Jekyll & Hyde - The Musical (2001) Review

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(More customer reviews)I'm suspecting that there are two types of people who are approaching this DVD, a filmed version of the stage production of "Jekyll & Hyde". One, someone familiar with the show--perhaps saw it and liked it or has the soundtrack--and wants to check out this variation. Or two, someone discovering it anew. It tempts me to write two reviews because while I love "Jekyll & Hyde", it's slightly unfortunate that this is the production most people will get a chance to judge.
So let me preface this by saying that I really am a fan of this show. Some people consider "Jekyll" sort of a "Phantom-lite". I, myself, have never been the biggest supporter of "Phantom of the Opera". It's fine, full of bombast, but hardly the revolutionary experience that people give it credit for. "Jekyll" does play to similar themes, but has a stronger overall soundtrack. Instead of a couple of showstoppers like "Phantom", "Jekyll" is filled with memorable power ballads. Not the most complicated show musically, it is very accessible. And when you have great singers, these simpler and emotionally charged songs become pop opera and quite moving.
So, without hesitation, I recommend the original Broadway Cast recording!!! Robert Cuccioli, Linda Eder and Christiane Noll are superb. You couldn't hope for better.
But here's the problem with this DVD, it's not this great cast--NO, the star is David Hasselhoff. So you see my problem, don't you? Look, I'm not going to be unkind--it's an easy target. Let's just say this. If you're a fan of the show, he doesn't completely ruin it. And it's not like there are any other versions to add to your collections. If you are new to the show, I'm still recommending it provisionally. I wish there were another option. If you like the show, though--and I think you will--please rush over and buy the 1997 Cast recording. Treat yourself to how "Jekyll & Hyde" should really sound.KGHarris, 10/06.

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The longest-running show in the history of Broadway's Plymouth Theatre, Jekyll & Hyde: The Musical brings new life to Robert Louis Stevenson's classic story of romance and the epic battle between good and evil. A whirlwind odyssey pitting man against himself is set in motion when the brilliant Dr. Jekyll's medical experiment backfires, giving life to his evil alter ego, Edward Hyde. The show won a legion of repeat visitors (dubbed by the press as "Jekkies") and spawned hit songs on the pop charts with "Someone Like You" and "This Is the Moment."

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Funny Girl/Funny Lady (1975) Review

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(More customer reviews)Far more than sharing the extended life story of Ziegfeld Follies star Fanny Brice, these two movies really show how Barbra Streisand transformed from a screen novice to a reigning goddess over the course of seven years. When she hit the big screen in 1968's "Funny Girl", she became an instant movie legend as master filmmaker William Wyler tailored a launching pad so accommodating to her personality and drive that it becomes apparent only later that the film itself is not terribly exceptional. The first half of the film, by far the best part, is about Brice's fast climb to stardom and her blind infatuation of gambler Nick Arnstein, played with a bit too much continental charm by an overshadowed Omar Sharif. The comparatively dramatic second half is really about the inevitable fate of their relationship. The energy that drives the first half seems to sputter in the second half, and Streisand is left to carry the whole thing to the finish line.
The fact that the story has anything to do with Brice seems purely circumstantial in deference to Streisand's phenomenal talent especially as a first-rank comedienne and the pre-eminent song stylist of her generation. For the latter aspect alone, "Funny Girl" is essential viewing, especially for three solo numbers penned by the legendary team of Jule Styne and Bob Merrill (who co-wrote "Gypsy"). First, as a young wannabe trying to convince Mr. Keeney at the local burlesque house to hire her, Streisand sings "I'm the Greatest Star" with an appropriately persistent brassiness that suddenly turns into a dramatic clarion call picking up the percussive momentum of "Don't Rain on My Parade" until the song title truly becomes fact and not a boast.
The second song is her anthem, "People", sung to an unsurprisingly awestruck Sharif on the darkened Hollywood-phony backlit set of Henry Street, first as an expression of her unrequited love for Arnstein and then more effectively as a solo plea bordering on desperation as she leans against a lamppost. The third number is made breathtaking by the ingenious way that Wyler films her performance of "Don't Rain on My Parade" as a montage of fast cuts that leads an Arnstein-chasing Brice to the amazing tugboat finish. The fact that they all occur in the first half makes the second half all the more desultory saved at the end by Streisand's memorably triumphant take on Brice's "My Man". These are all indisputably classic movie musical moments.
The remaining numbers are good and mostly a vehicle to show off Streisand's considerable comedy skills - maneuvering roller skates on "I'd Rather Be Blue (Over You)", flouncing her dress in front of a nonplussed Ziegfeld on "Second Hand Rose", waddling around as a "pregnant" bride in the Ziegfeld extravaganza "His Love Makes Me Beautiful", accommodating Arnstein's aggressive parlor advances in "You Are Woman", and chronicling her happily married state in "Sadie, Sadie". That's not to say she is not a fine dramatic actress, just a sometimes rather theatrical one at least in her first film here, as she expresses her heartbreak in a variety of overdone hairstyles and clothes until her seeming vindication at the end. No other actress can express as dexterously the concurrent insecurity, egotism and humor that Streisand in her prime could.
The talent is still very much in evidence, but the spirit has hardened somewhat in "Funny Lady", the 1975 sequel which picks up Brice's story during the Depression when the established star struggles financially to preserve her career. Unlike its predecessor, this movie does not provide a character arc which allows us to discover anything new about her character. Instead, director Herbert Ross and screenwriter Jay Presson Allen focus on the turbulent, sometimes comic relationship between the established Brice and her eventual husband, rising impresario Billy Rose. The staccato dialogue between the two, a far cry from the moony worship Brice held for first husband Arnstein in the first movie, is what makes "Funny Lady" good light entertainment even though the old-fashioned narrative often feels disjointed and truncated.
Fortunately, in full diva mode as the success-insulated heroine, Streisand is at the top of her game here, and James Caan brings youthful energy to his portrayal of the brash, egotistical Rose. The rest of the actors barely register, including Roddy McDowall as Brice's unctuous assistant and confidante, Ben Vereen who doesn't have a single line of dialogue as entertainer Bert Robbins, and an embalmed-looking Sharif reprising his role as Arnstein this time as a preening, materialistic fortune hunter. What a shame that the swooning love story of the first film reaches such a cynical denouement in this story.
There are songs written for the film by the estimable team of John Kander and Fred Ebb, and they meld nicely with the old, Rose-penned standards presented here. However, some of the production numbers are badly staged, for example, the faux-gospel take on "(It's Gonna Be a) Great Day" with a sequin-infested Streisand surrounded by an ensemble of uncoordinated dancers, or the clarion call of "Let's Hear It for Me" complete with a roadster and a biplane to replicate the driving rhythm of its obvious inspiration, "Don't Rain on My Parade". In fact, there are many ill-used references to "Funny Girl" from the opening montage to the overorchestrated refrains of "People" when Arnstein kisses Brice.
Moreover, the movie has a constant veneer of excess, especially the overdone Bob Mackie gowns, as if nothing seems rooted in reality. Through all this, Streisand does manage to create some breathtaking musical magic - her sonorous version of "More Than You Know" in the recording studio; her torchy, show-stopping lament, "How Lucky Can You Get" (although her revealing gown is rather distracting); and best of all, her pristine rendition of the old chestnut, "If I Love Again", set against a glass grand piano. These are the pleasures that make the movie worthwhile in spite of its various shortcomings.

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FUNNY GIRL/FUNNY LADY BOX SET - DVD Movie

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Camelot (Special Edition) (1993) Review

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(More customer reviews)Yes, 'Camelot' is a flawed movie, but a MAGICAL one, nonetheless. It is too long, and Franco Nero's dubbed singing voice as 'Lancelot' is laughable, and YET! Yet, we have RICHARD HARRIS, so perfect as the failing King Arthur, Vanessa Redgrave, never lovelier than in her role as the torn Guinavere, and David Hemmings, a dastardly 'mod' Mordred reeking havoc on the troubled Kingdom. Franco Nero (dubbing notwithstanding) brings a wonderful comedic touch to Lancelot, and with the sumptious sets and costumes, 'Camelot' really is a BEAUTIFUL film. It has been critisized for having a 'Sixties' feel to it, but the somewhat hippy-ish design just adds to the pleasure; and it REALLY doesn't matter that Richard Harris is wearing WAY to much blue eye-shadow - we're in CAMELOT, for goodness sake! There may very well be a 'legal limit to the snow' there, but when it comes to make-up, no holds are barred! Oh, one can pick a MILLION holes in 'Camelot' - but why bother? It's better just to pour yourself a glass of mead, light some candles, put 'Camelot' in your VCR and let Lerner and Loewes wonderful score sweep you into a magical time which never existed. 'Camelot' is pure escapism, but it's escapism with 'heart', and that heart belongs to Richard Harris. This movie is HIS, and years after first seeing this movie, when I imagine the face of King Arthur, the face that I see is Richard Harris'.

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LERNER AND LOEWE'S MOVING MUSICAL ABOUT KING ARTHUR, GUENEVERE, LANCELOT AND THE ROUND TABLE.

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Gypsy (1962) Review

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(More customer reviews)When Warner Bros purchased the rights to the 1959 musical hit GYPSY it was intended to make a purely dramatic film, with songs from the Jule Styne & Stephen Sondheim Broadway score confined to the theatrical sequences. Rosalind Russell was chosen for the starring (but non-musical) role of Mama Rose along side Natalie Wood as Gypsy Rose Lee. However just as this version of GYPSY began filming, THE MUSIC MAN opened in theatres and scored a huge hit. It was then decided that GYPSY should be filmed as a musical follow-up to THE MUSIC MAN. The production closed down and was revamped as a musical. Rosalind Russell could sing but not in the style her role demanded (all of Mama Rose's songs in the Broadway production were written in the original Mama Rose, Ethel Merman's vocal style). It was decided to bring in singer Lisa Kirk to assist Russell with the vocals rather than re-cast the role. The end result fully justifies this decision because Rosalind Russell's Mama Rose is simply magnificent and the combination of Russell and Kirk in the songs is so perfect you never know (or care) who is doing the singing. No other actress, before or since (which includes such illustrious performers as Ethel Merman, Angela Lansbury, Bette Midler and Tyne Daly), even comes close to conveying the monster in mother's clothing that was Mama Rose the way Russell does while still allowing the humanity of the character to emerge now and then only to become subservient once again to her driving ambition.
Natalie Wood is also excellent as Gypsy Rose Lee, who succeeded beyond her mother's Dreams. Her mother and daughter showdown scene with Russell is riveting. A young, vibrant Ann Jillian gives equally great support as Dainty June, the focus of Mama Rose's machinations for most of the film, who also went on to become June Havoc, one of the most celebrated stage actresses of her time.
Besides great acting, the songs are performed with a bravura and brilliance that far outclasses all other versions of this musical. In fact the Warner Bros. Studio Orchestra plays this music so magnificently it makes the more recent Bette Midler TV version sound anemic by comparison. The Dolby Digital 5:1 Discrete Surround envelopes you into the proceedings and the sharp, richly saturated Technicolor wide screen image (2:35-1) is fully equal to the superb audio.
But it is Rosalind Russell in one of the greatest screen performances ever committed to film that drives this version of GYPSY to the top of the heap and makes this DVD a "must own."

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Everything comes up roses when you let Rosalind Russell, Natalie Wood and Karl Malden entertain you in the lavish movie musical of the Broadway hit about Gypsy Rose Lee and her formidable mother. Year: 1962 Director: Mervyn LeRoy Starring: Rosalind Russell, Natalie Wood, Karl Malden

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The Wiz (30th Anniversary Edition w/ Bonus CD) (1978) Review

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(More customer reviews)This, the 30th Anniversary release of THE WIZ, is a far improved print from the earlier DVD release. The colors of each scene are bright and crisp, and the graininess has been cleaned a great deal. Included with this edition is a soundtrack CD featuring SOME of the songs from the film. Those expecting the entire soundtrack may be disappointed to see that they only get a small percentage of the original songs.

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Ease on down the yellow-brick road with the 30th Anniversary Edition of The Wiz, starring superstars Diana Ross and Michael Jackson!Relive all of the magic of this beloved musical when Dorothy is whisked away to the enchanting wonderland of Oz, where she encounters the Scarecrow, the Tinman and the Lion.The Wiz features spectacular musical numbers from legendary producer Quincy Jones and an all-star cast including Lena Horne, Richard Pryor, Nipsey Russell and Ted Ross.With a digitally remastered picture and the unforgettable soundtrack in new 5.1 surround sound, it's an experience of the land of Oz unlike anything you've seen before!

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Meet Me In St. Louis (Two-Disc Special Edition) (1945) Review

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(More customer reviews)Many critics consider MEET ME IN ST. LOUIS the single finest Hollywood musical of the 20th Century. Produced by Arthur Freed, directed by Vincent Minnelli, and sporting a flawless ensemble cast led by Judy Garland, the film was immediately hailed when it debuted in 1944--and time has only added luster to its name. Now, after several home market incarnations, it at last receives the edition it deserves on DVD.
Given its stature, it is ironic that both MGM and Judy Garland originally fought the project. Based on a collection of autobiographical stories by Sally Benson, the script is little more than a series of domestic adventures in the lives of the Smith family of 1903 St. Louis. But it became a thing of wonder: a careful balance of sly but gentle humor, a collection of memorable performances, an understated score shorn of the usual movie-musical affectations, and at the center of it all Judy Garland, one of Hollywood's most memorable talents.
The transfer is excellent, capturing every nuance of the film's meticulously and beautifully designed sets in full Technicolor; the sound elements, remastered in Dolby 5.1, are equally fine and Garland's unique vocal skills are undimmed by time. All in all, it seems safe to say that not even the original 1944 theatrical release could surpass the quality of picture and sound offered here.
Although the bonus package would have better without the awful pilot for a failed television series based on the film, by and large it offers a superior collection. Previously available on VHS, the Roddy McDowell-narrated "making of" documentary is worth revisiting, as is the TCM-produced "Becoming Attractions." While a number of later documentaries surpass it, "Hollywood: The Dream Factory" has never before been widely available and offers an inside glimpse of the famous 1972 MGM auction. The Martins' performance of "Skip to My Lou" a reconstruction of "Boys and Girls Like You and Me," and a collection of Vincent Minnelli movie trailers round out the offerings, all of them entertaining.
The notable audio commentary is led by film historian and Garland scholar John Fricke. I regret to say that I have several issues with Fricke, who seems to rely excessively on Vincent Minnelli's autobiography I REMEMBER IT WELL and who has a tendency to perpetuate certain myths about the film--chief among them the idea that Garland did "The Trolley Song" in a single take. (Garland prerecorded the song, the overall sequence involves at least seven unique camera set-ups, and although Garland performs most of the solo in a single take there is a change in camera set-up toward the end of her vocal.) Even so, Fricke offers considerable insight into the cast, crew, and production of MEET ME IN ST. LOUIS, and the commentary is laced with remarks (some of them archival) by the likes of Margaret O'Brien, Hugh Martin, and Irving Brecher; in spite of my occasional misgivings, it really is everything one could wish an audio commentary to be.
These aside, the bonus package contains one significant and unique prize: the short film "Bubbles" and a notable audio commentary led by Hollywood and Garland historian John Fricke. Long thought lost, "Bubbles" is one of several shorts made in the early 1930s that include The Gumm Sisters, the youngest of whom would become better known as Judy Garland--a true rarity indeed.
Given the beauty of the transfer and the generally exceptional bonus package, it is difficult to imagine a better edition of this uniquely American classic. I strongly recommend it.
GFT, Amazon Reviewer

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St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however, barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair.

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Sunday in the Park with George (1986) Review

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(More customer reviews)"But it's warm inside his eyes ... and it's soft inside his eyes ..." Some say Sondheim is cerebral and sophisticated. However, I am always very moved by SUNDAY IN THE PARK WITH GEORGE. I especially find the first act to be the best part of the show. And Sondheim constantly warms my heart with his lyrics and beautiful music.
The production of the video of the show is very good. Lapine gets some good shots, even though it's basically a taped version of a Broadway show. The editing in spots is very good.
Bernadette Peters, a favorite performer of mine, is not in very good voice for the taping. I think I've read that she was having vocal problems at the time. Some dubbing is apparent in spots. Mr. Patinkin is very subdued and subtle in his performance.
The DVD is a preferable way to watch this show due to its extra audio track of Sondheim, Lapine, Peters and Patinkin reminiscing about it. There are some great stories told by the group. Mr. Sondheim sheds some light on the earlier drafts of songs and scenes.
Remember, this show won the Pulitzer Prize! It is not an "Oklahoma" kind of musical -- it's very artsy and concerns a difficult man obsessed with his art. But it is so sweet and clever. Like Seurat's famous painting that the musical is based on, the stellar talent behind the show blend together to produce a truly luminescent experience.

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A Sunday Afternoon on the Island of La Grand Jatte by Georges Seurat is one of the great paintings of the world, and in "Sunday in the Park with George," book writer James Lapine and composer/lyricist Stephen Sondheim bring a story based on the work brilliantly to life. While the painting depicts people gathered on an island in the Seine, the musical goes beyond simply describing their lives. It is an exploration of art, of love, of commitment. Seurat connected dots to create images; Lapine and Sondheim use connection as the heart of all our relationships. Winner of the 1985 Pulitzer Prize for Drama.

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Les Miserables: The 10th Anniversary Dream Cast in Concert at London's Royal Albert Hall (1995) Review

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(More customer reviews)This new edition of the Les Miserables 10th Anniversary Concert (taped in 1995 at the Royal Albert Hall in London) is a welcome new edition for any person who found the original concert enjoyable and thrilling. The 2-DVD set comes in a good quality hard case with new artwork. The performances continue to be mostly excellent and one really does not miss the staging too much. There are several new positive additions to this edition. First is the wide-screen presentation of the concert. It was painfully obvious at certain points during the original release (especially the bigger numbers) that you were missing some of the singers on the sides. The new wide-screen presentation opens up the experience so you can watch the concert as it was originally taped. The second positive aspect of this issue is that the whole concert is on one side of one disk, which makes it much more convenient to watch. The third is the inclusion of the "Stage By Stage" Documentary from the late 80s tracking the recording of the Complete Symphonic Recording as a supplement on the second disk. Finally, for those who want to, you can follow along with new (optional) on-screen lyrics.
However, this edition is not without its disappointments. The first and by far the biggest disappointment is how it's only presented in stereo and not Dolby Digital 5.1 or better. Not having a digital audio option in 2008 is ridiculous and I would have greatly put up with changing disks if it meant having a better quality performance. The second disappointment is the deletion of parts of the concert previously available, which include part of "Little People" and the speeches by the creative talent behind the show at the end of the concert before the encore. Even if space was limited on the first disk, these deletions could have easily been put on the second disk as supplementary material.
So, while the concert itself continues to be quite enjoyable and there are some new additions that makes it a must have for any Les Miserable fan, there are some basic disappointments that keep this edition from being perfect.



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A performance of Les Miserables by the Royal Philharmonic Orchestra at the Royal Albert Hall, for a 10th Anniversary Concert celebration.

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Rodgers and Hammerstein's Oklahoma (London Stage Revival) (1999) Review

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(More customer reviews)The 1999 London production of "Oklahoma!", directed by Trevor Nunn with choreography by Susan Stroman, was the first major departure ever from the original Joshua Logan-Agnes De Mille production of 1943. It was a gamble that paid off big, for the performance recorded for posterity on this DVD is absolutely brilliant--funny, riveting, and deeply poignant. The dancing is astonishing, and the beloved Rodgers & Hammerstein songs have never sounded so good. Nunn and Stroman know how to stage each number for maximum dramatic effect, so that the songs come across less as songs than as dramatic monologues in music--which is, of course, exactly what Rodgers & Hammerstein wanted.The cast of this version is so wonderful that it is impossible to talk about them in anything but superlatives. (I might make a slight, regretful exception for Vicki Simon as Ado Annie, who is merely very good whereas everyone else is spectacular.) As Will Parker, Jimmy Johnston--an endearing if improbable cross between Will Rogers, Russ Tamblyn and Jack Black--barrels through his big number, "Kansas City," with infectious glee and astounding athleticism, including a dandy exhibition of trick roping. Some reviewers have pointed out that Peter Polycarpou's accent as Ali Hakim is shaky, but there's no quibbling with his singing or his comic timing; in appearance and talent, he reminds me more than a little of Tony Shalhoub. Maureen Lipman is a perfect Aunt Eller, tough as an old birch tree, plain-spoken and drily witty as she dispenses tough love to the residents of Claremore, Okla. Josefina Gabrielle is an earthier Laurey than we're used to, but she's a good singer and an exquisite dancer, and she makes Laurey's confused longings as painful as a punch in the gut. The real acting honors, however, must be divided between the romantic rivals--Hugh Jackman as Curly and Shuler Hensley as Jud. This production launched Jackman's international career, and no wonder--from the first few bars of "Oh, What a Beautiful Morning," you can't take your eyes off him. He is visually perfect as Curly, he dances well and sings beautifully, and--above all--he exudes charisma from every pore. Hensley combines a rich, operatic baritone with a brooding, menacing stage presence; he makes Jud a classic monster, evoking both pity and terror. His solo number, detailing both his pitiful loneliness and his doomed love for Laurey, is one of the most riveting pieces of dramatic singing I've ever seen or heard.

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OKLAHOMA - DVD Movie

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Musicals Classics 50 Movie Pack Collection (1949) Review

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(More customer reviews)1947Fabulous Dorseys, TheTommy DorseyJimmy DorseyPaul Whiteman
1947Calendar GirlJane Frazee William MarshallVictor McLaglen
1941SunnyAnna Neagle Ray BolgerEdward Everett Horton
1944Swing HostessMartha Tilton Iris Adrian Charles Collins
1930DixianaBebe DanielsBert WheelerRobert Wolsey
1934PalookaJimmy Durante Lupe VelezStuart Erwin
1929Glorifying the American GirlEddie CantorRudy Vallee Noah Beery Jr.
1933Check and Double CheckDuke Ellington Freeman F Gosden Charles J Correll
1939Paradise in HarlemMamie Smith Frank L Wilson Norman Astwood
1946Duke is Tops, TheLena HorneRalph CooperLaurence Criney
1947Reet, Petite and Gone Louis JordanJune Richmond Milton Wood
1948Killer DillerNat King Cole Johnny Miller Oscar Moore
1945Delightfully Dangerous Jane Powell Ralph Bellamy Arthur Treacher
1942Private BuckarooAndrews Sisters Shemp HowardDonald O'Connor
1943Stage Door CanteenKenny Baker Tallulah BankheadEdgar Bergen
1943Career Girl Frances LangfordEdward Norris Iris Adrian
1941Second Chorus Fred AstairePaulette GoddardArtie Shaw
1944TrocaderoRosemary Lane Johnny DownsRalph Morgan
1946People Are FunnyJack HaleyRudy ValeeArt Linkletter
1946Doll Face Dennis O'Keefe Perry ComoVivian Blaine
1929Great Gabbo, TheEric Von Stroheim Betty Compson Donald Douglas
1936Dancing Pirate, TheFrank MorganCharles CollinsSteffi Duna
1941Road Show Adolph Menjou Carole Landis John Hubbard
1943Hi Diddle Diddle Adolphe Menjou Martha ScottDennis O'Keefe
1956Rock, Rock, Rock Tuesday WeldChuck Berry Valerie Harper
1934King Kelly of the USA Edgar Kennedy Guy Robertson Irene Ware
1955Rock N' Roll RevueDuke Ellington Nat King Cole Lionel Hampton
1955Rhythm and Blues Revue Nat King Cole Sarah VaughnCount Basie
1946Till the Clouds Roll By Judy GarlandFrank Sinatra Dinah Shore
1941All-American Co-EdJohnny DownsFrances LangfordNoah Beery Jr.
1947Hi Di HoCab CallowayIda James Jeni Le Gon
1946Breakfast in Hollywood Bonita GranvilleBeulah Bondi Zasu Pitts
Soundies Festival Ethel WatersEddy GreenDusty Fletcher
Soundies Cavalcade Lena HorneTeddy WilsonDusty Fletcher
1930Reaching For The Moon Douglas Fairbanks Bebe DanielsEdward Everett Horton
1951Mr Imperium Lana Turner Ezio PinzaDebbie Reynolds
1951Royal Wedding Fred AstaireJane Powell Peter Lawford
1957Pied Piper of Hamelin, TheVan Johnson Jim BackusClaude Rains
1962Wild Guitar Arch Hall Jr. Nancy CzarArch Hall Sr.
1941Murder With Music Nellie Hill Alston Bob Dillard
1952Jack And The Beanstalk Bud AbbottLou CostelloBuddy Baer
1946Road To Hollywood, TheBing Crosby Bud Pollard Marion Sayers
1936Big Show, TheGene AutrySmiley Burnette Kay Hughes
1962Black TightsCyd CharisseMaurice Chevalier Moira Shearer
1941FiestaAnne AyarsJorge Negrete Armida
1941Let's Go Collegiate Gale StormFrankie Darro Marcia Mae Jones
1940Up in the Air Frankie Darro Marjorie Reynolds Mantan Moreland
1944Minstrel ManGladys George Benny FieldsAlan Dinehart
1937Rhythm in the CloudsPatricia Ellis Warren Hull William Newell
1936Sitting on the Moon Grace Bradley Roger Pryor William Newell

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Rediscover the magic of Fred Astaire in Second Chorus and Royal Wedding. Marvel at the incredible dance moves of Cyd Charisse and Jane Powell in Black Tights and Delightfully Dangerous. Relive the magic of jazz legends like Duke Ellington, Lionel Hampton, The Dorsey Brothers, Count Basie and Sarah Vaughn. Sit back and enjoy the songs of all time greats like Lena Horne, Frank Sinatra, Eartha Kitt, Perry Como, Judy Garland and Dinah Shore. The Classic Musicals 50-MoviePack brings an incomparable world of song, dance and orchestration to life in a collection that offers countless hours of entertainment.

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Into the Woods (1991) Review

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(More customer reviews)Except for this one...
Bernadette Peters is so perfect as the old crone witch who turns beautiful at the end of the first act. She plays the bitter self-loathing cynic to perfection: when she sings "Last Midnight" its amazing, and of course the bittersweet "Lament"/"Children Will Listen" ties everything together...well, perfectly. A riot, and she can really belt out a tune!
At least as amazing as Ms. Peters is Tony Award-winning Joanna Gleason who is completely brilliant as the baker's wife. Her interactions with Kim Crosby (Cinderella), each night after the Festival, sparkle: every time I watch the exchange that ends with, "I need your shoe to have a child!" I nearly fall off my chair; her appearance as a ghost at the end is touching and a little sad.
Kim Crosby herself is quite good as Cinderella, and Danielle Ferland is wonderful as the jaded and cynical (and a little bloodthirsty) Little Red Riding Hood (she gets it from grannie, who keeps thinking of twisted ways to torture the wolf after they escape), and her song "I Know Things Now," is a cute little song (with just a hint of sexual imagery) about a young woman coming of age.
Some things to watch for:
- Cinderella's birds
- the horse that moves backwards
- "Milky White," especially after the baker gets tired of leading(dragging) her, and picks her up by the handle on her top
- the stepmother cutting off her daughter's heel and then picking it up by stabbing it with the knife like a piece of ham
- "Agony" by the two princes
- "No One Is Alone"
- and lastly, "Your Fault."
It's also worth mentioning that the lighthearted fun in the first act is matched perfectly with the dark and sober mood in the second act, although it may be a little heavy for young children.
Mentionable quotes:
"I don't like that woman!" - The Baker, about the Witch
"I was raised to be charming, not sincere." - Cinderella's prince
"I was just trying to be a good mother." - The Witch to Rapunzel
"Slotted spoons don't hold much soup." - Jack's mother
"There are times I do actually enjoy cleaning." - Cinderella
"You can talk to birds...?" - Little Red Riding Hood to Cinderella
"...some of us don't like the way you've been telling it..." - The Witch to the narrator, just before she sacrifices him to the giant
I could keep going... suffice to say, it's a fave.

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A baker and his wife journey into the woods in search of a cow, a red cape, a pair of golden slippers and some magic beans to lift a curse that has kept them childless. Tony Award winners Bernadette Peters, Joanna Gleason and the rest of the original Broadway cast weave their magic spell over you in Stephen Sondheim's masterpiece, directed by James Lapine, a seamless fusion of fairy tale characters and what happens after "happily ever after. "With oft-recorded songs such as "Children Will Listen" and "No One is Alone," "Into the Woods" is a music lover's delight from start to finish--and will forever cement Stephen Sondheim's unparalleled position as the giant of the American musical theater.

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Rodgers & Hammerstein's Cinderella (1957 Television Production) (1957) Review

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(More customer reviews)It is amazing that some people seem to prefer Lesley Ann Warren's performance over Julie Andrews. There is absolutely no comparison. This Cinderella was written for Julie and she is magnificent in every way. No one has the voice or the charm that she injects into this character. Her version of "In My Own Little Corner" is enchanting, but also has a sadness that is absolutely right. Miss Warren is too worldly and gives the impression that she could easily be a "West Side Story" gang member rather than Cinderella. She simply does not have the ravishingly beautiful voice that Julie has. She is marvelous in many roles - just compare her performance in "Victor/Victoria" which shows the "real" Lesley Ann. (But even in that film Julie Andrews outshines her!)
This version of "Cinderella" is the best version with the comic numbers and fantastic supporting cast absent from others. Edie Adams is a scene stealer as the Godmother. The king and Queen have much more to do and have a delightful comic song that was cut from subsequent productions. No one can top Kaye Ballard and Alice Ghostly as the step sisters - comic gems!
What is also amazing about this production is that it was telecast LIVE and was not a film or tape as were other "Cinderella" productions. Today everything is recorded with none of the spontaneity that comes only from a live show.
Even though the only remaining record of this telecast is in black and white (and at the time of the original broadcast most viewers only had black and white sets), it is a must have record of the TRUE version of the work.

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In this enchanting musical delight from the legendary team of Richard Rodgers and Oscar Hammerstein II, beautiful young Cinderella (Julie Andrews) finds her life of drudgery at the hands of her stepmother and two wicked sisters changed forever in one evening, thanks to a fairy godmother and a handsome prince. Lost for years, this first television production of this enduring classic remains a rollicking, tune-filled delight for young and old alike! One of the most beloved entertainers of all time, Academy Award«-winner Julie Andrews (Mary Poppins, The Sound of Music) appeared in theaters this year in the smash hits Shrek 2 and The Princess Diaries 2. The much-revered musical team of Rodgers & Hammerstein produced such family favorites as The King and I, The Sound of Music, Carousel, South Pacific, State Fair and more! One of home video's most highly requested titles, Cinderella has been officially unavailable since its initial airing on March 31, 1957! This single performance spectacular was viewed by over 115 million people, a television milestone! Musical performances include beloved favorites "In My Own Little Corner," "Impossible" and "Do I Love You (Because You're Beautiful)!" In 1957, Broadway's reigning songwriters and Broadway's brightest new star joined forces to create a new musical version of Cinderella; it's one-night-only broadcast on CBS-TV was viewed by more than 115 million people - the largest audience in the history of the planet! - and an instant legend was born. Julie Andrews, the toast of Broadway for her performance in My Fair Lady, played the title role, joined by a stellar cast of Broadway and television all-stars. Providing a new take on the timeless tale as well as a bounty of beautiful ballads, comedy numbers and waltzes, was the team of Richard Rodgers and Oscar Hammerstein II, already at the top of their game thanks to such musicals as Oklahoma, South Pacific and The King and I. Though Rodgers & Hammerstein's Cinderella has gone through several TV remakes and hundreds of stage productions, the original, magical version vanished after its initial broadcast, never to be seen again. Until now.

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Annie (Special Anniversary Edition) (1982) Review

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(More customer reviews)Well, I think this is a really swell movie. Albert Finney and Carol Burnett crack me up, Aileen Quinn is exactly what Annie should be, and Sandy is perfect.
But WHY OH WHY is this not being offered in a widescreen format? I have yet to see all of "It's a Hard Knock Life" and I know those girls are knocking themselves out offscreen. I've seen this movie on three different media. All were pan and scan, and all three showed different parts of the picture! The worst was a VHS release. (...)
I don't know which is more frustrating about this anniversary dvd, the fact that it doesn't offer widescreen, or the fact that the dvd menu and the special features show the movie clips in widescreen, teasing me with those brief glimpses.
There is no reason that dvd manufacturers shouldn't at least OFFER a widescreen version. Let's get with the 21st century already!

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BROADWAY MUSICAL BASED ON THE LITTLE ORPHAN ANNIE COMIC STRIP. A YOUNG ORPHAN GIRLS ADVENTURES IN FINDING A FAMILY THAT WILL TAKE HER.

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Brigadoon (1954) Review

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(More customer reviews)When I first rented BRIGADOON from the public library last spring, I immediately fell in love with it. Just added the DVD to my collection yesterday. It is one of the most beautiful films I have ever seen. It is a 1954 film adaptation of the 1947 Broadway musical. The Lerner and Loewe score is one of the greatest ever written for the stage (or screen). The great cast includes Gene Kelly, Van Johnson, and Cyd Charisse. Although certainly not the greatest singers in the world, Kelly's and Johnson's singing is more than adequate and is really quite lovely. Charisse's singing voice is dubbed for this film, and she works great as well.
When Brigadoon made the transition from Broadway to Hollywood, a good chunk of its score was dispensed with in order to make room to highlight the dancing abilities of its stars. This is, in fact, where many people find fault with this film; the lack of the rest of the Broadway score. To these people, I have this to say... ---This movie is not the Broadway play. It is a **film adaptation.**--- This is also the common complaint about MGM's "Show Boat" from 3 years earlier. Another common complaint about "Brigadoon" is that it was obviously shot in soundstages on the MGM lot in Culver City instead of the highlands of Scotland. This was due to the fact that producers were working with smaller budgets than they had been just 3 or 4 years earlier. This, coupled with the unpredictable weather in the British Isles, necesitated that the film be shot at the studio. This is also evident in "Seven Brides for Seven Brothers" from the same year. Although the sets are obviously painted backdrops, they are nicely done and work well. IMO, they do not demerit the film.
Brigadoon more than makes up for the missing songs by adding some spectacular dance numbers. "Heather on the Hill" is one of the most sweeping dance numbers I have ever seen in any film. Kelly's and Charisse's gracefulness really hits the spot.
I HIGHLY RECOMMEND the DVD, with its lush color, clear picture, and stereo sound. If you haven't seen "Brigadoon," you should see it. At the very least for some of the greatest dance numbers you will ever see.

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BRIGADOON - DVD Movie

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Joseph and the Amazing Technicolor Dreamcoat (2000) Review

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(More customer reviews)Ever since I saw this show on stage in LA about ten years ago, I've been dying to have a copy I could watch over and over and over... Well, that day has come. I saw the video version on a recent trip to London-- and am sold on it's value. The cast is amazing, lead by Donny Osmond's unflappable vocal ability. Unlike the cats video, no songs have been cut out, and no songs have been shortened, with the possible exception of the Joseph Megamix, which has been revamped to serve as an end credit theme. The sets have been built as immersive environments, not a filmed version of the stage show. Also of note-- a preview before the show of the new production of Jesus Christ Superstar set to come to video this Easter!

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JOSEPH AND THE AMAZING TECHNICOLOR DR - DVD Movie

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Cats - The Musical (Commemorative Edition) (1998) Review

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(More customer reviews)The `Cats' DVD is a cinematic record of the Andrew Lloyd Webber stage musical as performed on the London stage in, I believe, 1998 starring Elaine Paige in the `lead' role of Grizabella, although the only aspect of her role which warrants calling it the starring role is the fact that this character sings the `show-stopper' song, `Memory' which, if you are to believe writer / director Kevin Smith's bit in `Jersey Girl', has become a real Broadway cliché. The show is the most truly `ensemble' performance I can think of. Few characters stand out for more than the length of a single piece, yet practically all characters are on stage for over 50% of the two-hour performance. Aside from Paige, the only character / actor who is remotely familiar to me is John Mills who is on for but two scenes and who is more of a prop than a character.
I make a strong point of the fact that this is a recording of a stage performance rather than a conversion of the play to a more realistic environment. This conversion is done for most Broadway plays turned into movies, especially for big musicals such as `Oklahoma', `The Sound of Music', `My Fair Lady', and `Chicago'. But this conversion is not always successful. That is, the very big realistic setting is not always an enhancement. My best evidence for this is the film done of `The Fantasticks' with a cast including such high powered talent as Joel Gray and others. As someone how has seen the play done on the live stage three times with three different interpretations, including a performance by the New York City cast, I can say that the movie failed to breath any life into the classic minimalist staging it gets in intimate little theaters. The movie was simply not as good as the live performance. This is clearly not the case with this DVD record. It gives us the stage fantasy that needs practically no embellishment with a real ally or cinematic whiz-bang.
Like `The Fantasticks', I have seen `Cats' on the New York stage sitting in a mezzanine seat about 4 rows from the back of the Winter Garden theatre. And, while there is something about a live performance that simply cannot be recorded, I will say that this DVD (and VCR) recording is quite as good a record as you can get.
My most important criteria for evaluating a movie on DVD or VCR is whether or not the work wears well after the second or third or fourth viewing. For example, `Chicago' was fun to watch once, but I have no burning desire to watch it again. On the other hand, `Singin' in the Rain' I can watch about once a year and still find the time well spent. I will say with great conviction that I can watch this recording of `Cats' once a year and enjoy every minute spend with the experience, because I have done so over the last few years. The performance and its record are so durable that my second most important criteria for a DVD, a good commentary track, becomes unnecessary. And, the commentary track is basically a waste of time for a musical anyway, especially a musical based on famous poems written 65 years ago by the most notable poet, T. S. Eliot in `Old Possum's Book of Practical Cats'.
The play has the thinnest of plots based on a once a year selection of one Jellicle cat to ascend into some state of grace, presumably at the conclusion of their legendary nine (9) lives. The only other plot twist involves the kidnapping of the head cat, Old Deuteronomy, thereby preventing this feline apotheosis from being carried out.
This accounts for four or five out of the nineteen numbers. All the rest are based directly on fourteen out of the fifteen poems in Eliot's little book.
One may think that this work has but a single hit song and, therefore, the remaining musical numbers are second rate. This is certainly not the case. I find myself tapping my toe to all numbers, with especial pleasure coming from `Jellicle Cats', `Mungojerrie and Rumpleteaser', and `The Pekes and the Pollicles'. These are much more like stories in song than a simple ballad with easily remembered refrain.
Very highly recommended for anyone with a taste for musicals and worth a try for anyone who likes fantasy.


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CATS:COMMEMORATIVE EDITION - DVD Movie

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