Showing posts with label bbc period drama. Show all posts
Showing posts with label bbc period drama. Show all posts

Masterpiece Theatre: Carrie's War (2006) Review

Masterpiece Theatre: Carrie's War (2006)
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I came across this movie on a BBC channel late one night and was instantly intrigued. The characters are enchanting and the storyline always keeps you interested. I stayed up way too late watching it through to the end, but it was worth it, and now I'm buying it on DVD to share with my kids and looking for the book. It's great!!!!!!

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Item Name: Masterpiece Theatre: Carrie's War; Studio:WGBH Boston

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Rebecca (1997) Review

Rebecca (1997)
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While I will always like the Hitchcock film better, this adaptation is a great example of how a book should be turned into a movie. This will always be a classic love story between a young woman and an older mysterious widower that changes and matures with tragedy and the revelation of secrets. As with the originial film, this movie is suspenseful, romantic, and tragic. This faithful adapation from the book expands on issues that were skimmed over in the orginial movie but should have been filmed in black and white. In the new adaptation, the feelings between Maxim and the new Mrs. de Winter are underscored with some blatant scenes where they are still laying in bed and with more dubtle touches, such as holding hands when they walk or when Maxin touches Mrs. de W's face while in conversation. However, Lawrence Olivier somehow portrayed a more tragic and angry Maxim than is seen in this version.

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Daphne du Maurier's classic tale of romance, suspense and jealousy, Rebecca, is brought to you in this lavish adaptation.Set in elegant Monte Carlo and dramatic Cornwall in the 1930s. this drama stars Charles Dance (Gosford Park, The Jewel in the Crown)as the sophisticated Maxim de Winter and Emilia Fox (Pride and Prejudice) as the young woman who becomes the second Mrs. de Winter.When Maxim de Winter proposes to such a young woman nobody is more surprised than the circle of society friends who learn the intriguing news, especially as his new wife is the opposite of Maxim's first wife, the beautiful Rebecca, who mysteriously died in a tragic drowning accident.After Maxim takes his new wife back to his home, the ancient and magnificent Manderley, it soon becomes evident that the shadow of Rebecca is all-pervasive, nurtured all the more by the sinister gothic housekeeper Mrs. Danvers (Diana Rigg, The Avengers, Mother Love, A Hazard of Hearts).The new Mrs. de Winter beings to uncover the darkness of the past that taints the present and threatens to haunt her future...Special DVD features include: Q&A with Diana Rigg; select cast filmographies; Masterpiece Theatre poster gallery; access to Masterpiece Theatre web site; scene selection; English audiotrack; and closed captions.On one DVD9 disc.Region coding: All regions.Audio: Dolby stereo.Screen format: Full screen

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Cranford: Return to Cranford Review

Cranford: Return to Cranford
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I was able to watch this follow-up to Cranford thanks to a particular website and I promptly pre-ordered the DVD as I loved "Cranford" and its host of interesting and eccentric characters (and yes, I am a period drama fan, especially of BBC productions). This is actually a 2-part special that is not only inspired by the original Cranford, but also two other stories by author Elizabeth Gaskell, i.e. "The Moorland Cottage", and also "The Cage at Cranford", see Three Tales of Cranford: Cranford, The Cage at Cranford, and The Moorland Cottage. Besides the familiar and beloved cast of the original Cranford such as Miss Matty (Dame Judi Dench), Miss Pole (Imelda Staunton), Mrs Forrester (Julia McKenzie), Miss Tomkinson (Deborah Findlay), etc. several new characters are introduced, such as Lady Glenmire (played by Celia Imrie), and the conjuror Signor Brunoni(Tim Curry).
The first part is set in summer 1844 - it has been two years since dear Miss Matty (Dame Judi Dench in another luminous portrayal) lost her beloved sister Deborah, and a year since Sophy Hutton married Dr Harrison (these two characters are no longer in this show). Miss Matty seems content with the presence of her brother Peter (Nicholas Le Prevost) who is home from India, and helps look after Tilly, the baby of her maid Martha and carpenter Jem Hearne. The continuity from the original Cranford is seen in the railway project which still looms menacingly over the town. Things are also made more exciting with the arrival of Mr. Buxton, a wealthy widower who lives with his ward Erminia (Michelle Dockery) and his son William (Tom Hiddleston who is quite the eye candy). Life in Cranford is always full of surprises and when Lady Ludlow's long absent son Septimus (Rory Kinnear) arrives, things take unexpected turns, precipitated by a tragedy in the family. The old tensions are there - especially between those that are against the railroad project and those ,like Captain Brown and young William who feel that modernization is essential to Cranford's long-term survival. Miss Matty, in her usual subtle fashion, gets involved in some of these village proceedings, with some rather startling results.
The second part is set later in the year 1844, October up till Christmas - Miss Matty and her friends are predictably excited at the visit of Lady Glenmire (Celia Imrie) but when Mrs Jamieson (Barbara Flynn) feels no one amongst her peers is of suitably high rank to meet her, she and Lady Glenmire get snubbed by Matty and company and it is left to Lady Glenmire to set things right in a most memorable way. Matty also faces some challenges that involves a falling out amongst her circle of friends,a serious romance between William and a young woman deemed unsuitable by his father (which has Matty pondering the wisdom of her 'involvement' in bringing the pair together), and more tragedy on the horizon, affecting the citizens of Cranford.The magic of the original is still evident and this follow-up (of sorts - it's not strictly a sequel though some story arcs from the first Cranford get developed here) is still charming and engrossing. A fair note of warning, this particular installment in the Cranford franchise is much more subdued than the original and there's quite a fair bit of tragedy - there's death (involving a couple of familiar characters who were also in the original), grief, tension, family drama, imperiled friendships, the age-old battle between those opposed to change and those who embrace the challenges of modernization,etc., but there's also romance, lighthearted moments and even a bit of magic!The comic and the tragic are seamlessly blended into the story, resulting in an immensely satisfying viewing experience. I loved it though I can understand how this particular follow-up might disappoint purists who loved the original and how well it adhered to Gaskell's novel. As for the production qualities - they are excellent. The cinematography is gorgeous, capturing the beauty of the village surroundings as well as the period details, and the score complements the story perfectly. I wish I could be so lucky as to live in a place like Cranford!

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Welcome to Cranford, where all changes and all remains the same. Miss Matty's house is full of life and bustle. Her dream of having a child in the house has been realised in the birth of Tilly, daughter of her maid Martha and carpenter Jem. The shadow of the railway still looms but, to the relief of Matty and the Amazons, the line has been halted five miles outside of Cranford because of Lady Ludlow's refusal to sell her land. Elsewhere Miss Matty\'s friend Mr Buxton returns to town with his son, William, and his niece, Erminia. Miss Matty decides to introduce them to Peggy Bell, a young woman who lives in an isolated cottage with her mother and domineering brother, Edward, in the hope of building friendships. But, when tragedy strikes, she comes to believe that she has opened Pandora's box and fears Cranford will never recover.

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The 39 Steps (2008) Review

The 39 Steps (2008)
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Diplomat, intelligence officer, and adventure writer John Buchan's superb 1915 thriller "The 39 Steps" has been recreated several times on the big and small screens, most famously in Alfred Hitchcock's 1935 movie. The 2008 BBC production is now available on DVD. It stars Rupert Penry-Jones, familiar to PBS fans as Captain Wentworth in 2007's "Persuasion", as Richard Hannay, a resourceful Scottish mining engineer just returned from South Africa to the United Kingdom in 1914, as tensions rise with an aggressive Imperial Germany.
At loose ends, Hannay encounters a British Secret Service agent on the run, who imparts a notebook full of coded messages before being murdered in Hannay's London apartment. Sought by the police and the mysterious men who framed him, Hannay flees to Scotland. There, he manages to decode enough of the notebook to realize a deadly foreign conspiracy is afoot against Britain, and sets out to expose the conspirators and clear himself.
The story features a complicated espionage plot, some terrific location shooting in Scotland, an exciting action sequence involving a biplane (reminiscent of "North By Northwest"), and an unlikely but charming romance with a fiesty suffragette named Victoria Sinclair (Lydia Leonard).
This version of "The 39 Steps" is loosely based on the John Buchan original, as re-imagined by screenwriter Lizzie Mickery. It includes some new story elements, such as a two-part ending and Hannay's relationship with Victoria Sinclair. Viewer opinions may well depend on their attachment to earlier versions. This reviewer suggests enjoying "The 39 Steps" on its own terms for best results.

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BBC's new adaptation of John Buchan's thriller is the best ever! Richard Hannay (Rupert Penry-Jones) finds himself framed for a murder he didn't commit. Now he has to break a ruthless German espionage network to prove his innocence and, more importantly and patriotically, warn the admiralty that its plans have fallen to the enemy. Full of excitement, danger, fun and romance, The 39 Steps is a remarkable tale of an ordinary man who puts his country's interests before his own safety.

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Emma (2009) Review

Emma (2009)
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Being an avid Jane Austen fan, I have watched every single adaptation of Emma (as well as Austen's other works). The older 1972 BBC adaptation, Emma (BBC, 1972) was quite tepid and the lead actress was not very inspiring in her role, lacking the upbeat, and sunny disposition that one associates with Austen's character. Then there was the A&E version starring Kate Beckinsale in the title role, in Emma (A&E, 1997) which though much better than the 1972 version (which also suffered from inferior production qualities), was still not the best adaptation. Finally, there was the movie version of "Emma" starring Gwyneth Paltrow, and until this current adaptation, this was actually my personal favorite (even though I personally found Paltrow's accent rather stilted)- it was a gorgeous movie with beautiful cinematography and the chemistry between Emma (Paltrow) and Mr. Knightley (Jeremy Northam) was simply wonderful and altogether credible.
This is truly a stellar production in terms of casting, and production qualities. The title role of Emma is credibly portrayed by Romola Garai, who has also been in other notable productions such as I Capture the Castle,and Daniel Deronda. She is perfectly cast - luminously beautiful, snooty, a busybody matchmaker wannabe who feels self-justified in her quest to pair off couples regardless of their own wishes, and yet possessing of a warm and sunny disposition. Romola Garai convincingly portrays all of Emma's characteristics - both her lovable and annoying qualities, her immaturity and impetuousness, and also shows her ability to transform from a self-centered immature young girl into a mature woman who realizes her flaws.
The other lead is of course Mr. Knightley, and he is also convincingly portrayed by Johnny Lee Miller, who had portrayed Edmund Bertram in the 1999 movie adaptation of "Mansfield Park"Mansfield Park (1999) which was rather reviled by critics and purists alike for its liberal adaptation of Austen's classic. Miller was also excellent as Lord Byron in Byron.I was quite concerned initially because I had always thought Jeremy Northam's portrayal of Knightley to be the best thus far, but Miller comes close, and in fact brings a new interpretation to the character that I really appreciated. There is this one scene in the series where Emma invites Knightley to dance, and as they dance...viewers get the sense that these are two individuals who are gradually realizing their real chemistry, not just as childhood friends and relatives-in-law, but as true soulmates. It is definitely one of the most romantic parts of the series and a highlight!
The other characters are also generally well-cast - Mr. Woodhouse is played to delightful effect by Michael Gambon (aka Dumbledore in the Harry Potter movie franchise); Harriet Smith is portrayed by Louise Dylan (though I still prefer Toni Collette's portrayal of Harriet in the movie version); the talented Jodhi May plays Emma's governess turned Mrs Weston (Jodhi May is a veteran of BBC productions and Henry James' The Turn of the Screw, The Other Boleyn Girl (2003 BBC Version), as well as others, including the coincidence that she was also in Daniel Deronda cast as the Jewess Mirah Lapidoth who attracts the attentions of Daniel Deronda, showcase her diverse acting talent); Frank Churchill is portrayed by Rupert Evans and I must say this particular adaptation portrays Frank Churchill in a thoroughly unflattering light - the man is simply infuriating, and gives Mr. Elton a run for his money! Mr. Elton is played by Blake Ritson who recently portrayed Edmund Bertram in Masterpiece Theatre: Mansfield Park.
The cinematography is excellent, capturing the beauty of the lush English countryside through the seasons, and the score is memorable (I still cannot get the music from the Emma-Knightley dance out of my mind!). The costumes are gorgeous - simple in their beauty, yet detailed and period-accurate, and the other production qualities are impeccable (the English manor houses picked for the various residences such as Hartfield etc are well-chosen).
Austen purists might take issue with some of the liberties taken here - the way the characters are portrayed, missing dialogue, the sequencing of certain story arcs, etc - but I still loved this adaptation - it is sunny, and bright, and all that I love in an Austen adaptation, and it is certainly my favorite adaptation of "Emma" thus far!
DVD features
Contains the scenes deleted from the PBS airing, and in addition:
Emma's Locations - this nine-minute featurette focuses on the locations used during Emma's filming, and why these places were chosen. I just loved the places they used (as is the case with most BBC period dramas) and found this illuminating.
Emma's costumes - this twelve-minute featurette explores the details behind costuming decisions for this period drama, including the choice of fabrics, color, etc. It's really a wonderful opportunity to see what goes on in the costume department, and these folks certainly take their jobs seriously, to wondrous effect!
Emma's music - this ten-minute featurette explores the music behind Emma with a brief description of how one goes about creating a score that matches the mood of the drama (I'd say they did a great job, especially on that Emma-Knightley dance!), and how important this is as the score should complement and not detract from the show itself.
Emma's Mr. Woodhouse - fans of Michael Gambon (aka Dumbledore) will rejoice in this thirteen-minute featurette. This veteran actor is truly a great talent, and this interview covers his career from his early beginnings in the craft until today. It's more of a special focus on Gambon, not so much on his role in Emma, but it is a nice touch nevertheless.
I did wish they had a director's commentary (I guess we'll have to wait for a special edition release for that, and spend more money!), and other cast interviews, sigh...but I'm happy to have the drama itself on DVD so that I can enjoy repeat viewings, and have an Emma adaptations marathon (the 1972 BBC adaptation, Kate Beckinsale's A&E adaptation, and of course, Paltrow and Jeremy Northam's pairing in the movie version). Enjoy!

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Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Harriet to reject an advantageous marriage proposal to a local farmer in favour of dashing Mr Elton. So begins a story which challenges Emma's naivety, her social preconceptions and her relationship with Knightley. Fresh and funny, this perceptive adaptation, featuring a stellar cast, brings Jane Austen's comic masterpiece to life.

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Lark Rise to Candleford: The Complete Season Two Review

Lark Rise to Candleford: The Complete Season Two
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Lark Rise to Candleford: The Complete Season One is a charming series that tackles myriad themes, and is adapted from Flora Thompson's semi-autobiographical novel. In the first season, young Laura Timmins (Olivis Hallinan) leaves her village of Lark Rise to work as an assistant to the postmistress in Candleford, Dorcas Lane (Julia Sawalha who was also brilliant in her role as Lydia Bennet in Pride and Prejudice - The Special Edition (A&E, 1996)). Through the course of the first season, Laura discovers that she enjoys living in the more affluent town of Candleford, and experiences the pangs of adolescence, including romantic entanglements. Dorcas Lane, the kind-hearted and sensible postmistress also goes through some pangs of her own, largely to do with her friendship with squire, Sir Timothy Midwinter (Ben Miles) who is married to the beautiful and composed Lady Adelaide (Olivia Grant). In the first season, viewers got to see the themes of marital strife, conflicts between the upper and lower classes, romantic entanglements, and other issues played out.
By the second season, both Sir Timothy and Lady Adelaide have moved to London, but there is still plenty of drama in Dorcas' life with the arrival of James Dowland (Jason Merrells), a former inhabitant of Lark Rise, a local boy who has done well in life. Being a self-made and wealthy man, James settles in Candleford, though he reacquaints himself with the residents of Lark Rise, especially Queenie Turrill (Linda Bassett) who used to take care of him as a young boy. James opens a fashionable hotel in Candleford, and tries to 'improve' the lives of the Lark Rise residents with mixed results. There is also a strong chemistry between James and Dorcas, though their relationship flounders between attraction and rivalry/conflict. Laura seems more mature and wiser, having learned a couple of enlightening things about the pitfalls of romance, and is taking on more responsibilities at the post office. But then, a young clockmaker, Fisher Bloom (Matthew McNulty) comes to town, and Laura finds herself attracted to Fisher, though he seems oblivious to her charms, initially. Laura's parents, Robert and Emma Timmins (Brendan Coyle & Claudie Blakley) who have always been a very close and loving couple find themselves facing some marital strife in their marriage, and this second season takes an intimate look at their dynamics as a couple.
There is also plenty of drama amongst the other inhabitants of Lark Rise & Candleford - the sisters Pearl and Ruby Pratt (Matilda Ziegler, Victoria Hamilton) who have a dressmaking/drapery store continue to pry into others' affairs whilst dealing with their own emotional dramas. Postman Thomas Brown's (Mark Heap)romantic (mis)adventures continue, and many more. This is truly a gem of a series, and I am hopelessly addicted to it. Each episode is well-crafted and credibly acted, drawing viewers into the lives of these mostly endearing & flawed characters, and making one feel at home in both Lark Rise and Candleford.For those who love period dramas, there's some wonderful productions (these are some of my favorites) to check out:
Cranford: The Collection (Cranford / Return to Cranford)
Pride and Prejudice - The Special Edition (A&E, 1996)
Pride and Prejudice (BBC, 1980)
Daniel Deronda
Anne of Green Gables Trilogy Box Set
Road to Avonlea Season 1 and others in the series
Wives and Daughters
The Buccaneers

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The residents of Lark Rise and Candleford return for a second season of heart-warming adventures in this critically acclaimed adaptation of Flora Thompson's novels. The second season sees the arrival of a dashing and elegant stranger in Candleford. Rich, enterprising worldly, and without a wife, James Dowland is a successful businessman with a string of London hotels and has come to transform Candleford and bring it new prosperity. But not everyone welcomes his entrepreneurial efforts and it isn't long before he is sparring with thespirited yet suddenly flustered Dorcas and aggravating the pride of the male Lark Risers with his superior business acumen and somewhat overbearing manner.

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Soap: The Complete Third Season Review

Soap: The Complete Third Season
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Continuing to break new ground, Soap dived right into a number of new issues for this comedy series. The plot lines continued to be "out there" as Burt (Richard Mulligan) is abducted by aliens and tries to escape. On Earth Burt has been replaced by an alien who acts even stranger than before. The only one to notice is, of course, his wife Mary. Benson (Robert Guillaume who would soon star in his own spin-off playing his popular character) saves Billy (Jimmy Baio) from a cult and finally Jodie the first gay character portrayed positively on TV finds out he has a baby daughter from an affair Jodie had with a woman. In other words, all's wrong in the world of Soap which is exactly as it should be.
Improving on the first two sets Soap: The Complete Third Season looks positively robust by comparison to the first two sets. With better clarity, image quality, sharper and better color reproduction, this set shows that Columbia Tristar spend the bulk of the marketing funds to make the series look as rich as possible for this DVD release. While there are still analog imperfections (and what could you expect of a series videotaped over twenty years ago?), the show looks the best it ever has on DVD. Likewise, the sound also comes across with better presence than the previous set although it is muffled on a couple of episodes throughout this three disc set. Overall, CTHE have done an exceptional job of improving the video and audio quality of this series over seasons one and two.
As I said, it's clear that most of the budget went to improving the video and audio of the series which would explain the complete lack of extras. The only extras we get here are previews for other CTHE releases. My memory isn't always the best but it does appear as if the episodes presented here are (for the most part) uncut when compared to the syndicated episodes. What about vintage interviews that CTHE might have in the vaults for future sets?
This is the one area where Columbia could have improved the series. Having Susan Harris, Katherine Helmond or Billy Crystal do a commentary track would have boosted the sales of this set for fans that have recorded it off TV over the years. Again, I'm sure it was a budget issue.
Overall, a fine job from Columbia on preparing this release for DVD. Sure it could always be better but keep in mind that the studio has to work with the budget for each set their given. It's clear that most of that budget went to improving the video and audio of the series. Does it look stellar? No but it would be difficult to improve this beyond what we see here.


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SOAP:COMPLETE THIRD SEASON - DVD Movie

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Lark Rise to Candleford: The Complete Season One Review

Lark Rise to Candleford: The Complete Season One
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English country life could never have been as poetic, pictorial, and enchanting as this dramatization of the lives of those living in and around the two 1880's towns of Lark Rise and Candleford. Even the DVD's music puts a sanguine sugarcoating on the period. All of this is to the delight of the viewer of this masterfully done TV series sure to endear any North American who has a tender video heart toward Victorian Britain. Perhaps, consider it a British mutation of "Little House on the Prairie" or "The Waltons."
This set of 4 DVDs, 10 episodes totaling 582 minutes, is actually a 9 1/2+ hour saga (continuing panorama of human relationship) of the commoner village and the more sophisticated Candleford. The short 8-mile separation allows for much intermingling, bigotry, conflict, forbidden love, political and economic interaction. It is not a family saga, not a nobility bloodline dramatization, but a saga of struggles and lifestyles of different kinds of personalities, each caught in their own born-into world, and interacting with another different, and not always understood, class of folk.
Darling Laura Timmins (Olivia Hallinan), oldest child of a Lark Rise family, is sent off to Candleford to learn the trade of postmistress. She is the spark caught between the two towns (sometimes world's different.) Her mentor, Dorcas (Julia Sawalha), has a personal secret. There is the expected, token-gentry, rich, Squire family, Sir Timothy (Ben Miles)& Lady Adelaide (Oliva Grant). The rest of the regular cast (at least 20 appearing in all 10 episodes) is an assortment of either the die-hard, disheveled, working class or the Candleford higher class, but yet short of nobility range. It is the individuals that make this spectacular (or fill in your own highest superlative.)
One episode travels into the next with carryover from earlier material. If you have the time, it's best to watch it as a near 10-hour feature production. What a horrible time the original TV viewers must have had waiting for the next installment. Each episode has multiple plots so it is impossible to break down the episodes into short summaries. And with carryover from one episode to another, it's more like moving to Lark Rise or Candleford and living with the good people (and the bad). A delightful scenic experience even Disney has never matched.
Ah, but the folks you will meet. Dr. Seuss eat your heart out. Queenie (Linda Bassett), an old bee keeper, is married to ole Twister (Karl Johnson) and both will make you laugh and cry, perhaps in the same scene. Pearl (Matilda Ziegler) and Ruby (Victoria Hamilton) own Pratt's General Drapers & Haberdashers. They represent the best of fashion and fitness, just ask them, as they spurn much gossip and controversy. Thomas (Mark Heap) is a postal delivery man who helps keep Christianity alive and aloud. Portly Caroline (Dawn French) a mother with her man off to sea, divides her time between frivolity and beer and would make a fine Viking helpmate. And dear, dear old housemaid Zillah (a standing O for Liz Smith), is the life and death of every party--a quirkiness totally lovable. Assistant gamekeeper Phillip and melodean-playing Alfie vie for Laura's affection, while her ma, Emma (Claudie Blakley), and pa, Robert (Brendan Coyle) try in vain to keep sanity to the comings and goings of life from "Lark Rise to Candleford."
Oh and more, locations and sets to die for a vacation in. Costumes to dazzle, delight, and disgust, depending upon the event. Every emotion you have ever felt in your past will be repeated sometime throughout this English town saga. The adapted books by Flora Thompson have never been read by this reviewer, but I can't imagine them being as fine as this TV series (and I'm a book lover). A superb British cast has perfected this story.
Subtitles? Yes!
Bonus? "The Making of Lark Rise To Candleford"
Recommendation? BUY NOW! EXPEDITE SHIPPING, it's that good.

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Olivia Hallinan, Dawn French, Julia Sawalha, Liz Smith, Brendan Coyle, Claudie Blakley, Mark Heap, Ben Miles, Olivia Grant, Linda Bassett, Karl Johnson. When young Laura Timmins leaves Lark Rise for a job at the local post office in Candleford, it feels as if she is departing to a different country. Her new life under the wing of the independent and effervescent post-mistress, Dorcas Lane, is eye-opening and exciting, but as Laura witnesses the scandals, feuds and struggles of the villagers and townsfolk, she realizes that she too has to face the future. Having turned her back on her childhood hamlet, she must find her own path to womanhood.

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