Showing posts with label third doctor. Show all posts
Showing posts with label third doctor. Show all posts

Doctor Who: Carnival of Monsters (Story 66) (1975) Review

Doctor Who: Carnival of Monsters (Story 66) (1975)
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Another two adventures featuring the intrepid Time Lord are released on DVD, again showcasing different eras from the long running BBC adventure series. "Carnival of Monsters" dates from 1973 and the tenth season of the show, with the companion release "Resurrection of the Daleks" hailing from season twenty-one broadcast in 1984.
As with all the previous DVD releases of Doctor Who, the archive material has been painstakingly restored, with spectacular results. Each of the two stories looks as impressive as when the adventures were first broadcast all those years ago. In addition to the restoration, a number of very interesting extras has been added to both releases which are almost worth the price of the discs alone.
Starting with the earlier adventure, starring Jon Pertwee as the third incarnation The Doctor, there are a lot of goodies included along with the four-part adventure. The story itself marked something of a watershed in the Pertwee era, since it was the first to feature the Doctor traveling freely in time and space since the black and white Troughton era which ended in 1969. The intervening seasons had become somewhat tedious with endless earth bound adventures, albeit with occasional escapes for the Doctor, so it was refreshing to have the Doctor once more freely roaming the universe. "Carnival of Monsters" was the first story to be recorded for season ten, actually being completed as part of the production block for season nine in 1972. It was held over and transmitted second in the tenth anniversary season. It was also the second Pertwee story to be directed by the show's producer, Barry Letts. Letts provides a genuinely interesting commentary along with the other star of the show, Katy Manning, the actress who played the enormously popular Jo Grant. Although a fairly one-dimensional character, Manning certainly brought a great deal of energy and warmth to her portrayal of Grant, and that enthusiasm hasn't been lost in the thirty plus years since the story was made. Manning and Letts are clearly delighted to be reunited again for this DVD, and their commentary is entertaining, informative and indeed delightful. There are also on screen captions to fill in the gaps in their memories.
This release differs from the earlier VHS release considerably. The four episodes have been re-mastered from the original broadcast tapes. All the additional footage and indeed edits from the VHS release have been included as extras rather than in the body of the programme. There is also a fascinating, but short, behind-the-scenes look at the making of the programme, plus an abandoned reworking of the theme tune, some model work, a photo gallery, the trailer from a 1981 TV repeat and an Easter egg to find.
The story itself is witty and refreshing, being penned by the programmes most prolific and popular writer, Robert Holmes, and acted well by the assembled cast. Sadly, I would say the production is let down by some gaudy design and costuming, particularly the scenes on the alien planet, but that was often the case with the Pertwee stories. The sister release, "Resurrection of the Daleks" is quite different and much darker in tone and appearance. Heralding the return of the Doctor's oldest and most popular enemies after a five year absence from the show, this story is from the end of Peter Davison's rather brief reign as the fifth incarnation of the Time Lord and indeed marks the end of an era as it includes the departure of the long running companion Tegan Jovanka, played by Janet Fielding.
One of the things I was dreading for this release was the commentary featuring Davison, Fielding and director Matthew Robinson. Davison has not exactly been enthralling with the earlier releases he has contributed to, and as most hard-core fans of the show know, Fielding has been extremely critical of the show; particularly it's portrayal of female characters in the years since she relinquished her role. However, I am delighted to report that their commentary is wonderful! Definitely the highlight of the release. Obviously Fielding has rediscovered her sense of humor, and doesn't even seem to mind when Davison and Robinson make endless sexist remarks about her costume and legs! Although it's a bit mean, their sending up of fellow actor Mark Strickson (Turlough) is genuinely funny. Robinson is actually the weak link in the commentary team, since unfortunately he is almost impossible to silence, and constantly talks over the other two. But it's a minor quibble.
Another surprise is the inclusion of BOTH John Nathan-Turner; the shows much-maligned long running producer, and his script editor Eric Saward who also penned the script. The two fell out while producing the ill-fated twenty-third season of the show resulting in Saward stalking out of the programme mid-way through production and a great deal of public mud-slinging. Although they are not actually seen together, they've both filmed new sequences with Director Robinson at the locations used for the filming of the story. The on-screen production notes are a little tedious on this release, and there are also two features from the BBC's "Breakfast Time" which actually have precious little to do with the story itself. But they're fun to see again.
It's a taught story, with a stellar guest cast, although like most of the Davison era, it's all a little too complex, and doesn't stand up to a great deal of scrutiny. Some of the plot holes are pretty large, but it still works as a very entertaining piece. The episodes are included as produced, in four 25-minute episodes, even though they were actually transmitted as two 45-minute episodes at the time, thanks to the BBC's coverage of the 1984 Winter Olympics.
They're both great releases, and a welcome addition to the growing Doctor Who DVD library. I'd recommend both discs even if you're not a die-hard fan of the show.

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The Doctor has promised Jo a holiday on Metebelis 3, but the TARDIS materializes not on the famous blue planet, but in the cargo hold of the SS Bernice, sailing to India in 1926. Despite all appearances, the Doctor insists that they are no longer on Earth, but Jo's not convinced, at least not until a sea dinosaur attacks the ship! Millions of miles from Earth, a traveling showman named Vorg and his lovely assistant have arrived on Inter Minor to bring a little sunshine into the humdrum lives of the Minorian officials and functionaries. The dilapidated device they've brought looks rather unpromising until Vorg explains that the entertainment the Scope offers is "live"- it holds actual, miniaturized, living creatures kidnapped from every corner of the universe. There are Cybermen, Ogrons and even a party of rare Tellurians aboard a quaint steamship.DVD Features:Alternate endings:Episode 4Audio Commentary:Actor Katy Manning and producer-director Barry LettsDeleted ScenesFeaturette:Behind the scenes, model sequences, archival featurette by Barry Letts on CSO (blue screen)Production Notes


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Doctor Who: Spearhead from Space (Story 51) (1975) Review

Doctor Who: Spearhead from Space (Story 51) (1975)
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With this release, fans everywhere can finally get what they want: Doctor Who on DVD. We've all been waiting for the show to arrive on disc, and although it's been a bit longer than we'd hoped, this disc (and the other two) are well worth it!
Spearhead from Space - Third Doctor Jon Pertwee's debut story, and the first shown in color - has been carefully restored and remastered for this DVD, and it shows. The DVD looks excellent, with sharp, vibrant colors and a vividness that US fans have never seen before. The disc far surpasses the murky compilation tape put out years ago, with a clear, bright picture, and many of the faults removed.
Besides finally being released episodically - as the story was both broadcast and meant to be seen - the extras are great too. They include a fun, funny commentary by Nicholas Courtney (The Brigadier) and Caroline John (Liz Shaw), some great Production Notes (listed as a subtitle track), a UNIT recruitment film, a "Who's Who" biography section, and even an Easter Egg.
It's nice to see that the BBC has picked such a good story for its first wave of DVDs. Not only is this a great Doctor Who tale full of action, it introduces us to the Third Doctor's era, the nasty Nestenes and their ability to control plastics, and the beginnings of the extended Doctor Who family the series would enjoy for the next five years. Let's hope all future releases are this nice!
All in all Spearhead From Space has been well-restored, has plenty of extras and entertains thoroughly. It's worthy of any Doctor Who fan's collection, and will easily replace any other version you've got. I highly recommend it.

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Doctor Who and the Silurians (Story 52) Review

Doctor Who and the Silurians (Story 52)
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I fondly recall watching this classic Doctor Who storyline as a teenager in the 1980's and being utterly blown away by its moral complexity. Decades have passed, I'm older and a fair bit more jaded, and it still blows me away! The somewhat unusually titled "Doctor Who and the Silurians" is perhaps one of the most intelligent stories penned for what is typically a very well-written series, and this in a manner cleverly conducive to the tale's good old thrills & chills and general entertainment value. If anything demonstrates that a show can be sophisticated and fun at the same time, this does in style.
Part of what makes this one so great is that it takes one of the most tired clichés of sci-fi and turns it on its head. Reptilian invaders? Well, sort of, except for the fact they were here first. The eponymous Silurians evolved on Earth millions of years ago and developed a highly advanced civilization before an impending catastrophe drove them to seek shelter underground, waiting in suspended animation for the disaster to blow over. The inevitable malfunction keeps them slumbering much longer, until an experimental nuclear power plant built into the caves of England's countryside circa 1970 jolts some of them awake and they start preparing to take their planet back regardless of the johnny-come-lately hominids that seem to have taken their place. The premise alone is incredibly imaginative and astutely draws upon some of the latest geological theories of the day while providing the crux of the story's mature complexity: there are no absolute good guys or bad guys here, only conflicting interests who through mutual fear, suspicion, misunderstanding, and xenophobia both end up tragically resorting to violence rather than the compromise and coexistence the Doctor tries and fails to broker between them.
Speaking of the Doctor, it's hard to believe that this is only Jon Pertwee's second story in the role. He's already quintessentially the third Doctor: dapper, dashing, and dynamic, delightfully sarcastic with petty authority, an eccentric individualist incongruously stuck with a hierarchical military organization. The camaraderie and conflict between him and the Brigadier is well depicted, and the clash between one's martial pragmatism and the other's principled idealism (both understandable under the circumstances) propels the plotline forwards and gives the conclusion its forlorn sting. The Doctor's assistant, Liz Shaw, is more than just a pretty face here, but one can see her scientific expertise already slipping inexorably to the back burner despite the production staff's best intentions. Last but not least, a great variety of supporting characters with memorable personality quirks and motivations all add essential twists and turns to the story's tragic progress, and a strikingly bizarre soundtrack (sounding like a schizophrenic mix of Stravinsky and Javanese Gamelan music) gives it an unforgettably appropriate eerie ambiance.
In short, "Doctor Who and the Silurians" is every bit as excellent as I remember, and it looks even better. The version I saw in the '80's was patched together from color and black & white episodes, while for this DVD all seven episodes have been painstakingly restored--in full color as originally intended and as sharp an image as possible under the chancy circumstances of its survival. Of course, the Silurians appeared a bit more convincing in monochrome as I recall, so the gain in authenticity and quality is ironically somewhat of a mixed blessing. But to expect a BBC production in 1970 to display the whiz-bang special effects of today would be unrealistic folly in the first place. Instead I would suggest losing yourself in this adventure's consummate science fiction storytelling at its best, then your imagination will do the rest.
P.S. As fate would have it, this was not the last time the Doctor would try to referee between two sets of Earthlings, reptile and mammal, and "Doctor Who and The Silurians" can be purchased together with those later two adventures conveniently in one set: Doctor Who - Beneath The Surface (Doctor Who And The Silurians / The Sea Devils / Warriors Of The Deep).

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It's a rude awakening for the Silurians, an intelligent dinosaur race only now emerging from a hibernation begun at the dawn of the Ice Age.DVD Features:Audio CommentaryDocumentariesMusic Only TrackPhoto galleryProduction Notes


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Doctor Who: The Three Doctors (Story 65) (1975) Review

Doctor Who: The Three Doctors (Story 65) (1975)
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There should have been much to celebrate when Doctor Who reached it's tenth anniversary in 1973 and recognizing this, the BBC pulled out all the stops for a special story (often suggested by viewers) bringing together all the three actors who had played the part of the Doctor up until that point. Its just such a shame that what was produced turned out to be the very lackluster Three Doctors!
Actually made around the time of the ninth anniversary in November 1972 and first aired almost eleven months before the tenth, The Three Doctors is a hugely disappointing story in an otherwise strong season. It was pretty routine during the Pertwee era of the show to have some stories weaker than others, but it is such a shame that it was this very special adventure that drew the short straw. Inherently, the plotline itself is not bad at all, but the script and execution are woeful. The dialogue is not only cheesy but exceptionally cheesily delivered. The normally reliable Nicholas Courtney (The Brigadier) and John Levene (Benton) in particular are both made to look like bumbling pantomime characters as are the supporting cast of Dr. Tyler and Mr. Ollis. Of course, the production was plagued with problems right from the beginning as Producer Barry Letts and Script Editor Terrance Dicks explain in the very engaging commentary. Although he was very enthusiastic, ill health meant that the first Doctor, William Hartnell, was simply not up to playing a very active role in the show at all. His part was drastically scaled back and limited to filmed inserts. Patrick Troughton, the second Doctor, makes a very welcome and energetic return to the show and certainly goes a long way to stealing the thunder of the incumbent Jon Pertwee. Rewrites to accommodate the changing availability of the cast and plot could be one reason the show just doesn't work, but there's no real excuse for the cheapness of the production. The sets are limited to four with some bland location work in the standard gravel pit added. The set for Omega's domain is truly dreadful, as are his Gellgaurd minions. Quite how anyone thought the design would work is mind-boggling. The time lord control center is littered with left over props from Carnival of Monsters (not yet broadcast, but recorded earlier), as are the time lord costumes. Everything else takes place in the standard Tardis or the UNIT lab sets. It's all so gaudy and hammed up by the actors that there's no way it can be appreciated as the classic adventure it should be. Even the normally very reliable Katy Manning (Jo Grant) is weak, but in fairness, like the two lead Doctors, she's merely trying to cope as best she can with dreadful lines.
Rather surprisingly, the better of the two releases is the earlier Troughton epic The Seeds of Death, one of the first stories to make it onto VHS in the early eighties. Made at the end of 1968/early 1969 this six-part adventure in black and white hardly holds classic status in the series canon. But surprisingly, and thanks in part to a very, very intensive clean up and restoration, the story does stand up very strongly. Well, at least in comparison to the Three Doctors anyway. Marking the second appearance of the much-loved Ice Warriors, there is enough in this story to keep viewers enthralled throughout its six episodes. True, it could have been much better had it only stretched to four, but the padding is not as obvious as other longer adventures. The most striking feature for me is the design and direction. Marking it clearly as a late sixties show, the set has some terrific touches that help the production stand out. There's a very well put together supporting cast, even if the three regulars are a bit below par. This was intended to be Frazer Hines' (Jamie) last appearance in the show, but as it was announced during it's broadcast that Troughton would be leaving the role of the Doctor at the end of the season, Hines was persuaded to stay on until then and leave at the same time, as ultimately did Wendy Padbury (Zoe). Hines and Padbury join Director Michael Ferguson and Script Editor Terrance Dicks to provide a hugely enjoyable commentary soundtrack, which is very insightful into the production of the story. As both teams say on both releases, it's such a shame that neither of the two Doctors featured are around to provide their own thoughts.
Both discs provide many, many extras, in the case of the Seeds of Death on an entirely separate disc. There's some genuinely interesting features dragged from the archives, including a completely bizarre interview with Patrick Troughton recorded in 1973. There's also a newly made mini-documentary featuring the actors who played the Ice Warriors.
It's all very enjoyable stuff, and any fan of the show will of course be delighted to add to the growing DVD collection of stories. I'm not sure how casual viewers would react to these two stories, but I hope it won't put them off future releases.

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The Doctor and UNIT are called upon to investigate strange events surrounding Dr. Tyler's research into cosmic rays. UNIT HQ comes under attack by an alien force, and the Doctor has no other option but to call on the Time Lords for help. The Time Lords, too, are under attack - from a mysterious power emanating from a black hole in space. With power reserves falling, the only way they can help the Doctor is to break the First Law of Time and allow him to help himself. The First and Second Doctors are lifted out of their time streams and sent to Earth to help the Third. Between the three of them, they must find a solution to the threat that not only endangers UNIT and Earth, but also the future of the Time Lords themselves.DVD Features:Audio CommentaryBiographiesInterviewsPhoto galleryProduction Notes


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Doctor Who: The Time Warrior (Story 70) Review

Doctor Who: The Time Warrior (Story 70)
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With the success of the BBC's Sarah Jane Adventures (UK series targeted for younger viewers)and the pending 2008 return of the Sontaran's to the 4th season of Doctor Who it is a great time for the DVD release of the "Time Warrior." Not only was the story a season opener and the 3rd Doctor's final season played by the groovy Judo-chopping Jon Pertwee, but it introduces one of the Doctor's finest companions Sarah Jane Smith as played by Elisabeth Sladen. Sarah returned to say her farewells in season 2 of the 2006 Dr. Who only to get her own CBBC spin-off.
The Story: England's scientists are being snatched and transported to the middle-ages by a stranded alien. UNIT asks the Doctor to sort it out, while the lovely and plucky young reporter Miss Sarah Jane Smith stows-away on the TARDIS as the Doctor tracks the scientists into the past. Ultimately, Sarah ends up at odds with the Doctor believing he is the time-napping villain and teaming-up with a local King and Queen to storm the baddies castle. Eventually, the two ally themselves to face the true foes, including the war-mongering armored Sontaran supplying the locals with centuries advanced weaponry.
Some neat moments are the introduction of a "fighting mechnical-man" to the middle-age tyrant in which an archer stays his execution by pumping arrows in to the machine as it continues to march ever forward. A scene which is repeated later with sword and axe-play as the Doctor is disquised as the robot.
The action in this one is typical of Pertwee's years, as is the over-the-top writing for the late great Robert Holmes, especially dialogue for Bloodaxe and his minions, who in one scene refer to the Doctor as a "Long-shanked rascal with a mighty nose!" The strength of the original series has always been the great location work giving the long running sci-fi fantasy series a grounding in the real world, the nearly 35 year old episode was filmed at a real castle, Peckforton Castle. The on-screen chemistry between the Doctor and Sarah certainly foreshadows the highlights to come in the shows future, even in these formative stages of character development Sladen is a joy to watch and is my favorite companion (follow closely by Billie Piper ofcourse). New fans of the series will appreciate this "historic" meeting between Doctor and sidekick.
The DVD has lots of extras and easter eggs, including OPTIONAL CGI SPECIAL EFFECTS to bring the 1973 story visually up-to-date, if you chose. Since the History of the Sontarans Documentary was included in the Sontaran Experiment DVD, "Beginning the End" talks with cast, producers and script editors on location at Peckforton. Extensive interviews include guest star Jeremy Bulloch who played Hal the Archer, Star Wars fans may not know his face, but are surely familiar with his name as Emipire and Jedi's original Boba Fett.

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A terrifying clash between the past and future threatens the entire human race and plunges the Doctor and Sarah into a chilling race against time. When top scientists begin to mysteriously vanish, Doctor Who finds himself headed back in time to the middle ages and not-so-merry England. Linx, a war-loving Sontaren fleet commander, has crash-landed near a medieval castle and is supplying the feuding Irongron with advanced weapons that could totally change the course of human evolution. He is also using the kidnapped scientists to repair his ship. Linx is determined to return to his squadron - and nothing will stop him. As Irongron gets ready for battle, the Doctor makes his move. Can he save the doomed scientists, outwit Irongron and stop Linx from completing his catastrophic plan? The future of mankind is in his hands...

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Doctor Who: The Green Death (Story 69) Review

Doctor Who: The Green Death (Story 69)
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Global Chemicals have a process that results in 25% more petrol from crude. While that may mean "more money, more jobs" it also means "more muck, more devastation, more death," as well as a doubling in atmospheric pollution. When a miner is found dead in the mine in Llanfairfach, South Wales, covered by a green phosphorescent glow akin to putrefaction, UNIT is alerted. The Doctor, however, wants to go to Metebelis Three to get one of their blue sapphires and Jo wants to help Nobel Prize-winning ecologist Professor Jones and his hippie group of scientists against Global Chemicals.
Soon, two more deaths follow, and Jo and the Doctor discover the cause down the mine--a green petrochemical slime that causes death on contact. Worse, the slime has irradiated maggots to two feet in length who also kill on contact.
The Brigadier, and the Doctor (after a perilous but successful expedition at M3) work against Global Chemicals and the director, Jocelyn Stevens. However, in Episode 1, Stevens is seen talking to (himself?), as if he's under control by someone else.
Professor Jones reminds Jo of a younger version of the Doctor. He believes in using alternative energy sources, such as solar power, movements of the wind, tides, and rivers. No waste means no pollution. Stewart Bevan, then Katy Manning's beau, is a most welcome guest performer as the progressive but ecologically conscious Jones.
This is Jo's show all the way. She did well as the Doctor's assistant, but here, she's more than just a pretty face. Her concern and compassion whenever the Doctor is near death is shown to its best when she hears of the death of Bert, a "funny little Welshman" she only met for a few hours down the mine, but whom she felt was very special. Jones' comforting words to her are magic here. She chooses to go to South Wales instead of "all the time and space being offered" to her by the Doctor. As the Doctor says quietly, "So, the fledgling flies the coop." His reaction after he says goodbye to her at story's end tells his fondness of her.
For a good example of Who, Episode One is simply packed with action and a chain of events that draw the viewer in. The writhing and hissing maggots are well-constructed. They used fox skulls for those up close, and for those far away, inflated condoms! No joke!
Note: Tony Adams (Elgin) fell ill midway through production and so his lines were carried on by Mr. Dalek voice himself, Roy Skelton (Mr. James) in Episode 5. John-Scott Martin (Hughes) is best known for as being one of the men inside the Daleks. Roy Evans (Bert) later appeared next season in The Monster Of Peladon as Rima.
As for errors, notice the hand at the bottom right of screen giving Mostyn Evans (Dai) his cue to speak in Episode One. The CSO effects aren't that good when people go down the mine in the lift. And why use CSO and film intermittently in the "field of maggots"?
Katy Manning not only had three seasons as one of the series' most memorable and lovable companions, but had the best farewell story of any companion. The danger on pollution and condemnation against irresponsible corporations who flagrantly poison the Earth so that the ends (more fuel and money for everyone) justify the means, is still relevant--why else were films like A Civil Action and Erin Brockovich made over twenty years later?
Jo's rallying words at the beginning of Episode One still serves as a reminder today: "It's time that the world awoke to the alarm bells of pollution instead of sliding down the slippery slopes of..." Slopes to ruin, yes. Bye, Jo. We'll miss you!

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The Doctor (Jon Pertwee) joins the Brigadier and Jo Grant in South Wales to investigate the death of a miner whose fatal disease has left his skin bright green.DVD Features:Audio CommentaryInterviewsOtherPhoto galleryProduction Notes


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Doctor Who: The Claws of Axos (Story 57) (1975) Review

Doctor Who: The Claws of Axos (Story 57) (1975)
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The landing of a variable-mass object on Earth nearly proves to be the planet's undoing. The gilded humanoid aliens tell a half truth when they say they need to replenish the energy and nutrition cycle of their organically grown ship. What they don't tell is that they intend to drain all living energy from Earth and leave it a dry husk. The Brigadier, Doctor, government bureaucrat Chinn, and two scientists from the nearby nuclear plant that supplies Britain its electric power, meet the Axons, who give them a gift of Axonite, described as the chameleon of elements, which causes anything injected with it to increase in size. It thus has the potential to solve world hunger and energy shortage problems. Chinn is a typical "England for the English" jerk who wants to keep Axonite only for his country despite the fact that for the Axons' plan to destroy Earth, the substance needs worldwide distribution.
Chinn, under the Emergency Powers Act, overrules the Brigadier in authority and in a petty show of power, calls in regular army troops and has the UNIT troops arrested. The captain is played by a young Tim Piggott-Smith.
The Master has led the Axons to Earth and acts as their agent to get the Axonite distributed throughout the world. This action gets Chinn in hot water and reduces his authority for the rest of the story. The Axons have the Master's TARDIS so he tries to steal the Doctor's, which gets him caught. The Master has the best lines. When he tries to fly the Doctor's TARDIS, he mutters, "Might as well try to fly a secondhand gas stove." During a time when he temporarily aids UNIT, Hardiman, the nuclear plant administrator, asks him if he intends to channel the Axons' power into a police box. To which the Master nods with a mocking smile on his face. He also gives them a flippant advice: "Oh you might want to take the normal precautions against a nuclear blast, like sticky tape on the windows."
Compared to Terror Of The Autons and The Mind Of Evil, Jo doesn't seem to have too much of a role here. She's overshadowed by too many key players in this story. So is Sergeant Benton. The Brigadier and Yates are the most effective here.
The organic interior of the Axon ship is a masterpiece of the BBC set design, replete with bubbles, tentacles, claws, and parts that seem to breathe. The Axon monsters look like orange coloured canvas bags with a mass of thick, spaghetti-like tentacles sprouting from them. The psychedelic images overlaid over the picture is a real trip back in time. The beginning of Episode Four, when the ship is under attack and undergoes a nervous breakdown, is a wow as humanoid faces and Axon monsters float around in a chaotic mess. And the appearance of the Eye of Axos hanging from the ceiling has subtle sexual overtones.
The flaws of nationalistic unilateralism, the importance of having enough fuel, and the dangers of nuclear power, the latter very relevant in the Cold War days during which the story was made, is key to The Claws Of Axos. Maybe the warning: Beware of Axons bearing gifts, is also apt here.

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The Doctor (Jon Pertwee) and Jo grow suspicious when soft-spoken aliens arrive on Earth with the Master hidden aboard their craft.DVD Features:Audio CommentaryFeaturetteOtherPhoto galleryProduction Notes


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Doctor Who: The Sea Devils (Story 62) Review

Doctor Who: The Sea Devils (Story 62)
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As the middle storyline of the middle season in Jon Pertwee's tenure as the Doctor, "The Sea Devils" somehow manages to encapsulate everything that's great about that era in microcosm. And with extensive location shooting and the friendly cooperation and involvement of the British Royal Navy, it does so with a much higher level of verisimilitude and sense of scale than usual, making for an especially memorable adventure. One that's nonetheless entertaining and thoughtful in exactly the ways "Doctor Who" should be.
From one point of view, "The Sea Devils" is a sequel to the classic "Doctor Who and the Silurians" and from another it's simply a heightened reworking of the same story just different enough to stand on its own. The same basic premise is revisited: reptilians (semi-aquatic in this case) who evolved on Earth long before humankind and went into hibernation to avert a disaster have finally awakened thanks to humanity's environmentally intrusive meddling and are seriously intent on retaking their planet for themselves. Once again the Doctor, the voice of reason on the moral high ground, tries to broker some sort of mutually beneficial compromise but to no avail. Mutual distrust and violence prevail. Of course this time we have to add into the equation the Doctor's nemesis (and former friend) the Master, villainously sowing seeds of discord wherever he goes, egging the tragedy along for his own nefarious purposes.
That said, the moral complexity characteristic of "Silurians" is more muted in this tale, hinted at and alluded to but not being allowed to interfere with the action and adventure that had come gradually to be emphasized in the show. The plot treats pragmatic military solutions less harshly, allowing them to come across as more inevitable and necessary here--even to the Doctor himself eventually. "The Sea Devils" is in fact a perfect showcase for Pertwee as the dynamic Doctor, who gets to sword fight with the Master, use his Venusian martial arts on the Sea Devils, rappel down cliffs, and drive any number of fancy water vehicles through the waves. The Master likewise is played brilliantly and inimitably by Roger Delgado, sinister and suave in a manner unique to him. This is one of the few DVD releases to feature him, and it is precious on that score alone. Katy Manning is in perfect form as Jo Grant here too--whoever claims that the Doctor's companions at this time were portrayed as passive and weak sex objects merely awaiting rescue obviously wasn't paying attention here when Jo takes out two armed guards in a matter of seconds with her bare knuckles and rescues the Doctor himself.
Nicely prototypical portrayals of the classic core characters of the series at this time, in short, along with the Doctor's wonderfully snarkish disregard for authority and the odd tension of a loose cannon like him working closely with the military establishment and the refreshingly dry humor so emblematic of "Doctor Who"--it's all here in its quintessential form in a speculative science fiction adventure that's not afraid to be at once both meaningful and thoroughly enjoyable.
P.S. As it so happens, this was neither the first nor the last time the Doctor got caught between two contending sets of Earthlings, reptile and mammal, and "The Sea Devils" can be purchased together with those other two adventures conveniently in one set: Doctor Who - Beneath The Surface (Doctor Who And The Silurians / The Sea Devils / Warriors Of The Deep).

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From a top-security prison on a remote island, the Master is aiding the Sea Devils' plot to eliminate the human race.DVD Features:Audio CommentaryFeaturetteMusic Only TrackPhoto galleryProduction Notes


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Doctor Who Dalek War: Frontier in Space & Planet of the Daleks (Stories 67 and 68) Review

Doctor Who Dalek War: Frontier in Space and Planet of the Daleks (Stories 67 and 68)
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It was rare for Doctor Who in its original TV series to do something truly epic in scale. The two stories contained in this DVD box set, Frontier In Space and Planet Of The Daleks, is an example of when that happened. While two separate stories technically, these two linked stories make up a twelve part epic linked by the involvement of the Doctor's dreaded enemies the Daleks. While these two stories are by themselves a bit of a mixed bag, they are well presented here in this box set.
First off is Frontier In Space. While it is certainly true that it suffers from some of the padding evident in most six parters but, on the flip side, we get one of the most complete portraits of the future presented in any Who story. The result is that the story ahs a real epic feeling to it (albeit an low budget one) that travels across a large part of space including future Earth, a lunar penal colony and other places along the way. There's also the Draconians as well whose society might not be quite as fleshed out as the Human's but who remain one of the best designed of original series monsters (which makes one wonder why they never made any type of return at all). There's some nice moments from Jon Pertwee as the Doctor and Katy Manning as companion Jo Grant plus Roger Delgado's final appearance as The Master as well. While a tad bit too long and with some occasionally iffy model work Frontier is still a fine Who adventure.
This epic is concluded in the six part Planet Of The Daleks. This story had been referred to elsewhere by Dalek voice actor/audio storywriter Nicholas Briggs as being akin to "the Dalek's greatest hits" and that is a fair assessment. Writer and Dalek creator Terry Nation writes a story that takes the elements of previous Dalek stories and combines them together into one story. The result is a story that is just too familiar for its own good. The result is that story is predictable to the pointing of being downright boring. This is despite the efforts of the cast and crew including some well designed sets and some fine direction from David Maloney. The result is a story with much potential but none really showing.
The special features are somewhat better then the stories themselves. The best special feature is actually the third episode of Planet Of The Daleks which has been restored to full color for the first time in over three decades. The restoration work is so good you'd never have known that the color version had been lost at some point! There are also some fine documentaries as well including making of docs for each of the two stories, a fine tribute to the career and life of actor Roger Delgado and two further installments for the Stripped For Action documentaries on the Doctor Who comics (one for the third Doctor and one for the 60's Dalek strips). Of special interest are the audio commentaries due to them ebbing the first ones released since the passing of Who producer Barry Letts late last year. The commentaries feature Letts who is still at the top of his game and it is as always interesting hearing his thoughts and memories on these two stories. The only real duds of the special features is the two-part Perfect Scenario sci-fi docu-drama which attempts to look at how the world of the early 1970's effected to and can be seen as sub-texts within the two stories. Unfortunately the drama bits are both filled with bad dialogue and bad acting but both the actors and the fictional talking heads, not to mention seemingly advocating genocide before it ends. Considering that the similarly done documentary Beneath The Surface on the Silurian's DVD back in 2008 covered much the same ground for that story in a pure documentary form so successfully, one wonders why this unsuccessful experiment was even attempted. That said, the majority of the special features are worth inclusion.
So how does the Dalek War box set rank then? Well there's the stories: Frontier In Space is a good story, though slow at times, while Planet Of The Daleks can be considered borderline boring with its over reliance on what had gone before it. The special features are overwhelmingly fine (especially the Planet Of The Daleks episode three restoration and the Delgado documentary) though the two-part Perfect Scenario is far from good. The result then is a good box set, though a bit of a mixed one to be honest.

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The Third Doctor and Jo Grant face the combined might of the Daleks and the Master in these two classic 1973 adventures! Frontier in Space--(6 eps, 143 mins) In the year 2450 the Doctor is arrested as a spy as the fragile peace between Earth and Draconia is threatened. Since the mid-1970s, episode three of Planet of the Daleks has only been available as a 16mm black-and-white recording, but for this DVD release it has been returned to full color!

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Doctor Who: Inferno (Story 54) (1975) Review

Doctor Who: Inferno (Story 54) (1975)
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Before VHS, before DVD, syndication was the only place to watch DOCTOR WHO and for years (decades even) INFERNO was in black and white. The color masters had either been wiped or lost, leaving us with a complete story - but sans the rainbow - and until a complete color copy had been found in Canada - it looked as if either the story would have to be colorized or remain forever in black and white.
When I picked up INFERNO on DVD I wasn't sure which version I was getting. I knew that a color version had been found, but wasn't positive what condition it would be in - so when I looked at the back of the box for more detail I was surprised to find that all the images from the story were in black and white, while the details listed it as being in color. Curious... but not to worry, INFERNO has been restored and returned to its original broadcast glory... better in fact. This new reworking of this "lost" color print snaps, crackles and pops on screen. The colors are vibrant, the image clean and clear - it looks fantastic, and yet I can't help but miss the old black and white version now.
INFERNO is a great story drawn out just a touch too long. But only just... the story is all countdown, beat the clock, capture and escape and battle against the monsters - add in a dash of romance, scientific hubris (both the Doctor and Professor Stahlman are guilty here - Stahlman with his quest for personal glory, and the Doctor in his quest to escape - both risk all at any cost and both pay a terrible price in the end), and order above reason and you have so much that even at seven episodes it never fits the format, yet leaves you wanting an eighth to complete some of the plots. It's a great story well told, packed with good characters and actors and everyone is having a ball.
As with all these releases they have gone the extra mile in packing it with extras - and again, they are all very good. It's a minor complaint that some of these extras are almost exact copies of other extras also on the disc - the difference between the commentary track and the CAN YOU HEAR THE EARTH SCREAM? MAKING OF... is very narrow. A lot of what you hear there is heard on the commentary track... save for Caroline John, who could make it for the MAKING OF..., but sadly, not for the commentary. Which is a crime, as this was her final full story with DOCTOR WHO (she would cameo in THE FIVE DOCTORS) and from the MAKING OF... it's clear that she still has a wealth of untold tales from her time on DOCTOR WHO (her comments about the quality of location shooting, toilets and rats is hands down one of the best behind the scenes lines from the series ever put to DVD).
Commentary is included - and like the Doctor, it switches between one reality to the other with somewhat more mixed results. WARP 1 contains Nick Courtney, Barry Letts and Terrance Dicks and is very good. Nice background on production, insights and memories - they are having a good time watching INFERNO and remember it fondly. WARP 2 features John Levene all alone - and, while he is vibrant, happy and excited to be talking about his time served on DOCTOR WHO he falls into the old trap of not wanting to talk about something until it appears on screen, name dropping (yes - it's true, he used to live right next door to Anthony Hopkins), and repeating what has already been said in WARP 1 - so, at times it becomes a grind. I'm not sure who or why decided this was the way to go with this commentary - but it must all come down to ego and politics. It should be clear which applies to which when you listen for yourself. Overall though - a better commentary than most. Both Courtney and Dicks shine here. Text commentary is tight and heavily detailed and worth your time.
In the end INFERNO was a groundbreaking piece of work on DOCTOR WHO. While the concept may have been getting old even back then of ANOTHER EARTH it was still fresh enough for DOCTOR WHO to have some fun with it - in fact, it's still fresh enough to be used even now in the new series (Rose - we miss you! We will not stop looking for a way to bring you home!), so we may just see it again... and in fact, we have... a sequel was written to INFERNO by David McIntee.
THE FACE OF THE ENEMY is a DOCTOR WHO story without the Doctor - but instead features The Master, UNIT and Ian and Barbara in a quest to stop some castaways from INFERNO Earth now living on ours. Danger... perils... The Master, a hero? The plot thickens.
I'm happy the color version has been found - it's keen to see it as it was meant to be seen - but at the same time I mourn the loss of the WARP 2 version of INFERNO. While in black and white failed to energize the main story (set in WARP 1), it packs a punch in WARP 2. It matches the hard edges, rough talk and black hearts found on the Brutal Earth - it's like looking into Orwell's 1984 set in the DOCTOR WHO universe - where you could easily see the Doctor as BIG BROTHER.
You won't go wrong in picking up INFERNO - it's top notch and full bore. A must have for any DOCTOR WHO fan.

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An unsuccessful trial run with the Tardis console throws the Doctor into a parallel universe where his old friends are rather nasty characters.

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