Showing posts with label period drama. Show all posts
Showing posts with label period drama. Show all posts

Agatha Christie's Poirot: The Definitive Collection Review

Agatha Christie's Poirot: The Definitive Collection
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Well for the benefit of the woman who asked me to explain the difference in the Poirot collections back when the Acorn sets of the "original series" came out, now she and others who waited can complete their collection and save space at the same time. This indeed is all 12 feature length episodes released to date that were shown here on A&E. For those of you bought them like me in either the smaller sets of 4 and/or individuals, their is nothing new here, but at least this set like the 2 Acorn sets (1 of the hour length shows, the other of the 2 hour ones both of which aired "here" on PBS and A&E later on) will take up less space on your shelf. Since nothing new was added, I will be content with what I have, if by now 7 years after they started you have not gotten any of the A&E ONLY aired stories now is your chance to get them all together. 12 for less than $100 is most definitely a bargain.

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Tony Award-nominee David Suchet is Hercule Poirot - dressed to the nines, impeccably mannered and infuriatingly arch, he is a detective like no other. Adapted from Agatha Christie's celebrated mysteries, each film features beautiful settings and an impeccable cast.Now, for the first time, twelve of Suchet's feature-length Poirot mysteries are available together in this collector's set. Produced by Brian Eastman (Traffik, Jeeves & Wooster), these exquisitely crafted tales of death and deception were filmed on location around the world, and features enough murder and mystery to test the mettle of our inimitably beloved Belgian sleuth.AGATHA CHRISTIE S POIROT: THE DEFINITIVE COLLECTION contains all twelve A&E feature-length Poirot films: THE MURDER OF ROGER ACKROYD: Poirot's retirement in a quiet country village ends abruptly with the death of his disagreeable neighbor. LORD EDGWARE DIES: Intervening in a sticky marital situation, Poirot suddenly finds himself in the midst of murder.MURDER IN MESOPOTAMIA: Poirot visits an ancient site in Iraq just before the head archeologist's unpopular wife is killed.EVIL UNDER THE SUN: Death intrudes on Poirot's island holiday, and only he can determine who is responsible.DEATH ON THE NILE: A pleasure cruise down the Nile turns deadly when a murder is discovered on board. Thank goodness Poirot is along for the ride.SAD CYPRESS: The solution to a double-murder case appears to be cut and dry, but Poirot's impeccable instincts eventually lead him to the real truth.THE HOLLOW: A weekend retreat where all the guests appear to despise one another finds Poirot hard at work doing what he does best.FIVE LITTLE PIGS: Poirot agrees to help a young woman prove her mother's innocence, 14 years after being sent to the gallows.THE MYSTERY OF THE BLUE TRAIN: When the daughter of an oil magnate is found dead on the famous Blue Train to the French Riviera, Poirot must investigate the past to reveal the killer.TAKEN AT THE FLOOD: Mystery surrounds a young woman after her new husband is killed in the London Blitz, and the mystery deepens when a man who may be her first husband shows up dead.AFTER THE FUNERAL: Following the murder of a wealthy patriarch, Poirot is called upon to begin an investigation. The case takes a wild twist however, when his prime suspect turns up dead.CARDS ON THE TABLE: When a woman is found dead at a card game, four investigators--including Poirot himself set out to discover which guest is the killer.

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The Forsyte Saga, Series 1 (2002) Review

The Forsyte Saga, Series 1 (2002)
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I approached this remake with an open mind, having already been enchanted by the novels and the original series on PBS. This series is good, but suffers greatly from miscasting of pivotal character of Irene Heron Forsyte. Gina McKee, a talented actress, does not convey the mystery and allure of Irene the way Nyree Dawn Porter had already done in the original series. Gina McKee's coldness and drabness makes it hard to believe that men would be captivated by her. For instance, I found it hard to believe that Philip Bosinney would throw over sweet and pretty June for this coldblooded woman. Nyree Dawn Porter on the other hand was Irene Forsyte, matching the description of Galsworthy as a beautiful woman with brown eyes and blonde hair who was charming. Ms. Porter effectively portrayed the aversion she had for Soames Forsyte, her first husband, and the warmth and devotion she showed to her second husband, Young Jolyon and their son, Jon. She made it easy to understand why Bosinney would leave June for her.
The male characters were better: Rupert Graves, Ioan Gruffaud, Damien Lewis, and Corin Redgrave were wonderful. Damien Lewis captured the tormented Soames quite well and Ioan Gruffaud was an improvement over the actor who played Bosinney in the earlier series. Corin Redgrave was an outstanding Old Jolyon and Rupert Graves was sympathetic as Young Jolyon. The only problem was that Ms. McKee's Irene looked more mature than her love interests, Philip and Young Jolyon. Irene was sixteen years younger than Young Jolyon, but Rupert Graves looked younger than Gina McKee. Ioan Gruffaud looked more suited to the actress playing June than the more mature Irene.
The scriptwriters I felt took liberties with the novel that really clashed with what the characters were all about. For instance, the proud Young Jolyon after his exile from his family, would never have gone back to his Uncle James and Cousin Soames asking for a loan. This scene was totally out of character. Also, Irene was supposed to be gentle and passive; Gina McKee's Irene slapped June. This too was totally out of character. There was never a scene with Soames asking his fiancee Annette to throw Young Jolyon and pregnant Irene out of a restaurant. The scene was absurd and totally unnecessary. It would have been better had the writers stayed with the novel and had Soames seeing Irene and Jolyon in a crowd at Queen Victoria's funeral. I also could have done without the graphic bedroom scenes involving Irene and Soames. The first series and the novels more appropriately left their intimate relationship to the imagination.
Overall, this was a good effort. I hope that care is taken in casting Fleur Forsyte, who was brilliantly played by Susan Hampshire in the earlier series. If she is miscast, like Irene, the second half will fall apart, since Fleur is such a pivotal character in part two.

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FORSYTE SAGA SERIES 1 - DVD Movie

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Cranford: Return to Cranford Review

Cranford: Return to Cranford
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I was able to watch this follow-up to Cranford thanks to a particular website and I promptly pre-ordered the DVD as I loved "Cranford" and its host of interesting and eccentric characters (and yes, I am a period drama fan, especially of BBC productions). This is actually a 2-part special that is not only inspired by the original Cranford, but also two other stories by author Elizabeth Gaskell, i.e. "The Moorland Cottage", and also "The Cage at Cranford", see Three Tales of Cranford: Cranford, The Cage at Cranford, and The Moorland Cottage. Besides the familiar and beloved cast of the original Cranford such as Miss Matty (Dame Judi Dench), Miss Pole (Imelda Staunton), Mrs Forrester (Julia McKenzie), Miss Tomkinson (Deborah Findlay), etc. several new characters are introduced, such as Lady Glenmire (played by Celia Imrie), and the conjuror Signor Brunoni(Tim Curry).
The first part is set in summer 1844 - it has been two years since dear Miss Matty (Dame Judi Dench in another luminous portrayal) lost her beloved sister Deborah, and a year since Sophy Hutton married Dr Harrison (these two characters are no longer in this show). Miss Matty seems content with the presence of her brother Peter (Nicholas Le Prevost) who is home from India, and helps look after Tilly, the baby of her maid Martha and carpenter Jem Hearne. The continuity from the original Cranford is seen in the railway project which still looms menacingly over the town. Things are also made more exciting with the arrival of Mr. Buxton, a wealthy widower who lives with his ward Erminia (Michelle Dockery) and his son William (Tom Hiddleston who is quite the eye candy). Life in Cranford is always full of surprises and when Lady Ludlow's long absent son Septimus (Rory Kinnear) arrives, things take unexpected turns, precipitated by a tragedy in the family. The old tensions are there - especially between those that are against the railroad project and those ,like Captain Brown and young William who feel that modernization is essential to Cranford's long-term survival. Miss Matty, in her usual subtle fashion, gets involved in some of these village proceedings, with some rather startling results.
The second part is set later in the year 1844, October up till Christmas - Miss Matty and her friends are predictably excited at the visit of Lady Glenmire (Celia Imrie) but when Mrs Jamieson (Barbara Flynn) feels no one amongst her peers is of suitably high rank to meet her, she and Lady Glenmire get snubbed by Matty and company and it is left to Lady Glenmire to set things right in a most memorable way. Matty also faces some challenges that involves a falling out amongst her circle of friends,a serious romance between William and a young woman deemed unsuitable by his father (which has Matty pondering the wisdom of her 'involvement' in bringing the pair together), and more tragedy on the horizon, affecting the citizens of Cranford.The magic of the original is still evident and this follow-up (of sorts - it's not strictly a sequel though some story arcs from the first Cranford get developed here) is still charming and engrossing. A fair note of warning, this particular installment in the Cranford franchise is much more subdued than the original and there's quite a fair bit of tragedy - there's death (involving a couple of familiar characters who were also in the original), grief, tension, family drama, imperiled friendships, the age-old battle between those opposed to change and those who embrace the challenges of modernization,etc., but there's also romance, lighthearted moments and even a bit of magic!The comic and the tragic are seamlessly blended into the story, resulting in an immensely satisfying viewing experience. I loved it though I can understand how this particular follow-up might disappoint purists who loved the original and how well it adhered to Gaskell's novel. As for the production qualities - they are excellent. The cinematography is gorgeous, capturing the beauty of the village surroundings as well as the period details, and the score complements the story perfectly. I wish I could be so lucky as to live in a place like Cranford!

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Welcome to Cranford, where all changes and all remains the same. Miss Matty's house is full of life and bustle. Her dream of having a child in the house has been realised in the birth of Tilly, daughter of her maid Martha and carpenter Jem. The shadow of the railway still looms but, to the relief of Matty and the Amazons, the line has been halted five miles outside of Cranford because of Lady Ludlow's refusal to sell her land. Elsewhere Miss Matty\'s friend Mr Buxton returns to town with his son, William, and his niece, Erminia. Miss Matty decides to introduce them to Peggy Bell, a young woman who lives in an isolated cottage with her mother and domineering brother, Edward, in the hope of building friendships. But, when tragedy strikes, she comes to believe that she has opened Pandora's box and fears Cranford will never recover.

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The Elizabeth Gaskell Collection (Wives and Daughters / Cranford / North and South) Review

The Elizabeth Gaskell Collection (Wives and Daughters / Cranford / North and South)
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"North & South" alone is reason enough to buy this dvd collection. This coupled with two other period drama powerhouses "Wives & Daughters" and "Cranford" makes this a collection that any period drama/classics/romance fan should be without. These dramas by author Elizabeth Gaskell represent the finest that BBC drama has to offer.
** "North & South" is the spectacular adaptation of the novel that centers on John Thornton (who represents the industrial north) and Margaret Hale (who represents the idyllic, agricultural south). Theirs is a war of words, cultures and personalities as Margaret Hale (Daniela Denby Ashe) and her family struggle to adapt to life in the dirty, noisy, mill town of Milton after a carefree, comfortable life in the southern town of Helstone. There her family meets manufacturer John Thornton (played by the unforgettable Richard Armitage) and his family and it is dislike-at-first-sight for Margaret. She finds Mr. Thornton a rough, proud and haughty man who treats his employees with disdain. Mr. Thornton, however, is instantly smitten with the outspoken and fearless Margaret. But as Margaret gradually learns to appreciate Mr. Thornton, events take place that threaten to divide them from each other forever.
** "Wives and Daughters" is the story of young Molly Gibson (Justine Waddell) and her widowed father (Bill Paterson). Molly lives a carefree life, until her father remarries and brings home his new wife, Hyacinth (Francesca Annis). She and her lovely daughter Cynthia (Keeley Hawes) bring change and sometimes chaos to the Gibson's lives and Molly finds herself in competition with Cynthia for the affections of Roger Hamley (Anthony Howell), the son of the local squire (Michael Gambon). We soon find that all is not as it seems and long-kept secrets are unearthed which threaten the love lives and reputations of both Molly and Cynthia.
** The splendid "Cranford" starring a bevy of British acting greats led by Judi Dench, Michael Gambon, Eileen Atkins, Francesca Annis and Imelda Staunton. The story centers around the locals in the sleepy town of Cranford, where everyone makes it their business to know everything about their neighbors. Their lives are turned topsy turvy when a handsome young doctor (Simon Woods) with new ideas arrives and rumors of the railroad threaten to destroy their idyllic town. This is truly an ensemble cast, as all stories intermingle and each character makes an impact of the lives of others in the town. Judi Dench and Eileen Atkins play the Jenkyns sisters; Lisa Dillon play their cousin Mary Smith; Deborah Findlay and Selena Griffiths play the Tomkinson sisters; Imelda Staunton is the quirky and nosy Miss Pole; Barbara Flynn is the elegant Mrs. Jamieson; Julia Sawalha is the quiet spinster Jessie Brown and Jim Carter is her outspoken father; Francesca Annis plays the haughty and aristocratic Lady Ludlow; Greg Wise plays her cousin Sir Charles Maulver; Phillip Glenister plays Lady Ludlow's land agent, Mr. Carter; and Alex Etel is a young man that Mr. Carter takes on.
What sets these apart from other costume dramas is the consistency of the acting, the high production values, the compelling stories, and memorable characters. I dare you not to feel John Thornton's pain as he says "Look back at me" as he watches Margaret climb up the carriage on her way back to London, or Harry Gregson's pain as he says goodbye to a beloved mentor, or the thrill as Roger Hamley sees Molly's transformation at the Cumnor's ball. These are wonderful stories that you will want to watch over and over, which make this dvd collection an absolute gem.

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Three BBC miniseries adapted from Mary Gaskells classic novels. Cranford, a market town in the North West of England, is a place governed by etiquette, custom and above all, an intricate network of ladies. It seems that life has always been conducted according to their social rules, but Cranford is on the cusp of change… North & South follows Margaret Hale, the daughter of a middle-class parson who uproots the family from rural southern England to start a new life in Milton - a northern mill town in the throes of the industrial revolution. Wives and Daughters is set in a richly portrayed society well-stocked with eccentric nobles and gossipy villagers. The well-ordered world of 17-year-old Molly Gibson becomes complicated when her father, a respected country doctor, remarries after many years of widowhood.DVD Features:Audio CommentaryBiographiesDeleted ScenesDocumentaryInterviewsProduction Notes


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Foyle's War: Set Four (2007) Review

Foyle's War: Set Four (2007)
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Upon watching the last thrilling episode, in which Foyle confronts the insurmountable stumbling blocks of wartime necessity headlong by tendering his resignation----After all, the Ruhr dams must be busted!----I had to go online to make sure that a new season was coming up. I have become addicted to this low-key but absorbing, instructive, and endlessly entertaining mystery series. And there are still about three years of World War II to go.
As this series continues, the leading characters, Chief Inspector Foyle (Michael Kitchen) and Samantha (Honeysuckle Weeks), become ever more engaging. The settings of Hastings and the Sussex countryside become ever more picturesque. Moreover, as the mysteries become ever more intriguing, the narrative of Britain during the Blitz----the people's hardships, their gallantry, and in many cases their victimization by unscrupulous profiteers----becomes indelibly compelling. The series would make an excellent teaching tool in a history class, since it not only presents a fascinating account of the war but it also gives a realistic depiction of the toll that war takes on the civilian population. This splendid BBC series puts a human face both on casualties and survivors, whom the modern media tend to dismiss with the callous and meaningless catchphrase, "collateral damage."
Whew! I can now rest easy. There will indeed be another season of "Foyle's War" in 2008.

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History meets mystery in this award-winning PBS series, with four all-new feature-length episodes set at the height of World War II. Michael Kitchen (Out of Africa) returns as the laconic Christopher Foyle, detective chief superintendent in the English town of Hastings. War has torn the social fabric of this once-quiet coastal community, and Foyle’s investigations explore the violence and opportunism that the conflict has fostered on the home front. Also starring Anthony Howell and Honeysuckle Weeks, and featuring Kenneth Colley, Dermot Crowley, Liz Fraser, Philip Jackson, Michael Jayston, Corey Johnson, Jonah Lotan, and Roy Marsden.THE MYSTERIES:
INVASION-As the first American GIs arrive to build an airbase near Hastings, the murder of a barmaid further strains already-tense relations between the locals and the Yanks.
BAD BLOOD-A top-secret experiment in biological warfare goes horribly wrong, complicating a murder investigation and threatening the life of Foyle’s faithful driver, Sam.
BLEAK MIDWINTER-The death of a young munitions worker and the murder of Paul Milner’s wife seem linked, and Foyle strives to clear his sergeant from suspicion.
CASUALTIES OF WAR-While investigating gambling and sabotage, Foyle takes in his troubled goddaughter and her severely traumatized son, who refuses to speak.DVD SPECIAL FEATURES INCLUDE making-of documentary, production notes, the historical truth behind each episode, and cast filmographies.

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Silas Marner, The Weaver of Raveloe Review

Silas Marner, The Weaver of Raveloe
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If it weren't for movies based on books today, many of us would never become acquainted with classic literature. Silas Marner is a gem of a movie, obviously based on a classic, and after seeing it, I understand why the book is required reading in many English classes. I myself have never read the book, and therefore appreciate becoming acquainted with it through this movie.
The setting appears to be in the 1600-1700s England. Silas Marner is wrongly accused of murder and is exiled from his community. When he arrives in another village, he becomes the mysterious weaver of fine cloth, who lives alone and rarely speaks to anyone. The squire from whom he rents his cottage meanwhile, is providing for his opium-addicted wife that he has secretly married. He keeps her and their baby daughter hidden from the public in a tiny apartment in the village. Struggling to the squire's mansion one night to reveal her existence to his family, the woman dies in the snow, and Silas Marner finds the toddler in his cottage. Immediately he takes to her, and convinces people he should adopt her. The following part of the movie of his developing relationship with this adorable little acress is precious.
Marner lives frugally, raising the child, but when she is 16, the squire steps in, and Marner and his daughter must make a decision that will test their relationship. There is a subplot concerning the squire's wayward brother whose actions affect all their lives, forcing all the characters to a turning point.
Ben Kingsley's acting is excellent as he goes through the different periods of his life, and the movie does a fine job of portraying the era. The movie, like the book, may not be top-draw, but like the book, it also deserves classic status.

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Silas Marner was a man who had everything - until he lost it all. Falsely accused of theft and driven out of his town, Silas starts life anew. One day, upon arriving home, he discovers a foundling child asleep on the hearth. Could this young girl be the redemption to love and happiness that Silas has been looking for?

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Cranford: The Collection (Cranford / Return to Cranford) Review

Cranford: The Collection (Cranford / Return to Cranford)
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Cranford Collection
Cranford (2008)
Cranford aka the Cranford Chronicles, based on Elizabeth Gaskell's story is a stellar production. It is a lush period drama and is very authentic in its portrayal of people living in a little hamlet called Cranford. The sets are beautiful as are the costumes, and of course the production is elevated to a level of excellence by its impeccable casting. Writer Heidi Thomas does a wonderful job of adapting Elizabeth Gaskell's story [purportedly based on Gaskell's own hometown] and though liberties are taken, the stellar cast more than makes up for whatever deficiencies there may be in the faithfulness of the adaptation. Dame Eileen Atkins [Miss Deborah Jenkins] and Dame Judi Dench [Miss Matty Jenkins] portray two spinster sisters in 1842 who live in the little town of Cranford. Far from being a quiet little hamlet, this little town hums with activity and village gossips, especially a Miss Pole [Imelda Staunton]who flits around from one hearsay to another, avidly passing on any little nuggets of gossip to the other inhabitants.
Cranford is set aflutter by the arrival of a new doctor, Dr Harrison [Simon Woods] who is young, handsome, single and very much into trying new methods of treatment, to the initial consternation of the townspeople. Dr Harrison finds himself attracted to a beautiful local lass, Sophy [Kimberly Nixon] though he inadvertently attracts the romantic affections of other single women in Cranford. But the story does not merely focus on romance, as there are other more serious themes underlying the series. For one, there is talk of a railroad being built that would go through Cranford, and disrupt the idyllic life in the village, giving rise to the inevitable battle between modernization and the desire for things to remain unchanged. The local rich lady, Lady Ludlow portrayed by Francesca Annis is very much opposed to change, and not only opposes the railroad but also any form of societal change, such as literacy amongst the lower classes [she refuses to hire a maid who is literate, saying the girl's parents did her a disservice by teaching her to read].
There is also the theme of lost love, death and grief. Miss Matty Jenkins[ Judi Dench] finds herself recounting the tale of her lost love [played by Michael Gambon]. This is what makes Cranford such an engaging viewing experience - the absurd [the story of the cat swallowing an antique lace and how the lace is retrieved] is interlaced with tales of poignancy and everything unfolds leisurely. It is a tale that we wish will never end, and hope to revisit again and again.
Return to Cranford (2009)
This is not really a sequel (though some story arcs from the original do get developed here), but a 2-part special that is inspired in part by Cranford, and also two other stories by author Elizabeth Gaskell, i.e. "The Moorland Cottage", and also "The Cage at Cranford", see Three Tales of Cranford: Cranford, The Cage at Cranford, and The Moorland Cottage. Besides the familiar and beloved cast of the original Cranford such as Miss Matty (Dame Judi Dench), Miss Pole (Imelda Staunton), Mrs Forrester (Julia McKenzie), Miss Tomkinson (Deborah Findlay), etc. several new characters are introduced, such as Lady Glenmire (played by Celia Imrie), and the conjuror Signor Brunoni(Tim Curry).
The first part is set in summer 1844 - it has been two years since dear Miss Matty (Dame Judi Dench in another luminous portrayal) lost her beloved sister Deborah, and a year since Sophy Hutton married Dr Harrison (these two characters are no longer in this show). Miss Matty seems content with the presence of her brother Peter (Nicholas Le Prevost) who is home from India, and helps look after Tilly, the baby of her maid Martha and carpenter Jem Hearne. The continuity from the original Cranford is seen in the railway project which still looms menacingly over the town. Things are also made more exciting with the arrival of Mr. Buxton, a wealthy widower who lives with his ward Erminia (Michelle Dockery) and his son William (Tom Hiddleston who is quite the eye candy). Life in Cranford is always full of surprises and when Lady Ludlow's long absent son Septimus (Rory Kinnear) arrives, things take unexpected turns, precipitated by a tragedy in the family. The old tensions are there - especially between those that are against the railroad project and those ,like Captain Brown and young William who feel that modernization is essential to Cranford's long-term survival. Miss Matty, in her usual subtle fashion, gets involved in some of these village proceedings, with some rather startling results.
The second part is set later in the year 1844, October up till Christmas - Miss Matty and her friends are predictably excited at the visit of Lady Glenmire (Celia Imrie) but when Mrs Jamieson (Barbara Flynn) feels no one amongst her peers is of suitably high rank to meet her, she and Lady Glenmire get snubbed by Matty and company and it is left to Lady Glenmire to set things right in a most memorable way. Matty also faces some challenges that involves a falling out amongst her circle of friends,a serious romance between William and a young woman deemed unsuitable by his father (which has Matty pondering the wisdom of her 'involvement' in bringing the pair together), and more tragedy on the horizon, affecting the citizens of Cranford.
A fair note of warning - this particular installment in the Cranford franchise is much more subdued than the original and there's quite a fair bit of tragedy - there's death (involving a couple of familiar characters who were also in the original), grief, tension, family drama, imperiled friendships, the age-old battle between those opposed to change and those who embrace the challenges of modernization, etc., but there's also romance and lighthearted moments. However, I can understand how this particular follow-up might disappoint purists who loved the original and how well it adhered to Gaskell's novel. Personally, I loved the original Cranford and thought it was a superior production, and though I like RTC, the plot is not as engaging as the original. As for the production qualities - they are excellent. The cinematography is gorgeous, capturing the beauty of the village surroundings as well as the period details, and the score complements the story perfectly. For the price offered here, this boxed set is value for money (I am getting this for my aunt as I've already purchased the two productions separately).

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Cranford: The BBC drama series adapted from Mary Gaskell's classic novels of small town gossip, secrets and romance. 1842. Cranford, a market town in the North West of England, is a place governed by etiquette, custom and above all, an intricate network of ladies. It seems that life has always been conducted according to their social rules, but Cranford is on the cusp of change… For spinsters Deborah Jenkyns, the arbiter of correctness in Cranford, and Matty, her demurring sister, the town is a hub of intrigue - a handsome new doctor Frank Harrison from London has arrived; a retired Captain and his daughters have moved in to a house opposite and the preparations for Lady Ludlow's garden party are underway. Everyone - from charming rogue Dr Marshland to mean Mrs Jamieson and her lap dog talks, and is talked about, behind closed doors. The town also has its secrets which it slowly reveals: Matty's encounter with an old flame at the garden party; Lady Ludlow's gardener, Mr Carter, teaching a gypsy lad to read and write; the wild expectations of the May Day celebrations and - news that shakes the town when it is revealed - a railway line from Manchester is coming to Cranford.
Return to Cranford: Welcome to Cranford, where all changes and all remains the same. Miss Matty's house is full of life and bustle. Her dream of having a child in the house has been realised in the birth of Tilly, daughter of her maid Martha and carpenter Jem. The shadow of the railway still looms but, to the relief of Matty and the Amazons, the line has been halted five miles outside of Cranford because of Lady Ludlow's refusal to sell her land. Elsewhere Miss Matty's friend Mr Buxton returns to town with his son, William, and his niece, Erminia. Miss Matty decides to introduce them to Peggy Bell, a young woman who lives in an isolated cottage with her mother and domineering brother, Edward, in the hope of building friendships. But, when tragedy strikes, she comes to believe that she has opened Pandora's box and fears Cranford will never recover.

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North & South (2005) Review

North and South (2005)
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"North & South" was released in the UK in November 2004 and in the US in July 2005. Since its first broadcast, viewers across the globe have hailed it as one of the best - if not the best - British period miniseries ever produced. It was voted BBC's "Best of 2004" in drama, actor and actress categories, among others.
Many in the US will probably confuse Elizabeth Gaskell's "North & South" to John Jake's civil war drama of the same name. While Jake's tells the story of America's north and south, Gaskell's story is rooted in Victorian England. John Thornton, a handsome, stern, passionate manufacturer from Milton represents the north. Margaret Hale, an outspoken, beautiful and spirited young woman from Helstone represents the south. When the Hales move from the idyllic village of Helstone to the bustling, industrial city of Milton, Margaret and Thornton's lives collide.
John Thornton is instantly attracted to Margaret while she is repulsed by his haughty demeanor and the way he treats his employees. She develops a disdain for the wealthy 'masters' (manufacturers) and strikes a friendship with the daughter of the local union leader, much to Thornton's dismay. As Margaret becomes better acquainted with Mr. Thornton, she gradually comes to admire him. She discovers that he is hardworking, a devoted brother and son, generous and kind to Margaret's parents, and is loyal and honorable. However, when the workers in Milton strike, the turn of events that follow drive a wedge between Margaret and Thornton and eventually threaten to pull them apart.
"North & South" is produced by the excellent BBC and the screenplay was written by Sandy Welch, who also penned the outstanding "Our Mutual Friend." Everything you would expect from a topnotch BBC production is here - locations, sets, costumes, casting, direction, cinematography. The story is an adaptation of Elizabeth Gaskell's little known but well loved 19th century novel. Mrs. Gaskell also wrote "Wives & Daughters" which was turned to another superb miniseries starring Justine Waddell, Keeley Hawes and Francesca Annis in 1999.
I would be very remiss in writing a review for this miniseries without applauding the exemplary cast. The little known Richard Armitage has earned a throng of fans overnight because of his unforgettable portrayal of John Thornton. He has since replaced Pride & Prejudice's Colin Firth as my favorite brooding hero and infuses so much passion and charisma into his role. Daniela Denby-Ashe is wonderful and charming as Margaret Hale. Also excellent are Brendan Coyle as the gruff but good-hearted Nicholas Higgins, Sinead Cusack as John Thornton's haughty but devoted mother, Joy Joyner as the funny and superficial Fanny Thornton, Lesley Manville as Mrs. Hale and Tim Piggot-Smith as Mr. Hale.
"North & South" has since replaced 1995's "Pride & Prejudice" as my favorite miniseries. It tugs at the heart and sweeps the viewer off their feet. The relationships that develop between its main characters (notably, Thornton and Margaret; Thornton and Higgins; Margaret and Bessy Higgins) and the journey that Margaret and Thornton go through are truly unforgettable. In fact, you will wish that the ending didn't come so soon!
"North and South" went through a sad process of editing when BBC America aired it in July 2005. A full hour was cut from the miniseries to make room for commercials. Finally, with this dvd release US viewers now have a chance to see this instant classic as it was meant to be seen - with a 233 minute running time and with all the scenes intact. The dvd also includes a delightful interview with Richard Armitage, a handful of deleted scenes (including an extended 'proposal' scene), commentaries and cast biographies.
If you are an anglophile or a fan of high-quality period drama, you owe it to yourself to see "North & South." Fans of "Pride & Prejudice," "Wives & Daughters," "Middlemarch," Dickens / Austen adaptations and the like should not miss this. I have no doubt that most of you will fall in love with this miniseries as many of us have. Everyone whom I have recommended this miniseries to have at least liked it (and at most, are completely obsessed with it). This dvd is a keeper and deserves a place in any period drama fan's dvd collection.


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A Dance to the Music of Time (1997) Review

A Dance to the Music of Time (1997)
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A Dance to the Music of Time is a series of twelve novels by the English author Anthony Powell, a fictionalized version of his own life that invites comparisons to Proust's In Search of Lost Time. The running time of seven hours for the adaptation, therefore, is not surprising given the enormous scope of the project, which charts the life of its semi-autobiographical protagonist, Nick Jenkins, from his schoolboy days through to his old age in the burgeoning cultural revolution of the 1960s. This series was first shown on TV in 1997 when I was living in Australia, and so I have had the opportunity to watch it three times already. I can therefore say with some authority that this is perhaps the best literary adaptation that I have ever seen. The first episode can be a little off-putting, as characters seem to keep bumping into each other at random, but you soon realize that this is not a silly device on the part of the novelist, but an accurate reflection of the incestuous nature of the upper class in England at this time (or really, any time). The production is sumptuous, and the acting is universally good. Stand out performances include Simon Russell Beale, the victim/villain of the piece (he will be fixed in my mind forever as the definite image of Widmerpoole) and, coming later in the series, Miranda Richardson in brilliant form as Pamela Flitton, a twisted maneater. Richardson, who too often gets cast in shrill, nasty roles, is in top form here, chewing up the scenery with seductive viciousness. You don't really need to read the novels to follow what is going on (although I recommend them highly), and the first episode, simply because it has to set everything up, demands a certain level of attention. But overall I love this adaptation, and I'm glad that I can finally own it on DVD.

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Arms and the Man Review

Arms and the Man
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I almost didn't buy this because, although I have always enormously enjoyed reading this play, I had a sneaking suspicion that it would be impossible to stage well. So many of the characters spend so much time being histrionic if not idiotic, and I was afraid that what was charming and funny in print might prove to be merely irritating when portrayed by an actual flesh-and-blood human.
But I am delighted to say that I was wrong; this performance was delightful. Much of the credit must go to a really lovely performance by Helena Bonham Carter that gives Raina exactly the right balance of real wit and gallantry with extraordinarily silly romanticism. The other performances were all also excellent; not one struck me as off or untrue to my readings of the play, though I could wish that the Sergious had been toned down just a tad.
It's really a very delightful story, and this performance is a keeper. If you know the play and are looking to see it performed, I recommend this wholeheartedly; if you don't know the play but are looking to see a very nice production of one of Shaw's lightest and funniest plays (well suited to kids -- I loved it when I was 12 or so) then this might an excellent option to consider.

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Masterpiece Theatre: Northanger Abbey (2007) Review

Masterpiece Theatre: Northanger Abbey (2007)
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Of the 3 adaptations produced by ITV in 2007, Northanger Abbey was the best (or the least bad to be honest). I have received the DVD now and I notice to my disappointment, anger and outrage that PBS is cheating its public by selling a cut version of the adaptation. PBS had acknowleged it was going to broadcast a cut version, but it had also promised that the full and complete version would be in the DVD, and that is NOT true. They are selling the cut version only. So beware, do not order this DVD unless you want only an incomplete version. Furthermore, it is advertised as close-captioned, and that is not true, there are no subtitles nor close caption in this DVD

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Item Name: Masterpiece Theatre: Northanger Abbey; Studio:WGBH Boston

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The Edwardians (2008) Review

The Edwardians (2008)
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I love historical entertainment, but plowing through this collection of extremely boring programs was more than I could do....never watched the complete set.... first, the sound is awful, volume had to be turned way up to hear it....and the B/W wasn't crisp and clear... I was looking forward to this set, and was sorely disappointed. Wasted my money - and will donate it to the Friends of the Library book sale....

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Studio: Warner Home VideoRelease Date: 10/14/2008Run time: 635 minutesRating: Nr

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City of Vice (2007) Review

City of Vice (2007)
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Koch Vision and BBC presents "CITY OF VICE:COMPLETE FIRST SEASON" (14 January 2008) (236 mins/Color) (Dolby Digital) --- Splendidly acted this drama is unlike any other it make you feel you are part of the mystery as it tells stories of these crimes --- But also has the makings of other crime dramas such as Cracker and Prime Suspect --- Historical true crime series CITY OF VICE pits magistrate Henry Fielding (Ian McDiarmid) and his brother John (Iain Glen) against the teeming criminal underworld of 18th century London --- The five part series follows the duo's attempts to police the city and rid its streets of prostitutes, violent gangs, and bands of thieves is dark and dusty streets and basic poverty --- But this story brought to life Georgian England, it's not your usual period drama.
Under the production staff of:
Justin Hardy - Director & Executive Producer
Dan Reed - Director
Clive Bradley - Screenwriters
Peter Harness - Screenwriters
Justin Hardy - Executive Producer
Lachlan MacKinnon - Producer
Rob Pursey - Producer
Richard Blair-Oliphant - Original Music
Story line set in the late 18th century, City of Vice tells the story of London's first police force the Bow street runners lead by John (Iain Glen) and Henry Fielding (Ian McDiarmid) --- London is a centre for debauchery with pick pockets, thieves, murderers and prostitutes, plus gang warfare combines the excitement of contemporary crime drama with actual historical events, this graphic, five part series follows magistrate and author Henry Fielding, his blind half brother John and the Bow Street Runners on their quest to clean up the streets of 18th century London amidst a population of prostitutes, pimps, gangs and villains --- Was very much impressed by the filming of the streets in that three dimensional dark style, the general Gothic- feel of depressingly, stifling despair is fantastic --- A great atmosphere! --- The two brothers are great actors and fascinating figures representing morality and justice, one Anglican one catholic, one blind one seeing. Great contrasts and characterization --- BBC and Koch Vision release.
the cast includes:
Ian McDiarmid ... Henry Fielding
Iain Glen ... John Fielding
Francis Magee ... Saunders Welch
Steve Speirs ... William Pentlow
Alice O'Connell ... Mary Fielding
Sam Spruell ... Lord Newcastle
Sean Francis ... Daniel Carne
Peter McDonald ... Tom Jones
J.D. Kelleher ... Quin
Ian Peck ... Talbot
Juliet Aubrey ... Jane Fawkland
SPECIAL FEATURES
1. The Making of Vice featurette
BIOS:
1. Ian McDiarmid
Date of Birth: 11 August 1944 - Carnoustie, Tayside, Scotland, UK
Date of Death: Still Living
2. Iain Glen
Date of Birth: 24 June 1961 - Edinburgh, Scotland, UK
Date of Death: Still Living
Great job by Koch Vision --- looking forward to more high quality titles from the BBC Collection film market --- order your copy now from Amazon or Koch Vision where there are plenty of copies available on DVD, stay tuned once again for top notch releases --- where they are experts in releasing long forgotten films and treasures to the collector.
Total Time: 236 mins on DVD ~ Koch Vision KOCV-6534 ~ (6/10/2008)

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In the mid-eighteenth century London's perilous streets were overrun by notorious gangs, prostitutes, pimps and corrupt night watchmen. Out of this dark underworld, emerged two Westminster magistrates - novelist Henry Fielding (Ian McDiarmid) and his blind half brother, John (Iain Glen). These unlikely crime-fighters organized the infamous Bow Street Runners and introduced law and order to the crime-riddled city. Combining the excitement of contemporary crime drama with the detail of actual historical research, this graphic, five-part series tells the true story of London's first police force.

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Jane Eyre (1983) Review

Jane Eyre (1983)
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A few months ago I watched both this 4-hour BBC production and the more recent A&E version starring Ciaran Hinds and Samantha Morton in one sitting ... an Eyre-athon! And in my opinion, this version EASILY won hands-down as the best (I've already seen just about every other filmed version). I've since watched it many times and never tire of it. If you love the novel, what a glorious, breathtaking treat this is!!
Yes, this production is long (good news for Bronte fans!) and it has a somewhat dated feel, but both the casting and acting are so brilliant that you won't want to watch any other version!
Timothy Dalton IS Edward Rochester... it's that simple. I don't care that other reviewers claim he's too handsome. Dalton is attractive, certainly, but no pretty-boy. In fact he possesses a craggy, angular dark charm that, to my mind, is quite in keeping with the mysterious, very masculine Mr R. And he takes on Rochester's sad, tortured persona so poignantly. He portrays ferocity when the scene calls for it, but also displays Rochester's tender, passionate, emotional side as well. (IMO the A&E production suffers in that Ciaran Hinds - whom I normally adore - seems to bluster and bully his way throughout. I've read the book many times and I never felt that Rochester was meant to be perceived as a nonstop snarling beast!)
Whenever I reread the novel, I always see Zelah Clarke as Jane. Ms. Clarke, to me, resembles Jane as she describes herself (and is described by others). Small, childlike, fairy... though it's true the actress doesn't look 18, she portrays Jane's attributes so well. While other reviews have claimed that her acting is wooden or unemotional, one must remember that the character spent 8 years at Lowood being trained to hold her emotions and "passionate nature" in check. Her main inspiration was her childhood friend Helen, who was the picture of demure submission. Although her true nature was dissimilar, Jane learned to master her temper and appear docile, in keeping with the school's aims for its charity students who would go into 'service'. Jane became a governess in the household of the rich Mr. Rochester. She would certainly *not* speak to him as an equal (as Samantha Morton does in the A&E version). Even later on when she gave as well as she got, she would always be sure to remember that her station was well below that of her employer. Nevertheless, if you read the book - to which this production stays amazingly close - you can clearly see the small struggles Zelah-as-Jane endures as she subdues her emotions in order to remain mild and even-tempered.
The chemistry between Dalton and Clarke is just right, I think. No, it does not in the least resemble Hollywood (thank God! It's not a Hollywood sort of book) but theirs is a romance which is true, devoted and loyal. And for a woman like Jane, who never presumed to have *any* love come her way, it is a minor miracle.
The rest of the casting is terrific, and I love the fact that nearly every character from the book is present here. So, too, is much of the rich, evocative dialogue. This version is the only one that I know of to include the lovely, infamous 'gypsy scene' and in general, features more humor than other versions I've seen. In particular, the mutual teasing between the lead characters comes straight from the book and is so delightful!
Jane Eyre was, in many ways, one of the first novelized feminists. She finally accepted love on her own terms and independently, and, at last, as Rochester's true equal. Just beautiful!
Now, WHEN WILL THIS BE RELEASED ON DVD?
EDIT: This has just been mastered and released on DVD in its original unedited format, which means a whole extra hour of footage... it's now 5 hours instead of 4, woot woot! You KNOW I'm happy! Buy it NOW!!

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Lark Rise to Candleford: The Complete Season Two Review

Lark Rise to Candleford: The Complete Season Two
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Lark Rise to Candleford: The Complete Season One is a charming series that tackles myriad themes, and is adapted from Flora Thompson's semi-autobiographical novel. In the first season, young Laura Timmins (Olivis Hallinan) leaves her village of Lark Rise to work as an assistant to the postmistress in Candleford, Dorcas Lane (Julia Sawalha who was also brilliant in her role as Lydia Bennet in Pride and Prejudice - The Special Edition (A&E, 1996)). Through the course of the first season, Laura discovers that she enjoys living in the more affluent town of Candleford, and experiences the pangs of adolescence, including romantic entanglements. Dorcas Lane, the kind-hearted and sensible postmistress also goes through some pangs of her own, largely to do with her friendship with squire, Sir Timothy Midwinter (Ben Miles) who is married to the beautiful and composed Lady Adelaide (Olivia Grant). In the first season, viewers got to see the themes of marital strife, conflicts between the upper and lower classes, romantic entanglements, and other issues played out.
By the second season, both Sir Timothy and Lady Adelaide have moved to London, but there is still plenty of drama in Dorcas' life with the arrival of James Dowland (Jason Merrells), a former inhabitant of Lark Rise, a local boy who has done well in life. Being a self-made and wealthy man, James settles in Candleford, though he reacquaints himself with the residents of Lark Rise, especially Queenie Turrill (Linda Bassett) who used to take care of him as a young boy. James opens a fashionable hotel in Candleford, and tries to 'improve' the lives of the Lark Rise residents with mixed results. There is also a strong chemistry between James and Dorcas, though their relationship flounders between attraction and rivalry/conflict. Laura seems more mature and wiser, having learned a couple of enlightening things about the pitfalls of romance, and is taking on more responsibilities at the post office. But then, a young clockmaker, Fisher Bloom (Matthew McNulty) comes to town, and Laura finds herself attracted to Fisher, though he seems oblivious to her charms, initially. Laura's parents, Robert and Emma Timmins (Brendan Coyle & Claudie Blakley) who have always been a very close and loving couple find themselves facing some marital strife in their marriage, and this second season takes an intimate look at their dynamics as a couple.
There is also plenty of drama amongst the other inhabitants of Lark Rise & Candleford - the sisters Pearl and Ruby Pratt (Matilda Ziegler, Victoria Hamilton) who have a dressmaking/drapery store continue to pry into others' affairs whilst dealing with their own emotional dramas. Postman Thomas Brown's (Mark Heap)romantic (mis)adventures continue, and many more. This is truly a gem of a series, and I am hopelessly addicted to it. Each episode is well-crafted and credibly acted, drawing viewers into the lives of these mostly endearing & flawed characters, and making one feel at home in both Lark Rise and Candleford.For those who love period dramas, there's some wonderful productions (these are some of my favorites) to check out:
Cranford: The Collection (Cranford / Return to Cranford)
Pride and Prejudice - The Special Edition (A&E, 1996)
Pride and Prejudice (BBC, 1980)
Daniel Deronda
Anne of Green Gables Trilogy Box Set
Road to Avonlea Season 1 and others in the series
Wives and Daughters
The Buccaneers

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The residents of Lark Rise and Candleford return for a second season of heart-warming adventures in this critically acclaimed adaptation of Flora Thompson's novels. The second season sees the arrival of a dashing and elegant stranger in Candleford. Rich, enterprising worldly, and without a wife, James Dowland is a successful businessman with a string of London hotels and has come to transform Candleford and bring it new prosperity. But not everyone welcomes his entrepreneurial efforts and it isn't long before he is sparring with thespirited yet suddenly flustered Dorcas and aggravating the pride of the male Lark Risers with his superior business acumen and somewhat overbearing manner.

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Jericho of Scotland Yard - Series 1 & 2 Review

Jericho of Scotland Yard - Series 1 and 2
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This edition contains four episodes filmed in a VERY smoggy and dark London in the 1950s. The staging is very well done and the characters are well thought out and believable. Robert Lindsay excels in his portrayal of a lonely, tormented, but brilliant detective who battles on all fronts. Sounds like the template for all detective series, but I found them to be original and highly watchable. I would like to see more.

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Includes 4 mysteries: The Killing of Johnny Swan, A Pair of Ragged Claws, To Murder and Create, and The Hollow Men.

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Lark Rise to Candleford: The Complete Season One Review

Lark Rise to Candleford: The Complete Season One
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English country life could never have been as poetic, pictorial, and enchanting as this dramatization of the lives of those living in and around the two 1880's towns of Lark Rise and Candleford. Even the DVD's music puts a sanguine sugarcoating on the period. All of this is to the delight of the viewer of this masterfully done TV series sure to endear any North American who has a tender video heart toward Victorian Britain. Perhaps, consider it a British mutation of "Little House on the Prairie" or "The Waltons."
This set of 4 DVDs, 10 episodes totaling 582 minutes, is actually a 9 1/2+ hour saga (continuing panorama of human relationship) of the commoner village and the more sophisticated Candleford. The short 8-mile separation allows for much intermingling, bigotry, conflict, forbidden love, political and economic interaction. It is not a family saga, not a nobility bloodline dramatization, but a saga of struggles and lifestyles of different kinds of personalities, each caught in their own born-into world, and interacting with another different, and not always understood, class of folk.
Darling Laura Timmins (Olivia Hallinan), oldest child of a Lark Rise family, is sent off to Candleford to learn the trade of postmistress. She is the spark caught between the two towns (sometimes world's different.) Her mentor, Dorcas (Julia Sawalha), has a personal secret. There is the expected, token-gentry, rich, Squire family, Sir Timothy (Ben Miles)& Lady Adelaide (Oliva Grant). The rest of the regular cast (at least 20 appearing in all 10 episodes) is an assortment of either the die-hard, disheveled, working class or the Candleford higher class, but yet short of nobility range. It is the individuals that make this spectacular (or fill in your own highest superlative.)
One episode travels into the next with carryover from earlier material. If you have the time, it's best to watch it as a near 10-hour feature production. What a horrible time the original TV viewers must have had waiting for the next installment. Each episode has multiple plots so it is impossible to break down the episodes into short summaries. And with carryover from one episode to another, it's more like moving to Lark Rise or Candleford and living with the good people (and the bad). A delightful scenic experience even Disney has never matched.
Ah, but the folks you will meet. Dr. Seuss eat your heart out. Queenie (Linda Bassett), an old bee keeper, is married to ole Twister (Karl Johnson) and both will make you laugh and cry, perhaps in the same scene. Pearl (Matilda Ziegler) and Ruby (Victoria Hamilton) own Pratt's General Drapers & Haberdashers. They represent the best of fashion and fitness, just ask them, as they spurn much gossip and controversy. Thomas (Mark Heap) is a postal delivery man who helps keep Christianity alive and aloud. Portly Caroline (Dawn French) a mother with her man off to sea, divides her time between frivolity and beer and would make a fine Viking helpmate. And dear, dear old housemaid Zillah (a standing O for Liz Smith), is the life and death of every party--a quirkiness totally lovable. Assistant gamekeeper Phillip and melodean-playing Alfie vie for Laura's affection, while her ma, Emma (Claudie Blakley), and pa, Robert (Brendan Coyle) try in vain to keep sanity to the comings and goings of life from "Lark Rise to Candleford."
Oh and more, locations and sets to die for a vacation in. Costumes to dazzle, delight, and disgust, depending upon the event. Every emotion you have ever felt in your past will be repeated sometime throughout this English town saga. The adapted books by Flora Thompson have never been read by this reviewer, but I can't imagine them being as fine as this TV series (and I'm a book lover). A superb British cast has perfected this story.
Subtitles? Yes!
Bonus? "The Making of Lark Rise To Candleford"
Recommendation? BUY NOW! EXPEDITE SHIPPING, it's that good.

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Olivia Hallinan, Dawn French, Julia Sawalha, Liz Smith, Brendan Coyle, Claudie Blakley, Mark Heap, Ben Miles, Olivia Grant, Linda Bassett, Karl Johnson. When young Laura Timmins leaves Lark Rise for a job at the local post office in Candleford, it feels as if she is departing to a different country. Her new life under the wing of the independent and effervescent post-mistress, Dorcas Lane, is eye-opening and exciting, but as Laura witnesses the scandals, feuds and struggles of the villagers and townsfolk, she realizes that she too has to face the future. Having turned her back on her childhood hamlet, she must find her own path to womanhood.

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