Showing posts with label james mason. Show all posts
Showing posts with label james mason. Show all posts

The Desert Fox (1951) Review

The Desert Fox (1951)
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Originally copyright by 20th Century Fox Film Corporation, in 1951, only six years after the end of World War Two, this black and white film gives a shallow overview of the last years of German Field Marshal Erwin Rommel: the Desert Fox.
Once you get past the opening rather stagey scenes, of British commandos raiding a German headquarters building in north Africa, hoping to kill the Desert Fox in his lair, the rest of the film is carried along guite well, by the great performance of James Mason, as Rommel. This performance is the only reason I rated this film as four stars, without Mason I would have been disapointed.
Other members of the cast do fine jobs too, notably Cedric Hardwicke and Leo G. Carroll. One can find good entertainment based on real events.
D-Day: the invasion of Normandy, is a highlight of this film. There are several minutes of what appears to be genuine newsreel footage of the storming of the beaches: the ships off shore, the guns, the planes, brave men falling. It's all very real at this point.
"The Desert Fox" was made in an era when the directors, producers, and the Hollywood Establishment in general, were less preachy, and less likely to distort the truth in order to promote a social agenda. That is a big plus for this film.
On the down side: the film starts off with several undisclosed advertisements for other videos, of like kind, by Fox. This is borderline dishonest, as consumers have paid for entertainment and expect it to be commercial free. At the very least, the ads should be disclosed, before anyone makes a purchaseing decision.
All in all, "The Desert Fox" is good entertainment and deserves a look.

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James Mason delivers a strong performance in this fascinating portrait of Field Marshal Erwin Rommel. In the early 1940's, Rommel's juggernaut Afrika Korps dominated North Africa. But as the tide turned and he came to the painful realization that his Fuhrer, to whom he hd sworn allegiance, was destroying Germany, his ingrained sense of duty pushed him into a conspiracy against Hitler. Co-starring Jessica Tandy as Rommel's wife and Cedric Hardwicke as another anti-Hitler conspirator, The Desert Fox is an intimate look at one of the most respected military tacticians of modern times.

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The Shooting Party (1985) Review

The Shooting Party (1985)
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The Shooting Party shows the decline of the British aristocracy (and why they became irrelevent) through the story device of a weekend of country shooting and the relationships among the manor head (James Mason), those he has invited, those who are retainers on his estate, and those protesting the shoot.
Mason is absolutely superb. He was a subtle actor who made some awful role choices in his career. This was one of his great roles. In the Shooting Party, he embodies the sadness of the loss of values he treasures as well as an understanding of why these values are being lost.
Update as of November 3, 2006: Please note that I have just looked through the BBC Video's new release of the film. It does the the movie justice. The picture is just a little soft, but the colors are rich and the transfer has clarity. The audio is excellent. The BBC's version is worthy of the film. If I could now change my rating to five stars, I would.
Jusr remember that the version from Jef Films, for all practical purposes, is unwatchable. It looks and sounds as if it had been made from a fifth generation home recorded video tape. Color is faded, the images are out of focus, the sound is variable.

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In October 1913, a group of aristocratic men and women gather for a shooting party at an estate in the heart of the English countryside. Assured and opulent, they move through the elaborate rituals of an Edwardian country house party. But times are changing, The values that have ordered their glittering world will no longer have any meaning in the new age about to dawn.

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Classic British Thrillers (The Phantom Light / Red Ensign / The Upturned Glass) Review

Classic British Thrillers (The Phantom Light / Red Ensign / The Upturned Glass)
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The two Michael Powell directed pictures in CLASSIC BRITISH THRILLERS give good indication of the great work he'd produce later, although they are somewhat hampered by small budgets. The James and Pamela Mason murder mystery is quite engaging.
SYNOPSES--
THE PHANTOM LIGHT-- The lighthouse keeper at a quaint Welsh coast village dies mysteriously, and his lighthouse is now supposedly haunted-- an unexplained light keeps shining on the scene of his death. The story's atmosphere is literal, with lots of blanketing fog, plus a murder mystery that's equally shrouded and obscured. Primarily filmed within a lighthouse, this whodunit has more than its share of ethnic humor.
RED ENSIGN-- Leslie Banks plays a somewhat pushy manager of a shipyard whose revolutionary boat design encounters much opposition and skullduggery from the competition and his own financers.
THE UPTURNED GLASS-- A story told in flashback. Neurosurgeon's affair with a married woman ends with her defenestrated death. Suspecting the woman's sister is involved, the surgeon plots revenge on her. Easily the best of this small collection. Co-written by Pamela Mason.CLASSIC FILM NOIR, Vol. 3 - 10 Movie Pack (from ST. CLAIR) contains one very fine British-made suspense movie, plus many other unusual stories.Parenthetical numbers preceding titles are 1 to 10 viewer poll ratings found at a film resource website.
(5.3) The Phantom Light (UK-1935) - Binnie Hale/Gordon Harker/Ian Hunter/Donald Calthrop/Milton Rosmer
(5.8) Red Ensign (UK-1934) - Leslie Banks/Carol Goodner/Frank Vosper/Alfred Drayton/Donald Calthrop
(6.5) The Upturned Glass (UK-1947) - James Mason/Rosamund John/Pamela Mason/Ann Stephens/Morland Gray

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he British Cinematograph Films Act of 1927 was passed to give motion pictures made in the United Kingdom an edge over Hollywood imports. However technically crude, these low budget quota quickies provided on-the-job training for some of the biggest stars of the Golden Age of British Cinema. THE PHANTOM LIGHT (1935)The disappearance of two lighthouse keepers stationed on the desolate coast of Wales is linked to the specter of a rogue beacon that lures freight ships to their destruction on the rocks. Gordon Harker (Alfred Hitchcock s THE RING) and Binnie Hale (LOVE FROM A STRANGER) star as bickering sleuths who must solve the mystery of The Phantom Light or become its next victims! RED ENSIGN (1935)With England s commercial fleet in decline, idealistic shipbuilder David Barr (THE MOST DANGEROUS GAME s Leslie Banks) conceives a radical new design to revolutionize the industry. Denied capital to proceed by his firm s board of directors, Barr funds the project himself, attracting the support of a beautiful heiress and the attention of a ruthless rival who will stop at nothing, even murder, to obtain Barr s top secret design. THE UPTURNED GLASS (1947)After sparing the eyesight of a young patient, Dr. Michael Joyce falls in love with the girl s grateful mother, Emma Wright (Rosamund John), whose husband has been absent for years. When her man returns unexpectedly, Emma reluctantly ends the affair, only to be killed in a mysterious fall. Using his surgical skills to trace the killer, Michael begins his own investigation but has no intention of handing the murderer over to the police.

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