The Jane Austen Collection Review

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(More customer reviews)Let's quickly ammend what the previous reviewer said! First of all, this is an excellent DVD collection of excellent quality. The pictures are all crystal clear, the sound is striking, and the acting is fantastic. BBC and Warner Brothers did a fabulous job of remastering these films from the 70's and 80's and I am thrilled I bought the whole set. You can also buy each movie separately. As for side B of certain movies, the disc specifically says right on it "blank disc." This is because on some of them, the entire movie fits on the first side, thus side B is obviously unused. If the previous reviewer actually watched the movies, they would see that nothing is missing, so let's hope they give their collection another try! I for one am so glad I finally own these older, and more definitive version of Jane Austen's amazing works. Enjoy it, as I have and will continue to do so!

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Studio: Warner Home VideoRelease Date: 01/05/2010Rating: Nr

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Persuasion (2007) Review

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(More customer reviews)"Persuasion" is tied with "Pride & Prejudice" as my top favorite Jane Austen novel. I was looking forward to this version, after being a little disappointed with the 1995 adaptation (actors were a bit too old for their roles, I thought, but that's another review).
While "Northanger Abbey" is a story of young love, "Persuasion" is a story of love lost. Anne Eliott was once engaged to Frederick Wentworth but has had to give up the engagement due to the persuasion of her friend Lady Russell. Anne is the daughter of a baronet and Frederick is a young lieutenant with little prospects and was deemed by her friends and family as not worthy enough to marry Anne. Fast forward to 7 or so years later, and Anne's family is in dire circumstances. Her family has to move from their large country estate to Bath in an effort to retrench and avoid further debt. Frederick returns to England as a wealthy and highly eligible naval captain and his and Anne's paths meet again. Frederick is pursued by 2 of Anne's younger sisters-in-law while Anne is left to wonder what might have been. After a stressful visit to Lyme, Frederick and Anne's paths briefly separate. Anne moves to Bath where she is pursued by her cousin William Eliott and she crosses paths with Frederick again. Will love triumph the second time around?
Whether you agree or disagree with my assessment of the 1995 version starring Amanda Root and Ciaran Hinds, I think you will find that Rupert Penry-Jones and Sally Hawkins are wonderful in their roles as Frederick Wentworth and Anne Eliott. Sally Hawkins - unknown to me until now - gives a soul-stirring and endearing performance as Jane Austen's long suffering heroine. Rupert Penry-Jones is aptly dashing and handsome, though perhaps a little bland, as Frederick (I'd take him over Ciaran Hinds any day). The supporting cast is solid - with a few exceptions - and the screenplay, up until the last 10 minutes, stays true to the tone and spirit of the book. The production values, costumes and locations are excellent. This scores points for actually filming in Bath and Lyme (actual locations from the book). Another high note is Martin Phipps (who also composed the amazing score of BBC's "North & South) who delivers yet another stirring score.
The reasons for the 4 stars are as follows (warning, spoilers!):
a) Casting - I absolutely detest Amanda Hale as Mary Musgrove. She is annoying and stands out in a bad way from the rest of the cast. Julia Davis is also off as Elizabeth Eliott and looks more like Anne's wicked stepmom than her older (by 2 years) sister. Elizabeth is supposed to be beautiful and elegant, and Julia Davis is nowhere near this. Surely there are more than enough talented British actresses who could have played these roles.
b) Changes - Some long-time fans will be a little irritated with the changes made to famous scenes from the book. This is where the 1995 version triumphs over this version. While the Amanda Root version remained faithful to the book, this version strayed in some of the vital scenes such as the dialogue between Captain Harville and Anne on woman's constancy; and the scene where Frederick writes a letter to Anne.
c) The last 10 minutes - where Anne runs around Bath like a headless turkey - almost completely ruined it for me. Whoever thought of sending a docile, elegant, poised, upper-class lady like Anne to run around town like a servant girl is beyond me. The adaptation would have been outstanding except for this miscalculation. I am not a purist, but there is just so much a long-time Jane Austen fan can take and this one crossed the line for me.
All in all, however, I give it 4 stars for Sally, Rupert, most of the supporting cast, Bath, the score and the first 80 minutes. It goes along swimmingly up until the climax, at which point I have to fast forward to skip the part I detest. A good and solid adaptation, but "Northanger Abbey" starring JJ Feild and Felicity Jones gets my vote as my favorite of the recent Jane Austen adaptations.

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Jane Austen’s romantic masterpiece comes to DVD in a thrilling new production from the BBC and Masterpiece Theatre. Anne Elliot fell deeply in love with the handsome young naval officer Frederick Wentworth at the age of nineteen. But with neither fortune nor rank to recommend him, Anne was persuaded to break off her engagement. Eight years later, Anne has lived to regret her decision. She never stopped loving Wentworth, and when he returns from sea with a fortune and rank, she can only watch as every eligible young woman in the district falls at his feet.

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Pride and Prejudice (BBC, 1980) (1980) Review

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(More customer reviews)I've lost count of how many times I've read Pride and Prejudice by Jane Austen - it's one of my very favorite books. Comparing the two miniseries adaptations of it -- the more recent one by A&E/BBC (Pride and Prejudice - The Special Edition (A&E, 1996)) and this one done in the 80s by BBC -- there are definite advantages to each. The one you choose depends on what you want. If you want a really good and fun modern romantic comedy, watch the A&E version. But if you want what is closest to Austen's novel (which I prefer), watch the older BBC version.
POSITIVES OF THE A&E VERSION:
1) It is a visual feast: The costumes, sets and scenery are exquisite and make this version worth watching for that reason alone. They obviously had a larger budget than the 80s version, which is done in the old BBC 'stage play' style.
2) Since this version is 75 minutes longer than the BBC version, you get to enjoy that much more of Austen's incomparable dialogue - the best ever written in the English language besides Shakespeare, in my opinion!
3) In the interplays between Elizabeth and Mr. Darcy, their emotions are much more pronounced and open than in the BBC version... which makes their relationship more openly romantic even than in the novel. This is developed further by some scenes of them individually that weren't in the novel. In the 80s version and the novel, many of the subtleties of their relationship and feelings are left to the imagination. The A&E version is more in the unsubtle style of a typical modern romantic movie, which gives a wonderful new dimension to the story. The "unexpected proposal" scene is absolutely perfect; I think Austen would have loved it!
4) Casting Colin Firth as Mr. Darcy. Although not as strikingly handsome as David Rintoul's Darcy in the 80s version (in the book, Darcy is far handsomer than Bingley), Firth adds the right amount of visible emotion to the character which David R. did not, while also maintaining a very aristocratic, refined air about him.
POSITIVES OF THE 80s BBC VERSION:
1) It is much more faithful to the historical setting of the novel. It captures much more accurately the slow-moving, thoughtful, refined, restrained, purist, obsessed-with-manners (but still quite amusing) aristocratic society of 18th century England. This to me gives not only a needed believability to, but also a much deeper understanding of, the characters and story. Austen's novels were very realistic and true to their time and place, so if you want the genuine Austen feel rather than the 'in-your-face' Hollywood style, see the 80s version (or just stick to the book). The A&E version comes across as being 20th century American, just cloaked in 18th century England costumes and sets. Some people have praised this aspect of it, saying that the 80s version is boring by comparison. But I believe that Austen's intent was that the interest in her novels would lie with her detailed character studies and intricate relational plots. That's what made her books so interesting, without all the action-packed gallivanting around and crassness which Hollywood seems to think is a necessity to entertainment. The 80s version recognizes this and retains a historical elegance and dignity; the A&E version does not. (In the A&E version, Bingley's two supposedly high class sisters slouch around, make faces and giggle audibly behind people's backs. Everyone seems to be constantly running, skipping or galloping somewhere. The less-than-savory characters, like Mary, Lydia, Kitty, and Mr. Wickham, look and act like they are from a much lower social class, in ways that go below what would have been acceptable in their class. A visitor to the Bennett home accidentally sees one of the sisters in her undergarments. When E. visits Pemberley, she sees Mr. D. coming from a dip in a pond with a wet undershirt on, rather than just having arrived in a carriage as in the book.)
2) The casting is better in the BBC version and each actor is completely natural and believable in his or her role. In the A&E version, much of the casting does not seem to fit the characters: Elizabeth comes across as being about twenty years older than she is (with a constantly knowing look as if she's already married with children), Mrs. Bennett seems too intelligent to be so silly, Charlotte seems snobby rather than humble, Miss Bingley seems cold and sharp rather than sweetly slimy, Mr. Collins is like a cartoon and not a believable person, and the five Bennett sisters don't look at all like they could be related to each other. The actors seemed quite competent, just not cast in the right roles, and maybe directed to overplay them.
3) The 80s BBC version gives the same attention to each character that Austen's novel does. In the A&E version, only the principal characters are focused on, with the result that many of the characters who we should have gotten to know better seemed to just be cardboard props, and their relationships with each other don't come across as being as intimate and familiar as they really are in the novel. For example, Elizabeth had a much deeper relationship with both her father and with her Aunt Gardiner than the A&E version portrayed, because it left out some key scenes between those characters. The only ones I could perceive as being really close in the A&E version were Elizabeth and Jane - and in the last half, Elizabeth and Mr. Darcy. This is a great loss, because Austen's novels are all about the relationships between people, and each of their interesting personality quirks. They are character studies -- not just of the main characters, but of ALL the characters.
Sorry for the length, but P&P is a special book and I wanted to share my full views on these adaptations for anyone trying to decide between them!
BUT AS ALWAYS, it's a good idea to 1) read the negative reviews as well as the positive, since they are wildly different from each other, and 2) RENT before you buy!

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Northanger Abbey (BBC, 1986) (1986) Review

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(More customer reviews)Though below the standard of any other Austen film I've seen (I haven't yet seen Persuasion) in terms of quality and acting, this film version of Northanger Abbey is strangely satisfying - or perhaps I should say - not completely dissatisfying. After hearing so many terrible things said of the music and dream sequences I was expecting something far worse - something entirely laughable. What I've found is that with such low expectations the film did alright.
Before one watches or reads Northanger Abbey it is almost vital that one reads Anne Radcliffe's masterpiece, The Mysteries of Udolpho. The reason for this is that NA is consistently referring to the book and is often a direct parody. What was obvious from this film, is that the filmakers had never read Udolpho and didn't understand Austen's jokes. What made it quite clear that Udolpho had not been read were the strange fantasy sequences, as they did not have anything to do with the book or Radcliffe's style at all. What is portrayed in the film is far more graphic and horrific than the book Catherine makes reference to. As a result, the fantasy sequences are over the top and even make Catherine seem a bit mashochistic, which is completely different from Austen's intent. If you haven't read Udolpho, you shouldn't notice these issues at all, however if you have, the filmmaker's approach will seem rather bizarre.
Aside from that, one of my main complaintd is that the music does not fit the film whatsoever and did at times become a distraction. The chanting celtic sounding voice may have sounded better without the synthesizers and St. Elmo's Fire saxophone playing with it. The rock guitar that occasionally flared up was much easier to stomach than the lusty saxophone that played at the most unusual times. On top of this, there were some unnecessary changes made to explain the character of Major Tilney and further create the Gothic suspicions that Catherine harbors. I thought this actually lent her actions more credence instead of making them more ridiculous (and hilariously stupid) as they are in the book. The filmaker's need to validate Catherine in this way really removed hilarity from many of the greatest scenes. It was strange to see the BBC and A&E of all people, do this to a piece of literature. However, the changes were not so strong as to entirely change the story.
Casting also plays a key role in the quality of this film. Isabella is twice as annoying, maybe thrice, as in the book. The actress who plays her smiles in such a large and ghastly way that her attractiveness to men is entirely unbelievable. Her brother, Catherine's unwelcome courter, is better cast, however the scriptwriters portray him as more of a scary abuser than an awkward baffoon as he is supposed to be. Mr. Tilney, our hero, is at times perfect in his role, and then awkward, but in the most important moments, pulls off his character perfectly. Northanger Abbey itself is an historical inaccuracy, as they use a castle - and assume we don't know what an Abbey is. Major Tilney is perfect, and one of the better actors in the film. However, it is Catherine herself that made the film worth watching for me. She was the embodiment of everything Austen described her to be and I can't imagine another actress in the role who could have done better. She had the awkwardness of Catherine, yet at times could be unbelievably beautiful, and at all times maintained the innocence you would expect her to have. I would very much like to see a remake with this same girl in the role, however, I'm sure she's much older now.
Oh, and one more thing, this may be the only film in which the filmmaker's were ever allowed to use the actual waters at bath built originally by the Romans. It is remarkable to see how they were used. Men and women actually climbed into the waters fully clothed, hats and all, and stood around and talked. In this film, the showed the actors with some sort of floating plate tied around their necks. It looked like the plate was covered with flowers or something that was possibly an aromatherapy type treatment. Very interesting for history buffs and likely never to be done again.
In summary, this film is worth watching if you are a true Austen fan. However, if you aren't, the whole thing may come off as some strange Saturday afternoon made for tv movie gone wrong. If you aren't familiar with Jane Austen or films of her books, don't start with this one. However, if you are getting to the bottom of the pile for Austen things to read or watch, this is worth the effort.

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Persuasion (1995) Review

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(More customer reviews)Jane Austen wrote PERSUASION towards the end of her life, while in her final illness. Thus an atmosphere of bending weariness and quiet resignation pervades this tender romance, infused within provincial life in Regency England, swaying against the backdrop of the Napoleonic wars. I could not help but love this BBC film version unconditionally, so deftly are the gentle qualities of the novel brought forth.
As with her earlier novel, MANSFIELD PARK, Austen filled this story with subdued satire - intertwining a comedy of genteel manners with the unassailable decrees of the human heart. This is the story of Anne Elliot (Amanda Root): a single woman in her late 20's who, eight years previous, on the counsel of her patroness and late mother's friend, Lady Russell (Susan Fleetwood-who sadly died of cancer shortly after this film was made), had refused an offer of marriage from her true love, Captain Frederick Wentworth (Ciaran Hinds) on the grounds of his poor financial prospects.
Captain Wentworth returns to Anne's rather confined realm of society when his sister, Mrs. Croft, and her husband, an Admiral in the Navy (John Woodvine, of 1992's WUTHERING HEIGHTS) lease Anne's baronet father's estate, Kellynch Hall. Before she can join her father and elder sister Elizabeth (Phoebe Nicholls) in Bath, she must first spend a few weeks with her hypochondriac younger sister Mary, whose husband Charles' family, the Musgroves - parents Mr. and Mrs. Musgrove, and two younger sisters, Henrietta and Louisa - reside nearby. It is here that Anne becomes re-acquainted with her long-lost love, who's by now an advantageous match for any young woman, having made his prize fortune during the war. Wentworth initially fancies himself "a lost man" to the first attractive young lady who bestows upon him her "compliments to the Navy." To all appearances, Louisa Musgrove is that very lady...
Amanda Root and Ciaran Hinds, even though they lack the physical beauty distinctive in other Austen adaptations, express the gamut of suppressed emotions most flawlessly here. Ms. Root conjures all the feelings of empathy and affection with every delicate expression she makes. Mr. Hinds, whom I've seen in a number of other roles -including that of an overwrought Mr. Rochester in a 1997 adaptation of JANE EYRE - gives here what's quite likely the best performance of his career. His Wentworth's subtle yet barely suppressed anger hits Anne like a bombshell. The emotion is slow paced and very flowing - but it's nonetheless quite palpable.
The entire cast, in fact, gives every cause for high praise -- most notably Corin Redgrave (brother of Lynn and Vanessa) as Anne's vain and spendthrift father, Sir Walter Elliot, Sophie Thompson (sister of Emma Thompson) as Anne's self-centered younger sister Mary Musgrove, and Fiona Shaw (Mrs. Reed in 1996's JANE EYRE) as the indomitable Mrs. Croft - each are absolutely perfect in their respective roles.

Many a time, upon a weekend afternoon, I've placed this tape into my VCR and played it while occupied with various household chores. As ever and as always, this film offers up its many beauties, and they never fail to enchant me: the long walks through the pristine and stately New Forest - the excursions with the Navel men striding proudly along jetties of the shores at Lyme - the atmospheric turns about the drizzly sidewalks, the pump rooms, and the concert halls of Bath. Such are the scenes that eternally soothe a spirit ~

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Mansfield Park (BBC, 1986) (1983) Review

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(More customer reviews)Contrary to the other reviewers, I find this version of Mansfield Park is exactly how I imagined it when I read it. I wonder what the others were expecting in a poor girl at the mercy of difficult relatives? And, did they expect it to be more romantic? I found the acting to be exactly what I'd expect for people of the type Jane Austen described in her book. Especially in England at that time. This is not a happy book, by and large. Perhaps the readers imposed their own world onto Ms. Austen's prose when they read it. Perhaps they are not aware of the difficulties of daily life, even for the leisure class, at that time. I've watched it many times, and showed it to my friends and sisters, and we all love it!

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Emma (BBC, 1972) (1972) Review

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(More customer reviews)I've seen all three film productions of Jane Austen's "Emma," and while all of them have merit, I appreciate that this version is the one that's closest to the book. I'll have to reread my copy of "Emma," but it seems to me as if this movie is taken verbatim from the book. Unlike the Gyneth Paltrow and Kate Beckinsale Emmas, this movie takes a while to draw you in, but once you are drawn in--about the time Mrs. Elton (Ellen Dryden) appears--you're hooked. Dryden's portrayal of the hilariously vulgar Mrs. Elton is practically perfect. Doran Godwin, as Emma, sometimes seems a bit too prim, but she grows on you as the movie progresses. Debbie Bowen, as Harriet Smith, is certainly the best Harriet Smith of the three films. I also enjoyed Ellen Dryden's portrayal of Mrs. Weston, and the actor who plays Mr. Weston gives life to what is a very minor character in the other two movies. Also totally charming, and just as I imagined him is Donald Eccles' portrayal of Mr. Woodhouse. To sum up: you may feel impatient with this movie at first, but watching it to the end is worth the wait.

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This bbc production set in the small town of highbury depicts the often hilarious attempts of miss emma woodhouse to make proper marital matches for all of her friends.Studio: Warner Home VideoRelease Date: 02/22/2005Starring: Doran Godwin Ellen DrydenRun time: 240 minutesRating: NrDirector: John Glenister

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Persuasion (BBC, 1971) (1971) Review

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(More customer reviews)I saw the review above and thought that I should offer another opinion to anyone thinking of buying this video. I felt that the 1995 version was extremely shallow and the characters not faithfully suited to Austen's intended personalities at all. This version's Anne shows extremely well the reactions and feelings of a mature woman who is remembering a distant past. She remembers more and more as the story continues just how afflicted she has been and how lowly she has felt over the previous years. She tries to keep her feelings in check but they slowly overwhelm her. I found this version very touching despite the 1971 production. The Anne of the 1995 version seems to be always pouting. Her unmarried sister is shown more as being rude and apt to throwing tantrums even though Austen protrayed her as indifferent, selfish and conceited. That is just the beginning of the incorrect portrayals of Austen's characters in the 1995 version. If you loved the novel, see this movie.

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Masterpiece Theatre: Northanger Abbey (2007) Review

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(More customer reviews)Of the 3 adaptations produced by ITV in 2007, Northanger Abbey was the best (or the least bad to be honest). I have received the DVD now and I notice to my disappointment, anger and outrage that PBS is cheating its public by selling a cut version of the adaptation. PBS had acknowleged it was going to broadcast a cut version, but it had also promised that the full and complete version would be in the DVD, and that is NOT true. They are selling the cut version only. So beware, do not order this DVD unless you want only an incomplete version. Furthermore, it is advertised as close-captioned, and that is not true, there are no subtitles nor close caption in this DVD

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Item Name: Masterpiece Theatre: Northanger Abbey; Studio:WGBH Boston

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Sense and Sensibility (BBC, 1981) (1985) Review

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(More customer reviews)Having seen the praised American version of this novel I was delighted (especially by Emma Thompson ). Sometimes I had a feeling of too much drama in that film. But I had not read this novel for some years, so I did not know why.
I read the novel again and realized that film was the American way of showing Jane Austen and her time: the men always riding (like cowboys), an education full of freedom even for girls ( Margret and her hut in the tree ...), rain in every turning point or dramatic situation ....
The BBC adaption of this novel tells the story in a more careful, smooth way, true to the novel, few thrilling scenes, but more charming ones. There is time to look at the characters, to feel with them, to see Jane Austen's English humour in some scenes and her feeling for romance. Sometimes I think there are real people on the screen, not heroes. That is one more reason for liking this film as much as the big American movie, or even better. If you want to see Jane Austen brought to life for young people today who need exaggerated feelings to be able to feel and action to find a film worth watching, then switch on the Emma-Thompson-version. If you want to travel back in time and do not want to be rushed into new situations, then watch the BBC production. It is entertaining, touching and teaching in a smooth way. It is holiday for your brain and nerves.

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Masterpiece Theatre: Mansfield Park (2007) Review

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(More customer reviews)It is a truth universally acknowledged that Jane Austen fans have yet to find an adaptation of "Mansfield Park" that truly does justice to the novel. "Pride & Prejudice" and "Persuasion" have their share of successes, with the 1995 versions and the recent versions having (for the most part) become instant classics and fan favorites. But not so for poor "Mansfield Park."
I wanted so badly to love this version, especially with all the press hoopla surrounding the casting of Billie Piper (Dr. Who). The 1980s version starring Sylvestra Le Touzel remains the most faithful adaptation of the book, but has become outdated, is slow moving and tends to drag in places. The 1990s version starring Frances O'Connor is an anathema to Austen purists. This is Mansfield Park in name only, and is a slap on the face for true fans of the book. In short, Janeites were ready for a new and improved adaptation of "Mansfield Park."
Sadly though, this new version falls short of expectations. If you have not read the book, then you will probably like it. If you have - and especially if you count yourself as an Austen purist - then there are many aspects of this version that you may find irritating (or worse..).
I dislike starting my reviews on a negative note, but I was disappointed with this one. Among the shortcomings are as follows (warning - SPOILERS):
- Casting of Billie Piper and Maggie O'Neill. Personally, I find Billie's blonde hair and dark eyebrows very distracting and far too modern for a period piece. Ladies in the Regency era tied their hair back in a bun but the filmmakers totally disregarded this and left Billie to run around like a wild child instead of a proper Regency lady. I also took issue to Maggie O'Neill who was not quite the right age and was a tad too "fine looking" as the widow Mrs. Norris.
- Very choppy beginning. It almost feels like the first half hour is filmed in hand-held camera. It is annoying and gave me a headache.
- Too many scenes were altered or omitted entirely. Many characters do not even make an appearance. There is no visit to the Price family home in Portsmouth; no visit to the Rushworth home; Maria and Julia Bertram disappear in the second act, when Maria and Rushworth marry; Maria and Julia Bertram and Mr. Yates are mere cyphers and don't have much to do; other than William Price, all the other Prices (including Susan) are absent in this story...and the list goes on.
- Scenes jump around and there is little coherence to the screenplay. Novices to the story will be confused (especially in the beginning) as new characters come and go, there is little character development and no fluidity as the scenes move from one to another. Everything in the first act is rushed and you feel like the filmmakers are trying to cram hundreds of pages of storyline into the first half hour.
There is, however, a light at the end of the tunnel. The story does improve as you go along and the last half hour provides some memorable highlights. Blake Ritson's Edmund proves to be swoon-worthy in some key (romantic) scenes from the book. The 'thunderbolt' scene (you will know what I mean when you see it) up until the end is certainly worth seeing. Jemma Redgrave's Lady Bertram also does some scene stealing of her own.
Most of the cast are perfect for their roles. Blake Ritson is quite dashing (in a solemn, Byronic way) and handsome as Edmund Bertram and Joe Beattie makes for a charming and attractive Henry Crawford. Jemma Redgrave, Douglas Hodge (Sir Thomas Bertram), Hayley Atwell (Mary Crawford), Michelle Ryan (Maria Bertram) and others are well cast. Hayley Atwell shines as the scheming, manipulative and lovely Mary Crawford. Jemma Redgrave's portrayal of Lady Bertram is a change from the book, but I actually liked it. She gave an otherwise bland character added dimension and some warmth. Douglas Hodge (a veteran of British period dramas) is excellent as always.
All in all, this version has a bumpy beginning but a much improved second act, overall good casting, mediocre screenplay and what appears to be a relatively low budget (all of the scenes were filmed in one location - yes, no kidding). If you want a more faithful adaptation of Mansfield Park, look to the 1980s version starring Sylvestra Le Touzel and Nicholas Farrell (who, incidently, play Mrs. Allen and Mr. Musgrove in the new versions of "Northanger Abbey" and "Persuasion", respectively).
Of the 3 recent Austen tv adaptations, this is my least favorite. For my choices in the recent Masterpiece Theater dramas, my vote goes to "Northanger Abbey" with "Persuasion" a distant second. I have yet to see the new version of "Sense & Sensibility" so I will reserve judgement until then. This "Mansfield Park" is certainly worth a viewing, just make sure to keep your expectations in check.

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In one of Austen's most complex plots, Billie Piper (Doctor Who, The Ruby in the Smoke) stars as Fanny Price, who goes to live with prosperous relatives at Mansfield Park. Fanny navigates a labyrinth of intrigues and affairs among the occupants of the house, while her cousin Edmund Bertram (Blake Ritson, Inspector Lynley Mysteries) remains her stalwart confidant. Also starring Jemma Redgrave (Bramwell) as Fannyís observant aunt.

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Wives and Daughters (2002) Review

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(More customer reviews)This is a superlative period piece and a brilliant adaptation of Elizabeth Gaskell's 1865 novel of the same name. This BBC mini-series is a superb costume drama with stellar performances by the entire cast. Set in rural England, the film centers around Molly Gibson, the seventeen year old daughter of a country doctor. Richly drawn portraits of Molly's neighbors and friends quickly emerge and weave an absorbing tapestry of nineteenth century life.
Molly and her father, a widower for most of Molly's life, have an exceptionally close and loving relationship. Their relationship is put to the test when he decides to marry a widow and former governess, Hyacinth, who is a pretentious, self absorbed, ridiculous woman. She has a grown daughter named Cynthia, a beautiful young woman, close to Molly in age, but as different from Molly as night and day. Cynthia is best described as a Marilyn Monroe of the Victorian age. Cynthia and Molly become fast friends, while Molly barely tolerates her nigh intolerable step-mother.
The series really revolves around Molly's relationships with all the characters in the production and her handling of the various everyday situations in which she finds herself. Richly drawn, memorable characters, as well as intrigues, secrets, and romance, make this a highly absorbing drama and one that those who love period pieces and lush, well acted costume dramas will enjoy. It is simply a masterpiece.
With stunningly crisp visuals and beautiful clarity of sound, the production value of this three disc, five hour DVD is simply first rate. It is also value laden with some very interesting features. There is an engaging fifty five minute portrait of Elizabeth Gaskell, the author of the novel upon which this mini-series is based. There is a also a twenty minute documentary on the making of the film which is entertaining, as it gives a bird's eye view of the thought that went into the making of the film and the development of the characters. There is also a who's who guide to the performers. This DVD is well worth having in one's collection.

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From the team that brought you "Pride and Prejudice." Set in a richly portrayed society well-stocked with eccentric nobles and gossipy villagers, the story centers around 17-year-old Molly Gibson, the only daughter of a respected country Doctor.

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Emma (A&E, 1997) (1997) Review

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(More customer reviews)This version is true to the book and the acting is superb. The novel's complexities are brought out by the actors in subtle ways. Kate Beckinsale was the perfect choice for Emma because she played her duel layers so wonderfully. Beckinsale played Emma's intelligence against her lack of knowledge of the world, without being dumb. She showed that Emma thought she was superior and had to learn that someone's rank in society does not make them a better person. Mark Strong is great as Mr. Knightley. He plays it serious and heartfelt. Strong brought out Knightley's strong beliefs and feelings with grace. Everyone else was also cast perfectly. The story was very loyal to the novel. Emma is funny, but really a serious novel about women's place in society. This version showed all these conplexities with ease and grace. It was beautifully shot and directed. This is truly an adaptation to be proud of and lots of fun to watch over and over. Emma is my second favorite Austen novel on behind Persuasion. I am glad Austen's less popular works had such great adaptations. Emma got the right treatment here concidering it was Austen's longest novel... I am happy to say that enough people liked it to make this great adaptation of her work.

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EMMA - DVD Movie

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Emma (2009) Review

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(More customer reviews)Being an avid Jane Austen fan, I have watched every single adaptation of Emma (as well as Austen's other works). The older 1972 BBC adaptation, Emma (BBC, 1972) was quite tepid and the lead actress was not very inspiring in her role, lacking the upbeat, and sunny disposition that one associates with Austen's character. Then there was the A&E version starring Kate Beckinsale in the title role, in Emma (A&E, 1997) which though much better than the 1972 version (which also suffered from inferior production qualities), was still not the best adaptation. Finally, there was the movie version of "Emma" starring Gwyneth Paltrow, and until this current adaptation, this was actually my personal favorite (even though I personally found Paltrow's accent rather stilted)- it was a gorgeous movie with beautiful cinematography and the chemistry between Emma (Paltrow) and Mr. Knightley (Jeremy Northam) was simply wonderful and altogether credible.
This is truly a stellar production in terms of casting, and production qualities. The title role of Emma is credibly portrayed by Romola Garai, who has also been in other notable productions such as I Capture the Castle,and Daniel Deronda. She is perfectly cast - luminously beautiful, snooty, a busybody matchmaker wannabe who feels self-justified in her quest to pair off couples regardless of their own wishes, and yet possessing of a warm and sunny disposition. Romola Garai convincingly portrays all of Emma's characteristics - both her lovable and annoying qualities, her immaturity and impetuousness, and also shows her ability to transform from a self-centered immature young girl into a mature woman who realizes her flaws.
The other lead is of course Mr. Knightley, and he is also convincingly portrayed by Johnny Lee Miller, who had portrayed Edmund Bertram in the 1999 movie adaptation of "Mansfield Park"Mansfield Park (1999) which was rather reviled by critics and purists alike for its liberal adaptation of Austen's classic. Miller was also excellent as Lord Byron in Byron.I was quite concerned initially because I had always thought Jeremy Northam's portrayal of Knightley to be the best thus far, but Miller comes close, and in fact brings a new interpretation to the character that I really appreciated. There is this one scene in the series where Emma invites Knightley to dance, and as they dance...viewers get the sense that these are two individuals who are gradually realizing their real chemistry, not just as childhood friends and relatives-in-law, but as true soulmates. It is definitely one of the most romantic parts of the series and a highlight!
The other characters are also generally well-cast - Mr. Woodhouse is played to delightful effect by Michael Gambon (aka Dumbledore in the Harry Potter movie franchise); Harriet Smith is portrayed by Louise Dylan (though I still prefer Toni Collette's portrayal of Harriet in the movie version); the talented Jodhi May plays Emma's governess turned Mrs Weston (Jodhi May is a veteran of BBC productions and Henry James' The Turn of the Screw, The Other Boleyn Girl (2003 BBC Version), as well as others, including the coincidence that she was also in Daniel Deronda cast as the Jewess Mirah Lapidoth who attracts the attentions of Daniel Deronda, showcase her diverse acting talent); Frank Churchill is portrayed by Rupert Evans and I must say this particular adaptation portrays Frank Churchill in a thoroughly unflattering light - the man is simply infuriating, and gives Mr. Elton a run for his money! Mr. Elton is played by Blake Ritson who recently portrayed Edmund Bertram in Masterpiece Theatre: Mansfield Park.
The cinematography is excellent, capturing the beauty of the lush English countryside through the seasons, and the score is memorable (I still cannot get the music from the Emma-Knightley dance out of my mind!). The costumes are gorgeous - simple in their beauty, yet detailed and period-accurate, and the other production qualities are impeccable (the English manor houses picked for the various residences such as Hartfield etc are well-chosen).
Austen purists might take issue with some of the liberties taken here - the way the characters are portrayed, missing dialogue, the sequencing of certain story arcs, etc - but I still loved this adaptation - it is sunny, and bright, and all that I love in an Austen adaptation, and it is certainly my favorite adaptation of "Emma" thus far!
DVD features
Contains the scenes deleted from the PBS airing, and in addition:
Emma's Locations - this nine-minute featurette focuses on the locations used during Emma's filming, and why these places were chosen. I just loved the places they used (as is the case with most BBC period dramas) and found this illuminating.
Emma's costumes - this twelve-minute featurette explores the details behind costuming decisions for this period drama, including the choice of fabrics, color, etc. It's really a wonderful opportunity to see what goes on in the costume department, and these folks certainly take their jobs seriously, to wondrous effect!
Emma's music - this ten-minute featurette explores the music behind Emma with a brief description of how one goes about creating a score that matches the mood of the drama (I'd say they did a great job, especially on that Emma-Knightley dance!), and how important this is as the score should complement and not detract from the show itself.
Emma's Mr. Woodhouse - fans of Michael Gambon (aka Dumbledore) will rejoice in this thirteen-minute featurette. This veteran actor is truly a great talent, and this interview covers his career from his early beginnings in the craft until today. It's more of a special focus on Gambon, not so much on his role in Emma, but it is a nice touch nevertheless.
I did wish they had a director's commentary (I guess we'll have to wait for a special edition release for that, and spend more money!), and other cast interviews, sigh...but I'm happy to have the drama itself on DVD so that I can enjoy repeat viewings, and have an Emma adaptations marathon (the 1972 BBC adaptation, Kate Beckinsale's A&E adaptation, and of course, Paltrow and Jeremy Northam's pairing in the movie version). Enjoy!

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Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Harriet to reject an advantageous marriage proposal to a local farmer in favour of dashing Mr Elton. So begins a story which challenges Emma's naivety, her social preconceptions and her relationship with Knightley. Fresh and funny, this perceptive adaptation, featuring a stellar cast, brings Jane Austen's comic masterpiece to life.

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Sense & Sensibility (with Miss Austen Regrets) (BBC TV 2008) Review

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(More customer reviews)Jane Austen fans have reason to rejoice. After a mixed repertoire of new Austen adaptations, BBC has done it again with a pleasurable, charming and faithful adaptation to "Sense & Sensibility."
No doubt this version of `Sense & Sensibility' will be compared to the popular and well-loved 1995 film version starring Emma Thompson and Kate Winslet. And it certainly has big shoes to fill. After all, the 1995 version was nominated for a Best Picture Oscar, won Emma Thompson a Best Adapted Screenplay award and catapulted then-unknown Kate Winslet to stardom. And while that version sets the bar for all other versions that follow, even its most faithful fans would certainly admit that it did have its flaws. For one, at a 2-hour or so running time, the audience was treated to a few excised characters, the absence of some key scenes from the book and some actors who were noticeably too old for their roles.
Nevertheless, I approached this new S&S with some trepidation. I felt that there was no way for this version to top (or even equal) the one from 1995. Imagine my surprise when I found myself totally captivated by the end of this miniseries. While it started slowly, it became more and more enchanting as it went along and I found myself falling in love with most of the characters.
Among its successes are as follows (WARNING - SPOILERS GALORE!!):
1 - A strong screenplay by Andrew Davies. After penning the screenplay to such period drama favorites as the 1995 "Pride & Prejudice" (yes, the one with Colin Firth), "Wives & Daughters," "Middlemarch," "Daniel Deronda" and the new delightful "Northanger Abbey," Andrew Davies is well-known among period drama fans. This strong screenplay manages to stay true to the spirit and tone of the book and Davies successfully brings the novel to life.

2 - Brilliant casting overall. While there are a couple of lukewarm choices, this version has some of the best actors ever cast for S&S roles. Hattie Morahan, Dan Stevens and David Morrissey shine as Elinor, Edward Ferrars and Col. Brandon. Jean Marsh is aptly haughty as Mrs. Ferrars; Daisy Haggard as Anne Steele is funny and very vulgar; Margaret is bright and delightful; and Janet McTeer lends a certain elegance to Mrs. Dashwood. Unlike the 1995 version, the actors here are closer in age to their book counterparts. While Emma Thompson was 36 when she played 20-year old Elinor, Hattie Morahan is 28 (and could pass for 22). Hattie Morahan's intelligent, warm and brilliant turn as Elinor makes her the heart and soul of this story. And I would be very surprised if the ladies in the audience do not fall in love with either Dan Stevens or David Morrissey (or even Dominic Cooper) by the time the credits roll.
3 - Perhaps the most faithful version of the book to date. This version includes all the major and minor characters from the novel, including Lady Middleton, Mrs. Ferrars, Anne Steele and even Col. Brandon's unfortunate ward Eliza (who were all absent in the 1995 version). The actors chosen also closely resemble their characters in age and appearance. And at a 3-hour running time, there is enough time to cover scenes that were missing from the 1995 version as well as develop the characters and their relationships with each other. Some vital scenes that were omitted from the earlier version are also here, including the meeting with the imperious Mrs. Ferrars, the wonderfully awkward scene where Edward is confronted by his mother regarding his secret engagement (which was only talked about in previous versions) and Willoughby's visit to the Palmer's estate in Cleveland. We are shown Allenham (the estate of Willoughby's aunt) and Col. Brandon's estate, Delaford. The plot closely follows what is in the book and some minor added scenes like the duel between Col. Brandon and Willoughby do not take away from the spirit of the book (some might argue that it evens adds a new dimension to the characters. Besides, who wouldn't want a chance to see more of David Morrissey's Brandon?).
4 - Beautiful scenery and locations. The mansions are aptly grand and stately - namely Norland, Barton Park, Cleveland, Delaford and Allenham - and the Dashwood's cottage is humble and small but situated in a spectacular and romantic location amidst hills and crashing waves.
5 - Overall excellent production values. While the recent slew of ITV Jane Austen adaptations had lower budgets, this has the high production values one would expect from the company that gave us the 1995 "Pride & Prejudice", "North & South," "Wives & Daughters" and the upcoming treasure trove of British acting greats - "Cranford" (based on Elizabeth Gaskell's novel. Watch for it in April 2008, US period drama fans!!). The score, for one, is lovely and I applaud the location managers for finding such wonderful and appropriate locations and settings. (It is truly a shame that "Northanger Abbey," "Persuasion" and "Mansfield Park" did not get quite the same treatment. Only think of how much better these would have been at higher budgets and a 3 or 4-hour running time).

I can count very few shortcomings because I feel that the production team and cast really hit the nail in the head with this one. Some people may not like the fact that this version is more dramatic and not as funny and lighthearted as the 1995 version but I feel that the tone of this version is appropriate. The only things I can find fault with are the casting of Dominic Cooper as Willoughby and Charity Wakefield as Marianne. I have a great fondness for Greg Wise from the 1995 version. He is exactly what I would picture Willoughby to be - tall, handsome, charming and dashing - so Dominic just falls short of this (he would have made a perfect Henry Crawford ("Mansfield Park") though). And while I eventually warmed to Charity Wakefield's portrayal of Marianne, it does not quite compare to Kate Winslet's luminous and memorable performance.
So Jane Austen and period drama fans have reason to be hopeful. Those who were disappointed with the recent versions of "Persuasion" and "Mansfield Park" have something to look forward to. "Sense and Sensibility" is at least as good as (if not better than) the 1995 version and I believe that this will delight Janeites and British drama fans of all ages. This will definitely hold a special place in my British drama dvd collection.
So how does this compare to the other new adaptations? To me, this almost ties (or is a close second to) "Northanger Abbey" and is much better than "Persuasion" and "Mansfield Park." And if you enjoyed PBS Masterpiece's `Complete Jane Austen,' be on the lookout for "Cranford" (starring acting greats Judi Dench, Michael Gambon, Eileen Atkins, Francesca Annis, Imelda Staunton and Leslie Manville - and former Austen drama alumni Simon Woods, Greg Wise and Julia Sawalha) coming in May on PBS.

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From acclaimed writer Andrew Davies (BBC’s Pride and Prejudice starring Colin Firth) comes this enchanting new adaptation of Jane Austen's classic novel about love and marriage. Marianne Dashwood wears her heart on her sleeve when she falls in love with the charming but unsuitable John Willoughby, ignoring her sister Elinor's warning that her impulsive behavior leaves her open to gossip and innuendo. Elinor, sensitive to social convention, struggles to conceal her own romantic disappointment, even from those closest to her. Will the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love?DVD Features:Audio CommentaryInterviewsOuttakesPhoto gallery

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Lost in Austen (2008) Review

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(More customer reviews)I first started hearing about this at a favorite fanfiction sight. I ended up buying a Region 2 DVD from England and buying a multi-region DVD player just to satiate my curiousity. I WAS NOT DISAPPOINTED. The premise of modern day Pride&Prejudice fanatic, Amanda, finding herself swapping places with Elizabeth Bennet is right out of a sci-fi, paranormal flick-- but once the story gets rolling in Regency England, the pace is fast and one better not blink! The quick, cheeky conversations, and the twists & turns far flung from Jane Austen's original are entertaining and LOL funny. Elliot Cowen as Mr Darcy is outstanding. I think Jane Austen herself would have cast him! He had just the right amount of haughtiness, pride, arrogance, distain and finally tenderness. He gave me chills when he gave Amanda a proper set down at Netherfield; so believable. The escape from Austen's usual canon was surprisingly refreshing and the play with characters was delightful. If you are expecting Austen's masterpiece P&P, this is not it. However, my Austenite sensibilities were not in anyway offended by this blatant & somewhat contrived story. Not wanting to give anymore away, let's just say that the entire ensemble was perfectly cast. It is all done in good humour and very tongue-in-cheek. But I must admit, that had I been in Amanda's shoes, I am certain I would have behaved better! And yes, I'll probably pre-order the Region 1 DVD, too!

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Amanda Price is sick of the modern world. She yearns for the romance and elegance found in the books by her favorite author, Jane Austen. But she's about to get a rude awakening as one fateful evening, she is propelled into the scheming 19th century world of Pride and Prejudice while that book's Elizabeth Bennet is hurled into hers. As the book's familiar plot unfolds, Amanda triggers new romantic twists and turns within the Bennet family circle as she clumsily tries to help the sisters nab husbands and even captivates the tantalizing Mr. Darcy herself. But what about Elizabeth...and what will become of one of the world's greatest love stories?Stills from Lost in Austen (Click for larger image)

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Pride and Prejudice (Restored Edition) Review

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(More customer reviews)I cannot say enough good things about this film. As a movie buff and English teacher I can honestly say that this is the finest film adaptation of any classic novel ever made. The screenplay is remarkably faithful, the costuming and settings are breathtaking, and the casting presents the strongest and most consistent ensemble I have ever witnessed. All this coming from someone who has never seen a good film version of any novel to the extent that I no longer thought it possible. Ladies beware, Colin Firth as the definitive Darcy will make you swoon. Jennifer Ehle, as Lizzy, has stolen my heart. Please don't tell my wife but I have never been so deeply in love with any actress. Her inspired interpretation of Elizabeth Bennet does Austen's brilliant satire great credit. No one has ever rendered Austen's sardonic character studies more vividly than Simon Langton's production. Persuasion was wonderful, Sense and Sensibility was remarkable, but this rendition of Austen is absolutely sublime. Without a doubt one of the best things I have ever seen on the silver screen. An absolute MUST for all Jane Austen fans.

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PRIDE AND PREJUDICE has taken its place as one of the greatest television productions of all time. The landmark adaptation from A&E and the BBC captured the hearts of millions by seamlessly translating the wit, romance, and intelligence of Jane Austen s classic novel to the screen.With a masterful script, deft direction, and star-making performances from Colin Firth and Jennifer Ehle, PRIDE AND PREJUDICE transports viewers to Georgian England, where affairs of the heart are an exquisite game, and marriage the ultimate prize. But Elizabeth Bennet spirited, independent, and one of five unmarried sisters is determined to play by her own rules and wed for love, not money or privilege. Will her romantic sparring with the mysterious and arrogant Darcy end in misfortune--or will love's true nature prevail?Now beautifully remastered for the ultimate in picture and sound quality, relive the timeless classic PRIDE & PREJUDICE on 2 DVDs.

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