Doctor Who: Remembrance of the Daleks (Story 152) (1975) Review

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(More customer reviews)Remembrance of the Daleks is the only Sylvester Mcoy Dalek story and it's the best 7th Doctor they made. It involves the Doctor returning to the very Junk Yard where the program began in 1963 just a few days after his first incarnation left. For some reason, two warring factions of Daleks have traveled back to this time as well. Why are they there and what do they want... and what exactly was the Doctor doing in 1963 London back in the first episode anyway? All these questions will be answered.
It is so cool that Dr. Who is coming out on DVD with all the extras you could want. It's a pity other show DVDs such as the recent Farscape episode don't have such extras. Hopefully the forthcoming Star Trek DVDs will. Here's a list of the extras you'll get...
commentary by Sylvester McCoy & Sophie Aldred, deleted scenes, out-takes, on screen production note subtitles, multi-angle scenes, the original trailers, photo gallery
Ths commentary is pretty good. More consistent and informative than the Robots of Death Commentary but not quite as entertaining as The Five Doctors Commentary or the Caves of androzani Commentary. Sophi and Sylvester talk a lot about things that happened on the set and the careers of some of their costars in the story. Pretty interesting stuff...
On another note... if you're looking for new Dr. Who material. Look for the audio releases of the missing episodes. Look for my list "Missing Dr. Who's on Audio and Video" to find out about this. [....]Look for "The Web of Fear" for starters. "The Dalek's Master Plan" Audio Release is awsome too. Also check out Big Finnish productions for the new audio adventures of Dr. Who featuring Doctors ranging from Peter Davison to Paul Mcgann. Was this review helpful? Did you learn something new from it? Please vote Yes.

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"Remembrance of the Daleks," the final Doctor Who story to feature the titular mutant cyborgs, is a particularly notable adventure for the way it ties the plot into the very first story, "An Unearthly Child," made 25 years before. It is 1963, and the seventh Doctor, Sylvester McCoy, arrives in London with new companion Ace (Sophie Aldred), where two Dalek factions are engaged in a deadly search for the Hand of Omega. Ace quickly proves herself adept with high explosives, and while there are references to the history of the show, including some nice in-jokes, the drama is played much straighter than in McCoy's first season as the time traveler. This is Doctor Who with a decent budget; the period setting is surprisingly lavish and there are some fairly intense action sequences. The Daleks remain as menacing as ever, the plotting has an intriguing air of mystery, and McCoy injects some steel into his characterization. DVD Features:Audio Commentary:by actors Sylvester McCoy and Sophie AldredDeleted ScenesMultiple video anglesOuttakesProduction Notes:Optional caption stream

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Torchwood: The Complete First Season (2007) Review

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(More customer reviews)Torchwood is the most-times dark, sometimes gory, adult tie-in to the new Doctor Who series, but that hardly matters as it is the most unique TV you'll ever see. ..Dr. Who producer & two-time Hugo-nominated writer Russell T. Davies created the series as an opportunity to do more than just family fare, part CSI, part X-files and the remaining part is out there on its own. In Dr. Who there have been hidden references to the "secret" organization TORCHWOOD (the name which is an anagram of DOCTOR WHO) since season one (an answer given by the ANNE DROID in BAD WOLF episode 12 ), then appearing more physically throughout season two, even featuring the origin of the organization created by Queen Victorian herself to defend the Earth from alien threats, including The Doctor. The series takes place over a hundred years later as Jack says on the promos, "In the 21st century, everything changes." Captain Jack Harkness (played BRILLIANTLY by the dashing John Barrowman, best known to Americans as the singing Nazi lead in the "Springtime for Hitler" number in the Producers musical) is a character introduced during season one of Dr. Who, an ex-time agent, con-man, the Doctor & Rose meet in the 1940's and turn towards the path of good and righteousness, well almost.
Jack is originally from the 51st century, which is intended to explain his oversexed ways (i.e. he is very liberal in who he "SNOGS"& "SHAGS" ) His background is really complex, even before he meets the Doctor, but he is missing some of his memories from his time as a time-agent, during the "Parting of the Ways" the first season finale of Dr. Who his character becomes even more interesting, but I won't say more without spoiler warnings.
I know I've referenced Dr. Who, a lot, but WATCHING DR. WHO IS NOT A PREREQUISITE FOR ENJOYING TORCHWOOD, MERELY A BONUS. There is a level to Torchwood that is directed at DW fans, but it isn't obtrusive. The initial season of Torchwood begins introducing the viewer to its world through the eyes of Gwen, a low-rung Cardiff lady cop, eventually becomes part of a jaded almost amoral group that uses scavenged alien-tech to protect the world from future threats. The neophyte member eventually serves as catalysis to re-humanize the team. But the dynamic of the characters is one of abrasiveness, deceit, love and lust. The major players are far from perfect, by the end of the season, most of the team have done things both unexpected and at times alarming.
Most of the performances are great to watch, much Americanized, gritty acting. Gwen, played by Eve Myles, who oddly enough played a Victorian servant girl named Gwyneth who opens the closes the very rift Torchwood is build on in Dr. Who season 1. Gwen is an earthy attractive but not unrealistically so, as are most of the players, except Jack, of course, who is over-the-top silver-screen good looking, which is perfect for his over-the-top fearless-leader-with-a-mysterious-past archetype.
Torchwood is very stylish, lots of aerial shots of building in Cardiff, the Welsh city where the series is filmed and most of the action takes place. Its waterside features remind me of New Orleans. Another anchor location of the show in Cardiff is soooo appropriately the Roald Dahl Plaza (Carciff-born creator of Willy Wonka) it would naturally hold a time-space rift and the headquarters of a secret organization under the fountain where it can monitor extra-terrestrial traffic through the rift. Kind of a sexed up Men in Black, except no one wears black, well ok Iantos does, but he's more of a case manager type. The series music co-composed by Dr. Who's Murray Gold is both edgy and original. As is the special effects and make-up. In the pilot episode, the make-up on the Weevil, a reoccurring species, is so good that a long scene is shot in full-light with Gwen and another character studying the creature. That is how confident and bold the makers of Torchwood are! The series won a BEST DRAMA SERIES BAFTA (the British Academy of Film and Television Arts), besting Doctor Who season 2 in the category and first episodes gave BBC 3 its highest ratings ever. One series flaw is that Torchwood is meant to be very covert, but they also seem to be high profile "special ops," other than that amusing conflict, I love the series and think that many Americans who may have never watched any British TV before, will be hooked!
The episode guide that follows may have some MINOR SPOILERS, okay?
#1 "Everything Changes"
This is a good one, I give it 9 out of 10, it is one of the best series pilots I've seen. Unlike some series openers, it seems familiar with characters and where they are going, there's no early season one awkwardness here, INFACT, Eve Myles WON a "BEST-ACTRESS" BAFTA (Wales) for this one, John Barrowman got a nom...
Episode Synopsis:
South Wales coffee makin' cop Gwen Cooper is at the scene of a murder when Torchwood shows, Gwen snoops on the group and sees in a disturbing scene in which the victim is temporally resurrected, then questioned. She starts her own investigation to learn more, and ends up meeting an alien and literally going underground unsuccessfully disguised as a pizza-girl, joins up and then things get weird....
#2 Day One
This one is less good, but is all about the fact that Torchwood is an adult series and begins to set some boundaries. Even so, this one has a great pre-titles scene with Gwen & her boyfriend, and a great opening line...7 out of 10 for this one...
Episode Synopsis:
The title says it all...it is Gwen's first day on the job, and because of her obligatory noob screw up she unwittingly unleashes a hot-sex-addicted-alien....no REALLY...this one is about AN ALIEN WHO SHAGS HER WAY THROUGH THE EPISODE...it seems like a Captain Jack natural. There are some great moments and some great lude dialogue, like following the discovery of the alien's nature and the disintegrated remains of its first partner, Harkness remarks that the guy "came and went, at the same time." More lines like that and hot-girl-on-alien action...
#3 Ghost Machine
This one is spooky and provides some insights into the gruff team member Owen's character. Usually, so far, Owen, played by Burn Gorman, isn't the sort to get involved or outwardly show his real feelings, in the series thus far, he has deflected them and given Gwen and the others attitude to cover. This time, due to his unique interaction with the machine, he is very open and driven.... 8 out of 10 for this one...
Episode Synopsis:
The team retrieve an alien artifact that shows ghost images of the past, thus allowing Owen to witnesses a girl's murder some forty years before. He becomes obsessed with bring the murderer to justice, while Gwen tries to stop future projections from occurring as well.
#4 Cyberwoman
This one may be too much for the Dr. Who fans, but you need not know the back-story to appreciate the story, but it helps to forgive the nature of the story that seems awkward when compared to the rest of the season. The Cybermen, humans converted from a parallel Earth, were all meant to be destroyed at another Torchwood base on this Earth, this is the exception. This time a half converted erotic-cyborg with more gruesome conversion effects and other creepiness, oh and Cyberwoman vs. the pterodactyl...did I mention they have a pterodactyl in the Torchwood HQ...7.5 out of 10 for this one...
Episode Synopsis:
Ianto, played by Gareth David-Lloyd who is sort of the teams Alfred the Butler, managing the Batcave, has hidden what's left of his girlfriend at Torchwood. His plans to get outside help end with the entire team at risk of finding themselves converted or worse!
#5 Small Worlds
This one is creepy, if a little predictable, take something inherently cute and friendly, like say fairies, and make them dangerous, powerful and a little homicidal, throw in a spooky little girl, an old girl friend of Jack's er... Dad...and you have a winning mix, 8.5 out of 10 for this one....
Episode Synopsis:
Jack's senior friend has discovered fairies in a nearby wood, while Torchwood uncovers a mysterious jail death and weird weather bursts. Jack sees a pattern connected to his mysterious past....
#6 Countrycide
This one is grisly, edgy and very frightening, playing-out like a mainstream horror movie, a good one! This one isn't for the squeamish. ...9 out of 10 for Countrycide...
Episode Synopsis:
Deaths in the middle of nowhere split up the team, Gwen and Owen find themselves in another tight situation, a survivor hides from the killer, Tech-chick Tosh and Ianto race against the clock, and the team fight to stay off the menu.
#7 Greeks Bearing Gifts
This one isn't the best of the season, but it does give more development to Tosh's character...6.5 out of 10...
Episode Synopsis:
Tosh gets a strange pendant from a strange woman and she gains the strange ability to read minds. In the process learning way more than just casual thoughts, in order to make things right Tosh must get this woman into Torchwood H.Q.
#8 They keep killing Suzie
This is a great one...disturbing and well written, a fallen Torchwood member returns providing a unique opportunity to deal with the consequences of events in the pilot episode. A great exploration of Gwen and her place in Torchwood... I give it 9.5 out of 10...
Episode Synopsis:The "Resurrection-Gauntlet" was classified as too dangerous to continue experimenting with, but a link to pre-pilot events, force the team to use the gauntlet on a deceased...Read more›

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Separate from the government, outside the police, beyond the United Nations, Torchwood sets its own rules. Led by the enigmatic, ever watchful Captain Jack Harkness, the Torchwood team delves into the unknown and fights the impossible. Everyone who works for Torchwood is young. Some say that’s because it’s a new science. Others say it’s because they die young.

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Doctor Who: Resurrection of the Daleks (Story 134) (1975) Review

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(More customer reviews)"Resurrection of the Daleks" is the first of the stories available on DVD that I saw as a fan. I was only eleven years old and had only been watching the show (aired nightly on PBS) for a month. It made a huge impact on me and led, indirectly, to my sitting here on a perfectly pleasant September evening 19 years later, writing this review.
A lot of "Resurrection" is still effective today. I saw this story first the year that it debuted -- 1984 -- and, of course, a lot of the acting and special effects seem woefully dated today. What I like is the air of actual *menace* around these Daleks, as opposed to a string of predictable, less-than-memorable 1970s outings. These Daleks actually instill horror in their victims. They shoot on sight and play fast and loose with biological weapons. "Resurrection" is a violent, gruesome story whose impact is only slightly dulled by the two dozen badly-acted death scenes of random extras. One of the extras, referred to on the commentary track only as "the Geek", looks a lot like David Letterman. For what it's worth.
The DVD extras make this package the better of the two "DW" stories released in the US this summer. The obligatory text commentary, full of location filming dates and guest actor credits, also describes in detail the evolution of the story's script over the three years it took to get to screen. We learn how actor Terry Molloy (the third and final "Davros") spent hours practicing the voice, to make the character sound like Michael Wisher, the original (and best) Davros. Molloy truly is excellent playing a ranting wheelchair-bound villain in a latex mask (which, we learn, caused "lakes of sweat" to pool inside the oversized rubber chin), and would go on to play the role right up through the end of "Doctor Who" as a series.
The audio track is also a winner. Peter Davison (the Doctor) is back for his third DVD and is, as always, hilarious. Janet Fielding (Tegan, who makes her emotional departure at the end of "Resurrection") puts in her first DVD performance. She's done her homework, giving a lot of convincing detail, and still finds time to count the many furtive glances that co-star Mark Strickson (Turlough) shot to the camera as he strived to get more face time. Story director Matthew Robinson seems to remember the setup for every camera angle and every shot in the story, and lets us know it. Still, it's the level of detail and humor that puts this in the "above average" range of DW audio commentaries, after a rather dull recent run by actors and directors with distressingly porous memories.
Another good extra is the lengthy "on location" segment, which returns to the narrow, dank Thames waterfront alleys where the story was filmed. It's all gone upscale now. Robinson re-enacts old scenes by lurking in alcoves that have since become pastry shop windows. Also interspersed here is an interview with producer John Nathan-Turner, evidently the last interview he gave before his death last year. Also in the "deleted scenes" is the alternative cliffhanger to Part Two... which was actually the cliffhanger used when I first saw this story in the US in 1984. I like this "alternate" version better than the "official" one, as it ends a couple of menacing beats later.
The ultimate goal, I think, is to get as much of Davison's Season 21 output on DVD as possible. We have two of his six stories out now, and that's just not enough.

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Trapped in a time corridor, the TARDIS veers off course, emerging in London's deserted docklands. In the far future, a prison ship in deep space comes under attack. These two remote events are linked by one terrible purpose. Davros, the ruthless creator of the Daleks, has been liberated after 90 years of imprisonment to assist in the resurrection of his Dalek army. He's their best hope for finding the antidote to the deadly anti-Dalek virus devised by their longtime robotic rivals, the Movellans. Davros sets about his appointed task with a secret agenda of his own - one that may force the Doctor to descend to Davros's level of evil. DVD Features:Audio Commentary:Actors Peter Davison and Janet Fielding and director Matthew RobinsonDeleted ScenesFeaturette:On Location; archive featurettesOther:5.1 Sound MixProduction Notes

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Doctor Who: Carnival of Monsters (Story 66) (1975) Review

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(More customer reviews)Another two adventures featuring the intrepid Time Lord are released on DVD, again showcasing different eras from the long running BBC adventure series. "Carnival of Monsters" dates from 1973 and the tenth season of the show, with the companion release "Resurrection of the Daleks" hailing from season twenty-one broadcast in 1984.
As with all the previous DVD releases of Doctor Who, the archive material has been painstakingly restored, with spectacular results. Each of the two stories looks as impressive as when the adventures were first broadcast all those years ago. In addition to the restoration, a number of very interesting extras has been added to both releases which are almost worth the price of the discs alone.
Starting with the earlier adventure, starring Jon Pertwee as the third incarnation The Doctor, there are a lot of goodies included along with the four-part adventure. The story itself marked something of a watershed in the Pertwee era, since it was the first to feature the Doctor traveling freely in time and space since the black and white Troughton era which ended in 1969. The intervening seasons had become somewhat tedious with endless earth bound adventures, albeit with occasional escapes for the Doctor, so it was refreshing to have the Doctor once more freely roaming the universe. "Carnival of Monsters" was the first story to be recorded for season ten, actually being completed as part of the production block for season nine in 1972. It was held over and transmitted second in the tenth anniversary season. It was also the second Pertwee story to be directed by the show's producer, Barry Letts. Letts provides a genuinely interesting commentary along with the other star of the show, Katy Manning, the actress who played the enormously popular Jo Grant. Although a fairly one-dimensional character, Manning certainly brought a great deal of energy and warmth to her portrayal of Grant, and that enthusiasm hasn't been lost in the thirty plus years since the story was made. Manning and Letts are clearly delighted to be reunited again for this DVD, and their commentary is entertaining, informative and indeed delightful. There are also on screen captions to fill in the gaps in their memories.
This release differs from the earlier VHS release considerably. The four episodes have been re-mastered from the original broadcast tapes. All the additional footage and indeed edits from the VHS release have been included as extras rather than in the body of the programme. There is also a fascinating, but short, behind-the-scenes look at the making of the programme, plus an abandoned reworking of the theme tune, some model work, a photo gallery, the trailer from a 1981 TV repeat and an Easter egg to find.
The story itself is witty and refreshing, being penned by the programmes most prolific and popular writer, Robert Holmes, and acted well by the assembled cast. Sadly, I would say the production is let down by some gaudy design and costuming, particularly the scenes on the alien planet, but that was often the case with the Pertwee stories. The sister release, "Resurrection of the Daleks" is quite different and much darker in tone and appearance. Heralding the return of the Doctor's oldest and most popular enemies after a five year absence from the show, this story is from the end of Peter Davison's rather brief reign as the fifth incarnation of the Time Lord and indeed marks the end of an era as it includes the departure of the long running companion Tegan Jovanka, played by Janet Fielding.
One of the things I was dreading for this release was the commentary featuring Davison, Fielding and director Matthew Robinson. Davison has not exactly been enthralling with the earlier releases he has contributed to, and as most hard-core fans of the show know, Fielding has been extremely critical of the show; particularly it's portrayal of female characters in the years since she relinquished her role. However, I am delighted to report that their commentary is wonderful! Definitely the highlight of the release. Obviously Fielding has rediscovered her sense of humor, and doesn't even seem to mind when Davison and Robinson make endless sexist remarks about her costume and legs! Although it's a bit mean, their sending up of fellow actor Mark Strickson (Turlough) is genuinely funny. Robinson is actually the weak link in the commentary team, since unfortunately he is almost impossible to silence, and constantly talks over the other two. But it's a minor quibble.
Another surprise is the inclusion of BOTH John Nathan-Turner; the shows much-maligned long running producer, and his script editor Eric Saward who also penned the script. The two fell out while producing the ill-fated twenty-third season of the show resulting in Saward stalking out of the programme mid-way through production and a great deal of public mud-slinging. Although they are not actually seen together, they've both filmed new sequences with Director Robinson at the locations used for the filming of the story. The on-screen production notes are a little tedious on this release, and there are also two features from the BBC's "Breakfast Time" which actually have precious little to do with the story itself. But they're fun to see again.
It's a taught story, with a stellar guest cast, although like most of the Davison era, it's all a little too complex, and doesn't stand up to a great deal of scrutiny. Some of the plot holes are pretty large, but it still works as a very entertaining piece. The episodes are included as produced, in four 25-minute episodes, even though they were actually transmitted as two 45-minute episodes at the time, thanks to the BBC's coverage of the 1984 Winter Olympics.
They're both great releases, and a welcome addition to the growing Doctor Who DVD library. I'd recommend both discs even if you're not a die-hard fan of the show.

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The Doctor has promised Jo a holiday on Metebelis 3, but the TARDIS materializes not on the famous blue planet, but in the cargo hold of the SS Bernice, sailing to India in 1926. Despite all appearances, the Doctor insists that they are no longer on Earth, but Jo's not convinced, at least not until a sea dinosaur attacks the ship! Millions of miles from Earth, a traveling showman named Vorg and his lovely assistant have arrived on Inter Minor to bring a little sunshine into the humdrum lives of the Minorian officials and functionaries. The dilapidated device they've brought looks rather unpromising until Vorg explains that the entertainment the Scope offers is "live"- it holds actual, miniaturized, living creatures kidnapped from every corner of the universe. There are Cybermen, Ogrons and even a party of rare Tellurians aboard a quaint steamship.DVD Features:Alternate endings:Episode 4Audio Commentary:Actor Katy Manning and producer-director Barry LettsDeleted ScenesFeaturette:Behind the scenes, model sequences, archival featurette by Barry Letts on CSO (blue screen)Production Notes

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Doctor Who: The Ribos Operation (Story 98) (The Key to Time Series, Part 1) (1975) Review

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(More customer reviews)THE RIBOS OPERATION is a severely underrated classic that sometimes gets forgotten about in the Key To Time season. The script is quite good and shows Robert Holmes at the height of his dialog-writing powers. It doesn't get all of the credit that it deserves, and this is a pity, because almost every aspect of the production is excellent, from the script to the acting to much of the incidental music to the set design. There is almost nothing here to distract from what is extremely fun and witty adventure.
The atmosphere is superb. The sets and, in particular, the costumes are exceptionally well done, especially when one considers the budget they were working with here. Possibly a lot of it was taken from stock and then given superficial modifications, but this really adds to the script's medieval and Russian flavors. It feels old-fashioned, and the few futuristic elements slide right alongside the historical pieces. The aliens are planet-hopping aristocrats with lasers, wrist-communicators and space-drives, but they trade in gold, and are concerned with half-brothers on thrones. The soldiers in the story more resemble knights in armor than science-fiction stormtroopers. The modern and the tradition merge extremely well and the two parts complement are a great complement to each other.
Science vs. magic/superstition is another theme that rears its head in this serial. Unlike other stories (say, THE DAEMONS), this story puts both of those subjects on the same level. The magic isn't just given a technobabble explanation; it actually appears to work in the confines of the story. The Seeker makes predictions that prove correct, has second sight, and uses magical incantations, while the story gives every indication that she genuinely does possess unearthly powers. This is vitally important for keeping the balance between science and magic.
When we hear the story of Binro the Heretic, we already know that his calculations and deductions about the lights in the night sky are correct, so our sympathies will automatically go towards his point of view. But if the Seeker had been revealed to be merely a slight-of-hand conjurer, then the battle between the two elements would have been drastically undermined. Because the magical side is so powerful, we can see exactly why someone like Binro has been shunned and derided by his peers. It's not just that what he says conflicts with their religious viewpoint, but also they have apparent proof that the superstitions have a concrete basis in reality. Holmes doesn't chicken out of the conflict, but portrays it in a mature and surprisingly balanced manner. It would be easy for Holmes to have us conclude that Binro is right, and that the Seeker is a con artist. But he doesn't do that - we have at least some evidence that both sides of the conflict have a sound case for parts of their belief.
The characters in this serial are larger than life and twice as fun. During his career, Robert Holmes wrote a number of over-the-top, almost operatic individuals and THE RIBOS OPERATION is certainly no exception. The actors, without exception, all latch on to how these characters need to be played and all deliver exactly the type of performance required. The Graff Vynda-K can't be anything other than an obsessed and fanatical tyrant. Garron has to be a great big lovable rouge. In a story such as this, louder is better. These are archetypes on paper, and the actors bringing them to life inject them with enough humanity and pathos to let them live.
I'm not usually a fan of the actors-only commentaries on these Doctor Who DVDs. Of those discs that have been released in the US so far, the audio tracks that contain no members of the production team are boring and useless, with the people concerned not remembering much about the story and not having known much about the behind-the-scenes planning in the first place. But the commentary for this DVD is highly amusing despite only consisting of Tom Baker and Mary Tamm. While it isn't the most informative thing I've ever listened to, I couldn't stop laughing. It's an extremely entertaining track featuring a few interesting tidbits from Tamm, punctuated by occasional orgasmic sound effects courtesy of Mr. Baker.
The pop-up production notes provide us with a lot of detail about the numerous cuts and edits that were made to the original Robert Holmes script. I find this sort of thing fascinating, and it's really interesting to see how the script evolved. Incorporating the Key arc, to tightening up the script for timing reasons are all featured here.
The DVD picture and sound are quite good considering the age of the material. This disc upholds the high standards that the Doctor Who DVDs have achieved in these areas. The rest of the extras (Photo Gallery, Who's Who) are things that I really have no interest in, but some people like them, and it's nice to know that they're there.
It's interesting to note that at the time of writing this review, Robert Holmes has become the most represented author on the Doctor Who DVDs. And if you really have no idea why, then check out this disc for a reevaluation of a forgotten classic. No one wrote dialog quite like Holmes, and it's absolutely amazing to see what can happen when the writer and the actors play off each other's strengths so perfectly.

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The Doctor and Romana trace the first segment of the Key To Time to the planet Ribos, where they first encounter two con artists who think big.DVD Features:Audio CommentaryBiographiesPhoto galleryProduction Notes

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Doctor Who: The Complete Fourth Series (2008) Review

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(More customer reviews)The major dynamic of Doctor Who has always been one of change, after all it IS a show about a 900+ year-old face-swapping, regenerating Timelord with no-fixed-abode, each week an entirely new location, with a new cast of characters. It's because of this dynamic that the series has had such (multimedia) longevity. With series 4, of the new series we see a continuation of this, with the return of Donna Noble from the Christmas Invasion Special of 2006. But, this isn't the same Donna, she herself has changed as a character for having adventured with the Doctor, although she still, thankfully, is not as in awe of the Doctor as Rose in series 1, or in love as Rose in series 2, or struck love-sick with the unobtainable man as Martha in series 3. Donna has a unique perspective on the Doctor and his universe, almost seeing herself as an equal, if unsure of her abilities, but not so completely trusting of the Doctor. As Rose grew into the role of companion, so does Donna, but her journey isn't as simple, she may be the everyman companion (like Sally Sparrow or the men of LINDA). The show's overall perspective has changed, Rose and Martha held the point of view, unraveling the mysteries (for the viewer) of the Doctor and his world, especially with the angry and enigmatic Chris E's 9th Doctor. But now with David Tennant's 10th Doctor the audience knows more about the "last of the Timelords" than any companion, we don't need the companion as an anchor, thus we has Donna on an even playing field, and an excuse to bring back Martha (also changed for her travels)...an maybe Rose?
This season the series has no major catchwords like "BAD WOLF" or "TORCHWOOD" and who can forget "MR. SAXON." Season 4 is bound by other elements, a person, phrase, a prophetic statement/question, a place, building up, so pay attention. These elements aren't clues from this season alone, but references planted going as far back as the first season, or a recently as quotes from the Master in last season's finale, remember "The Crucible," "Medusa Cascade" or the "Shadow Proclaimation?"
What else this season has is loads of great stories from award-winning writers and loads of great performances from award-winning celebrity cameos: Nigel Terry (Excalibur), kylie Minogue, Felicity Kendal, Alex Kingston (ER), Colin Salmon (MI6), Christopher Ryan (the Young Ones), Geoffrey Palmer, Georgia Moffett (the Last Detective) and more. Of course, there are loads of great performances from the series regulars. David Tennant ads so much depth to what was a relatively static character, in the series original successful run. His Doctor still enabling the everyman to act, to be a hero. Along with Catherine Tate, their sense of pathos and comedic timing are nothing short of A-list quality.
DVD set includes:(mild spoilers follow...)
Time Crash: a fully finished short for the "Children in Need" UK charity featuring the 5th Doctor (Peter Davison) meeting the 10th Doctor, written by Steven Moffat.This is a direct precursor to the 2007 Christmas Special, in fact it really occurs a few minutes before the final seconds of Season 3's finale.
"The Voyage of the Damned" or the 2007 Christmas Special. Now a Christmas Day tradition, since the 10th Doctor, newly regenerated came to our screens, this is the 3rd such special. This special is very derivative of the action film genre, more so that the previous specials, or Doctor Who as a whole. Moments very-like the Die Hard of your choice appear throughout "Voyage" while Tennant's Doctor is somewhat muted early on here. The Doctor this time out is rescuing the passengers and crew of the Starship TITANIC, a intergalactic cruise liner visiting scenic Earth, where disaster ensues and the Doctor's promises of salvation to the nicely eclectic gallery of survivors proves to be to much to handle. The Sweet, but over-rated and inappropriately aged Kylie Minogue as Astrid, a temp companion who dreams of seeing the galaxy, help the Doctor to resolve the sinister corporate machinations of Max Capricorn, at an extreme cost. Some elements are the angelic robo-baddies, homage to "the Robots of Death" and another classic iconic juxtaposition of holiday imagery.
The first of the real season is "Partners in Crime" in which we rejoin Donna Noble from the Runaway Bride special and for an opening night episode, it still feel like on of the specials. It is fun, face-paced and over-the-top, it too has some Die Hard moments. Since turning down the Doctor's initial offer to travel, she has changed her mind and been investigating on her own hoping to one day run into the Doctor, and so she does. She also runs into CEO, Miss Foster who offers an unsuspecting public new way to lose weight with a sinister secret, well sinister may be to harsh a word, but let's just say that the fat "just walks away." This one, is a bit of fun fluff, but the episode closer offers quite a twist.
The second of the season is "The Fires of Pompeii" or should I say "Volcano Day." Filmed in Rome on the massive set from the HBO/BBC sets and other Mediterranean locales, we see some of the hard historical choices the Doctor must make, a choice I though he would have faced on the real Titanic, had it not been a Starship. In a fixed point in history...Who lives and who dies in the eruption of Vesuvius? This one has got it all, molten rock monsters, togas and Donna pleading for the Doctor to save someone. From the opening to the ending of this one Donna is asking so great and obvious questions (for example, if the TARDIS translates English to Latin & Latin to English, what happens when you speak Latin?).
The third episode "Planet of the OOD" resolves the plight of the subservient, tentacle-mouthed slaves from The Impossible Planet and The Satan Pit of 2006. The Doctor didn't really do right by them the last time around, but in his defense he was busy fighting the Devil. The OOD are both creepy and sympathetic simultaneously. This time the OOD are more than just tools, and yet again we have the motif of an evil CEO who needs comeuppance (3 of 4).
The fourth and fifth episodes "The Sontaran Stratagem" and "Poison Sky" obviously see the return of the potato-headed clone soldiers (pre-dating Lucas' clone troopers from "the Time Warrior"). This 2 parter also sees the return of UNIT and Dr. Martha Jones and if you missed her episodes of Torchwood series 2, she is a more confident, bolder character than when she and the Doctor parted ways. This one has another evil corporation and evil SAT-NAVs. These two are great "old school" episodes, Christopher Ryan brilliantly plays Sontaran General Staal. Watch the TARDIS monitor for another clue to the season finale.
The sixth episode title was kept secret until the week before broadcast, "the Doctor's Daughter." This is a really nicely done story, with some great casting
Including Nigel Terry (King Arthur from Excalibur) and Georgia Moffett (who is really the Doctor's daughter, 5th Doctor Peter Davison's real kid, who was nearly cast as Rose for 2005). Penned by Stephen Greenhorn, who wrote last season Lazarus Experiment, setting out to write a story that forever leaves the central character changed by the end.
The seventh episode, the Wasp and the Unicorn, is the latest from writer Gareth Roberts, the "historical cameo" king. Having written Charles Dickens & Christmas Ghosts, Queen Victoria meeting a werewolf and Shakespeare with Witches, who better to write a manor house mystery with Agatha Christie?
Done with spinning newspaper, flashbacks and a body in the study, this one is a really Doctor-Who-dunnit (sorry). It has lots of cameos, some Dr. Who vets and David Tennant's DAD as the BUTLER!
The long awaited 2-parter from writer 2 time HUGO-award winner Steven Moffat (Blink, Empty Child), "Silence in the Library" and "the Forest of the Dead" has awards written all over it. The shadows themselves are the enemy on a planet-sized Library and who is the mysterious archeologist River Song, who seems to intimately familiar with the Doctor, could she be Mrs. The Doctor? ...Anyway, if you read any of the New Adventures (of Doctor Who) in the 90's the spirit of this story will seem a very familiar homage (Google Prof. Benny Summerfield for more, irony here is her creator Paul Cornell didn't write an episode this season). River Song is played perfectly by the beautiful and talented Alex Kingston, adds to the increasing foreboding clues toward a bleak something on the horizon for Donna.
Episode ten, "Midnight" while Donna relaxes poolside the Doctor goes on a 4 hour tour (you just can trust them). The Doctor and an unlikely tour group visit the surface of the "unihabited/unihabitable" planet of Midnight...but who's outside and who has gotten in? A great answer to the Voyage of the Damned in which a disaster brings out the best in mankind, here we see people turn on each other (and the Doctor) in fear, human nature at its ugliest. This "bottle" episode contained to the "space-truck's" cabin, is claustrophobic and although it contains no monster reveal it is one of the season's most frightening shows since the angels. Props to the sound crew/editors on this one, no visual effects make the sound all the more important! Also, after the 5th Doctor's real daughter, we this time get the 2nd Doctor's son David Troughton is onboard.
Episode eleven "Turn Left" again by RTD himself leading us into the dark waters of the season four 3 part finale to come...hold on! This Doctor-light episode sees the special return of an companion and UNIT as things begin to get bad as a threat to more than just the Earth is revealed.
Episode twelve, "The Stolen Earth" the Doctor's team prepare to battle the new ***** Empire, lead by *****.
Final episode,...Read more›

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Doctor Who: The Robots of Death (Story 90) (1975) Review

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(More customer reviews)It is little surprise that Dr. Isaac Asimov named this as his favorite Dr. Who episode (though it actually comes as considerable surprise to learn that he even watched the series at all). Certainly the plotline and backstory development borrow liberally from the future society Asimov established in the Lije Bailey/R. Daneel Olivaw novels; it even works in references to the Three Laws of Robotics. The influence of an earlier book, RUR (Rossum's Universal Robots), also surfaces in exploring man's reaction to robots and their total absence of human body language (robophobia). Even the author's name, Karel Capek, is mirrored in that of the villain Taren Capel.
Newcomer director Chris Boucher (The Face of Evil) took the suggestion of longtime Dr. Who editor Robert Holmes and created an isolated, murder-mystery adventure as a vehicle to solidify the role of Leela, a companion he had introduced in the previous serial. Boucher drew from one of his favorite novels, Frank Herbert's Dune, to envisage the Storm-Mine setting. Effects director Peter Grimwade is immortalized in the episode thanks to a bit of ad-libbing by Tom Baker. Amongst the cast was David Collings as Poul, David Baile as Dask (Taren Capel), and Pamela Salem as Toos; Salem had actually been an unsuccessful applicant for the role of Leela.
Though not a milestone episode, I would name this is one of my favorite Tom Baker-era stories, largely because of its attention to detail -throwaway lines by characters reveal a rich tapestry of politics, history, and sociopolitical orders not always seen in a Doctor Who serial. We get a sense of the social "pecking order" on this nameless future planet from Uvanov's obvious disgust with Zilda's and Chub's family standing; at the same time we learn that the all-pervasive Company is not above covering up an employee's potentially embarrassing (or potentially expensive) past. Poul is a great study in contrasts: nobody on the Storm-Mine is the least suspicious of him until Leela turns up and likens him to a hunter. The insertion of D.84 is even more clever, and it illustrates just how inured this society has become to anything out of the ordinary. Uvanov dismisses Leela's assertion that D.84 can speak simply because "everyone knows" that particular class of robots can't speak.
In the same way, the crew dismisses the Doctor's theories about the murderer because "everyone knows" robots are incapable of such a thing. Robot behavior and robot Urban Legends are clearly at the forefront of even casual conversation, as evidenced in the opening scenes when we meet the entire crew idling away in the lounge. I also like the fact that the cast is a little more varied, racially speaking, from the usual spate of pale English actors. Helps to paint a more realistic vision of the future.
D.84 (Gregory de Polnay), the "undercover" agent, provides some wonderful back-and-forth dialogue with the Doctor and goes a long way toward widening the scope of the story. The robot's recount of the life of Taren Capel has made the murderer into a tragic figure before we've even figured out who he is, and it even gets to explore its own feelings of inadequacy; next thing we know it has even cracked a joke at the Doctor's expense. I always thought D.84 would make an ideal traveling companion -a sentiment I was surprised to learn was shared by many other fans. Its plaintive request to "please do not throw hands at me" is priceless. Definite homage to Daneel and Giskard there...
Though we, the audience, know the killer at the outset of this "whodunit," it is the question of who is the puppet master that takes up the scope of the story. This is also an uncharacteristically graphic episode; there are several strangulation scenes, a disturbing shot of a dead body being buried in a downpour of gravel, and blood all over the hand of the initial killer robot. There are also some chilling pyrotechnics; for my money one of the scariest scenes depicts another of the killer robots trying to break into the command deck, calmly announcing in its polite bureaucratic monotone that everyone has to die. Another great moment comes when Leela throws her knife squarely into the chest of an attacking robot -which then casually knocks it aside and keeps on coming. It is the first time we've seen anything even approaching fear on Leela's face.
The society that has been postulated is full of cause-and-effect: the Doctor's casual line about it being "the end of this civilization" is clearly no exaggeration. The characters, for all their feigned ease and opulence, are clearly not wholly comfortable with this robot-dependent society they have created for themselves, and as a result there is an omnipresent creeping paranoia that lurks just under the surface for most of the storyline. The parallels to the distrustful, robot-dependent society in Asimov's Caves Of Steel are obvious: mankind has gone and made another technological breakthrough which has become an indispensable part of daily life before everyone's really had time to adjust. Likewise, the Storm-Mine's carefully-ordered life is exposed to be a powderkeg; one little deviation from "everyone knows," and suddenly everybody's world is turned upside-down. This is especially apparent with Uvanov (Russell Hunter)'s newly-found "blow 'em all up" attitude, Poul's total mental breakdown, and Toos's hysterical sobbing (the latter also provides a great springboard for the audience to learn Leela's surprisingly tender and compassionate side).

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The Doctor and Leela visit a mining outpost where the staff has grown all too dependent on their fleet of robots.DVD Features:Audio CommentaryPhoto gallery

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Doctor Who: Spearhead from Space (Story 51) (1975) Review

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(More customer reviews)With this release, fans everywhere can finally get what they want: Doctor Who on DVD. We've all been waiting for the show to arrive on disc, and although it's been a bit longer than we'd hoped, this disc (and the other two) are well worth it!
Spearhead from Space - Third Doctor Jon Pertwee's debut story, and the first shown in color - has been carefully restored and remastered for this DVD, and it shows. The DVD looks excellent, with sharp, vibrant colors and a vividness that US fans have never seen before. The disc far surpasses the murky compilation tape put out years ago, with a clear, bright picture, and many of the faults removed.
Besides finally being released episodically - as the story was both broadcast and meant to be seen - the extras are great too. They include a fun, funny commentary by Nicholas Courtney (The Brigadier) and Caroline John (Liz Shaw), some great Production Notes (listed as a subtitle track), a UNIT recruitment film, a "Who's Who" biography section, and even an Easter Egg.
It's nice to see that the BBC has picked such a good story for its first wave of DVDs. Not only is this a great Doctor Who tale full of action, it introduces us to the Third Doctor's era, the nasty Nestenes and their ability to control plastics, and the beginnings of the extended Doctor Who family the series would enjoy for the next five years. Let's hope all future releases are this nice!
All in all Spearhead From Space has been well-restored, has plenty of extras and entertains thoroughly. It's worthy of any Doctor Who fan's collection, and will easily replace any other version you've got. I highly recommend it.

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Doctor Who: Genesis of the Daleks (Story 78) (1975) Review

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(More customer reviews)In every sense of the word GENESIS OF THE DALEKS is a "classic".
It has classic scenes, classic lines, classic charcters, a classic setting and the classic of all classic DOCTOR WHO villains - THE DALEKS. How can you go wrong? With both eyes closed, it hardly seems you could... but even the most die hard fan must admit that while GENESIS aims high, it is often mired in a disjointed plot, long winded writing, and paced like a car wreck. It's all bits and pieces flying everywhere - and you can't take your eyes off it. GENESIS OF THE DALEKS is truly a mess - but a wonderful one.
Terry Nation takes us back to the origin of his most famous creations and manages to not only provide a crediable and interesting background story for the Daleks - but establish a new character, DAVROS, who has managed to last almost as long as the Daleks themselves. This is a high point in the story, and one of the main reason why you should own this collection - as for the rest, there are some problems. At six episodes GENESIS runs too long for the material - causing many charcters to reapeat actions, dialouge, plot and story over and over again. The Doctor, Sarah and Harry end up spending a lot of time walking (and running) in this story as well.
From one dome to the another. Above ground, underground, in corridors, under floors, up ladders and down trenches - they are always on the move and always just missing each other at every moment. This story also features one of the least classic monsters in DOCTOR WHO's history - the Giant Clam. It looks exactly like the plastic, spray painted and hand operated "monster" that it is - it's so bad, it's classic. Roger Corman would be proud. But, underneath all the studio cheek and filmed quarry sequences there lies a good story. What do you do when you're presented with the chance to rewrite history? To stop interstellar war, horror and genocide - and what do you do when it's your mission? The Doctor faces these facts and fails to come up with any answers - this is not a bad thing.
GENESIS OF THE DALEKS comes packed as a two disc special edtion and even casual fans will find a number of things here to entertain and inform them. But there are a few downsides - the largest of which is the commentary provided by Baker (the Doctor), Sladen (Sarah), Miles (Nyder) and Maloney (director) - there are a few sparks, but far too many gaps, pauses and long silences as everyone involved tries to remember something. Names pop up, production problems rear their heads and Baker and Sladen demonstrate that chemistry that made them the duo that they were on screen. In fact, it's Sladen that rescues a lot of this commentary - from her references to the new DOCTOR WHO series, and her role in it - to her personal asides and feelings on the production. The worst though has to be Peter Miles who plays Nyder - a dark, vile charcter in the story - but Miles has little next to nothing to say about it. Perhaps there is nothing to be said - Nyder is evil. While I love the ideas behind these commentaries - they are hit and miss. While a Peter Davison and Frazer Hines commentary is bound to leave you informed and laughing - others are trials. A moderator, someone in the know, with facts in hand and the ability to not only prompt, but interview as well, is really required to bring the experience to life.
Text commentary fills in a number of the gaps - but have your remote at the ready. There are times when whole passages of text appear on the screen for two seconds or less, causing you to rewind and pause to read. Also - there are a few errors in facts and some "duh" mistakes that you can't help but laugh at - but they can be forgiven.
GENESIS is a classic. It's one of my all time favorites - and for those new to the series, it's a must own. Look past the extras and just enjoy the show.

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The Time Lords send the Doctor (Tom Baker), Sarah Jane and Harry on a daunting mission to the Daleks' home planet.

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Doctor Who and the Silurians (Story 52) Review

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(More customer reviews)I fondly recall watching this classic Doctor Who storyline as a teenager in the 1980's and being utterly blown away by its moral complexity. Decades have passed, I'm older and a fair bit more jaded, and it still blows me away! The somewhat unusually titled "Doctor Who and the Silurians" is perhaps one of the most intelligent stories penned for what is typically a very well-written series, and this in a manner cleverly conducive to the tale's good old thrills & chills and general entertainment value. If anything demonstrates that a show can be sophisticated and fun at the same time, this does in style.
Part of what makes this one so great is that it takes one of the most tired clichés of sci-fi and turns it on its head. Reptilian invaders? Well, sort of, except for the fact they were here first. The eponymous Silurians evolved on Earth millions of years ago and developed a highly advanced civilization before an impending catastrophe drove them to seek shelter underground, waiting in suspended animation for the disaster to blow over. The inevitable malfunction keeps them slumbering much longer, until an experimental nuclear power plant built into the caves of England's countryside circa 1970 jolts some of them awake and they start preparing to take their planet back regardless of the johnny-come-lately hominids that seem to have taken their place. The premise alone is incredibly imaginative and astutely draws upon some of the latest geological theories of the day while providing the crux of the story's mature complexity: there are no absolute good guys or bad guys here, only conflicting interests who through mutual fear, suspicion, misunderstanding, and xenophobia both end up tragically resorting to violence rather than the compromise and coexistence the Doctor tries and fails to broker between them.
Speaking of the Doctor, it's hard to believe that this is only Jon Pertwee's second story in the role. He's already quintessentially the third Doctor: dapper, dashing, and dynamic, delightfully sarcastic with petty authority, an eccentric individualist incongruously stuck with a hierarchical military organization. The camaraderie and conflict between him and the Brigadier is well depicted, and the clash between one's martial pragmatism and the other's principled idealism (both understandable under the circumstances) propels the plotline forwards and gives the conclusion its forlorn sting. The Doctor's assistant, Liz Shaw, is more than just a pretty face here, but one can see her scientific expertise already slipping inexorably to the back burner despite the production staff's best intentions. Last but not least, a great variety of supporting characters with memorable personality quirks and motivations all add essential twists and turns to the story's tragic progress, and a strikingly bizarre soundtrack (sounding like a schizophrenic mix of Stravinsky and Javanese Gamelan music) gives it an unforgettably appropriate eerie ambiance.
In short, "Doctor Who and the Silurians" is every bit as excellent as I remember, and it looks even better. The version I saw in the '80's was patched together from color and black & white episodes, while for this DVD all seven episodes have been painstakingly restored--in full color as originally intended and as sharp an image as possible under the chancy circumstances of its survival. Of course, the Silurians appeared a bit more convincing in monochrome as I recall, so the gain in authenticity and quality is ironically somewhat of a mixed blessing. But to expect a BBC production in 1970 to display the whiz-bang special effects of today would be unrealistic folly in the first place. Instead I would suggest losing yourself in this adventure's consummate science fiction storytelling at its best, then your imagination will do the rest.
P.S. As fate would have it, this was not the last time the Doctor would try to referee between two sets of Earthlings, reptile and mammal, and "Doctor Who and The Silurians" can be purchased together with those later two adventures conveniently in one set: Doctor Who - Beneath The Surface (Doctor Who And The Silurians / The Sea Devils / Warriors Of The Deep).

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It's a rude awakening for the Silurians, an intelligent dinosaur race only now emerging from a hibernation begun at the dawn of the Ice Age.DVD Features:Audio CommentaryDocumentariesMusic Only TrackPhoto galleryProduction Notes

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Torchwood: Children of Earth (2009) Review

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(More customer reviews)For the first two series Torchwood was your standard solve the horrible situation of the week series but that all changed with series three. First and foremost, the bigggest difference is that there are only five episodes instead of the usual 12 but that is because all five episodes comprise one mini-series mega event where the BBC showed one episode each weeknight during a single week as opposed to one show a week. Those are the minor technical differences and here are the stylistic differences.
Previous incarnations of Torchwood were a mix of frivolity, political thriller, and science fiction while series three puts the political thriller aspect front and center with the jokes and scifi taking supporting roles. The tone is emotionally taut, psychologically upsetting, and decidedly dark--all perfect motifs for a show designed only for adults. If you are wanting a Dr. Who style trip into the imagination where you get a bit scared but return with a smile on your face this is not going to be to your liking at all because this time Torchwood takes us into a nightmare realm where many of the humans in charge seem more alien and threatening than the actual aliens, who are definitely scary themselves, and that insures you won't return from this journey with a smile unless you're a sadistic freak. Does the darkness overwhelm the show? Not at all! As I said the political thriller aspect is front and center and its pacing almost feels like this is Torchwood 24, especially seeing how each episode represents one day of time so that by the end of this series only five days have passed for the Torchwood crew.
Should you buy Torchwood series 3? Well if you are more of a fan of Dr. Who and only watch Torchwood because it is a Who spin-off I'd wait and watch it as it airs to make sure it isn't too realistic to be enjoyable for you. If you prefer Torchwood over Dr. Who then definitely put your order in as you're not likely to be disappointed with the direction RTD has taken the show this time. Personally, this has been the best science fiction on the small or large screen this year (I haven't seen Moon yet so that could change) and keep in mind I am a huge Trekkie and adored the new Star Trek movie! That's right, a die hard Trekkie said Torchwood series 3 was better than Star Trek the Reboot. Granted, Trek had better blockbuster visuals and space battles but Torchwood, by far, told the better story. I also think the acting was better in Torchwood than Trek although there isn't as big as a distance between the two as there was in plot quality.

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Doctor Who: The Androids of Tara (Story 101, The Key to Time Series Part 4) (Special Edition) (2009) Review

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(More customer reviews)The search for the Key to Time is half over. The Doctor, Romana and K9 have recovered the first three segments and, unhappily, the best three stories of the season are over. The last half of the Key to Time quest is definitely the weaker. This is not to say, though, that "The Androids of Tara" is bad. It's quite fun, even if it feels a little inconsequential. The criticism it has attracted from most fan circles is that it draws too heavily upon the one source, Anthony Hope's "The Prisoner of Zenda" and displays this quite blatantly. However, most of Doctor Who (like the works of William Shakespeare) is plagiarised from one source or another. How stylishly it is done is the best indicator of how it succeeds. With the case of Doctor Who, it succeeds most of the time. "The Androids of Tara" is a fun, swashbuckling adventure. The villain, Count Grendel, is a wonderfully over the top cad, scoundrel and all round baddie. The usual ingredients for the genre - Princes, Princesses and swordsmen - are all here. There's also the obligatory swordfight at the end. The story is low key - it revolves around the political machinations of the world of Tara - there is no planet to save from invasion or destruction, no populace to save from alien oppression. This story will never be regarded as a classic; it won't be in any all time top 10 lists - but it is a breath of fresh air. It's a nice diversion, however unoriginal. (There's an awful monster, so it's not really that different from the rest of Doctor Who!) Sure, it feels inconsequential. But it has the usual charm that the program always succeeds in pulling off.

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Getting the fourth segment of the Key to Time is the easiest part of the trip to the planet Tara, whose idyllic atmosphere lulls the Doctor into a mood to go fishing and leave the segment-tracing to Romana. She locates it after a short walk on a beautiful day, but her luck changes when she meets the courtly Count Grendel. Contrary to appearances, Tara is a hotbed of political intrigue, and beneath its Old World veneer lies a surprising advanced level of technological development that includes lifelike androids and electric swords. Count Grendel mistakes Romana for an android double of Princess Strella, and carries her away for future use in his plot to wrench the crown from its rightful claimant, Prince Reynart. Meanwhile, the Doctor arouses suspicion when Prince Reynarts men discover him fishing on the princes estate. Before he and Romana are reunited, the Doctor will be unwillingly thrust in the roles of android repair-man, king-maker and ultimately, swordsman when finds himself locking swords with Grendel, the finest swordsman of all Tara.
DVD Features:Audio CommentaryDVD ROM FeaturesFeaturettePhoto galleryProduction Notes

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Doctor Who: The Key to Time (Special Collector's Edition) (Stories 98-103) (2009) Review

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(More customer reviews)Yes, these are technically re-releases of shows that have already been put out on DVD. For the 'die-hard' fans these may not be totally redundant like Lucas and his Star Wars releases.
The Key to Time Series: I would get this again ONLY because it is loaded with commentaries by Tom Baker and Mary Tamm which were not available on some of the episodes within the previous DVD set released. As well, there are new making-of documentaries regarding each of the shows per each segment of the Key that are, again, totally new.
I am biased towards loving this season of Tom Baker's run. Thus, if you aren't that crazy about these then, yes, the purchase is totally unnecessary. However, if you are 'avid', then this set should be rewarding to succumb to the 'double-dip'... with the new special features in plenty...
The NEW 350 minutes-worth of special features details are as follows. All the making-of features are new and NEW commentaries are marked with an *:
I. The Ribos Operation: Special Edition (1 DVD; 4 episodes; 98 mins)
1. Commentary with Tom Baker and Mary Tamm
2. A Matter of Time - A new 60-minute Documentary
3. The Ribos File - Cast and Crew Interviews about the making of
this story
4. Continuities - off-air continuity links from the story's
original BBC1 transmission
5. Season 16 Trailer - BBC1 trailer for the forthcoming season
6. Photo GalleryII. The Pirate Planet: Special Edition (1 DVD; 4 episodes; 100 mins)
2 Audio Commentary Tracks:
1. Commentary with Bruce Purchase and director Pennant Roberts
2. * Commentary with Tom Baker, Mary Tamm and script editor Anthony
Read
3. Parrot Fashion - Documentary that includes old and new
interviews, including Douglas Adams
4. Film Inserts, Deleted Scenes & Outtakes
5. Weird Science - A funny look at the science seen in The Key to
Time
6. Continuities - off-air continuity links from the story's
original BBC1 transmission
7. Photo GalleryIII. The Stones Of Blood: Special Edition (1 DVD; 4 episodes; 95 mins)
2 Audio Commentary Tracks:
1. Commentary with Mary Tamm and director Darrol Blake
2. * Commentary with Tom Baker, Mary Tamm, Susan Engel and writer
David Fisher
3. Getting Blood from the Stones - Cast and Crew Interviews about
the making of this story
4. Hammer Horror - Featurette about the influences of horror films
on Doctor Who stories
5. Stones Free - Mary Tamm visits the Rollright Stones location and
talks to local experts
6. Deleted Scenes
7. Continuities - off-air continuity links from the story's
original BBC1 transmission
8. Excerpt from 'The Model World of Robert Symes'
9. Blue Peter segment about the 15th anniversary of Doctor Who
10. BBC's Nationwide news program segment about the 15th
anniversary of Doctor Who
11. Photo GalleryIV. The Androids Of Tara: Special Edition (1 DVD; 4 episodes; 97 mins)
1. Commentary with Tom Baker, Mary Tamm and director Michael Hayes
2. The Humans of Tara - Cast and Crew Interviews about the making
of this story
3. Now & Then: The Androids of Tara - compares and contrasts
present day locations as they are now with how they appeared in
the story
4. Double Trouble - a brief history of 'doubles' in other Doctor
Who stories
5. Photo GalleryV. The Power Of Kroll: Special Edition (1 DVD; 4 episodes; 90 mins)
1. Commentary with Tom Baker and John Leeson
2. In Studio - a glimpse inside the studio during recording of the
story
3. Variations - a BBC local news programme visits the story's
location during filming
4. There's Something About Mary - Mary Tamm looks back at her
single-season starring role as the Doctor's companion
5. Philip Madoc: A Villain for All Seasons - Madoc looks back on
his numerous roles as a Doctor Who villain down the years
6. Continuities - off-air continuity links from the story's
original BBC1 transmission
7. Photo GalleryVI. The Armageddon Factor: Special Edition (2 DVDs; 6 episodes; 147 mins)
2 Audio Commentary Tracks:
1. Commentary with Mary Tamm, John Woodvine and director Michael
Hayes
2. * Commentary with Tom Baker, Mary Tamm and John Leeson
3. DVD-ROM: 1979 Doctor Who Annual in Adobe PDF format
4. Defining Shadows - Cast and Crew Interviews about the making of
this story
5. Alternative / Extended Scene
6. Directing Who - Michael Hayes looks back on his directing career
on Doctor Who
7. Rogue Time Lords - a potted history of errant Time Lords
8. Pebble Mill at One - Tom Baker interview from 1978
9. Radiophonic Feature - a Pebble Mill at One interview looking at
Radiophonic music and effects in Doctor Who
10. The New Sound of Music - Dick Mills talks about creating Doctor
Who sound effects
11. Merry Christmas, Doctor Who - a special Christmas sketch,
recorded on the set of 'The Armageddon Factor' for the BBC
Christmas Tape that year
12. Continuities - off-air continuity links from the story's
original BBC1 transmission
13. Photo Gallery
14. Late Night Story - Tom Baker reads five spine-chilling stories
from this 1978 series:
a. The Photograph by Nigel Kneale
b. The Emissary by Ray Bradbury
c. Nursery Tea by Mary Danby
d. The End of the Party by Graham Greene
e. Sredni Vashtar by Saki (never broadcast)
15. Easter EggAdding up the running times gives us 627 minutes for the box set. All episodes are presented in full frame video, with the original English mono audio and with English subtitles.

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DOCTOR WHO:KEY TO TIME SE 98 99 100 1 - DVD Movie

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Torchwood: The Complete Second Season (2009) Review

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(More customer reviews)It's yet another season of "Torchwood", a "Doctor Who" for adults. Now in its 2nd season, we meet a team of professionals who battle aliens and try to protect us from all sorts of cosmic anomalies. Based in Cardiff - centrally located on a rift in time and space - "Torchwood" stands ready to do the job. With plenty of foul language and sexual...um...stuff, you never forget the seriousness of the situation, or the fact that the end of the world never means having to forego a good "snog".
"Torchwood" remains a pretty controversial show. Everything that made the 1st season both fun and frustrating are ramped up in S2.
But first, the ep.s themselves.
"Kiss, Kiss, Bang, Bang" (I wonder how many British shows have come and gone wishing to use that title.) Remember how S1 built up the anticipation to that same sex kiss in "Captain Jack Harkness"? Well, subtlety goes out the window in the first few minutes of the season opener, returning Jack from his adventure in the "Doctor Who" season 2 finale. Here, Jack introduces the team to his thrill-kill former colleague and not-so-former lover, Time-Agent Captain Jon Hart. What is Hart's agenda? And how much lip-lock will the team be forced to watch before Jack takes any action?
"Sleeper", an obvious idea nevertheless not given the treatment until now. The team must confront deep-cover terrorist insurgents from another planet. They look like ordinary people - husbands, wives, lovers, parents - but when the signal starts, they become indestructible agents of mass destruction.
"To the Last Man", a pretty good episode in which the team finds a breakdown in time barriers between the present and WWI era threaten the space-time continuum. Only an inhabitant of that period, sent back to his time from our own, can save the universe. Luckily, Torchwood has kept a WWI soldier on ice since 1918 for just such an occasion. TV shows (especially cop shows) are typically weak because they marginalize guest stars, but this ep. shows how Torchwood excels in integrating guest characters into its larger mythos.
"Meat". An episode that gives the vegans a chance (among many) to laugh at us carnivores. The team investigates a meatpacking operation profiting on the flesh of apparently alien source. The story itself is pretty thin, but as with many eps. the saving grace is the character interaction - chiefly involving Rhys, Gwen's annoying fiancée.
"Adam". Who's Adam? Nobody seems to think that Adam has been anything but a longtime and loyal teammate, so nobody seems to realize that he just insinuated himself into the group and their memories. At first helpful, the script reveals how darkly dangerous a man with memory-altering powers can be. A great episode that reveals more background on Capt. Jack and also informs how much they care about each other.
"Reset" what would sci-fi be without a dig at the medical establishment? This was actually a weak story punctuated by a great appearance from Alan Dale (known in the US for "Lost" and "Ugly Betty"), the debut in Torchwood of "Doctor Who" vet Martha Jones (which provides for much cheerily licentious dialog) and a thoroughly heartbreaking ending.
"Dead Man Walking" picks up where "Reset" left off. The facts of the story substantially nullifies the tragedy that ended "Reset" without damaging the other episode's dramatic payoff. (Can't say anything else w/o a substantial spoiler.) The episode is the midway to the conclusive "A Day in the Death". Again, spoilfree review guidelines prevent more specific description. Suffice it to say that this ep. is "Random Shoes" of the season, only better than that ep.
"Something Borrowed" has Gwen and Rhys finally tying the knot. Only, a late night duel-to-the-death with a shape-shifting alien carnivore leaves Gwen in a compromising position that threatens to ruin the wedding. Funny, scary and still very adult, this is easily one of the show's more entertaining eps.
"From Out of the Rain" has Cardiff menaced by "Night Travelers", performers of a ghostly circus that steals the breath of ordinary human beings. A decidedly creepy ep. with a disappointing payoff.
"Adrift" a horrible story. Gwen follows up on a large volume of missing-person cases possibly tied to The Rift. In bonding to many civilians in search of missing loved ones, Gwen's makes some pretty obvious and painful errors in judgment. Anybody who thought last season's episodes "Small Worlds" and "Out of Time" were pointless will probably feel the same way about "Adrift".
"Fragments" a great episode in which a crisis situation forces each of our heroes to separately delve into their past and recall how they joined Torchwood. Best part of the episode: Jack meets Torchwood's saucy Victorian era operatives. This ep. sets the stage for the season finale -"Exit Wounds". It's very difficult to discuss the finale w/o spoilers. Let's just say that it involves Captain Jon and Jack's lost brother, Gray, and basically ends with final heartbreak for the team. Unfortunately, it also follows too closely the 3rd season finale of Doctor Who, with the emotional confrontation between hero and villain.
WHAT'S WRONG W/TORCHWOOD?
Torchwood never fully becomes the adult version of Doctor Who. Too many ideas are developed without a payoff (the "Night Travellers" being an obvious example; the show eerily introduces them, then quickly discards them); also, the show falls into the trap of so quickly assuming its maturity based on sexual content & bad language, that it sometimes leaves fatally obvious signs of its lineage to "that other show", itself originally a kid's show. It takes more than a profusion of potty language and a healthy diet of "snogging", to elevate "Torchwood" to maturity - think of kids playing "dress-up" and you get the idea. The other flaw is in the premise, but it's a somewhat complicated flaw. Watching the show, it's hard to get past the idea that "Torchwood" is often more in need of help than capable of providing. Their position often makes them vulnerable to otherworldly threats - despite Captain Jack's weekly refrain, "Torchwood" is NOT ready.
WHAT IS IRRESISTIBLE
But that premise actually the show's saving grace - the vulnerability of Jack, Ianto, Owen, Tosh and (especially) Gwen is the biggest reason for the show's appeal. The script works in well just how close these guys get to getting offed on a weekly basis, trading witty and well-timed banter even as half the cosmos wants them dead.
For the sake of the Cosmos, our lawyers insist on the following disclaimer: absolutely no DVD extras were viewed in the writing of this review (sheesh - we know we're controversial, but 20 unhelpful votes!?)

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Torchwood follows the adventures of a team of investigators, led by the enigmatic Captain Jack. Set in the UK in the present day, the team use scavenged alien technology in a very real world to solve crime; both alien and human. Separate from the government. Outside the police. Beyond the United Nations. Everyone who works for Torchwood is young, under 35. Some say that's because it's a new science. Others say it's because they die young...

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Doctor Who: The Dalek Invasion of Earth (Story 10) (1975) Review

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(More customer reviews)There are those who consider Doctor Who to be at its very best when the errant Time Lord is visiting Earth and dealing with alien threats that are Earthbound. Doctor #3 himself, the late Jon Pertwee, often stated this story genre to be his favorite, and judging by the number of Earthbound stories from the show's lengthy history, many agreed. The latest two releases on DVD from the BBC archives are united in their "Earth invasion" theme, but both have taken an interesting and indeed unique slant on the alien invasion of London twist.
The "Dalek invasion of Earth" was the last adventure made in the first season production block, way back in 1964, albeit held over and broadcast as the second story in season two. The adventure is significant for many reasons, mainly because it featured the departure of one of the original Tardis crew, and also because it was the first "sequel" to feature in the show, featuring the return of the enormously popular Daleks, created by Terry Nation. Set almost 200 years in the future, the adventure mainly takes place in central London, allowing for much location filming around familiar sights, which adds to the realism of the story. It was the first real use of extensive location filming in the show's history and was well worth the effort to take the show out of the studio and bring a more epic quality to the production. The closing sequence featuring the Doctor (as played by William Hartnell) bidding farewell to his granddaughter Susan, played by Carole Ann Ford, may also be one of the entire series most poignant scenes.
All six of the original black and white episodes have been painstakingly restored to almost their original broadcast quality, with many enhancements to some of the laughable special effects added as an option. Potentially, it's the other bonus material that may prove the most interesting to fans and casual viewers alike. The commentary from the surviving cast (Carole Ann Ford and William Russell) together with the producer and director is first class. The on-screen captions also go a long way to fleshing out the background to the production. Almost the entire guest cast appear in newly shot interviews airing their reminiscences, plus there are all sorts of behind the scenes programme's, trailers and other goodies gathered onto a 2nd disc.
The same is true of the companion release, "The Talons of Weng-Chiang." Made twelve years later, in glorious colour, this six part series took another twist on the Earth invader theme by taking the Doctor, this time played by Tom Baker, and his companion Leela back into Victorian London to deal with a sinister alien menace. For many, this story is often regarded as one of the greatest (if not THE greatest) story of the Doctor Who canon. And I'm not going to disagree. The production values alone would be enough to set it apart, but the wonderful script, incredible design and superlative acting by the entire cast adds a special magic to the show that few other Who adventures have ever matched. Like the earlier Dalek story, it also marks the end of an era, since this was the last adventure produced by Philip Hinchcliffe. Quite honestly - the show was never the same again!
Again, there are all sorts of goodies available on a 2nd disc to accompany the restored six-part adventure. A documentary on the history of Doctor Who televised at the conclusion of the serial is just one bonus worth having; the commentary from the cast and crew is another. It's great to hear Louise Jameson (Leela) making her DVD debut, and it's a real shame Tom Baker himself did not take part.
Both stories are excellent additions to the growing Doctor Who library, clearly demonstrating the changing production values and story making not only of this particular show, but also British TV drama in general. I'd highly recommend them and look forward to the next two releases in 2004.

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DOCTOR WHO:DALEK INVASION OF EARTH - DVD Movie

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Doctor Who: The Waters of Mars Review

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(More customer reviews)I wasn't too terribly impressed by the previous two specials, "The Next Doctor" and "Planet of the Dead", but this one was much improved.
The Doctor pays a visit to Mars where he meets a group of people he knows well from history, and that he knows are doomed. He knows that this isn't one of those times when he can intervene and that the best thing to do is just to leave. He knows all this. But he stays, and in staying winds up showing the audience just how very few the steps are between the Doctor and the Master.
The overall problem of weird alien things at the Mars base isn't that interesting. We're told up front everyone's going to die, so there's not much tension there. What we get instead is a fascinating example of how the Doctor's mind works and just how dark he can be at times. We see how close he is to the Master and, going even farther back, just how he might end up as the Valyard.
This wasn't a perfect story, but it was very, very good, and I'm really looking forward to owning it on DVD and to seeing the last two specials. I feel much more confident about them being good than I had after watching "Planet of the Dead".

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Mars, 2059. Bowie Base One. Last recorded message: "Don't drink the water. Don't even touch it. Not one drop"... all will be revealed in The Waters of Mars starring Lindsay Duncan as the Doctor's cleverest and most strong-minded companion yet.

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Doctor Who: Horror of Fang Rock (Story 92) (1975) Review

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(More customer reviews)"Horror of Fang Rock" is one of "Doctor Who"'s creepier entries. It proves that a story made on styrofoam sets, with a monster so poorly made that the props kept melting under the studio lights, can still be edge-of-your-seat viewing. The TARDIS lands on a rocky outcrop under a lighthouse on the same night that an alien invasion fleet's advance scout crash-lands into the sea. A team of doomed lighthouse keepers, derived from a sub-Coleridge turn-of-the-century ballad, falls easy prey to the shape-shifting, electricity-wielding creature, as does a yacht full of bickering aristocrats also stranded on the isle.
The story opens the 4th (and exact middle) of Tom Baker's seven seasons as the Doctor. As a midway point to the Baker years, "Fang Rock" is intriguing in that it not only hearkens back to the gothic horror of his earlier years, but also serves as a window on the series' future mayhem, when Baker the actor would start acting against the scripts and run amok of the producers' control. The DVD release pays detailed attention to Baker's on-set flareups, while demonstrating how he could still produce great on-screen moments when working with the right people -- actress Louise Jameson and director Paddy Russell.
The commentary track sizzles with tales on on-set strife generated by Baker, if you're into learning that stor of thing. Jameson (companion Leela) provides excellent audio, balancing detailed production anecdotes with an intelligent critique of the story, almost 30 years later. She gives a far more satisfactory origin of the name "Leela" than did Leela's creator, writer Chris Boucher, on the "Robots of Death" DVD some years back. Terrance Dicks, always a hoot on DVD, lavishes praise over elements of his own script, while laughing off other elements of the story. If he likes a cliffhanger (the end of Part Three, a funereal Baker oratory), he takes full credit; if he thinks the cliffhanger landed on the wrong beat (the end of Part Two, when two characters awkwardly embrace against an off-camera scream), he'll cheerfully blame the director. Third wheel John Abbott, who played the youngest of the lighthouse keepers, has neither lot to do in the story nor to say on the commentary track, but he does give an interesting account of what it was like for a rookie actor to intrude on Baker's turf.
The best of the extra features is the 35-minute documentary on Terrance Dicks' "Who" career, featuring interviews with producer Barry Letts, old series writer Louis Marks, and current series writer Paul Cornell. Cornell gives a great breakdown of what made the "Fang Rock" script work so aggressively well ("The story has three McGuffins... and two of them are used to defeat the third"). DW book editor Peter Darvill-Evans, who looked nothing at all like I imagined (more like Ric Ocasek than Charles Dickens), describes Dicks' contribution to several decades' worth of DW novels. The closing credits feature a fabulous montage of every iteration of the Dicks-coined phrase "reverse the polarity of the neutron flow", against Jon Pertwee's observation that you could sing the line to the tune of "The Sailor's Hornpipe".
Now that "Doctor Who" has graduated into the 21st century and is working on its second season of new episodes, with modern production values and British TV's most celebrated writers, an episode like "Fang Rock" can easily sink into irrelevance alongside last season's gothic horror fests "The Unquiet Dead" and "The Empty Child". However, aided by the usual wonderful set of extra features, this DVD reminds those of us who've been in the "Who" fandom game for a while just how we got here in the first place.

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The Doctor and Leela become top suspects in the mysterious deaths that occur when an eerie fog engulfs the Fang Rock lighthouse in this turn-of-the-century adventure.

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