Showing posts with label swat. Show all posts
Showing posts with label swat. Show all posts

Flashpoint - The First Season (2008) Review

Flashpoint - The First Season (2008)
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"Let's keep the peace," is the catch-phrase uttered by team leaders as the Strategic Response Unit gears up for a hot call. It's hardly as adrenaline-inducing as "Let's roll," or "Lock and load," but I don't think it's supposed to be; in fact it sets the tone for the series. This cop drama is about saving lives and trying to bring sanity and compassion to out-of-control situations, not racking up a body count in the name of peace and justice.
Flashpoint is an undiscovered gem, hidden away behind a overused genre. If the phrases "SWAT team," "hostage negotiators," "Canadian television," and "police drama" don't exactly grab your interest, please do yourself the favor of at least reading this review and perhaps watching a couple of episodes. You might be glad you did.
The premise on its own is not terribly new: A fictional SWAT/hostage negotiation team takes on kidnappings, suicide attempts, bank robberies, and the like. What IS new is the approach. The writing of this show is steeped in the humanity, compassion, and psychological realism markedly absent from current TV.
The team members are deeply decent human beings who love their jobs and their team-mates, but Flashpoint does a superb job illustrating the real-life issues such as PTSD, stress, and guilt that come with such work.
Markedly absent is the fictional conceit that events don't have consequences. When team leader and sniper Ed Lane shoots a hostage-taker in the series premier, not only do they show his emotional reaction immediately after the shooting, they follow him through suspension, investigation, and debriefing by a psychologist. The consequences of the shooting continue to appear through the series; Ed experiences flashbacks, is sued, and in season two the hostage-taker's son even tries to kill him.
Flashpoint does not stop at portraying the team in a compassionate and realistic light; the subjects of their calls are rarely black-and-white "bad guys." Psychologically disturbed individuals are portrayed as layered individuals with reasons for their behavior. Sometimes these reasons are morally justifiable, sometimes not. Sometimes we sympathize with them, sometimes we want them dead sooner rather than later - but we are almost always given insight as to how and why they reached their "Flashpoint."
Anyone who has experienced traumatic events or PTSD in their own life or helped friends and family cope with traumas should watch this show. It is deeply validating and provides excellent models of how to cope and how not to, as well as being sensitively and realistically written.
Flashpoint is a cop show with real people and ethical, caring human beings in difficult situations. As one friend of mine put it, "It's the anti-24." If you're tired of television where the writers can't think of any better way to create drama than to set up a crisis and then torture their way out of it, try Flashpoint.
This is the (ironically, Canadian-produced) television show that jaded, wounded America needs right now.

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Flashpoint is a drama which depicts the emotional journey into the tough, risk-filled lives of a group of cops in the SRU (inspired by Toronto's Emergency Task Force).It's a unique unit that rescues hostages, busts gangs, defuses bombs, climbs the sides of buildings and talks down suicidal teens.Members of a highly-skilled tactical team, they're also trained in negotiating, profiling and getting inside the suspect's head to diffuse the situation to try and save lives.

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S.W.A.T. - The Complete First Season (1975) Review

S.W.A.T. - The Complete First Season (1975)
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Ah, those unforgettable words...especially poignant since they were said to me by Steve Forrest (Hondo)a number of times. Yep, I played T.J. McCabe in the original series, the guy with the bolt action scope rifle who'd climb up on high places (technically the sniper was called the "high man"), yank my cap around and try to emulate Steve McQueen's smooth moves with guns. So it's a real gas to see the original 13 come out on DVD...especially because I never had good copies of the originals!
SWAT was a great experience, with a bunch of great guys. We were surprised when they cancelled the show...it had been doing great, #1 all summer...then ABC switched it to try to win another night...good old network TV wisdom...and we lost our audience.
The scuttlebutt around the 20th Fox lot was that Aaron Spelling hated the show...it wasn't what he felt his name should be associated with...you may remember he went on to do Family and Dallas after that...so he allegedly swapped us out for Starsky and Hutch, which was a more character-driven show. Can't say I blame him...the writing got pretty stale pretty quick, because at least one of the line producers would take good scripts and turn them around to focus on Hondo and also dumb 'em up in favor of action, whereas we kept hoping they'd give us more of a shot at a Rookies-style, character-strong program.
We did have a lot of fun in that short 35 episodes...and I was particularly happy to find out that Rod Perry (Deke), whom I believed, thanks to a story Mark Shera (Luca)told me in the mid-80s, had died of a heart attack way back then, is in fact still very much alive!
But still sad that my old pal Bob Urich (Jim Street in SWAT, Dan Tana in Vegas, Spencer in Spencer for Hire)is gone for real. He was a good and good hearted man.
The only bummer about the new movie is that at least a couple of the guys from the old show did brief cameos in the flick, but since I live in NY, and the casting agent told me there was no real effort to include all of us anyway as in a reunion scene, I got left out of the movie. That was a little disappointing, I would have loved to do a bit in it, especially since they reprised our original character names (and made my character into a bad guy!) Well, that's Hollywood for you.
Best news is I'm happy to hear our old fans are still out there and rooting for good over evil on the streets of L.A. Thanks for still digging the show, everybody!
your ever-lovin', crime-fightin' T.J.
James Coleman

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