Showing posts with label thriller. Show all posts
Showing posts with label thriller. Show all posts

The Kingdom - Series One (Riget) (1994) Review

The Kingdom - Series One (Riget) (1994)
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I agree that this is a brilliant series filled with black humor, pathos, social satire and horror. Set in and actually filmed at Copenhagen's Rigshospitalet, it is essentially a ghost story, a haunting, but told in a quirky, refreshing way. One can see why it attracted Stephen King and inspired him to write his subsequent novel "Kingdom Hospital." It certainly deserves all the 5 stars it gets at this site.
However there is a problem with the DVD edition issued by Koch/Lorber. On Disc Two, Episode 3, during the scene where Helmer enters the Central Archive after Mogge, the picture suddenly skips (at just after 39mins) to a part of the movie that is actually from Episode 1 on Disc One (the scene where Helmer's nose is being patched up). This sequence from the previous Disc then goes on for about 2 minutes before you suddenly switch back to the current episode but several minutes later with Dr Mogge already out of the Central Archive and running for his life. You are left wondering what happened in between.
This is not a problem with an individual disc. Replacing the disc makes no difference because they all have the same flaw. It is a production issue. It probably occured during the video-editing or mastering process. How this could have been passed for release is beyond me. I know Fox Lorber's previous reputation for producing shoddy DVDs but after the name change and several fairly good early releases under the Koch/Lorber label, I actually believed they had reformed. Alas not. This kind of sloppiness is wholly unacceptable. Koch/Lorber goes into the same black book as its disgraceful predecessor. If it had any conscience, Koch/Lorber would order a recall and replacement. But with this company's reputation, it's hardly likely. Hopefully the rumors are right and Criterion will pick this up for release in the future as part of a Lars von Trier retrospective.

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Acclaimed director Lars von Trier (Dogville, Dancer in the Dark) delves into the world of the supernatural with the acclaimed series that inspired Stephen King’s Kingdom Hospital. At The Kingdom, Denmark’s most technologically advanced hospital, a number of strange and otherworldly events begin to occur, much to the dismay of its doctors and patients. A ghostly ambulance appears and disappears, the voice of a little girl calls to a patient in an elevator shaft and a doctor’s fetus begins growing at an alarming rate.

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Cruel World (2005) Review

Cruel World (2005)
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When I bought this movie I had never heard of it. I'm not sure if this even came out in theaters or not, but since it's only $10 I figured why not. This movie is mostly lame. There are some good moments. Edward Furlong's acting is pretty good and sadistic.
There are absolutely no bonus features at all. The only menu is a pop up menu to use while the movie is playing. Still it's not so bad for the low $10 price tag.

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Millions witnessed Philip Markham's (Edward Furlong, Terminator 2: Judgment Day) public humiliation when he got dumped by Catherine, the beautiful star (Jaime Pressly, TV's My Name Is Earl) of a popular dating show, and now--several years and reality series later--he wants revenge. After taking Catherine captive, he lures nine unsuspecting co-eds to her luxurious mansion in the middle of nowhere, trapping the contestants in his own sick version of reality TV--where the challenges are bizarre, the danger is real and death is just a competition away.

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Confessions of a Call Girl Review

Confessions of a Call Girl
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The poor, poor actors! This utter dog of a movie isn't held back by the acting, it's the dreadful script, low budget & lackluster direction that really hold it back. Of course, it could have surmounted even these obstacles if it at least presented copious amounts of gratuitous T&A as might be expected from the title, but regrettably, even that minor sop to the viewer was completely denied.
Run, do not walk, RUN away from this pitiful waste of time & money! Free is too high a price to pay for this dog, because you'll never get back the time wasted on watching this cinematic excrement!
& BTW, the ending not only doesn't make much sense, it sux on multiple levels. So you sit thru an excruciatingly bad flick hoping for a good wrapup, and are left staring at the screen when it's over, watching the credits wondering "WHY? WHY WOULD ANYONE LET THEIR NAME BE ATTACHED TO THIS?"
In short, I dislike this film intensely. Hopefully, having taken part in it won't ruin the careers of the actors, some of whom were quite decent, despite the dreadful material they had to work with.

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CONFESSIONS OF A CALL GIRL - DVD Movie

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The Naked Prey - (The Criterion Collection) (1966) Review

The Naked Prey -  (The Criterion Collection) (1966)
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Most films which have the basic premise of a white man battling native Africans somewhere in the Dark Continent usually portray these natives as nameless, unmotivated ugga-mugga tribesmen whose only purpose in life seems to be able to toss missionaries into a round cooking pot. Thankfully, Cornel Wilde acts in and directs himself in THE NAKED PREY, a movie that is as astoundingly gripping as any film whose plot revolves around the hero's struggle for survival in a savage environment.
Wilde is a guide whose safari of foolish white hunters antagonizes some ferocious natives, who proceed to kill the hunters in a variety of graphically nasty ways. The natives allow Wilde a head start, then chase him. It is this chase that forms the bulk of the movie. Along the way, Wilde shows the natives (and the audience) that a near naked white man can still be a formidable foe. The pursuing natives, led by Ken Gampu, are a diverse lot, not all of whom are as dedicated to the chase as he is. They have numbers, food, knives. Wilde has only his fierce determination to live. What starts out as a standard chase movie, morphs quickly enough into another sort of chase. This time, though, it is Wilde who starts calling the shots about who is chasing whom. THE NAKED PREY is full of magnificent vignettes of survival on the African plain. This is no jungle movie. It is an engrossing film that allows the camera frequent panoramic sweeps over vast desert plains that are quite capable of supporting life if one only knows how. The natives are astonished that Wilde's knowledge is at least as full as theirs. Along the way, Wilde befriends a very young boy whose family was captured by Arabic slavers, and it is this boy whose very initial helplessness reminds Wilde that vulnerability is a trait that has the practical value of reminding one that arrogance on the plain is a negative survival characteristic. The latter half of the movie is a continuing series of confrontations between Wilde and Gampu. By the end, both the pursued and the pursuer recognize that sometimes the distinction between the two is a muddied affair at best, and the winner is not necessarily the one with a trophy, but with a recognition that all life, even the life of your enemy, has some value during a deadly game of chase.

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Glamorous leading man turned idiosyncratic auteur Cornel Wilde created a handful of gritty, violent explorations of the nature of man in the sixties and seventies, none more memorable than The Naked Prey. In the late nineteenth century, after an ivory-hunting safari offends an African tribe, the colonialists are captured and hideously tortured. Only Wilde s marksman is released, without clothes or weapons, to be hunted for sport, and he embarks on a harrowing journey through savanna and jungle and back to a primitive state. Distinguished by widescreen camerawork and unflinching savagery, The Naked Prey is both a propulsive, stripped-to-the-bone narrative and a meditation on the notion of civilization.
SPECIAL EDITION FEATURES:

New, restored high-definition digital transfer
Audio commentary by film scholar Stephen Prince
John Colter s Escape, a 1913 written record of the trapper s flight from Blackfoot Indians which was the inspiration for The Naked Prey read by actor Paul Giamatti
Original soundtrack cues created by director Cornel Wilde and ethnomusicologist Andrew Tracey, along with a written statement by Tracey on the score
Theatrical trailer
PLUS: A booklet featuring a new essay by film critic Michael Atkinson and a 1970 interview with Wilde

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Midnight Express (1978) Review

Midnight Express (1978)
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Many reviewers ridicule the method used to try and smuggle the drugs in this movie, but back in the early 1970's (when the film was based) these kind of methods actually took place. Yes, people are stupid for doing these things ... but it's hard not to have compassion for them when they are served lifetime sentences.
"Midnight Express" explores one man's time in a hellish Turkish prison. The tension of being caught and then beaten in prison are so well captured that you almost don't want to look. One scene that comes to mind is when Davis is hung upside down and beaten so bad, you can almost feel it.
Davis performance is exceptional, yet did not give him the career you'd expect. An excellent actor, who died at the age of 41.
The DVD itself is excellent too. An impressive widescreen transfer, plus a full screen option thrown in for people who dont know the value of widescreen (ie. a pointless inclusion in my opinion). The DVD also boasts a 1978 documentary of the film, and a trailer.
A must own! One of the best prison films to date, along with "Shawshank Redemption".

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With the Turkish government trying to crack down on drugs, terrorism and crime, Billy Hayes has the misfortune of being caught at the border with a hashish stash.At first sentenced to four years and two months for drug possession, his prison term grows to 30 years when the prosecution’s appeal finds him guilty of smuggling.Pleas from his parents, litigation from his lawyer and actions from the U.S. Embassy amount to nothing. Things get worse when Hayes is sent to a detention center for the mentally unstable after he bites off a warden’s tongue to prevent him from divulging his escape plans.Forced to struggle with daily violence, despair and abuse, he finally reaches his breaking point and is willing to do anything to escape.Knowing that he is on his own, Hayes has one risk left to take: riding his own Midnight Express.

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Miami Vice (Unrated Director's Edition) (2006) Review

Miami Vice (Unrated Director's Edition)  (2006)
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Most of the reviewers of this movie have completely missed the point. If you go into it thinking you are going to see an over the top version of the show you watched growing up, you will be disappointed. If you take it for what it is, Michael Mann's updated vision of the show he created with no rules or censorship, you are in for a great ride. I found most reviews of this movie very irritating because they all compared it to the tv show. No one was willing to open up to something different. It is not the 80's anymore. The movie is set it present times. The Rolling Stone review nailed the point of the movie exactly (the only accurate review in my opinion). Mann's directing and use of HD cinematography are top notch and submerse you into a world of undercover narcotic cops. This isn't Bad Boys (even though I loved that film) and Michael Mann isn't Michael Bay. I agree with the other reviewer who stated that this film is not for the nascar group. There is so much going on that is does need multiple viewings to fully appreciate. If you pay attention and fully get the movie, you will agree that it is a awsome ride. The movie's climax alone was worth the price of admission.

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Jamie Foxx and Colin Farrell go deep undercover in the explosive, action-packed Miami Vice Unrated Director's Edition!When detectives Ricardo Tubbs (Foxx) and Sonny Crockett (Farrell) are asked to investigate the brutal murders of two federal agents, they find themselves pulled into the lethal world of drug traffickers. From the acclaimed director of Heat and Collateral comes an exclusive motion picture experience you won't want to miss!

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I Know Who Killed Me (2007) Review

I Know Who Killed Me (2007)
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Brainy student Aubrey Fleming (Lindsay Lohan) disappears one night after a football game. She's found days later, barely alive and horribly mutilated. She doesn't recognize her parents or her name - she insists she's a stripper named Dakota. She goes home with Aubrey's parents to recuperate but is oddly uncooperative with the police investigation, claiming she never saw her kidnapper. She starts having strange dreams, violent flashes of an attack she doesn't remember.
This film has all the earmarks of a low-budget shockfest: pointless nudity, slashing violence, and dialogue that is so corny it's laughable. The script is so convoluted and wacky that when I wasn't covering my eyes from the gore, I was rolling them at the dumb things the characters did and said (the crew from Mystery Science Theatre 3000 would have had a field day with this flick).
I'm sure none of the actors will want to put this film on their resumes. Lohan doesn't put much effort into her acting but does wear an excessive amount of eye make-up and Julia Ormond (Legends of the Fall) is wasted as her long-suffering mother. The worst part of it is that the villain's motive is never explained (don't blink or you'll miss the perp altogether). "I Know..." has sickeningly graphic torture, the dullest pole-dance ever filmed, and a ludicrous plot. For strong stomachs only.

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Aubrey Fleming (Lindsay Lohan) was living the small town life, until the day she was abducted by a sadistic killer. After a frantic search, Aubrey turns up alive, but changed. She is missing limbs, but has gained a new personality - that of bad girl Dakota Moss. Her parents and the FBI think she’s suffering from delusions, but if Dakota is just a trick of her mind, why do strange wounds keep appearing on her body? Desperate and alone, Aubrey must now unlock family secrets to unmask a mysterious killer with a deadly obsession.

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My Bloody Valentine 3D (2009) Review

My Bloody Valentine 3D (2009)
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This horror fan had a blast with the remake of 1981's My Bloody Valentine. Go check out the new uncut version of the original. Talk about added "lost" footage making a decent slasher flick really, really good. Back to the 2009 MBV. The cast is pretty good (lots of people you might recognize, but no big names), the dialogue is a little better than your average slasher and most of all the kills are very creative, with the gore taken to the extreme at times. The miner is an intimidating killer and looks scary, but sadly the movie really isn't (just some minor suspense moments). Oh, I almost forgot to mention that there are a few hot chicks and one of them runs around buck naked for nearly 5 minutes in 3-D. This flick is just sounding better and better right?
The digital 3-D presentation is a must for horror fans. The picture is crystal clear and it gives the film so much depth you really feel like you are part of the story. If buckets of blood, body parts and one mean pickaxe flying at you sounds like a good time, then go see this one before it leaves theaters. Now the regular 2-D version might be a different story.
Just to let some of you know, the DVD and Blu-ray version won't be digital 3-D like in theaters (can't wait until they perfect that), so you will get four multi-colored glasses for regular 3-D. You will also have the option of just watching it in 2-D.

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Ten years ago in the town of Harmony, an inexperienced coal miner caused an accident that trapped and killed five men and sent the only survivor, Harry Warden, into a coma. When Harry awoke, exactly one year later on Valentine\'s Day, he wanted revenge and brutally murdered 22 people with a pickax before being killed himself. Now, after years of peace, something from Harmony\'s dark past has returned. Wearing a miner\'s mask and armed with a pickax, an unstoppable killer is on the loose. As his footsteps come ever closer, the townspeople realize in terror that it just might be Harry Warden who has found his way back.

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The Stepfather (2009) Review

The Stepfather (2009)
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Having always been a fan of the original film, I was curious to see this remake, even though I expected the worst. While this is an OK watch for thriller fans, it is inferior to the original in every way. In fact the original is more intense, more graphic and just more fun! This film looked and felt like a Lifetime TV movie especially with Ward playing the new wife in this tame and pointless remake.
If you looking to watch a film about a psychotic Stepfather, skip the watered down remake and look for the original, which has finally gotten a long over due DVD release this past year, no doubt because of the remake, so I guess the remake did serve a purpose after all.

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When Michael Harding (Penn Badgley, TV\'s Gossip Girl) returns home from military school, he finds his mom is madly in love with her charming live-in boyfriend David (Dylan Walsh, TV\'s Nip/Tuck). At first, David appears to be the ultimate nice guy and an ideal future husband and stepfather. But when Michael and his girlfriend (Amber Heard, Zombieland) start delving into David\'s past, they begin to discover a dark and dangerous side to Michael\'s new "daddy" in this riveting, chilling thriller.

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Pacific Heights (1990) Review

Pacific Heights (1990)
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This review refers to the DVD edition(Warner) of "Pacific Heights".....
A really good thriller for me, is one that not only grabs me and keeps me in suspense the first time around, but one that keeps me on the edge of my seat on repeated viewings as well. "Pacific Heights" is one of those thrillers, that makes buying the DVD worthwhile, as I know this one will not be collecting dust on the shelves.
The very cool and respectable looking Carter Hayes(Michael Keaton) is new to San Francisco. He's looking for an apartment and his done his homework well. He's found the perfect place and has even taken the time to check out his landlords.Drake and Patty(Matthew Modine/Melanie Griffith) are the eptiome of Yuppiedom. Unmarried, but a couple, they bury themselves in debt buying the Victorian fixer-er-upper, that they will renovate and make a huge profit on when it's complete. In the meantime they will simply rent out the two apartments downstairs to help pay the bills. They should have done their homework as well as Hayes.
The smooth talking Hayes worms his way into one of the apartments and promises payment when his expected funds arrive, which of course will be very soon. It doesn't take long for Patty and Drake, as well as the other tenants, to discover the Carter is the tenant from Hell.He has a few social and psychological problems. He imposes a frightening presence and knows all the legal manuevers, and scare tatics to take over the house for himself. It's a journey frought with fear and suspense as Patty and Drake try to reclaim their home and their sanity.
A nice clear picture with good color is presented in widescreen. The Dolby Dig 5.1 Surround was excellent. The haunting score by Hans Zimmer, all background and surrounding sound effects, and the dialouge all came through beautifully. No special features on this one. It may also be viewed in French (2.0), but there are no subtitles in any langauge for those who may need them. There is also a short theatrical trailer.
Modine and Griffith are very believable as the beleagured and frightened but determined landlords. Michael Keaton pulls off this repulsive villain amazingly well. His versitility is unending.Directed by John Schlesinger("Midnight Cowboy"), it also stars Laurie Metcalf,Mako and Dorian Harewood. Also look for Dan Hedaya and a real special treat and rare appearance by Tippi Hedren.
Get the popcorn ready and don't watch this one alone! Oh and remember to always check refrences!.....Laurie

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Twilight Zone - The Movie (1983) Review

Twilight Zone - The Movie (1983)
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Our film begins with a prologue directed by John Landis ("An American Werewolf in London", "Kentucky Fried Movie" and "Animal House") pair of friends (Dan Ackroyd and Albert Brooks) who play TV trivia in the car as they drive and also a special scaring contest for each other then our stories begin. In the first story directed also directed by John Landis, a racist business man (Vic Morrow) who gets travled back in time to the 1940's, 1950's and 1960's where he becomes the three races he hates the most and becomes the one being hunted. The second story directed by Steven Spielburg is a gentle tale of a special magical old man (Scatman Crothers) that helps a group of senior citizens at a retirement home to make them young again, the third story is directed by Joe Dante ("Gremlins", "The Howling", "Pirahna") about a traveling school teacher (Kathleen Quinlan) that accidently hits but doesn't injure a young boy as he gives him a ride home where he invites him to stay for a while with his strange family and discovers that the boy has magical powers that can alter reality and make wishes come true. And the final story directed by George Miller ("Mad Max") is a terrying story of a nervous airflight passenger (John Lithgow) that sees a strange creature on the wing of the plane trying to destroy the airplane.
A splendid anthology of horror and fantasy stories from four directors and inspired by the classic TV series by Rod Sterling. The stories except the first one are based on classic episodes from the TV series while the first tale is a very original story, this movie got me hooked into watching the classic TV series and is a great anthology movie in it's own right. In fact, this was Vic Morrow's last movie cause he died during filming and the film is narrated by Burgess Merideth, this is a must have for fans of the series and anthology movies like "Creepshow", "Grindhouse", "Heavy Metal", "Cat's Eye", "Dead of Night" etc. This one of my personal favorites since i was a kid.
The DVD contains great picture and sound quality and the only extra is the theatrical trailer.

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Four short horrorific tales are anthologized in this film as a tributeto rod serling and his popular tv series.

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Shooter (Widescreen Edition) (2007) Review

Shooter (Widescreen Edition) (2007)
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Sometimes I wonder why I wait so long before watching a certain movie, especially one that has received praise from essentially everyone I know that has ever seen it. Such is the case with the military-themed/conspiracy thriller "Shooter" starring Mark Wahlberg ("Four Brothers") and Danny Glover (`Lethal Weapon' series). I was told from so many sources that "Shooter" is a definite must-see of a movie, yet for some unknown reason I never did get around to watching it, until recently that is. Of course, I had plenty of opportunities to watch the movie, due to the fact that I had purchased it several months back even though I hadn't seen it yet (a concept which may seem strange to some of you). Who knows why it took me so long, maybe I need to get my head examined (one of my friends sure thought so when I told him I had yet to see this movie). Whatever the case may be, when all was said and done now that I've finally taken an opportunity to sit down and watch the movie, I enjoyed every single minute of it and wished I would have gotten around to seeing it much sooner.
"Shooter" is the story of former Marine sniper Bob Lee Swagger (Mark Wahlberg), who after being betrayed by his superiors, has left the service and is leading a quiet, peaceful existence in a remote cabin somewhere in the mountains. However, as much as Bob Lee has tried to remove himself from the outside world, there are those that still possess the means to find him; led by a high ranking Colonel (Danny Glover), a mysterious group within the U.S. government believes that Bob Lee may be the one person on the planet to help them in preventing an impending assassination attempt on the current President of the United States. Feeling the pressure to once again serve his country, Bob Lee reluctantly agrees to lend his expertise; however, all is not as it seems. On the day of the attempt, Bob Lee is betrayed and wrongfully identified as the shooter by the very people he agreed to help. Now, he's on the run from virtually every government agency in the United States, and as if that weren't enough to contend with, the group that hired him is tracking him across the country to silence the one loose end that could expose their far-reaching conspiracy to the entire nation.
I've got to say that I am becoming more and more impressed by Mark Wahlberg's acting ability with each movie he makes. Not only are his skills as an actor becoming more refined, but his movies just seem to get better and better as well. Mark's performance as Bob Lee Swagger was perfect, he was full of confidence without being arrogant, appeared to be an honorable man who seemed to go out of his way to save lives at all cost, and despite being betrayed by his superiors, he still maintained a strong sense of pride for his country and the military; which was a welcome change in character traits from most of the leading roles featured in today's movies dealing with any facet of the military and/or its soldiers. Michael Pena ("World Trade Center") was solid in his portrayal of an FBI agent that becomes Bob's reluctant partner, and one of the few members of any government agency that believes that he may just be innocent after all, despite all the evidence to the contrary. Kate Mara ("We Are Marshall") plays a widow of one of Bob's military buddies from his time in the service, and becomes an ally and eventual love interest for him, serving as a means for allowing Bob to open up once more to another human being and to begin to heal from the wounds that his life and career have left upon him. Kate wasn't given as much to do in this film dramatically as she had been in "We Are Marshall", but what time she did have on the screen she made the best of, and managed to show that her character was emotionally vulnerable, yet strong enough to stand up for herself if the moment arose; instead of just being the typical damsel in distress that would generally be the female role in a film such as this. Granted she eventually becomes `in distress' so to speak, but not until she's proven to the audience that she has the means with which to protect herself under normal circumstances. Rounding out the cast are veteran actors Danny Glover and Ned Beatty as members of a secret group within the U.S. government that sets Bob up for the assassination attempt. Danny Glover has played villains a few times throughout his rather lengthy career, and each time he brings a depth and realism to each character, never allowing them to be even remotely the same in their presentation. For his character in "Shooter", Danny added a slight lisp to his character's vocal performance, and played him as someone who had at one time possibly been an honorable soldier, but life and/or experiences have jaded him so much that he is essentially nothing more than a soldier for hire to the highest bidder. Portraying the man currently financing Glover's most recent mission is Ned Beatty, in a surprisingly sinister turn as a corrupt U.S. Senator who feels he has the nation's best interests at heart, no matter how misguided he may be, and is willing to do anything to see his goals accomplished.
Critically acclaimed director Antoine Fuqua ("Training Day") delivers movie audiences yet another solid film following up his previous successes, the historical epic "King Arthur", the military thriller "Tears of the Sun", and the film that garnered Denzel Washington his first Best Actor Oscar nod "Training Day". Fuqua deftly captures the frantic action and fast-paced action sequences with the ease of an accomplished action director, utilizing quick edits that have become synonymous with today's action films; yet Fuqua thankfully avoids overusing the hand-held camera approach that has permeated most of the popular action movies of recent years (a technique that was made popular by director Paul Greengrass' massive box office success with "The Bourne Supremacy"). For a director whose early successes were found in music videos, Antoine Fuqua has definitely come a long way in the last ten years since he made his theatrical directorial debut with "The Replacement Killers", and has become yet another one of those directors whose films I greatly anticipate whenever I hear of an impending release, though I don't always rush out to see them as was the case here.
The plot for "Shooter" was surprisingly more involved and complex than one would expect from most Hollywood action films. The screenplay, written by Jonathan Lemkin ("Lethal Weapon 4") and based on a novel by Stephen Hunter titled "Point of Impact", featured plenty of little twists and turns along the way to keep the suspense ratcheted up, and the audience wondering just what exactly was going to happen next. I really appreciated how the script spent time focusing on each of the main characters to flesh them out a bit more than your standard one-dimensional action film characters generally would be; it was this type of work in a screenplay that propelled "Shooter" far above the average action movie that most action buffs love to see. Truthfully, "Shooter" could almost be considered a "thinking man's action film" so to speak. Who knows, with the success of "Shooter" maybe Hollywood will take notice and begin making more action films with this kind of attention to detail, featuring smart, well-written dialogue, surprising twists (that make sense and don't appear convoluted and convenient), and plenty of suspense and thrills without resorting to excessive violence as their only means of conveyance. If we begin to see this kind of action movie taking place more and more, maybe the action genre could gain a little bit more respect from the critics; instead, of being looked upon as films for the mindless masses that can't stand to see any kind of drama being played out, only guns blazing, fists flying, and mayhem galore, maybe there's hope in the eyes of critics for the action junkies yet.
Every single aspect of "Shooter" was perfectly mixed together, from the acting to the directing to the story; nothing was out of place or off-beat in the least; delivering audiences an incredibly solid action film that boasted plenty of pulse-pounding action, along with a hefty dose of drama, intrigue, and depth to make for a thoroughly entertaining movie experience.
"Shooter" is rated R for violence and language.

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Bob Lee Swagger (Mark Wahlberg), a former Marine Corps sniper who leaves the military after a mission goes bad. After he is reluctantly pressed back into service, Swagger is double-crossed again. With two bullets in him and the subject of a nationwide manhunt, Swagger begins his revenge, which will take down the most powerful people in the country.

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The Sixth Sense (Collector's Edition Series) (1999) Review

The Sixth Sense (Collector's Edition Series) (1999)
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Have you ever watched a scary movie in the dark, and almost swore you saw someone moving out of the corener of your eye? I have, and after seeing this movie it happened a lot more.
"The Sixth Sense" has great performances from Bruce Willis (who plays Malcolm, an emotionally wounded psychologist)and Haley Joel Osment (who plays Cole, a little boy with a remarkable gift:he sees dead people) The screenplay is wonderful.
"They don't know they're dead," laments Cole."They think they're alive.They see what they want to see." Malcolm is determined to help him. His marriage has been failing ever since an old case that showed almost the same symtoms shot him in the side and then killed himself.Malcolm is determined not to let that happen to Cole.
This is a remarkable movie with a Hitchcokian twist at the end.Watch it, and you'll be doing double takes next time you feel that strange presence behind your back.

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Hollywood superstar Bruce Willis (ARMAGEDDON, THE SIEGE) brings a powerful presence to an edge-of-your-seat thriller from writer-director M. Night Shyamalan (Oscar(R)-nominee for Best Original Screenplay and Best Director) that critics are calling one of the greatest ghost stories ever filmed. When Dr. Malcolm Crowe (Willis), a distinguished child psychologist, meets Cole Sear (Oscar(R)-nominee Haley Joel Osment, Best Supporting Actor), a frightened, confused, eight-year-old, Dr. Crowe is completely unprepared to face the truth of what haunts Cole. With a riveting intensity you'll find thoroughly chilling, the discovery of Cole's incredible sixth sense leads them to mysterious places with unforgettable consequences!

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Higher Ground (2000) Review

Higher Ground (2000)
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I'm happy that another one of John Denver's TV movies is being released officially rather than a backroom under the counter thing. He made some genuine films and this is another one that will thrill the JD enthusiast.
Set in LA and Alaska, John takes on the bootleggers of Alaska after becoming frustrated with corporate FBI procedures. He turns gritty and still keeps that John Denver appeal that we all grew up with. While this movie was released 20 years ago on CBS, it withstands those two decades as genuine entertainment. He only sings one song but it is part of the movie's plot and not a solo cutaway.
Get it while you can, it probably will be a limited release and end up on ebay at some point.

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John Denver stars in this dramatic thriller set against the awesome backdrop of the Alaskan wilderness. A disillusioned FBI agent decides to retire and join his buddy running an air freight business. When his friend is murdered and unjustly branded a bootlegger, the former agent sets out to clear his friend's name.

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The Bourne Trilogy (The Bourne Identity | The Bourne Supremacy | The Bourne Ultimatum) Review

The Bourne Trilogy (The Bourne Identity | The Bourne Supremacy | The Bourne Ultimatum)
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Note: Since combining all 3 movies into one review will take me over the character limit, there are two options you can take. 1) you can read this shorter overview of the box set as a whole. Or 2) you can read the reviews for the individual flipper releases that are much more detailed in terms of movie, video, audio, and extras ratings.
Movie - 4.5
The Bourne franchise is a very entertaining and gritty entry that re-infuses a lot of what was missing in the spy/thriller genre. It has just the right mix of conspiracy, politics, action, drama, romance, and a personal enough narrative to keep audiences empathizing for one Jason Bourne. In Identity, we're introduced to Bourne and given a mystery to solve; who is he, how did he come to end up where he is, and where will he go from there to find out the rest? In Supremacy, he's established something of an Identity, but still has a long way to go. In the process of finding himself he loses something very dear to him and seeks vengeance as a result. However, in his pursuit he discovers more of his past and realizes that it's a very dark one. And through this discovery he decides to redeem himself as well as go after the persons he feels are responsible for this constant cycle of killing. And finally, Ultimatum is the culmination of it all where the pieces come together: Bourne finds out who he really is, discovers the system of conditioning behind this government conspiracy, tracks it down to the origin, and comes to terms with himself for who he is and what he's become at that point. This series of films is successful thanks in huge part to the acting talents of Matt Damon, whom I've personally doubted, but have since been a fan of after seeing The Departed. Doug Liman and Paul Greengrass also do excellent jobs in directing their respective films. As an overarching storyline, the narrative has a very good flow of progression and is recommended that when you watch these films you try to do so within a short or consecutive amount of time to get the full effect of the plot.
Video - 4.5
As with the films themselves from a writing standpoint, the video also has a certain level of progression. Identity, while still very good, is probably the worst of the three. Colors, black levels, and contrast all look excellent, but the overall image tends to suffer from various amounts of noise and occasional instances of artifacting and debris. The little specks aren't as prevalent as some older catalog titles, but for a BD presentation on such a great film, it can be distracting at times. Subsequently, Supremacy gets better and looks much richer in terms of everything else, minus the debris. Image detail is notably much sharper and tends to reveal some of the finer qualities within the picture. The only slight inconsistencies one might point out as detractors, though, are some noisier scenes in the dark and possibly some excessive bits of color saturation during the shots in India. But on the flip side, Ultimatum looks as pristine as can be. All of the aforementioned video elements are stunning, and much of the photography is preserved to perfection resulting in a reference level picture. A nice theatrical layer of film grain is present through all three films, but in my opinion, really accentuates the gritty nature of the franchise best via Ultimatum's video transfer. Just know that what you're getting is a good representation of progression, not just in story, but also video-wise.
Audio - 5.0
While the video has to improve throughout each movie, the audio, on the other hand, is excellent from the start. Again, Identity appears as the weakest of the bunch, but only so slightly. And it's not even a question of the transfer, but a result of the overall sound design in general. Each film has a particularly great sense of musical immersion thanks to John Powell's enthralling score. The whirring effect in Identity and the pounding drums throughout Supremacy and Ultimatum are sure to get viewers into the films' plots and make for some adventurous movie-watching. Sound effects are also very well-handled. Background chatter, city noise, car engines, feet shuffling, water drops, flying paper, and all sorts of commotion fill the sound scape enveloping the viewer within the world of Jason Bourne. And that's just without all the action sequences. Punches, kicks, whacks, thuds, crunches, gunshots, crashing vehicles, shattering glass, and heavy breathing dominate when they should, but never overwhelm. Dialogue, a more integral piece to the films, is also spot-on and suffers no dropout or distortion from the center channel. But in terms of directionality and separation, all three films exert these elements extremely well through the front and side speakers, and even more so in the second and third installments. LFEs aren't a very big part of the overall sound design, but really make their mark when the occasional explosion and car chase wreck occurs. However, bass is especially prominent in the music and does a great job keeping things balanced. These movies (aside from maybe Identity) are easily reference material.
Extras - 4.5
Each film comes with the usual kind of goodies: director's commentary, making-of featurettes, and a very informative background on Robert Ludlum, his writing career, and the sad fact that he passed away before the first film ever came out. But with that said, what interviews there are of him are a joy to watch. His demeanor is very friendly, and just from watching him, you get this sense that he really liked what he did as a writer and probably would've loved these films a lot had he ever gotten a chance to see them. But the coolest feature, I feel, is the inclusion of U-Control. Throughout each movie, U-Control allows the viewer to "control" this feature of looking up and accessing these dossier-type profiles on the characters, events, and other elements of the film. It's like being a spy with some omniscient supercomputer that lets you learn all kinds of trivia about the franchise as a whole. I personally think it's a very cool gimmick and very befitting of the Bourne series.
Overall - 4.5
If you've already seen and know the Bourne films, then there's probably not much else to be said. Universal did a splendid job transferring these movies from HD-DVD to BD. Not that I have experience in the former, but technical specs alone should speak for themselves. A higher bit rate, DTS-HD MA track, and U-Control feature for each title should me more than enough to satisfy fans of the franchise. But on the downside, this box set can be pretty expensive. So unless you're lucky enough to get Best Buy Rewards Zone gift cards during a sale on the box or are willing to partake in some potentially defective flipper discs, you can also order the UK box set (region free) from Amazon UK for about $30 shipped. I personally can't stand their age ratings on the covers, though. But if aesthetics aren't a problem, go for it. In any case, The Bourne Trilogy is an excellent effort in film-making with either reference or near-reference quality for every film and comes highly recommended to fans of the spy/thriller genre.

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BOURNE TRILOGY - DVD Movie

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Alfred Hitchcock - The Legend Begins (20 Movie Classics) Review

Alfred Hitchcock - The Legend Begins (20 Movie Classics)
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Since the days of bargain-bin videotapes by labels like Goodtimes, I've always been wary of these "too good to be true" deals. Yet, as I am quite a fan of the films of Alfred Hitchcock, I couldn't pass this one up. And for the most part, I'm glad I gambled a few bucks.
As of this writing, the majority of these films are still in the public domain and thus, not available from companies willing to spend the time and money on a proper restoration. It's worth noting, though, that some of the best films here ARE available in near-pristine condition in the 3-disc The Alfred Hitchcock Box Set (The Ring / The Manxman / Murder! / The Skin Game / Rich and Strange). Two are available in Criterion Collections: The Lady Vanishes - Criterion Collection and The 39 Steps (Criterion Collection Spine #56), while Alfred Hitchcock's Jamaica Inn can be found in a cleaned-up version from Image. For those who don't want to shell out the considerable bucks for all those, or if you're a completist (like me) who feels the need to possess EVERY film the man made, this is a good set to own.
Audio/Video quality varies among the films, but I'd consider them all watchable. Since early sound classics like SECRET AGENT and RICH AND STRANGE aren't available in better condition elsewhere, I found the transfers here to be reasonably good. Hitch's best silent film, THE LODGER, unfortunately suffers some serious contrast issues.
The real highlight of this set, however, is nearly an hour's worth of Hitchcock movie trailers. Oddly enough, none of the films contained in the set is represented with a trailer. But they cover much of the Master's career from 1940 thru the late 60's. And the quality on the trailers is far superior to that of the films.
Bottom line: For all but the most discriminating viewer, this is a worthwhile purchase. Just don't expect the quality you'd get from the major companies.


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Sir Alfred Joseph Hitchcock, KBE, defined the suspense genre for moviegoersaround the globe. From his earliest films he brilliantly interwove fear,fantasy, paranoia and anticipation into an unforgettable and terrifying bodyof work. He was a highly influential British film director and producer whopioneered many techniques in the suspense and thriller genres. He directedmore than fifty feature films in a career that spanned six decades, from thesilent film era, through the invention of talkies, to the color era. He wasamong the most consistently successful and publicly recognizable directorsin the world during his lifetime, and remains one of the best known and mostpopular directors of all time, famous for his expert and largely unrivalledcontrol of pace and suspense throughout his movies.The Lady Vanishes, The Farmers Wife, The Manxman, Alfred Hitchcock Presents: The Chaney Vase, Alfred Hitchcock Presents: The Sorcerer's Apprentice, Rich and Strange, The Thirty-Nine Steps, Secret Agent, Champagne, Blackmail, Easy Virtue, Jamaica Inn, The Lodger, The Ring, Young and Innocent, Juno and the Paycock, Sabotage, The Skin Game, Number Seventeen, The Man Who Knew Too Much.BONUS: 55 minutes of Alfred Hitchcock Movie Trailers!

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One Step Beyond 4-DVD Set Review

One Step Beyond 4-DVD Set
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I bought this set in a big box store somewhere, never having seen "One Step Beyond" the first time around. But knowing that "Twighlight Zone" was something I loved viewing on the SciFi Channel I purchased this - and LOVED IT!
There is something slightly more mannered yet weird in the production. There are many famous young faces. The stories are based on "true account" and in this it has a slightly tabloid feel.
Watching it a year later - I again loved it. That tells me it is a good DVD investment. I would take the risk if you've never seen "One Step Beyond" but enjoy the age and the genre.

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One Step Beyond, the classic TV series of 1959, premiered nine months before another spooky, and perhaps more well known television show revolving around the paranormal, The Twilight Zone. Both shows featured hosts, were centered on the supernatural, and superbly evoked a spine-chilling experience for the viewer. But one immense distinction sets One Step Beyond apart from its successor--the episodes are true stories. Rather than tell fictional tales about the unexplained, this series relayed historic accounts of the unknown, including tales of ghosts, mysterious disappearances, and ghoulish monsters. Hosted by the intense and impenetrable John Newland, this long-running series promises you a bone-chilling fright night of creepy entertainment based on factual accounts.

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