Showing posts with label turlough. Show all posts
Showing posts with label turlough. Show all posts

Doctor Who: Planet of Fire (Story 135) Review

Doctor Who: Planet of Fire (Story 135)
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Fifth Doctor Peter Davison's penultimate episode "Planet of Fire" at last is coming to DVD. Lost between the grey and gloomy Ressurection of the Daleks and the apocalyptic Caves of Andrazani POF at times has been seen as a transitional story to be quickly glanced over in route to the grim Davison finale. True Planet of Fire is the ultimate transitional story if ever Doctor Who had one. The viewer has the following transitions to contend with in one four part adventure: Davison's first episode without companion Tegan J. (Finally) as well as his last encounter with The Master, robotic side kick Kamillion's second, final and ill-fated appearence in the program, Companion Turlough's final episode (the truth is revealed at last),and the introduction of new companion Peri Brown (don't ask me to spell her full name). Add all that to the fact that a regeneration is just an episode away and one begins to wonder is there any room left for a plot?? The Answer is yes and in my opinion a good one.
The story centers around The Master's attemp to regain controll of the shape shifting robot Kamillion for the greater purpose of "stealing" a rare and precious gas from the planet Sarn. This gas will help The Master reverse a "little" trouble he got himself into (you'll see what I mean first timers). Stealing this gas is not as easy as one would think as Sarn is a prison planet for fugitives from Turlough's home world of Trion. The prisoners have divided into two factions: One devout, relgious sect dedicated to the worship and protection of "The Fire" (or numismiton gas that The Master seeks) and a second more scientific minded(yet supressed by the first group) group of free thinkers bent on revelation of the fire's true nature as it relates to the planet Sarn's inpending doom. While the story attemps to be fair to both points of view it ultimatly lends itself to the liberal, secular point of view held by the non-religious group.
Where I believe Planet of Fire realy shines is in the performance of the lead cast. Peter Davison gives one of his best perfomances in his tenure as the Doctor. I am not sure if he is more relaxed knowing his time on the program is near an end, or if he has altered his performance to compensate for the lack of Janet Feilding or mayby he just is more comfortale not hiding behind the Cricket suit ( No Cricket jacket, sweater, or celary for most of this episode); But the viewer gets Davison at his best hear. In addition Mark Strickson give his best performance since Terminus which is no suprise as he is finaly given something to do and say. For fans of Anthony Ainley's Master take heart as he is allowed to elevate his performance slightly above the mustache twisting, tie a youg lady to the train tracks badie stereo-type that he was forced to play in previous episodes. And last new companion Nicola Bryant gives her first and best performance during her stay with the program; Of couse this is helped by given a lot to do in the story but still she makes the most of the spot light.
While on the subject of Peri I would be amiss if I did not mention the lovely young Ms Bryant tastfully parading around in the "Skimpiest" outfit a companion has ever worn on the show. I am of course referring to the famous peri in the bikini scene at the end of episode one and start of episode two. Male viewers and perhaps some female viewers to (not that there is anything wrong with that) will admit that this scene alone is worth the price of admission. Meow!!!
A final note worth mentioning is the scenery as this episode's external shots were filmed in The Canary Islands off the coast of North Africa....One word...Beautiful! To sum it all up If you are looking for daleks, cyberman and fast paced paced adventure than this is not for you. But if you want to tie up all the lose ends from the Peter Davison era than Planet of Fire is a must for your collection....and a pretty good story to bust...ah, no butt,ah,uhm no no I mean to boot. Gosh, All this reminiscing about Peri of Fire, no I mean Planet of Fire, has left me in need of a COLD shower. Meow!!


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A strange signal from Earth draws the TARDIS to the island of Lanzarote, where Turlough rescues a young American girl, Peri, from drowning. Among her possessions is an artifact bearing an alien symbol – the same triangular mark that Turlough has branded into his arm. The mystery deepens when Kamelion falls under the control of a powerful mind, and the TARDIS travels to the volcanic world of Sarn. As Turlough is forced to face his past, the Doctor must stop his oldest enemy from harnessing the revitalizing powers of Numismaton gas.

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Doctor Who: The King's Demons (Story 129) Review

Doctor Who: The King's Demons (Story 129)
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Watching The King's Demons again, about 25 years after my first viewing, it's
actually hard to see why the story is so derided. Though not a classic piece of
TV by any stretch, it's still a fun way to spend an hour. In fact, compared to
many Doctor Who stories of the same period, this one has aged remarkably well.
As with the previous season's trip into the past, Black Orchid, the historical
setting helps in this regard, since (as the saying goes) nothing dates like the
future. As a result, there are few if any of the fashion victims that sometimes
make "classic series" episodes hard to enjoy, and even the interior sets feel
more substantial. All of this would be trivial, though, if the story itself
didn't have merit.
The faults are, not surprisingly, fairly easy targets. The Master's plot is (as
the Doctor points out) "small-time villainy", some of the historical background
is a bit shaky, and the resolution is somewhat lacking in drama. That said, the
process of getting to that resolution is quite enjoyable, especially the build
up of a historical mystery that takes place over the course of the first
episode. Some of that sense of intrigue falls by the wayside once the Master's
involvement is revealed, but even then there are enough questions posed to keep
things lively.
Ultimately, you get the impression that this lack of substance is the sole
reason for the story's bad reputation. If so, that's a shame because there's a
lot to enjoy here. Even though the BBC's golden-age of costume drama was a few
years past at this point, they still had the ability to create convincing period
settings that looked far more impressive than you'd expect with the kind of
tight budget a two-part Doctor Who story would have had. Better yet, both the
regulars and guest stars like Gerald Flood give very strong performances.
Of particular note is Peter Davison. Like many fans of my generation, raised on
Tom Baker's widely syndicated early seasons, I really didn't appreciate
Davison's lower-key Doctor until fairly recently. In some ways, lightweight
stories like this and Black Orchid are ideal showcases for Davison, because you
can appreciate the quiet conviction he brings to the role and how much he does
to hold the viewer's interest. In that respect, this story calls to mind, the
historical stories of William Hartnell's tenure as the Doctor, where budgets
were even tighter, and that's no bad thing.


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England, March 1215. King John is visiting the castle of Sir Ranulph Fitzwilliam. The arrival of the TARDIS disturbs a medieval joust, but the Doctor and his companions are proclaimed to be friendly demons by the King, who seems strangely interested in their \'blue engine." It soon becomes clear that neither King John or his Champion, Sir Gilles Estram, are who they pretend to be. One of the Doctor\'s oldest and deadliest enemies threatens the future of democracy on Earth, and he must be stopped!

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