deep space. The other characters show up as the angels of her better nature, which is the only way that Sam and Jack are ever going to have an honest conversation. She even has an actual boyfriend for an episode "Chimera," in a concerted effort to get rid of the "black widow" label that has plagued Carter. The unrequited love between Carter and O'Neill is pitch perfect, so just let them keep their unspoken thoughts and give this woman a social life. Of course we have to take this to an extreme and that would be the fantasies of Jay Felger ("Avenger 2.0").
The whole Anubis/Lost City bit ends up being equal parts time to beat another bigger and badder system lord and find a fitting end point for the series that can also work as a transition to the spinoff. In your free time you can speculate as to what they would have done differently knowing that there was going to be an eighth season of "Stargate SG-1," but I have to think there would have been some significant changes that would not have wrapped up things so quickly and conveniently. Besides, having read my Dante I have been patiently waiting for Robert Kinsey (Ronny Cox) to receive his comeuppance, and with everything that was happening in those final episodes that was a notable anticlimax.
The two main tensions in Season 7 are between the need to keep coming up with a bigger threat for SG-1 to face and the desire to keep the characters real. The former is represented by the super soldiers engineered by Anubis ("Evolution, Part 1") and Kinsey becoming Vice President ("Inauguration"), while the latter is at the heart of the two-part "Heroes," when reporter Emmett Bregman (Saul Rubinke) shows up at Cheyenne Mountain to document the Stargate project for some future posterity. The episode underscores the dangers inherent in what Stargate does, an idea which is revitalized by having the off-world focus being on SG-13, led by Colonel Dave Dixon (Adam Baldwin). The subtext for the episode is honoring the unsung heroes of the American military in the real world, and it certainly accomplished that goal and the performances are particularly memorable. Of course, the cast is given ample motivation given the script and the episode's emotional payoff.
While "Stargate SG-1, Season 7" is one of the weaker seasons for the series, it is still a pretty good science fiction show on a par with "Star Trek: The Next Generation" and "Farscape." The common denominator, of course, is that the best stories are character driven and not just dressed up by computer-generated special effects. Part of the problem at this point is that the characters are so comfortable with each other that pushing them to new levels becomes extremely difficult. But at least with "Heroes," they proved that SG-1 can still make the effort and meet the challenge.

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The X-Files: The Complete Fifth Season (1993) Review

The X-Files: The Complete Fifth Season (1993)
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Although most diehard fans of THE X FILES are in agreement as to the merits of Season's Three and Four, the 5th year seems to have elicited more of a mixed response. Certainly the season, to which I give an unqualified recommendation, was unique from a number of perspectives.
Most crucially, the chronology of the production was different from any of the previous years. The crew went into production of the X FILES MOVIE in the summer of 1997 immediately after finishing Season 4. For this reason Gillian Anderson and David Duchovny were, for the first time, aware in advance of where the show's mythology arc would be leading them. It seems impossible that this foreknowledge would not affect their performances; the sustained dramatic intensity characteristic of Season Four was loosened quite a bit in Season Five.
The actors weren't alone in having a tough time adjusting to this odd schedule. The excellent staff writers, having in the two prior years wrung out the most consistently creative scripts in the history of the show, now had their own work looming as their most formidable obstacle! So, from the writing standpoint it is hardly a surprising that Season Five would present a unique challenge. What is remarkable is that apart from a few notable misses ( and one complete bomb ), this year had so many excellent scripts, especially in the "stand alone" episodes.
In contrast to its immediate predecessor, Season Five's strengths are weighted toward scripts displaying some of the humorous eccentricities of the 3rd year, most evident in Vince Gilligan's three contributions ( a sort of equivalent to Darin Morgan's famed triptych from Season 3 ). His "Bad Blood" is an absolute tour de force for the actors. The script draws on subtle aspects of the Scully/Mulder personalities and then "tweaks" them, presenting their differing recollections of a single case; slightly distorted perspectives from both agents with neither one corresponding exactly to what actually occurred. Gilligan's knack for characterization also shines in his "Unusual Suspects", which fleshes out the Lone Gunmen in way that had not heretofore been done. His "Folie a Deux" is not quite at the same level but contains some classic X FILES moments.
John Shiban's "Pine Bluff Variant" is a tightly scripted espionage thriller, one of the finest examples of his writing. David Duchovny seems to revel in the physicality of this episode.
Chris Carter's bizarre but touching "Post Modern Prometheus" ( filmed in black and white ) is essentially an X FILES fairy tale, owing as much to David Lynch as to the gothic horror novel written by Mary Shelley.
"Kill Switch" was written by the science fiction authors William Gibson and Tom Maddox. I'm not familiar with their work but the episode, with its blending of computer technology and contemporary "cyberpunk" subculture, is very well done. The beautiful oldie "Twilight Time", sung by the Platters, is nicely integrated into the framework.
Frank Spotnitz' "Detour" links with previous episodes ( "Darkness Falls" and "Quagmire" ) in its forest setting and environmental theme. This fun "monster of the week" script ( hellishly difficult to film ) has a beautiful scene with Scully and Mulder stranded together in the woods ( mirroring the "holdout" scenes in the other "forest" episodes ).
"Chinga", credited to Stephen King and Chris Carter, is easily the weakest episode of the season as well as the worst script I can recall from the first five seasons. Carter obviously had to dress this one up in a way that plays strictly for laughs.
As regards the mythology arc, the two season opening episodes ( "Redux" / "Redux II") were part of the trilogy linking the previous season's cliffhanger and features some flashback sequences similar to Oliver Stone's "JFK". This two-part script, while quite good, was the first of many future myth episodes that were somewhat self consciously "explanatory" in nature. A heaviness began to set in, with the episodes from mid season ( "Patient X"/"The Red and the Black" ) suffering from increasingly confusing and tangential plot developments. I attribute these problems primarily to the conflicts between the storyline the film would be using, which effectively shut the writer's out of being able to develop the "A" material for television. Additionally, a tinge of ambivalence crept into David Duchovny's performances.
In the prior year Scully's bought with cancer set the stage for the more purely dramatic type of storyline seen in the 5th season's introspective two-part episode titled "Christmas Carol" / "Emily". This script features well-known "Scully" themes from prior seasons: her grief and guilt over her murdered sister, the loss of her ability to conceive, the flowering of a previously dormant religious faith, the emotional bond with Agent Mulder. As some of the steam went out of the myth-arc storyline in the following years, the longstanding "Scully" storyline moved into the foreground and grew into a highly complex melodrama focusing on the two agents interdependence. This approach was not without its aesthetic pitfalls but it seems fitting that the unique Scully/Mulder "symbiosis" would dominate THE X FILES in its final seasons.
Finally, the concluding episode of the Fifth Season was appropriately named "The End", the title reflecting not only the myth arc plotline but also signaling the end of the show's production in Vancouver. The location in British Columbia furnished so much of the shows ambience that it's hard to imagine THE X FILES ever becoming the phenomenon it did without it being filmed there. There are clear signs that point to the Vancouver era ( esp Seasons 3 thru 5 ) as the absolute creative apex of THE X FILES. The location, along with the vital and often cited contributions of the actors/writers/crew, played an important role in lifting the show to the heights of its well-deserved success.

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Studio: TcfheRelease Date: 12/02/2008Run time: 820 minutesRating: Nr

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Ben 10: The Complete Season 1 (2005) Review

Ben 10: The Complete Season 1 (2005)
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Healthily into its third season, it's only now that BEN 10's freshman year is finally coming out in dvd in all its thirteen episode glory. Debuting in December 27, 2005 on the Cartoon Network, BEN 10 was an immediate hit with the fans as the show, boasting a very cool concept, proved to be fun and eminently watchable. Plus, that theme song rocks.
The premise: Ordinary 10 year old Ben Tennyson comes upon a mysterious alien artifact (resembling a wristwatch) which grants him temporary access to the forms of ten alien species, each of whom is inherently imbued with its own superhuman ability. In the constant company of his wise and benign grandfather Max (who hints of an enigmatic past, proving that being a "plumber" is more exciting than one would think) and his clever, sassy cousin Gwen (who he initially dislikes), Ben, early on, learns his lessons as he heroically attempts to abide by the famous Spidey quote: "With great power comes great responsibility." But his attempts to live up to that credo are at constant odds with his more carefree and mischievous pre-adolescent tendencies. Accordingly, he strives to use his new-found super powers to nab villains, all the while keeping at bay the maurauding alien, octopus-faced Vilgax, who will stop at nothing to own the Omnitrix. But, as civic minded as he has become, that doesn't mean that young Ben can't have any fun...
The hook, of course, is that this young, normal kid all of a sudden gains and gets to play with the powers of ten formidable alien beings. Part of the fun is in witnessing Ben discover all the diverse forms (some of which are strange and kinda gross, and one, Ghostfreak, even really unnerving) he comes to inhabit and his varying reactions to 'em. These ten beings are rendered as visually striking and colorful, my two personal favorites being Heatblast and Upgrade. And, oh, yeah, for those who were wondering, these ten aliens whose shapes and abilities Ben can borrow, in no particular order, are: Upgrade (a biomechanical being who can integrate itself into any machine and instantly improve upon or "upgrade" it), Four Arms (a bruising, 12-foot-tall, four-armed alien with awesome strength), Heatblast (an incendiary individual whose race dwells on a sun), Diamondhead (the near invulnerable, crystalline being), XLR8 (capable of immense super speed), Ripjaws (the aquatic alien), Grey Matter (the miniscule alien, standing at 5" tall), Ghostfreak (creepy and spectre-like), Stinkfly (a winged insectoid alien), and Wildmutt (a quilled, bestial creature).
And, now, for the self-righteous, holier-than-thou part of the review: this show is perfectly catered for our impressionable young 'uns. With the expected, patented family values, as well as the mainstay credo of trying to do the right thing, being wholesomely espoused throughout the episodes (and in a non-sanctimonious way), kids should find themselves entertained as they are simultaneously taught the classic, goody-two-shoes virtues. The interactions among Ben, Grandpa Max, and Gwen are nicely portrayed as his supportive gramps and his more mature cousin strive to keep the impulsive Ben on the proper path (because Ben does lose it and act out every now and then).
Its cartoony animation is well suited to BEN 10, meshing with the show's sensibilities. This series is meant to be light, innocent, and fun-filled, in spite of all the heavy sci-fi action, and these qualities are perfectly conveyed by the clean lines and caricatured look. Young kids certainly wouldn't mind, and Ben's otherworldly personas are depicted in a nifty and energetic enough manner. The look and style of BEN 10, actually, leans towards the anime style and recalls TEEN TITANS to mind. I kinda like it.
Now, the minuses. Other than the very alluring hook of being ten different superheroes, there's really nothing new about this series. One improvement I can think of is that this show would be better served with more cohesion and more episodic continuity. Multi-part episodes would be very welcome. As it is right now, the formulaic plot has the Tennyson family travelling to some destination, only to encounter the supervillain flavor-of-the-week (although several of these baddies are sicced on by the series's main villain, Vilgax). Don't get me wrong, there is some character development and these are pretty cool stand alone episodes, but BEN 10 seemingly lacks that certain focus; and the show's story arc and plot progression are developing too slowly for my taste. But, hey, that doesn't mean I'm gonna stop watching this series. When you get to the nitty-gritty, BEN 10 is just too much fun to miss out. Not to mention, Seasons 2 and 3 do offer up several great episodes ("Gwen 10" and "Ben 10,000," to name but two).
By the way, from what I've read on Wikipedia, the Special Features will include several episode commentaries, interviews with the showmakers, a creator drawing lesson, and a collectible poster.
***********************************************************************
Here we go with the episodes:
"And Then There Were Ten" (episode one) - On a summer cross-country trip via motorhome with his Grandpa Max and his disliked cousin Gwen, Ben Tennyson ends up with the powerful Omnitrix. But, intergalactic conqueror Vilgax is intent on gaining possession of the Omnitrix and sends his robots to get it.
"Washington B.C." (episode two) - Ben goes up against Dr. Animo, a loony but brilliant scientist who created the Transmodulator, an invention which enlarges and distorts normal animals into gigantic, dangerous beasts.
"The Krakken" (episode three) - While camping out and taking a swim in a lake, Ben bumps into a sea monster.
"Permanent Retirement" (episode four) - In a homage to (or a blatant rip off of) INVASION OF THE BODY SNATCHERS, Ben, Max, and Gwen visit Aunt Vera's tiny town and discover that the residents are exhibiting very weird behavior.
"Hunted" (episode five) - Vilgax sends three alien bounty hunters (Kraab, SixSix, and Hoverboard) after Ben's Omnitrix.
"Tourist Trap" (episode six) - Feeling let down and bitterly bored with the tourist town of Sparksville and its main attraction of a giant ball of rubber bands, Max decides to play a prank but, instead, unleashes an electrical being called the Megawhatt.
"Kevin 11" (episode seven) - Ben meets and hangs out with the psychotic, 11-year-old Kevin, who has the power to absorb energy. When Kevin learns of Ben's Omnitrix powers, he begins to absorb those.
"The Alliance" (episode eight) - Ben goes up against an ornery female armored car robber who had been converted into a destructive alien cyborg named Rojo.
"Last Laugh" (episode nine) - We find out that Ben is afraid of clowns, which sucks for him because the main baddie in this episode is an evil, parasitic clown named Zombozo.
"Lucky Girl" (episode ten) - When Ben beats the wicked magician Hex, he takes from him a magical charm as a souvenir and offers it to Gwen. Gwen discovers that the charm has the power of incredible luck and becomes a superhero herself, called Lucky Girl. But, there's no such thing as a free lunch, and a prize must be paid for all of Gwen's fortuitousness...
"A Small Problem" (episode eleven) - When there appears to be a glitch with the Omnitrix, Ben pounds the device in an attempt to activate it and ends up trapped in the form of the 5" tall Grey Matter. An alien-obssessed man named Howell Wayneright captures him and presents him to the Organization, a clandestine group aiming to collect alien technology for its own purposes.
"Side Effects" (episode twelve) - When Ben catches a cold, it has the side effect of weakening his powerful alter-egos; it's bad timing as he has to face off against an insect-controlling madman, who threatens the city with nuclear devastation.
"Secrets" (episode thirteen) - It's the head alien, Vilgax himself, versus Ben 10. Plus, we get a first look at the underground facility beneath Mount Rushmore, which is the HQ of Grandpa Max's former covert and X-Files-like goverment organization.


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Ben Tennyson was just an average 10-year-old kid until he discovered a strange alien watch in a crashed meteorite. Called the Omnitrix, this watch gives Ben the ability to transform into any of 10 alien heroes, all the while keeping his 10-year-old personality.



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Eureka: Season 3.0 Review

Eureka: Season 3.0
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There's some not-so-pleasant changes in store for the little town of Eureka.
"Eureka Season 3.0" (meaning the first half of the third season a la "Battlestar Galactica") provides plenty of those, which adds some new tension to geniustown (including some rather shocking cast changes and a new "love-to-hate" person). It's kind of disconcerting to only have eight episodes, but they have the signature mixture of warm comedy and intriguing sci-fi mystery.
Among the changes in store: Alison (Salli Richardson-Whitfield) and Nathan (Ed Quinn) contemplate remarriage, and Henry is in jail. And the DOD sends in a corporate "fixer" named Eva Thorne (Frances Fisher) arrives to cut the deadwood from Global Dynamics. But then an anti-missile VIPER drone goes AWOL during a flight test and starts threatening Eureka, while Thorne decides to embed herself in Global Dynamics as one of the new bosses.
And while Eva ruthlessly makes GD "profitable," the usual sci-fi disasters crop up. Carter has to deal with bizarre transformations in a sealed biosphere, a wedding-day timeloop, exploding biomemetic dogs, an impossible volcano brewing under Eureka (and which sprays gross fluids on people), an inept spandex-wearing "Captain Eureka," a mayoral election heated up by an artificial supernova, and a swarm of ancient Egyptian insects.
In the meantime, Thorne is snooping around Eureka in search of something. Her quest leads to the discovery of a vast military base, and some bodies dead since 1939 -- and a bizarre substance that threatens Zoe's life after she slips and falls in it.
Apparently the once all-important Artifact is yesterday's business, because the dark subplot of "Eureka Season 3.0" is the mystery prewar bunker and whatever Thorne wants destroyed. It adds a nice undercurrent of conspiracy and tension to this season, though the focus is always first and foremost on our Everyman Sheriff, and how he tries to deal with the Horrific World-Ending Scientific Crisis of the day.
That's a nice balance, because the rest of the season flows in a river of gentle humor and extreme scientific problems. Plenty of weird inventions (cloud sculpting, flying rabbits and robot pooches), fun tongue-in-cheek dialogue ("They killed the infected and burned the city to the ground." "Let's call that Plan B"), and hilarious comedic moments. And Carter's always in the middle of it, trying to unravel a way to fix things.
But it's worth noting that while the Disasters Du Jour and the bunker plots are dealt with by the eighth episode, the half season ends with a cliffhanger for one character. Just sayin'.
Ferguson does a brilliant job as Carter, the down-to-earth Everycop who just wants to do his job ("It's all fun and games until someone gets cursed"). But Carter has some new problems in this season -- his new-agey, pregnant sister moves in with him, and Zoe continues to spread her wings with a job and boyfriend. Erica Cerra's Jo experiences some relationship woes, while Richardson-Whitfield's Alison is put in the position of being pretty powerless. Sadly, a longtime cast member also exits the scene early on.
This season also sees the return of Henry, whose skills turn out to be too invaluable for him to rot in prison -- and he even gets a new job on top of his old one. And Fisher turns out to be a great addition: she initially makes a great steely-eyed corporate dictator, but the facade cracks as time goes on, and we get to see that she's haunted by something terrible in the past.
"Eureka Season 3.0" is way too short (new episodes coming in July), but it still has the fresh mix of out-there sci-fi and small-town comedy. Definitely still worth the seeing.

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Make a return trip to the seemingly ordinary small town where extraordinary things happen with Eureka 3.0 in Dolby 5.1 Surround Sound. Reunite with the town\'s hard-working sheriff, Carter (Colin Ferguson), as he tries to deal with his adopted hometown\'s unique geniuses, volatile experiments and earth-shaking secrets \' all while trying to raise his feisty teenage daughter on his own. Witty, surprising and full of intriguing mysteries, it\'s the innovative SciFi Channel series that explores the fascinating intersections where human dilemmas and super-science collide.

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The 4400 - The Complete Second Season (2004) Review

The 4400 - The Complete Second Season (2004)
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Finally!
Ever since the second season ended on TV, I've been scouring Amazon and Best Buy at least twice a month for the release date!
The second season of the 4400 begins a year after the events of season 1, not counting the small interlude with Richard and Lily in hiding, and Lily going into labor with her baby.
Since the end of season 1, Baldwin has been stuck behind a desk while Skouris, rotating through a number of incompetent partners, has made little to no progress investigating the 4400. Skouris is also adopting the clairvoyant girl Maia as her daughter, and Baldwin's son Kyle, out of his coma, has been in quaratine for the past year, much to his frustration. Jordan Collier, billionaire and 4400 member, is attempting to build a seperate nation or some such for the 4400, and he's not above breaking the law to do it. His search for Richard, Lily, and their six-month-old baby Isabelle also continues, while Richard & Lily are on the run from the US government, and zealots who believe the 4400 to be a harbinger of doom. The cast took a bit of a blow with the departure of Peter Coyote as boss Dennis Ryland, who was replaced by Samantha Ferris as the new boss, Nina Jarvis.Star Trek fans receive a bit of a treat this season with appearances by Jeffery Combs (DS9's Weyoun, Brunt & Enterprise's Shran) and Robert Picardo (Voyager's Emergency Medical Hologram).
With the third season set to begin this summer (with Combs appearing in half of the episodes!), I'm eager to see the second season again, without commercials.
The 4400 is the best sci-fi series on TV these days, IMHO, since the loss of Star Trek: Enterprise and The X-Files, which is why I'm proud to add this set to my collection.
Twelve episodes make up the 2nd season, and they're 12 good hours to spend. :-)
But if you plan to spend summer watching reality shows, I pity you.

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Over the last century, thousands of people have gone missing. Suddenly and inexplicably, 4400 missing people are returned, all at once, exactly as they were on the day they vanished. Unclear what this world-altering event means, the government investigates the 4400 to piece together where they've been and why they've been returned. It quickly becomes apparent that their presence will change the human race in ways no one could have foreseen.

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The X-Files: The Complete First Season (1993) Review

The X-Files: The Complete First Season (1993)
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"The X-Files" is an excellent fit for DVD---beautifully shot, a mythology deep enough to keep teenagers buying background material, and a rabid fan following noted for their penchant to purchase anything "X".
Having collected several of the collector's sets on VHS, like many I was frustrated by the lack of completeness in each release, with a season represented by only 25% of its episodes. While this is acceptable for the casual fans, it proved exruciating for the true X-phile, as invariably favorite episodes were left out of the mix.
This situation has been rectified with the release of the entire first season of the show on DVD in a seven-disc collection. It is now possible to watch each episode commercial-free and in sequence in a digital-quality medium. In addition, an extras disc has been added (details are listed above), including a DVD-ROM computer game.
Having completed my viewing of the entire 1st set, several observations came to mind: - The "X-Files", almost unique in episodic television, hit the airwaves fully-formed. There is precious little difference in tone or execution between the pilot and subsequent episodes. - Whereas some of the 3rd and 4th season episodes saw a noticeable decline in quality (due to the loss of key writers and Chris Carter's focus elsewhere), the 1st season episodes are generally superbly-written.
Unfortunately, my cut of this collection did suffer from noticeable editing problems. Nothing major, typically just a couple of misaligned frames at chapter cuts, but let's face it--for this kind of money, it should be flawless.
Nonetheless, I highly recommend this collection.

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Get reacquainted with Dana Scully (Gillian Anderson), Fox Mulder (David Duchovny), and all the clever plots dealing with the occult, monsters, urban legends, conspiracy theories, and the rest that made this show an uncanny hit.

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Ancient Aliens: Season One Review

Ancient Aliens: Season One
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Could it possible that intelligent life forms visited Earth thousands of years ago, bringing with them knowledge and technology that greatly altered the course of history and human development on Earth? The Ancient Astronauts mini-series on DVD explores this possibility in depth.
Consider the following:
** How is it that the ancient Mayan calendar is more accurate than our own if the ancients were so primitive?
** What are the pyramids really for? They're located across the globe, not just in Egypt.
** Could primitive people really move solid blocks the size of train cars with only ropes and ramps to build the pyramids? Did they really bring the quartz and granite, which is only found many miles away in most cases, to the construction site, again, by pulling train car sized chunks with ropes?
** Why are there ancient artifacts and glyphs which look identical to jet airplanes that we use today?
** Did ancient Egyptians use electricity to light the internal chambers of their monuments and pyramids?
** Were the Nasca lines actually landing strips for ancient flying craft?
** How was the top of an entire mountain range artificially removed in ancient times to create the plateau where many of the "landing strip" type Nasca lines are located?
There are so many mysteries about the ancients....
** How they built such monumental megalithic structures that we would be hard pressed to attempt to build even today ** Why they had astronomical maps and maps of the Earth that match ours today, yet our maps only became as accurate as the ancient ones in the last 50 years.
** Why does every ancient religion indicate their "Gods" descended from the sky, heavens, or space bringing knowledge to their peoples?
** Why are there pyramids across the Earth, yet all similarly built during ancient times when people supposedly had no means of communicating across large distances, so there could not have been sharing of ideas?
** Why have there been stories, from ancient times until today, of flying craft in the sky, or visitations from "angels,gods,aliens,fairies" and other different beings? Could they all be the same beings who visit here, just described in different ways?
** Should we really dismiss as pure myth the stories in ancient Indian texts that describe "flying machines of the gods"?
** Are there really accounts of space craft and alien visitations in the texts of all the older, established religions and cultures? (The Bible, Bhagavad Gita, Sumerian texts, Egyptian texts, Mayan/Incan/Olmec texts, petroglyphs of ancient America, and more...)
All of these topics and many more have been addressed in this great mini-series originally presented on the History channel in 2010. Many experts in conventional archeology and religion are interviewed in addition to the current experts in ancient astronaut theory and authors on the subject such as Erich Von Daniken (the author who originally brought this subject to light under much controversy in the 1960's with his book Chariots of the Gods Chariots of the Gods)
This is a fascinating subject that is presented in an excellent manner. The subject is treated quite seriously with enough information provided to allow viewers to make up their own minds and spark further curiosity on the subjects presented. This series was produced with the cooperation of Von Daniken (the author who broght the subject to light in the 1960's and who continues his research into the subject to this day).
From the DVD description:
Ancient Aliens launches all-new expeditions to seek out and evaluate this evidence, with a concentration on the latest discoveries of the last 30 years, including unusual DNA findings on man's evolution and newly decoded artifacts from Egypt to Syria to South America. It is a balanced investigation into a theory some believe cannot be true, but many agree cannot be ignored.
For those new to this concept - What is Ancient Astronaut theory?
The general idea of ancient astronaut theory is that thousands of years ago there were visitors to Earth which to the primitive humans, seemed as Gods. They had advanced technology which was used around the ancient humans, and to the ancient humans this technology was so amazing that these beings could be nothing less than Gods (look up cargo cults to see how our technology had a similar effect on primitive tribal peoples during WWII). These ancient astronauts, aka alien visitors, were responsible for the instantaneous leap in development that occurred and which has remained an unexplained mystery among conventional archeologists and anthropologists. They are also responsible for guiding the building of all the megalithic structures, the advanced calendars, inexplicably accurate astronomical and world maps, etc. (Some even speculate they conducted genetic manipulation on our species and are responsible for particular unusual aspects to our DNA and development.)
Ancient Astronauts does a great job supporting the ancient astronaut theory by obtaining the expert opinion of master builders and masons regarding the aspects involved in building megalithic structures, plus theologians and other scientists who can lend insight into the various mysteries discussed. The information presented is current and very up-to-date.
I highly recommend Ancient Astronauts to anyone curious and who can bring an open mind to the subject., Additionally, there is new information presented for those who already have an established interest or knowledge on the subject. A great series - well worth owning!


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Is it possible that intelligent life forms visited Earth thousands of years ago, bringing with them technology that drastically affected the course of history and man's own development? Presented in the 1968 bestselling book Chariots of the Gods, by Erich von Daniken, the theory of 'ancient aliens' rocked people's beliefs in mankind's progress. Ancient cave drawings of strange creatures, remains of landing strips in Peru, and Indian texts that describe the 'flying machines of the gods' were just a few of the odd archaeological artifacts cited by von Daniken as proof that ancient astronauts were well known to our ancestors. Produced with the exclusive cooperation of von Daniken himself, ANCIENT ALIENS launches all-new expeditions to seek out and evaluate this evidence, with a concentration on discoveries of the last 30 years, including unusual DNA findings on man s evolution and newly decoded artifacts from Egypt to Syria to South America. It is a balanced investigation into a theory some believe cannot be true, but many agree cannot be ignored. Includes all five revealing episodes.DISC 1: The Evidence / The VisitorsDISC 2: The Mission / Closer EncountersDISC 3: The Return / Bonus

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