Showing posts with label historical drama. Show all posts
Showing posts with label historical drama. Show all posts

The Scarlet Pimpernel (1982) Review

The Scarlet Pimpernel (1982)
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My sister has raved about this film for as long as I can remember. When I failed to find it in our local video store, she told me not to worry, as she had recently bought it and would lend it to me. Well, having now seen the film, I can understand why she raved about it. It is a vastly entertaining film, filled with a smattering of history, swashbuckling action, political intrigue, romance, and droll humor. Couple all this with some very good acting and direction, and one has a must-see period piece. It is historical fiction brought to life.
Based loosely upon the novels of Baroness Orczy, the Scarlet Pimpernel is the hero of beleaguered eighteenth century French aristocrats. The Scarlet Pimpernel dedicates himself to rescuing aristocrats that, in the Republic of the post-revolution era, are destined to lose their heads in the feeding frenzy engendered by the minions of Robespierre. Just who the Scarlet Pimpernel is, the French have not a clue, other than he is believed to be an Englishman. The viewer, however, is on the secret of his identity from the very beginning.
Anthony Andrews plays the extremely foppish dandy, Sir Percy Blakeney, who is about as blue blooded as one can be and live. He is also the wealthiest man in all of England. Given to amusing his fellow aristocrats with bons mots, he also devises entertaining rhyming couplets about the Scarlet Pimpernel. Speaking in a highly affected voice and sporting the latest in fashionable attire, Sir Percy is a seemingly unlikely action hero. Yet, it is he who rescues those who are destined to lose their heads to the dreaded guillotine. It is he who is the Scarlet Pimpernel.
Since the Scarlet Pimpernel is putting a crimp into the post-revolution blood bath, the feared Chauvelin (Ian McKellen), an ardent revolutionist and hatchet man for Robespierre, seeks to capture him. Chauvelin has a soft side, however, as he is profoundly in love with Marguerite St. Just (Jane Seymour), the premier actress of France and one of its most celebrated beauties. Unfortunately for him, however, Sir Percy has just met Marguerite and been smitten. When Sir Percy romantically woos and wins the heart of Marguerite, she consents to marry him, not knowing that he is the Scarlet Pimpernel. When she marries Sir Percy, Chauvelin stops at nothing to exact his revenge, and his actions eventually cause a rift in the marriage.
What happens to Sir Percy, Marguerite, and Chauvelin is well worth seeing. Anthony Andrews is utterly charming, romantic, and drolly funny in his dual role as the dandified fop/dashing action hero who is in love with the prettiest girl in town. Jane Seymour is perfect as the beautiful thespian who captures the heart of a wealthy aristocrat, only to find, in the end, that she has married a romantic hero. Ian McKellen is effective as the angst ridden Chauvelin, who has had his heart pierced by Cupid's arrow.
This is a wonderful film. Now, having seen it on video, I am eagerly awaiting its release on DVD, so as to add it to my personal collection. It is a film that one can enjoy watching again and again.

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The swashbuckling classic comes to rip-roaring life in this lavishproduction, filled with breathless romance and derring-do! In the eyes of high society, SirPercy Blakeney (Brideshead Revisited's Anthony Andrews) is a typical fop, surroundedby adoring ladies and clueless gentry. However, he is also a master of disguise and bearsan infamous secret identity: the Scarlet Pimpernel, dashing and fearless rescuer of victimsof the French Revolution! Sir Percy also falls head over heels for the beautiful Marguerite(Somewhere in Time's Jane Seymour), who is also wooed by the villainous PaulChauvelin (The Lord of the Rings' Sir Ian McKellan), Robespierre's Chief Agent for theCommittee of National Security. Suave, stylish, and utterly irresistible, this dazzlingadventure is sure to capture your heart!

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The Forsyte Saga - The Complete Series (1969) Review

The Forsyte Saga - The Complete Series (1969)
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Possibly the greatest TV miniseries of all time, it is wonderful that it has been released with great care and pride in this marvelous DVD set.
What sets this particular adaptation apart from others, especially the recent (2002) version, is the outstanding ensemble acting and rich characterizations. For example, as Soames, compare Eric Porter's crisp, impeccable diction in this version with Damian Lewis's mushy delivery in the 2002 version. Compare the delightful, comic realization of James (Soames's father), played by John Welsh in 1969, with the indistinguishable-from-all-the-other-Forsytes character in 2002. Most compelling, compare Nyree Dawn Porter as Irene in 1969, with... well, there really is no comparison here.
Of course, visually, this version suffers compared to last year's. It's shot in black and white, mostly on stage sets. Clearly, they used very few takes (another tribute to the actors), as minor defects like coats falling off racks, cameras getting bumped, slightly muffed lines are retained. But, really, who cares when you're watching the finest combination of acting and screenwriting ever put on TV?
This DVD not only contains the entire set of 26 fifty-minute episodes, but also additional material: cast interviews, behind-the-scenes, even deleted scenes and outtakes. Altogether, a beautiful job.

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The miniseries that started it all! In 1969, a internationally-acclaimed BBC show began airing on the fledgling public broadcasting network. The Forsyte Saga, in telling the remarkable story of a nouveau riche English family, introduced America to a new kind of TV. Millions of Americans devoted the next half year of their lives to following the frank treatment of all sins, foibles and peccadillos of the Forsytes and their circle. The passing decades can never the erase the memory of their extraordinary eveningswith the Forsytes: Kenneth More as Jo, the philosophical outsider; Eric Porter as Soames, the grasping man of property; Nyree Dawn Porter as Irene, "born to be loved and to love" and in later episodes, Susan Hampshire in an Emmy-winning performance as Fleur, Soame's 'restless' daughter. The series was so popular that Masterpiece Theatre was created to meet the new demand for great literary adaptations. With 150 characters, 2000 separate costumes and over 100 sets, this sprawling yet intimate saga continues to move, provoke and entrance viewers today. DVD Features:BiographiesFeaturette:Archival behind-the-scenes featurette


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The Queen's Sister (2006) Review

The Queen's Sister (2006)
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"The Queen's Sister," which had it's American debut on BBC America, tells the story of Princess Margaret. It's a fascinating, yet somewhat uneven, portrait of a royal we don't hear much about anymore. Marginalized by circumstance, she never really had a significant role to play within the framework of the Royal family. So by boredom, rebellion and/or greedy indifference--she began an unconventional lifestyle (for a Royal anyway) revolving around men and partying. Becoming a social celebrity of sorts, she sought acceptance anyway that she could get it and an acknowledgment of her status.
"The Queen's Sister" is at it's most effective when dealing with Margaret's internal struggles. Far from being a standard biopic, it is more of a psychological profile. And when depicting Margaret's search for purpose and worth, it has some nicely poignant moments. Even though she comes across unflatteringly on many occasions, there are times when we clearly see the girl beneath the title. The tone of the film, though, seesaws rather precariously between ribald comedy and quiet despair. This shifting focus does lessen the overall impact of the film, but it's never uninteresting.
The production benefits with a tremendous, vital performance by Lucy Cohu. Spanning 20 years of Margaret's life, it's a showy and robust showcase for Cohu's acting chops. The film is well presented and well done from a technical standpoint. I'm not so convinced that historical accuracy, however, was a top priority to the filmmakers. Nevertheless, I recommend the film to those interested in the Royals--it's a different perspective. And I give a big thumbs up to Cohu who holds everything together with a masterful and complicated performance. KGHarris, 11/06.

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Starring Lucy Cohu and Toby Stephens, The Queen's Sister is an in-depth biopic following the life of Princess Margaret from the days after her father's death in 1952 until the 1970s. Known to be a flamboyant royal, she had many controversial romances and also infamously kissed the daughter of the US ambassador. Included as a special feature is A Royal Scandal, starring Richard E. Grant and Susan Lynch. A Royal Scandal chronicles the infamous 19th century marriage and subsequent marital problems of King George and his wife Princess Caroline of Brunswick.

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Bertie and Elizabeth: The Reluctant Royals - The Story of King George VI & Queen Elizabeth (2002) Review

Bertie and Elizabeth: The Reluctant Royals - The Story of King George VI and Queen Elizabeth (2002)
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Bertie and Elizabeth is the story of the courtship and marriage of Prince Albert, Duke of York and second son of King George V, and Lady Elizabeth Bowes-Lyon. This has historical significance in that Bertie and Elizabeth became King George VI and Queen Elizabeth in December 1936 upon the abdication of Bertie's older brother King Edward VIII, who became Duke of Windsor. George VI and his Queen led the British monarchy through World War II and the beginning of the dissolution of the British Empire before the King died in his sleep in 1952.
The first segments of this story are well done but a bit thin in historical detail. I would like to have seen more of the difficult relations between Bertie and his parents, and I feel personally that the character of Edward VIII was drawn to be crueler than he deserved. (While there is no doubt that the Duke of Windsor was self-absorbed, he was kinder to his siblings, particularly Bertie and his stuttering problems, than this film depicts.) I also think Elizabeth's character comes off as superficial too much of the time, and that Wallis Simpson is made out to be far nastier than she deserves (I don't have much use for the Duchess of Windsor, but most of her missteps were out of ignorance rather than malevolence.) I enjoyed the scenes showing Elizabeth's working to help her husband overcome his stammer, though I rather doubt they really spent much time on the floor of the doctor's office.
The Abdication scenes and the early years of George VI's reign are well done, particularly the Royal Visit to President Roosevelt in 1939, but things get skimpy again in the World War II years. I don't understand why Elizabeth's famous comment that she could at last look the East End in the face after Buckingham Palace was bombed was left out. I also don't quite see the point of spending so much time focussed on Queen Wilhelmina of the Netherlands and her wartime travails. Some of the characterizations of generals and politicians are very well done indeed, particularly Montgomery and Churchill. (Its nice to be reminded of Churchill's sense of humor!!) The last few segments showing the King's final years are also nice. Queen Mary's shocked reactions are used to good effect to emphasize the advent of change in the late 1940s with the election of a Labour Government. (Clement Attlee is also very well done.) I also thought Elizabeth Dermot Walsh's portrayal of Princess Elizabeth (the present Queen) as a cool headed pragmatist extremely well done.
My only real disappointment with this film is that it is too short. A six hour mini series would have covered the period with far more detail and historical accuracy. But this film does reveal the humanity and courage of a King who did his duty and of the Queen who loved and supported him. Its a nice reminder these Windsor-bashing days.

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James Wilby (Gosford Park) and Juliet Aubrey (Middlemarch)portray the reluctant royals who became king and queen of England whenEdward VIII gave up the throne for the woman he loved, on Bertie &Elizabeth. Albert, Duke of York, called Bertie, married Lady ElizabethBowes-Lyon in 1923 after a storybook courtship. Expecting a life ofgenteel obscurity, they were thrust into the limelight in 1936 whenBertie's older brother, Edward VIII, abdicated to marry thetwice-divorced American socialite Wallis Simpson. Shy, modest, and ahabitual stutterer, Bertie was crowned King George VI just as hiscountry faced the onslaught of World War II. With the help of hisdevoted Elizabeth, he rose magnificently to the challenge. Bertie &Elizabeth also stars Alan Bates (Love in a Cold Climate) as Bertie'sfather, King George V; Eileen Atkins (currently starring with Bates andWilby in Gosford Park) as his mother, Queen Mary; Charles Edwards asEdward VIII; Amber Rose Sealey as Wallis Simpson; David Ryall as Winston Churchill;Robert Hardy (Lucky Jim) as President Franklin Roosevelt; and CorinRedgrave (Persuasion) as General Bernard Montgomery.

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An Old Fashioned Thanksgiving (2008) Review

An Old Fashioned Thanksgiving (2008)
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An Old-Fashioned Thanksgiving is one of Hallmark's better holiday movies. Not as "sweet" and predictable as most Hallmark movies; this one has some "bite" to it, and that makes it believable. All of the actors are excellent, giving their characters depth--even the youngest boy is very, very good. As always, Jacqueline Bisset is a pleasure to watch--she is always so compelling in any of her roles. To be believable as a grandmother is a feat in itself, for she doesn't seem old enough even now.
Having never read the Alcott story this is taken from, I have no idea how closely it stays to the short story, but it is a fine movie on its own. I definitely give it 5 stars!

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Inspired by a short story, Isabella Caldwell is a high-society woman in late-1800's New York. When Isabella's estranged daughter Mary becomes ill and is too proud to ask her mother for assistance, Mary's daughter, Tilly, takes it upon herself to contact her grandmother and plead for help. Isabella's arrival causes an upheaval in many lives, but may also lead to reconciliation within the family.

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Rome: The Complete Second Season (2007) Review

Rome: The Complete Second Season (2007)
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I thought Rome Season 1 was excellent. Season 2 I didn't think was as enthralling, but when you come from 'excellent', the next place down is 'very, very good' and that's what this is.
Others have expounded on inaccuracies as to the history. As a student of history myself, I can understand the frustration. However, these things do not bother me generally as I watch series like these to escape. All I generally ask is that I be entertained. (NOTE: I admit that my 'laidbackness' did not extend to the massacred 'Troy' which was so very inaccurate in so many particulars and not even that entertaining).
So that entire paragraph above was meant to convey the following: Put aside your history books, forget the 'true' story and allow yourself to be immersed in the grandeur and sumptiousness that is this BBC/HBO production.
I believe that you will love many of the characters (notably Atia) - and love to hate others (notably Atia). You will be sad and happy and yes - horrified at times, but you will not say that you were not invested in some measure. Note that even those not as enamoured of the series as I, watched every episode AND took the time out to write reviews. That must tell you something. Rome is something to witness and talk about, whatever your view.
WARNING: If the DVD is the first time you are watching this, clear hours of your day. You will be captivated in one way or another and that smell wafting through your living room will be the forgotten pot on your stove.
I highly recommend this series and enthusiastically give it 5 stars (wish there were 6).

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The year is 44 B.C. Julius Caesar has been assassinated and civil war threatens to destroy the Republic. In the void left by Caesar's demise, egos clash and numerous players jockey for position. The brutally ambitious Mark Antony attempts to solidify his power, aligning himself with Atia, but coming to blows with her cunning son Octavian, who has been anointed in Caesar's will as his only son and heir. Meanwhile Titus Pullo attempts to pull his friend Lucius Vorenus out of the darkness that has engulfed his soul in the wake of personal tragedy. For once again, the fates of these two mismatched soldiers seem inexorably tied to the fate of Rome itself.

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