Showing posts with label katy manning. Show all posts
Showing posts with label katy manning. Show all posts

Doctor Who: Carnival of Monsters (Story 66) (1975) Review

Doctor Who: Carnival of Monsters (Story 66) (1975)
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Another two adventures featuring the intrepid Time Lord are released on DVD, again showcasing different eras from the long running BBC adventure series. "Carnival of Monsters" dates from 1973 and the tenth season of the show, with the companion release "Resurrection of the Daleks" hailing from season twenty-one broadcast in 1984.
As with all the previous DVD releases of Doctor Who, the archive material has been painstakingly restored, with spectacular results. Each of the two stories looks as impressive as when the adventures were first broadcast all those years ago. In addition to the restoration, a number of very interesting extras has been added to both releases which are almost worth the price of the discs alone.
Starting with the earlier adventure, starring Jon Pertwee as the third incarnation The Doctor, there are a lot of goodies included along with the four-part adventure. The story itself marked something of a watershed in the Pertwee era, since it was the first to feature the Doctor traveling freely in time and space since the black and white Troughton era which ended in 1969. The intervening seasons had become somewhat tedious with endless earth bound adventures, albeit with occasional escapes for the Doctor, so it was refreshing to have the Doctor once more freely roaming the universe. "Carnival of Monsters" was the first story to be recorded for season ten, actually being completed as part of the production block for season nine in 1972. It was held over and transmitted second in the tenth anniversary season. It was also the second Pertwee story to be directed by the show's producer, Barry Letts. Letts provides a genuinely interesting commentary along with the other star of the show, Katy Manning, the actress who played the enormously popular Jo Grant. Although a fairly one-dimensional character, Manning certainly brought a great deal of energy and warmth to her portrayal of Grant, and that enthusiasm hasn't been lost in the thirty plus years since the story was made. Manning and Letts are clearly delighted to be reunited again for this DVD, and their commentary is entertaining, informative and indeed delightful. There are also on screen captions to fill in the gaps in their memories.
This release differs from the earlier VHS release considerably. The four episodes have been re-mastered from the original broadcast tapes. All the additional footage and indeed edits from the VHS release have been included as extras rather than in the body of the programme. There is also a fascinating, but short, behind-the-scenes look at the making of the programme, plus an abandoned reworking of the theme tune, some model work, a photo gallery, the trailer from a 1981 TV repeat and an Easter egg to find.
The story itself is witty and refreshing, being penned by the programmes most prolific and popular writer, Robert Holmes, and acted well by the assembled cast. Sadly, I would say the production is let down by some gaudy design and costuming, particularly the scenes on the alien planet, but that was often the case with the Pertwee stories. The sister release, "Resurrection of the Daleks" is quite different and much darker in tone and appearance. Heralding the return of the Doctor's oldest and most popular enemies after a five year absence from the show, this story is from the end of Peter Davison's rather brief reign as the fifth incarnation of the Time Lord and indeed marks the end of an era as it includes the departure of the long running companion Tegan Jovanka, played by Janet Fielding.
One of the things I was dreading for this release was the commentary featuring Davison, Fielding and director Matthew Robinson. Davison has not exactly been enthralling with the earlier releases he has contributed to, and as most hard-core fans of the show know, Fielding has been extremely critical of the show; particularly it's portrayal of female characters in the years since she relinquished her role. However, I am delighted to report that their commentary is wonderful! Definitely the highlight of the release. Obviously Fielding has rediscovered her sense of humor, and doesn't even seem to mind when Davison and Robinson make endless sexist remarks about her costume and legs! Although it's a bit mean, their sending up of fellow actor Mark Strickson (Turlough) is genuinely funny. Robinson is actually the weak link in the commentary team, since unfortunately he is almost impossible to silence, and constantly talks over the other two. But it's a minor quibble.
Another surprise is the inclusion of BOTH John Nathan-Turner; the shows much-maligned long running producer, and his script editor Eric Saward who also penned the script. The two fell out while producing the ill-fated twenty-third season of the show resulting in Saward stalking out of the programme mid-way through production and a great deal of public mud-slinging. Although they are not actually seen together, they've both filmed new sequences with Director Robinson at the locations used for the filming of the story. The on-screen production notes are a little tedious on this release, and there are also two features from the BBC's "Breakfast Time" which actually have precious little to do with the story itself. But they're fun to see again.
It's a taught story, with a stellar guest cast, although like most of the Davison era, it's all a little too complex, and doesn't stand up to a great deal of scrutiny. Some of the plot holes are pretty large, but it still works as a very entertaining piece. The episodes are included as produced, in four 25-minute episodes, even though they were actually transmitted as two 45-minute episodes at the time, thanks to the BBC's coverage of the 1984 Winter Olympics.
They're both great releases, and a welcome addition to the growing Doctor Who DVD library. I'd recommend both discs even if you're not a die-hard fan of the show.

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The Doctor has promised Jo a holiday on Metebelis 3, but the TARDIS materializes not on the famous blue planet, but in the cargo hold of the SS Bernice, sailing to India in 1926. Despite all appearances, the Doctor insists that they are no longer on Earth, but Jo's not convinced, at least not until a sea dinosaur attacks the ship! Millions of miles from Earth, a traveling showman named Vorg and his lovely assistant have arrived on Inter Minor to bring a little sunshine into the humdrum lives of the Minorian officials and functionaries. The dilapidated device they've brought looks rather unpromising until Vorg explains that the entertainment the Scope offers is "live"- it holds actual, miniaturized, living creatures kidnapped from every corner of the universe. There are Cybermen, Ogrons and even a party of rare Tellurians aboard a quaint steamship.DVD Features:Alternate endings:Episode 4Audio Commentary:Actor Katy Manning and producer-director Barry LettsDeleted ScenesFeaturette:Behind the scenes, model sequences, archival featurette by Barry Letts on CSO (blue screen)Production Notes


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Doctor Who: The Green Death (Story 69) Review

Doctor Who: The Green Death (Story 69)
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Global Chemicals have a process that results in 25% more petrol from crude. While that may mean "more money, more jobs" it also means "more muck, more devastation, more death," as well as a doubling in atmospheric pollution. When a miner is found dead in the mine in Llanfairfach, South Wales, covered by a green phosphorescent glow akin to putrefaction, UNIT is alerted. The Doctor, however, wants to go to Metebelis Three to get one of their blue sapphires and Jo wants to help Nobel Prize-winning ecologist Professor Jones and his hippie group of scientists against Global Chemicals.
Soon, two more deaths follow, and Jo and the Doctor discover the cause down the mine--a green petrochemical slime that causes death on contact. Worse, the slime has irradiated maggots to two feet in length who also kill on contact.
The Brigadier, and the Doctor (after a perilous but successful expedition at M3) work against Global Chemicals and the director, Jocelyn Stevens. However, in Episode 1, Stevens is seen talking to (himself?), as if he's under control by someone else.
Professor Jones reminds Jo of a younger version of the Doctor. He believes in using alternative energy sources, such as solar power, movements of the wind, tides, and rivers. No waste means no pollution. Stewart Bevan, then Katy Manning's beau, is a most welcome guest performer as the progressive but ecologically conscious Jones.
This is Jo's show all the way. She did well as the Doctor's assistant, but here, she's more than just a pretty face. Her concern and compassion whenever the Doctor is near death is shown to its best when she hears of the death of Bert, a "funny little Welshman" she only met for a few hours down the mine, but whom she felt was very special. Jones' comforting words to her are magic here. She chooses to go to South Wales instead of "all the time and space being offered" to her by the Doctor. As the Doctor says quietly, "So, the fledgling flies the coop." His reaction after he says goodbye to her at story's end tells his fondness of her.
For a good example of Who, Episode One is simply packed with action and a chain of events that draw the viewer in. The writhing and hissing maggots are well-constructed. They used fox skulls for those up close, and for those far away, inflated condoms! No joke!
Note: Tony Adams (Elgin) fell ill midway through production and so his lines were carried on by Mr. Dalek voice himself, Roy Skelton (Mr. James) in Episode 5. John-Scott Martin (Hughes) is best known for as being one of the men inside the Daleks. Roy Evans (Bert) later appeared next season in The Monster Of Peladon as Rima.
As for errors, notice the hand at the bottom right of screen giving Mostyn Evans (Dai) his cue to speak in Episode One. The CSO effects aren't that good when people go down the mine in the lift. And why use CSO and film intermittently in the "field of maggots"?
Katy Manning not only had three seasons as one of the series' most memorable and lovable companions, but had the best farewell story of any companion. The danger on pollution and condemnation against irresponsible corporations who flagrantly poison the Earth so that the ends (more fuel and money for everyone) justify the means, is still relevant--why else were films like A Civil Action and Erin Brockovich made over twenty years later?
Jo's rallying words at the beginning of Episode One still serves as a reminder today: "It's time that the world awoke to the alarm bells of pollution instead of sliding down the slippery slopes of..." Slopes to ruin, yes. Bye, Jo. We'll miss you!

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The Doctor (Jon Pertwee) joins the Brigadier and Jo Grant in South Wales to investigate the death of a miner whose fatal disease has left his skin bright green.DVD Features:Audio CommentaryInterviewsOtherPhoto galleryProduction Notes


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Doctor Who: The Claws of Axos (Story 57) (1975) Review

Doctor Who: The Claws of Axos (Story 57) (1975)
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The landing of a variable-mass object on Earth nearly proves to be the planet's undoing. The gilded humanoid aliens tell a half truth when they say they need to replenish the energy and nutrition cycle of their organically grown ship. What they don't tell is that they intend to drain all living energy from Earth and leave it a dry husk. The Brigadier, Doctor, government bureaucrat Chinn, and two scientists from the nearby nuclear plant that supplies Britain its electric power, meet the Axons, who give them a gift of Axonite, described as the chameleon of elements, which causes anything injected with it to increase in size. It thus has the potential to solve world hunger and energy shortage problems. Chinn is a typical "England for the English" jerk who wants to keep Axonite only for his country despite the fact that for the Axons' plan to destroy Earth, the substance needs worldwide distribution.
Chinn, under the Emergency Powers Act, overrules the Brigadier in authority and in a petty show of power, calls in regular army troops and has the UNIT troops arrested. The captain is played by a young Tim Piggott-Smith.
The Master has led the Axons to Earth and acts as their agent to get the Axonite distributed throughout the world. This action gets Chinn in hot water and reduces his authority for the rest of the story. The Axons have the Master's TARDIS so he tries to steal the Doctor's, which gets him caught. The Master has the best lines. When he tries to fly the Doctor's TARDIS, he mutters, "Might as well try to fly a secondhand gas stove." During a time when he temporarily aids UNIT, Hardiman, the nuclear plant administrator, asks him if he intends to channel the Axons' power into a police box. To which the Master nods with a mocking smile on his face. He also gives them a flippant advice: "Oh you might want to take the normal precautions against a nuclear blast, like sticky tape on the windows."
Compared to Terror Of The Autons and The Mind Of Evil, Jo doesn't seem to have too much of a role here. She's overshadowed by too many key players in this story. So is Sergeant Benton. The Brigadier and Yates are the most effective here.
The organic interior of the Axon ship is a masterpiece of the BBC set design, replete with bubbles, tentacles, claws, and parts that seem to breathe. The Axon monsters look like orange coloured canvas bags with a mass of thick, spaghetti-like tentacles sprouting from them. The psychedelic images overlaid over the picture is a real trip back in time. The beginning of Episode Four, when the ship is under attack and undergoes a nervous breakdown, is a wow as humanoid faces and Axon monsters float around in a chaotic mess. And the appearance of the Eye of Axos hanging from the ceiling has subtle sexual overtones.
The flaws of nationalistic unilateralism, the importance of having enough fuel, and the dangers of nuclear power, the latter very relevant in the Cold War days during which the story was made, is key to The Claws Of Axos. Maybe the warning: Beware of Axons bearing gifts, is also apt here.

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The Doctor (Jon Pertwee) and Jo grow suspicious when soft-spoken aliens arrive on Earth with the Master hidden aboard their craft.DVD Features:Audio CommentaryFeaturetteOtherPhoto galleryProduction Notes


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Doctor Who: The Sea Devils (Story 62) Review

Doctor Who: The Sea Devils (Story 62)
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As the middle storyline of the middle season in Jon Pertwee's tenure as the Doctor, "The Sea Devils" somehow manages to encapsulate everything that's great about that era in microcosm. And with extensive location shooting and the friendly cooperation and involvement of the British Royal Navy, it does so with a much higher level of verisimilitude and sense of scale than usual, making for an especially memorable adventure. One that's nonetheless entertaining and thoughtful in exactly the ways "Doctor Who" should be.
From one point of view, "The Sea Devils" is a sequel to the classic "Doctor Who and the Silurians" and from another it's simply a heightened reworking of the same story just different enough to stand on its own. The same basic premise is revisited: reptilians (semi-aquatic in this case) who evolved on Earth long before humankind and went into hibernation to avert a disaster have finally awakened thanks to humanity's environmentally intrusive meddling and are seriously intent on retaking their planet for themselves. Once again the Doctor, the voice of reason on the moral high ground, tries to broker some sort of mutually beneficial compromise but to no avail. Mutual distrust and violence prevail. Of course this time we have to add into the equation the Doctor's nemesis (and former friend) the Master, villainously sowing seeds of discord wherever he goes, egging the tragedy along for his own nefarious purposes.
That said, the moral complexity characteristic of "Silurians" is more muted in this tale, hinted at and alluded to but not being allowed to interfere with the action and adventure that had come gradually to be emphasized in the show. The plot treats pragmatic military solutions less harshly, allowing them to come across as more inevitable and necessary here--even to the Doctor himself eventually. "The Sea Devils" is in fact a perfect showcase for Pertwee as the dynamic Doctor, who gets to sword fight with the Master, use his Venusian martial arts on the Sea Devils, rappel down cliffs, and drive any number of fancy water vehicles through the waves. The Master likewise is played brilliantly and inimitably by Roger Delgado, sinister and suave in a manner unique to him. This is one of the few DVD releases to feature him, and it is precious on that score alone. Katy Manning is in perfect form as Jo Grant here too--whoever claims that the Doctor's companions at this time were portrayed as passive and weak sex objects merely awaiting rescue obviously wasn't paying attention here when Jo takes out two armed guards in a matter of seconds with her bare knuckles and rescues the Doctor himself.
Nicely prototypical portrayals of the classic core characters of the series at this time, in short, along with the Doctor's wonderfully snarkish disregard for authority and the odd tension of a loose cannon like him working closely with the military establishment and the refreshingly dry humor so emblematic of "Doctor Who"--it's all here in its quintessential form in a speculative science fiction adventure that's not afraid to be at once both meaningful and thoroughly enjoyable.
P.S. As it so happens, this was neither the first nor the last time the Doctor got caught between two contending sets of Earthlings, reptile and mammal, and "The Sea Devils" can be purchased together with those other two adventures conveniently in one set: Doctor Who - Beneath The Surface (Doctor Who And The Silurians / The Sea Devils / Warriors Of The Deep).

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From a top-security prison on a remote island, the Master is aiding the Sea Devils' plot to eliminate the human race.DVD Features:Audio CommentaryFeaturetteMusic Only TrackPhoto galleryProduction Notes


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