Showing posts with label contemporary. Show all posts
Showing posts with label contemporary. Show all posts

A Midsummer Night's Dream (1999) Review

A Midsummer Night's Dream (1999)
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A quick scroll through the reviews shows a sharp divide. Some like this Hollywood-style rendition of Midsummer's Night while others, (to be polite) do not. To make matters more confusing, several reviews are deceptive because the reviewer seriously misjudges his/her depth of experience with this kind thing. To find out your probable reaction in less than 20 seconds, just answer these questions:
Do you see live Shakespeare every year or two? Do you know who Iago is? Who Prospero is? Do you know what the Queen Mab speech is? Have you seen a film with Ian McClellan in a Shakespearean role?
If you mostly answered "yes," you are likely to squirm in pain throughout this movie. (See Category B below.) On the other hand, if you are not particularly conversant with Shakespeare (if you answered "no" to more than a couple questions above, you're not, something many reviewers both in the newspapers and here fail to fathom), chances actually become much higher that you will be okay with this. (See Category A.)
Category A: If you enjoy movies and have read a few of the Bard's plays here and there, perhaps back in school, you might be enjoy this. The Hollywood actors provide familiar faces, and a couple give respectable performances--Kevin Kline, for instance. If you find Shakespeare too long, the play here has been lopped roughly in half. If you find Elizabethan dialogue goes by too fast, several visuals have been inserted, generally slowing the pace.
The problem is this: When you finish watching, you might be tempted to think this story is just a lark and that Shakespeare was just writing wierd stuff about faeries. But that's just this movie's hacked-up version of the story, not Shakespeare's actual play. If you're curious, watch the BBC version. You will see just how much dramatic weight has been cut, and how the play is exponentially more poetic and thought-provoking than what this pedestrian movie would lead you to think.
Category B: If you could answer most of the questions above (or have recently read this play), you will likely roll your eyes throughout this movie. Despite its cagey marketing, this is NOT a Kenneth Branagh-type affair where Hollywood actors are tossed into minor roles for financial reasons. This movie is Hollywood through and through, meaning inane special effects and actors, for the most part, way out of their league. (The exceptions, like Bernard Hill, appear to have been cast to give the movie at least a veneer of authenticity.)
Worst of all, the director, in typical Hollywood fashion, does not trust the viewer and does not trust the Bard. So he has inserted several ponderous minutes of Hollywood-style back story for Bottom. Silly sight gags, with no relation to the text, abound. It's as if the director doesn't think the Bard is actually funny. All the while, some of the most humorous lines are cut or, worse, delivered with no understanding of their meaning. Stick with the BBC version for real Shakespeare.
By the way, many reviewers have scratched their heads at why they shot this as 19th Century Tuscany. Just follow the Hollywood thinking. Branagh's Much Ado had just come out, set in 19th Century Tuscany just the year before....


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A stellar cast, headed by Michelle Pfeiffer and Kevin Kline, bring Shakespeare's romantic comedy to life.When two pairs of star-crossed lovers, a feuding pair of supernatural sprites and a love potion gone awry all come together in an enchanted moonlit forest, the result is a delightful mix of merriment and magic.Also starring Calista Flockhart, Stanley Tucci and Rupert Everett.

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Proof: Season One Review

Proof: Season One
Average Reviews:

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Koch Vision presents "PROOF" (2004) (203 mins/Color) (Dolby Digital) --- Under Ciaran Donnelly (Director), Jo Homewood (Series Producer), Tristan Orphen Lynch (Executive Producer), Dominic Wright (Executive Producer), Tony Philpott (Screenwriter) ------ the cast includes Finbar Lynch (Terry Corcoran), Orla Brady (Maureen Boland), Sidse Babett Knudsen (Nina Kutpreka), Bryan Murray (Miles Carrick), Stuart Graham (Andrew O'Hara), Jim Norton (Ronan Corcoran) - - - - the story line holds your attention from the first scene and keeps you glued to your seat for the entire three and a half hours ... healthy dose of intrigue with enough tension to captivate you for all four episodes ...British television mini-series PROOF - Season One, has every episode from its acclaimed first season included here. The show revolves around a journalist who investigates the murder of a petty thief, only to find it links directly to a man running to be Irish Prime Minister ... will Terry be able to convince and prove that there is corruption within this new party that his ex-wife is working for.
Great job by Koch Vision for releasing "Proof" (2004) - Finbar Lynch, the digital transfere with a clean, clear and crisp print...looking forward to more high quality releases from the Irish Crime mini-series film market...order your copy now from Amazon or Koch Vision where there are plenty of copies available on DVD, stay tuned once again for top notch drama mixed with an outstanding cast and director --- just the way we like 'em
Total Time: 203 mins on DVD ~ Koch Vision KOCV6419 ~ (1/16/2007)

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This explosive thriller starring Orla Brady (A Love Divided, Servants), Finbar Lynch (Mind Games, Small World) and Bryan Murray (Irish RM, Brookside) offers a sinister glimpse into a shady relationship between European high finance, human trafficking and Irish politics. When investigative journalist Terry Corcoran discovers a tenuous link between the murder of a car thief and the suspicious death of a corrupt accountant, he begins to draw the threads of truth together to link these deaths and human trafficking to the rise to power of the soon-to-be-elected Prime Minister.

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