Romeo & Juliet - The Music Edition (1996) Review

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(More customer reviews)I think a lot of reviews of this film have been unduly harsh. I have had a fair amount of Shakespearean exposure (I was an English major in college), and I am actually impressed with Baz Luhrmann's interpretation of the text. Some people are so blinded by the seeming erudite stuffiness of Shakespeare's work that they forget what this play is really about. `Romeo and Juliet' is a teenage melodrama! With that said, this film works well.

* To begin with, Leonardo DiCaprio and Clare Danes come off just right as the "star-crossed lovers." They handle their lines - perhaps - a bit awkwardly, and their key scenes are overacted. But as far as I'm concerned, their somewhat `poor' performances are actually perfect. In the reality of the play - Romeo and Juliet's behavior (though arguably passionate) is less than genuine. They are young, fickle, and full of hormones, and what might seem like acts of heart-felt love and desire are actually just curious explorations of subversive behavior.
* Many have lamented that the dialogue in this film (essentially) mirrors the original text ... but changing the text (in any major way) would be a huge mistake. Shakespeare's plays are not famous because they have a great story line - they are famous because of the unbelievable writing. It would, therefore, be pointless to modernize the dialogue. Shakespeare's plays ARE the dialogue.
* Although this film - compared with other renditions of the play - is decidedly modern, certain elements do contribute to a sort of timely ambiguity. The cars, guns, drugs, and music suggest 1996 (or thereabouts), whereas the gothic mansions, the ball, the feuding families, and the oppressive presence of the Church seem somewhat anachronistic. I think this ambiguity speaks to the universality of Shakespeare's work. Does it even matter when this play takes place? Have hot-blooded teenagers changed that much over the years?
* Lastly, the ambience of Lurhmann's film is intoxicating: zipping, choppy cinematography, an over-abundance of gaudy electric lighting, and an intriguing soundtrack. It's very titillating in an adolescent sort of way. Anyone who does not find the scene - where DiCaprio is dragging on a cigarette against an orangey sunscape, with Radiohead's "Talk Show Host" slowly pulsing in the background - sentimentally sexy - well, you must not remember what it's like to be 15.
All in all, this is an ingenious approach to a classic text - not to mention an entertaining film.

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Baz Luhrmann's dazzling and unconventional adaptation of William Shakespear's classic love story is spellbinding. Leonardo DiCaprio and Claire Danes portray Romeo and Juliet, the youthful star-crossed lovers of the past. But the setting has been moved from it's Elizabethan origins to the futuristic urban backdrop of Verona Beach.

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A Midsummer Night's Dream (1999) Review

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(More customer reviews)A quick scroll through the reviews shows a sharp divide. Some like this Hollywood-style rendition of Midsummer's Night while others, (to be polite) do not. To make matters more confusing, several reviews are deceptive because the reviewer seriously misjudges his/her depth of experience with this kind thing. To find out your probable reaction in less than 20 seconds, just answer these questions:
Do you see live Shakespeare every year or two? Do you know who Iago is? Who Prospero is? Do you know what the Queen Mab speech is? Have you seen a film with Ian McClellan in a Shakespearean role?
If you mostly answered "yes," you are likely to squirm in pain throughout this movie. (See Category B below.) On the other hand, if you are not particularly conversant with Shakespeare (if you answered "no" to more than a couple questions above, you're not, something many reviewers both in the newspapers and here fail to fathom), chances actually become much higher that you will be okay with this. (See Category A.)
Category A: If you enjoy movies and have read a few of the Bard's plays here and there, perhaps back in school, you might be enjoy this. The Hollywood actors provide familiar faces, and a couple give respectable performances--Kevin Kline, for instance. If you find Shakespeare too long, the play here has been lopped roughly in half. If you find Elizabethan dialogue goes by too fast, several visuals have been inserted, generally slowing the pace.
The problem is this: When you finish watching, you might be tempted to think this story is just a lark and that Shakespeare was just writing wierd stuff about faeries. But that's just this movie's hacked-up version of the story, not Shakespeare's actual play. If you're curious, watch the BBC version. You will see just how much dramatic weight has been cut, and how the play is exponentially more poetic and thought-provoking than what this pedestrian movie would lead you to think.
Category B: If you could answer most of the questions above (or have recently read this play), you will likely roll your eyes throughout this movie. Despite its cagey marketing, this is NOT a Kenneth Branagh-type affair where Hollywood actors are tossed into minor roles for financial reasons. This movie is Hollywood through and through, meaning inane special effects and actors, for the most part, way out of their league. (The exceptions, like Bernard Hill, appear to have been cast to give the movie at least a veneer of authenticity.)
Worst of all, the director, in typical Hollywood fashion, does not trust the viewer and does not trust the Bard. So he has inserted several ponderous minutes of Hollywood-style back story for Bottom. Silly sight gags, with no relation to the text, abound. It's as if the director doesn't think the Bard is actually funny. All the while, some of the most humorous lines are cut or, worse, delivered with no understanding of their meaning. Stick with the BBC version for real Shakespeare.
By the way, many reviewers have scratched their heads at why they shot this as 19th Century Tuscany. Just follow the Hollywood thinking. Branagh's Much Ado had just come out, set in 19th Century Tuscany just the year before....


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A stellar cast, headed by Michelle Pfeiffer and Kevin Kline, bring Shakespeare's romantic comedy to life.When two pairs of star-crossed lovers, a feuding pair of supernatural sprites and a love potion gone awry all come together in an enchanted moonlit forest, the result is a delightful mix of merriment and magic.Also starring Calista Flockhart, Stanley Tucci and Rupert Everett.

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Shakespeare's An Age of Kings (Richard II / Henry IV / Henry V / Henry VI / Richard III) (1960) Review

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(More customer reviews)By any standard I can think of this series stands out in memory as the finest television treatment of Shakespeare that exists. If for nothing else the performances of Connery as Hotspur, Hardy as Hal and Harry in Henry V, and Richard Daneman as Richard III are worth owning this. Robert Hardy's St. Crispin's Day speech rivals Olivier's and Brannagh's, Daneman's Richard III also rivals Olivier's and the great Stratford performance of Antony Sher. At no time in his long career did Sean Connery ever exceed his incomparable interpretation of Hotspur. I have wished for, prayed for, hoped for an opportunity to see this again, and NOW! Thanks to all the gods of drama.

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In this fifteen-part inventive series based on William Shakespeare's history plays, the turmoil, power, mystery and frailty of the English crown in the medieval ages is laid bare in epic style. This series originally aired as live broadcasts and was recorded on film. Starring Sean Connery, Julian Glover, Eileen Atkins, Robert Hardy, Angela Baddeley, Judi Dench and John Warner.

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Acting Shakespeare (1982) Review

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(More customer reviews)I saw this video in my high school British Lit. class in 1986 and was mesmerized. I was not a particular fan of Shakespeare at the time, was in fact one of those kids who found Shakespeare mostly boring and irrelevant, but this turned me on to all that Shakespeare can be and why he has remained popular for so long. I have been a huge fan of Ian McKellan ever since; he is superb in this. I have been looking for this video for years, checking McKellan's website, ebay and everywhere I could think of, so I was so excited when I googled the title today, and found it on Amazon! I cannot recommend McKellan's _Acting Shakespeare_ highly enough. It remains, in my memory, the best theatre -- Shakespeare or otherwise -- that I have ever seen. It is just Ian McKellan on a bare stage, no props or costumes as far as I remember, performing monologues from several Shakespearian plays and commenting on the plays and characters and how he approaches them. The simplicity is perhaps part of what makes this so beautifully done.As it hasn't been released yet, I cannot comment on the technical quality of the sound or video. My hope is that the reason they took so long to release it is because they were picky about getting the audio and video quality right. Anyway, it is superb.

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A masterful tour de force from "one of the most distinguished performers of his generation" (The New York Times).
Alone on stage, without props or costumes, Ian McKellen performs some of Shakespeare\'s most striking monologues and offers his own personal anecdotes about life in the theater. From Henry VI to Macbeth, McKellen demonstrates the incredible universality of Shakespeare\'s plays with wit and humor – skillfully revealing the actor behind the writer in this celebrated one-man show.
Produced by Andrew Susskind and presented at the CBS Broadcast Center in New York City.
Also includes an 8-page booklet with reflections by Ian McKellen.

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Shakespeare Retold Review

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(More customer reviews)As an English professor always looking for new perspectives on Shakespeare for my students, I watched these enthusiastically. Aside from Midsummer, which focuses too much on Theseus and Hippolyta's marriage and is very dark,these are terrific. The best stars in the English firmament make up these casts. The best is Shrew -- Shirley Henderson, Harry Potter's Moaning Myrtle all grown up (metaphorically, she's a tiny person) is a miniature nuclear bomb, and Rufus Sewell is absolutely edible. The elevator scene is hysterical. Twiggy is also great as her former model mother ushering around her current model sister, Bianca. I've been waiting for these on this side of the pond for a year now!

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The four cutting-edge productions in this collection bring Shakespeare alive for a 21st century audience. Macbeth is the chef in a three-star restaurant, slicing apart his celebrity boss, Duncan. Beatrice and Benedick are rival co-anchors on a nightly newscast whose open hostility masks passion of a different kind. Titania and Bottom carouse together in a tawdry theme resort called Dream Park. And the eccentric aristocrat Petruchio sets out to tame the conservative MP Kate in a politically incorrect marriage of convenience. Playful, cunning and passionate, these adaptations breathe new life into four classic plays, perfectly complementing the great BBC Shakespeare tradition.

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Helen Mirren at the BBC (The Changeling / The Apple Cart / Caesar and Claretta / The Philanthropist / The Little Minister / The Country Wife / Blue Remembered Hills / Mrs. Reinhardt / Soft Targets) Review

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(More customer reviews)In regard to the previous review by Donald J. Lloyd, this set is indeed offered differently in the US and the UK. Unfortunately, neither is a complete set. The US set (5 discs; 13 hours and 31 minutes; 9 titles) is missing:
A Midsummer Night's Dream (TV Movie Dec 13, 1981)
Cymbeline (TV Movie Dec 20, 1982)
The Hawk (Theatrical Movie released Dec 10, 1993)
all of which are in the UK set.
However, the UK set (6 discs; 17 hours; 11 titles) is missing:
Soft Targets (Oct 19, 1982 Episode of TV Series Play for Today)
Both sets contain:
The Changeling (Jan 20, 1974 Episode of TV Series Play of the Month)
The Apple Cart (Jan 19, 1975 Episode of TV Series Play of the Month)
Caesar and Claretta (TV Movie May 9, 1975)
The Philanthropist (TV Movie Oct 29, 1975)
The Little Minister (Nov 2, 1975 Episode of TV Series Play of the Month)
The Country Wife (Feb 13, 1977 Episode of TV Series Play of the Month)
Blue Remembered Hills (Jan 30, 1979 Episode of TV Series Play for Today)
Mrs. Reinhardt (Oct 30, 1981 Episode of TV Series BBC2 Playhouse)
The UK set may be ordered from Amazon.co.uk for about USD$60 plus shipping but it is PAL format, Region 2. A viewer in the US will need a multi-format, multi-region DVD player.
The only title currently available individually is The Hawk (VHS edition available at Amazon).
Helen Mirren is currently one of the most accomplished actors of the last 30 years. Anyone interested in her acting performances over the 20-year period of these titles will not be disappointed. It should be noted that an earlier 1968 Theatrical Movie of A Midsummer Night's Dream is also available separately at Amazon. This is an excellent production and, in addition to Helen Mirren, has performances by Diana Rigg, Judi Dench, Michael Jayston, Ian Holm and Ian Richardson.

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HELEN MIRREN AT THE BBC - DVD Movie

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Ages of Man - John Gielgud (1966) Review

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(More customer reviews)Ages of Man was first performed by John Gielgud in the summer of 1957, in Edinburgh, Scotland, as part of their Annual Festival of the Arts. The great actor toured with the work, on and off, throughout his career, playing it on Broadway in 1959 and 1963, and winning him a special Tony "for contribution to theatre for his extraordinary insight into the writings of Shakespeare"
And on a Sunday afternoon in 1966, producers Daniel Melnick and David Susskind brought it to American television. Yep, it won an Emmy for Outstanding Dramatic Program.
This is perhaps the single greatest production of Shakespeare's words done in the 20th century. There are complete audio recordings of this actor's Hamlet, Prospero, Lear, and Richard II, and a variety of films where he played lesser roles. And perhaps audiences are not well-served by compilations---one speech from play A, two speeches from play B . . . sort of Chinese menu of the Bard's greatest hits. And perhaps a skinny, somewhat fey, proper English man in a business suit is not ideal an image for the great heroes of drama.
However, Gielgud take the "Ages of Man" speech from As You Like It, and illustrates it so brilliantly, and with such genius, pathos, and talent, that you can (almost) hear Shakespeare think. No wonder the old man won a 1979 Grammy Award for his third audio recording of the recital (having been nominated for the same award for his performaces in 1959 and 1964).
All alone, for 104 minutes, this staggeringly talented actor illustrates Shakespeare and teaches us all of life, love, death and the staggering and irreplaceable beauty all around us. Surely pages and pages have been written about Gielgud's diction, vocal purity, projection, imagination and truth, but don't waste time here.
Buy this DVD, out by Entertainment One. If you love Shakespeare, there's no choice. If you hate Shakespeare, here's the best chance to change your mind. Ages of Man is to be treasured, enjoyed and shared, now and forever.

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The art of acting has rarely been demonstrated with such brilliance as in Sir John Gielgud\'s Ages of Man. Adapted from George Rylands\' anthology, the one-man performance features a selection of Shakespearean soliloquies and sonnets exploring the journey of life from birth to death.
Showcasing the preeminent actor\'s astonishing talents, Ages of Man was performed to sold-out audiences around the world and won Gielgud a special Tony Award for \'contribution to theatre for his extraordinary insight into the writings of Shakespeare." This Emmy Award-winning performance – produced for television and presented in two parts – was originally broadcast on CBS in 1966 and is now available for the first-time ever in any format.
Includes a 12-page booklet with written contributions by theatre critic Michael Billington and the Archive of American Television.

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