Showing posts with label science fantasy television program. Show all posts
Showing posts with label science fantasy television program. Show all posts

Doctor Who: The Ribos Operation (Story 98) (The Key to Time Series, Part 1) (1975) Review

Doctor Who: The Ribos Operation (Story 98) (The Key to Time Series, Part 1) (1975)
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THE RIBOS OPERATION is a severely underrated classic that sometimes gets forgotten about in the Key To Time season. The script is quite good and shows Robert Holmes at the height of his dialog-writing powers. It doesn't get all of the credit that it deserves, and this is a pity, because almost every aspect of the production is excellent, from the script to the acting to much of the incidental music to the set design. There is almost nothing here to distract from what is extremely fun and witty adventure.
The atmosphere is superb. The sets and, in particular, the costumes are exceptionally well done, especially when one considers the budget they were working with here. Possibly a lot of it was taken from stock and then given superficial modifications, but this really adds to the script's medieval and Russian flavors. It feels old-fashioned, and the few futuristic elements slide right alongside the historical pieces. The aliens are planet-hopping aristocrats with lasers, wrist-communicators and space-drives, but they trade in gold, and are concerned with half-brothers on thrones. The soldiers in the story more resemble knights in armor than science-fiction stormtroopers. The modern and the tradition merge extremely well and the two parts complement are a great complement to each other.
Science vs. magic/superstition is another theme that rears its head in this serial. Unlike other stories (say, THE DAEMONS), this story puts both of those subjects on the same level. The magic isn't just given a technobabble explanation; it actually appears to work in the confines of the story. The Seeker makes predictions that prove correct, has second sight, and uses magical incantations, while the story gives every indication that she genuinely does possess unearthly powers. This is vitally important for keeping the balance between science and magic.
When we hear the story of Binro the Heretic, we already know that his calculations and deductions about the lights in the night sky are correct, so our sympathies will automatically go towards his point of view. But if the Seeker had been revealed to be merely a slight-of-hand conjurer, then the battle between the two elements would have been drastically undermined. Because the magical side is so powerful, we can see exactly why someone like Binro has been shunned and derided by his peers. It's not just that what he says conflicts with their religious viewpoint, but also they have apparent proof that the superstitions have a concrete basis in reality. Holmes doesn't chicken out of the conflict, but portrays it in a mature and surprisingly balanced manner. It would be easy for Holmes to have us conclude that Binro is right, and that the Seeker is a con artist. But he doesn't do that - we have at least some evidence that both sides of the conflict have a sound case for parts of their belief.
The characters in this serial are larger than life and twice as fun. During his career, Robert Holmes wrote a number of over-the-top, almost operatic individuals and THE RIBOS OPERATION is certainly no exception. The actors, without exception, all latch on to how these characters need to be played and all deliver exactly the type of performance required. The Graff Vynda-K can't be anything other than an obsessed and fanatical tyrant. Garron has to be a great big lovable rouge. In a story such as this, louder is better. These are archetypes on paper, and the actors bringing them to life inject them with enough humanity and pathos to let them live.
I'm not usually a fan of the actors-only commentaries on these Doctor Who DVDs. Of those discs that have been released in the US so far, the audio tracks that contain no members of the production team are boring and useless, with the people concerned not remembering much about the story and not having known much about the behind-the-scenes planning in the first place. But the commentary for this DVD is highly amusing despite only consisting of Tom Baker and Mary Tamm. While it isn't the most informative thing I've ever listened to, I couldn't stop laughing. It's an extremely entertaining track featuring a few interesting tidbits from Tamm, punctuated by occasional orgasmic sound effects courtesy of Mr. Baker.
The pop-up production notes provide us with a lot of detail about the numerous cuts and edits that were made to the original Robert Holmes script. I find this sort of thing fascinating, and it's really interesting to see how the script evolved. Incorporating the Key arc, to tightening up the script for timing reasons are all featured here.
The DVD picture and sound are quite good considering the age of the material. This disc upholds the high standards that the Doctor Who DVDs have achieved in these areas. The rest of the extras (Photo Gallery, Who's Who) are things that I really have no interest in, but some people like them, and it's nice to know that they're there.
It's interesting to note that at the time of writing this review, Robert Holmes has become the most represented author on the Doctor Who DVDs. And if you really have no idea why, then check out this disc for a reevaluation of a forgotten classic. No one wrote dialog quite like Holmes, and it's absolutely amazing to see what can happen when the writer and the actors play off each other's strengths so perfectly.

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The Doctor and Romana trace the first segment of the Key To Time to the planet Ribos, where they first encounter two con artists who think big.DVD Features:Audio CommentaryBiographiesPhoto galleryProduction Notes


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Doctor Who: The Power of Kroll (Story 102, The Key to Time Series Part 5) (Special Edition) (2009) Review

Doctor Who: The Power of Kroll (Story 102, The Key to Time Series Part 5) (Special Edition) (2009)
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Power of Kroll, Horns of Nimon, and Meglos... The most underrated shows in Dr. Who. I am reviewing the three of them here as Meglos and Nimon aren't on DVD -or!!- VHS. Sure, the special effects are paper mashe' monsters that stand still for five minutes doing nothing, but if one had half an imagination one could suspend thier disbelief. Dr. Who is not to be watched as a Box Office movie or a deep emotional TV series with heavy serious issues. No, these stories are simply fun to watch. And the stories interesting because they are unique and sometimes surreal. And the enjoyment they bring is the bottom line, isn't it...
Think of the sets as a play. That is how this is done. The opratic costume designs of Nimon and Meglos. Ignor the fact that Kroll looks like a paper mashe'. If you see a play the sets aren't there to be 'realistic' they are there as a simbol of what they represent. I think the monster is quiet good in Kroll if you ignor the fact that special effects are better now than then. People are too spoiled by special effects in shows that I find pale in comparison to Dr. Who as far a story and characters. Star Trek Next Gen, Farscape, Lexx, all a bunch of over-glorified soap opra filler with mush and sex and special FX.
Dr. Who, an entertaining story with beautiful sets, even if they aren't 'realistic' or 'believable'. Surreal is what outer space is all about.
And on a final note: PLEASE RELEASE MEGLOS AND HORNS OF NIMON ON DVD(or at the very least VHS.) Tom Baker, Lalla Ward, and K-9(John Leason) are in both of them. Thank you!

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The search for the fifth segment of the Key to Time brings the Doctor and Romana to the swampy terrain of the third moon of the planet Delta Magna. Almost immediately, they become separated. The Doctor draws fire when he is mistaken for Rohm-Dutt, a notorious gunrunner wanted for supplying firearms to the Swampies, an aboriginal people who were displaced to the marshy moon when human colonists took possession of Delta Magna. A small team from Delta Magna are now developing a refinery in the Swampies promised territory, but the Swampies are confident that, properly armed, they can drive the humans away. Meanwhile, Romana has been captured by the Swampies and prepared as a sacrificial offering to their god, the mighty Kroll. Thwarting the sacrifice (in which the god was nothing more than a Swampie priest in fancy dress), the Doctor and Romana have incurred the wrath of Ranquin, a fanatical high priest to Kroll. Legendary or not, something is stirring beneath the swamp floor and, if the refinerys instrument readings are correct, it measures five miles across!
DVD Features:Audio CommentaryDVD ROM FeaturesFeaturetteInterviewsPhoto galleryProduction Notes


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Doctor Who and the Silurians (Story 52) Review

Doctor Who and the Silurians (Story 52)
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I fondly recall watching this classic Doctor Who storyline as a teenager in the 1980's and being utterly blown away by its moral complexity. Decades have passed, I'm older and a fair bit more jaded, and it still blows me away! The somewhat unusually titled "Doctor Who and the Silurians" is perhaps one of the most intelligent stories penned for what is typically a very well-written series, and this in a manner cleverly conducive to the tale's good old thrills & chills and general entertainment value. If anything demonstrates that a show can be sophisticated and fun at the same time, this does in style.
Part of what makes this one so great is that it takes one of the most tired clichés of sci-fi and turns it on its head. Reptilian invaders? Well, sort of, except for the fact they were here first. The eponymous Silurians evolved on Earth millions of years ago and developed a highly advanced civilization before an impending catastrophe drove them to seek shelter underground, waiting in suspended animation for the disaster to blow over. The inevitable malfunction keeps them slumbering much longer, until an experimental nuclear power plant built into the caves of England's countryside circa 1970 jolts some of them awake and they start preparing to take their planet back regardless of the johnny-come-lately hominids that seem to have taken their place. The premise alone is incredibly imaginative and astutely draws upon some of the latest geological theories of the day while providing the crux of the story's mature complexity: there are no absolute good guys or bad guys here, only conflicting interests who through mutual fear, suspicion, misunderstanding, and xenophobia both end up tragically resorting to violence rather than the compromise and coexistence the Doctor tries and fails to broker between them.
Speaking of the Doctor, it's hard to believe that this is only Jon Pertwee's second story in the role. He's already quintessentially the third Doctor: dapper, dashing, and dynamic, delightfully sarcastic with petty authority, an eccentric individualist incongruously stuck with a hierarchical military organization. The camaraderie and conflict between him and the Brigadier is well depicted, and the clash between one's martial pragmatism and the other's principled idealism (both understandable under the circumstances) propels the plotline forwards and gives the conclusion its forlorn sting. The Doctor's assistant, Liz Shaw, is more than just a pretty face here, but one can see her scientific expertise already slipping inexorably to the back burner despite the production staff's best intentions. Last but not least, a great variety of supporting characters with memorable personality quirks and motivations all add essential twists and turns to the story's tragic progress, and a strikingly bizarre soundtrack (sounding like a schizophrenic mix of Stravinsky and Javanese Gamelan music) gives it an unforgettably appropriate eerie ambiance.
In short, "Doctor Who and the Silurians" is every bit as excellent as I remember, and it looks even better. The version I saw in the '80's was patched together from color and black & white episodes, while for this DVD all seven episodes have been painstakingly restored--in full color as originally intended and as sharp an image as possible under the chancy circumstances of its survival. Of course, the Silurians appeared a bit more convincing in monochrome as I recall, so the gain in authenticity and quality is ironically somewhat of a mixed blessing. But to expect a BBC production in 1970 to display the whiz-bang special effects of today would be unrealistic folly in the first place. Instead I would suggest losing yourself in this adventure's consummate science fiction storytelling at its best, then your imagination will do the rest.
P.S. As fate would have it, this was not the last time the Doctor would try to referee between two sets of Earthlings, reptile and mammal, and "Doctor Who and The Silurians" can be purchased together with those later two adventures conveniently in one set: Doctor Who - Beneath The Surface (Doctor Who And The Silurians / The Sea Devils / Warriors Of The Deep).

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It's a rude awakening for the Silurians, an intelligent dinosaur race only now emerging from a hibernation begun at the dawn of the Ice Age.DVD Features:Audio CommentaryDocumentariesMusic Only TrackPhoto galleryProduction Notes


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Doctor Who: The Androids of Tara (Story 101, The Key to Time Series Part 4) (Special Edition) (2009) Review

Doctor Who: The Androids of Tara (Story 101, The Key to Time Series Part 4) (Special Edition) (2009)
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The search for the Key to Time is half over. The Doctor, Romana and K9 have recovered the first three segments and, unhappily, the best three stories of the season are over. The last half of the Key to Time quest is definitely the weaker. This is not to say, though, that "The Androids of Tara" is bad. It's quite fun, even if it feels a little inconsequential. The criticism it has attracted from most fan circles is that it draws too heavily upon the one source, Anthony Hope's "The Prisoner of Zenda" and displays this quite blatantly. However, most of Doctor Who (like the works of William Shakespeare) is plagiarised from one source or another. How stylishly it is done is the best indicator of how it succeeds. With the case of Doctor Who, it succeeds most of the time. "The Androids of Tara" is a fun, swashbuckling adventure. The villain, Count Grendel, is a wonderfully over the top cad, scoundrel and all round baddie. The usual ingredients for the genre - Princes, Princesses and swordsmen - are all here. There's also the obligatory swordfight at the end. The story is low key - it revolves around the political machinations of the world of Tara - there is no planet to save from invasion or destruction, no populace to save from alien oppression. This story will never be regarded as a classic; it won't be in any all time top 10 lists - but it is a breath of fresh air. It's a nice diversion, however unoriginal. (There's an awful monster, so it's not really that different from the rest of Doctor Who!) Sure, it feels inconsequential. But it has the usual charm that the program always succeeds in pulling off.

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Getting the fourth segment of the Key to Time is the easiest part of the trip to the planet Tara, whose idyllic atmosphere lulls the Doctor into a mood to go fishing and leave the segment-tracing to Romana. She locates it after a short walk on a beautiful day, but her luck changes when she meets the courtly Count Grendel. Contrary to appearances, Tara is a hotbed of political intrigue, and beneath its Old World veneer lies a surprising advanced level of technological development that includes lifelike androids and electric swords. Count Grendel mistakes Romana for an android double of Princess Strella, and carries her away for future use in his plot to wrench the crown from its rightful claimant, Prince Reynart. Meanwhile, the Doctor arouses suspicion when Prince Reynarts men discover him fishing on the princes estate. Before he and Romana are reunited, the Doctor will be unwillingly thrust in the roles of android repair-man, king-maker and ultimately, swordsman when finds himself locking swords with Grendel, the finest swordsman of all Tara.
DVD Features:Audio CommentaryDVD ROM FeaturesFeaturettePhoto galleryProduction Notes


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Doctor Who: The Dalek Invasion of Earth (Story 10) (1975) Review

Doctor Who: The Dalek Invasion of Earth (Story 10) (1975)
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There are those who consider Doctor Who to be at its very best when the errant Time Lord is visiting Earth and dealing with alien threats that are Earthbound. Doctor #3 himself, the late Jon Pertwee, often stated this story genre to be his favorite, and judging by the number of Earthbound stories from the show's lengthy history, many agreed. The latest two releases on DVD from the BBC archives are united in their "Earth invasion" theme, but both have taken an interesting and indeed unique slant on the alien invasion of London twist.
The "Dalek invasion of Earth" was the last adventure made in the first season production block, way back in 1964, albeit held over and broadcast as the second story in season two. The adventure is significant for many reasons, mainly because it featured the departure of one of the original Tardis crew, and also because it was the first "sequel" to feature in the show, featuring the return of the enormously popular Daleks, created by Terry Nation. Set almost 200 years in the future, the adventure mainly takes place in central London, allowing for much location filming around familiar sights, which adds to the realism of the story. It was the first real use of extensive location filming in the show's history and was well worth the effort to take the show out of the studio and bring a more epic quality to the production. The closing sequence featuring the Doctor (as played by William Hartnell) bidding farewell to his granddaughter Susan, played by Carole Ann Ford, may also be one of the entire series most poignant scenes.
All six of the original black and white episodes have been painstakingly restored to almost their original broadcast quality, with many enhancements to some of the laughable special effects added as an option. Potentially, it's the other bonus material that may prove the most interesting to fans and casual viewers alike. The commentary from the surviving cast (Carole Ann Ford and William Russell) together with the producer and director is first class. The on-screen captions also go a long way to fleshing out the background to the production. Almost the entire guest cast appear in newly shot interviews airing their reminiscences, plus there are all sorts of behind the scenes programme's, trailers and other goodies gathered onto a 2nd disc.
The same is true of the companion release, "The Talons of Weng-Chiang." Made twelve years later, in glorious colour, this six part series took another twist on the Earth invader theme by taking the Doctor, this time played by Tom Baker, and his companion Leela back into Victorian London to deal with a sinister alien menace. For many, this story is often regarded as one of the greatest (if not THE greatest) story of the Doctor Who canon. And I'm not going to disagree. The production values alone would be enough to set it apart, but the wonderful script, incredible design and superlative acting by the entire cast adds a special magic to the show that few other Who adventures have ever matched. Like the earlier Dalek story, it also marks the end of an era, since this was the last adventure produced by Philip Hinchcliffe. Quite honestly - the show was never the same again!
Again, there are all sorts of goodies available on a 2nd disc to accompany the restored six-part adventure. A documentary on the history of Doctor Who televised at the conclusion of the serial is just one bonus worth having; the commentary from the cast and crew is another. It's great to hear Louise Jameson (Leela) making her DVD debut, and it's a real shame Tom Baker himself did not take part.
Both stories are excellent additions to the growing Doctor Who library, clearly demonstrating the changing production values and story making not only of this particular show, but also British TV drama in general. I'd highly recommend them and look forward to the next two releases in 2004.

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DOCTOR WHO:DALEK INVASION OF EARTH - DVD Movie

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Doctor Who: The Armageddon Factor (Story 103, The Key to Time Series Part 6) (Special Edition) (2009) Review

Doctor Who: The Armageddon Factor (Story 103, The Key to Time Series Part 6) (Special Edition) (2009)
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In their search to the final segment to the Key To Time, the Doctor and Romana land on war-torn Atrios, which has been fighting a war of attrition against its twin Zeos. As there's variable radiation counts even 140 meters beneath the surface, one can imagine what it's like on the surface. The Doctor jokingly says of the high radiation reading that it might not necessarily be nuclear war, that someone might be holding a huge breakfast party.
Things begin bad, as usual. The Marshall, the military leader conducting the war, mistakes the Doctor and Romana as Zeon spies, yet he does a volte-face and welcomes the Doctor as "the one to head us to victory." However, he's not all he seems. One, he makes his decisions by meditating and mumbling in front of a black reflective surface. Two, he has a tiny black object around his neck. Three, he and Princess Astra, a figurehead in charge of people's morale and comfort, are at odds what with her pacifist stance.
Astra and her lover, the surgeon Merak, are trying to contact Zeos to try to negotiate a peace, but something is jamming their communications. The same jamming that is blocking the navigation system of the Marshall's fleet, perhaps? First Astra, then the TARDIS, and then the Doctor vanishes, kidnapped by sinister masked figures in black robes. On Zeos, he meets his nemesis the Shadow, who's working for the Black Guardian in the same way the Doctor's working for the White Guardian.
The Doctor's condemnation of a war fought by machines is given when he describes the commandant of the Zeon side as a "passionless lump of mineral and circuitry, highly efficient, doing very well, giving Atrios a beating, killing millions without a flicker, just doing it's job, and it's totally invincible." Yet it's programmed to not accept defeat, and as the Doctor says, "there'll be a rather large bang, big enough to take Zeos, take Atrios with with it, and make the whole thing end in a sort of draw. That's the way these military minds work-the armageddon factor." But the story condemns war period; even the lamely romantic patriotic drama in the beginning is a satire on propaganda movies.
I agree with K-9's definition of optimism: "belief that everything will work out well. Irrational, bordering on insanity." And the Doctor lectures Romana on optimism, but doing an about face as he goes on: "Listen Romana, whenever you go into a new situation, you must always believe the best until you find out exactly what the situation's all about, then believe the worst." Romana: "Ah, but what happens if it turns out not to be the worst after all?" Doctor: "Don't be ridiculous. It always is." Classic Tom Baker comedy right there.
John Woodvine does an portrayal of the Marshall as a ruthless leader fanatical on victory. "You don't beg for peace... you win it!" he tells Astra. He's someone who'd use the ultimate deterrent, and when the Doctor ironically congratulates him on having a typical military mind, he takes it as a compliment, missing the irony. His patriotic speeches bear in mind Churchill's morale speeches during WW2, but with a more rabid edge. And Lalla Ward (Astra) would regularly appear as Romana in the next two seasons, replacing Mary Tamm.
But in Episode 5, we meet Drax, a renegade Time Lord who picked up a chirpy Cockney accent, and Barry Jackson's presence lightens things up when the story plods along.
As the final story to the Key To Time season, The Armageddon Factor draws it to a conclusion, but leaving with it an atmosphere of "Is that what it's all been about?" It also suffers from weak characters and continuity errors, such as Merak knowing things about the Key To Time though not told about it, and bad acting, such as the Shadow's diabolical laughter. The weakest of the six stories, although redeemed by the themes of the follies of war, especially total war. Rating: 3.5, rounded to 4.

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The last stretch of the quest for the Key to Time brings the Doctor and Romana to the planet Atrios in the last days of a nuclear war with its neighboring planet Zeos. The Atrian ruler, Princess Astra, presses for peace, but the Marshal insists that his forces can win the war. Those near the Marshal fear that his judgment is suffering from the strain of command. He has taken to making most of his decisions following meditations before a strange black mirror. The Princess has disappeared, and the Marshal now rules unopposed. Have the Doctor and Romana arrived too late to complete their mission before Atrios is destroyed? When the Doctor learns that no living Atrian has ever met a Zeon, he proposes to travel to Zeos to negotiate for peace and the return of Princess Astra, who seems to be linked in some way to the sixth segment. He finds the planet deserted. There are no living Zeons, but they left the computer running, and its programmed for Mutual Assured Destruction.
DVD Features:Audio CommentaryDeleted ScenesFeaturetteInterviewsPhoto galleryProduction Notes


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Doctor Who: The War Machines (Story 27) (2008) Review

Doctor Who: The War Machines (Story 27) (2008)
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Doctor Who altered its course with The War Machines. Rather than travelling to a distant planet to meet strange-looking aliens, or to Earth's past to encounter a significant historical figure, War Machines is set in comtemporary London, the swinging mid-60s, and it shows! For the very first time in the series' young history, the Doctor and his companion(s) face a modern-day threat, the first time, that is, when they are large enough to interact with the rest of the characters, unlike Planet of The Giants.
As Professor Brett states, WOTAN is ten years ahead of its time. Well, maybe not ten. Perhaps only five years, which would put it smack down in the beginning of the Pertwee Years, right next to a simlar story, Mind of Evil, about a machine taking over people's minds. If anything, The War Machines foreshadows the Third Doctor's era. Hartnell dabbles with electronic gadgets, works with the military (not UNIT yet, but very UNIT-like), and endures incompetent politicians to prevent a menace from taking over the world. Sound familiar? The Pertwee Years four years early. In fact, if you re-hash this script and use it toward another popular 60s TV program, The Avengers, it would feel right at home. I anticipated John Steed and Emma Peel to show up on my TV screen at any minute.
Incidentally, the notion expressed that Doctor Who finally has taken its intended form with The War Machines is about as bogus the Doctor's background being changed during the McCoy years to be something more than a timelord. The intended course in any series is how it originates, not how it becomes. The originators of any series always deserve the "intended course" label. This is not to say that the new direction of the show is bad, but let's not claim that this is where Sidney Newman & Verity Lambert envisioned Doctor Who going.
Basically, The War Machines steers Doctor Who in a new direction, a very subtle foreboding of the early 70s, worth every one of the four stars I gave it. However this story could have been a five-star beauty. How you ask? Where have you gone Ian & Barbara. The Doctor may as well have been companion-less. Dodo barely features at all, disappearing somewhere in episode two, never to be seen again. We are given the revelation at the end that she has decided to stay in London, and bids the Doctor goodbye by relaying a message through the new companions, Ben & Polly. As the Doctor says, that's gratitude for you, not even showing the decency to see the Doctor off personally after being given the experience of her life. Dodo should have gotten a more substantial exit. As for the aforementioned new companions, Ben & Polly fit in with the swinging 60s era, and Polly is pleasing to the eye, however they are no Ian & Barbara. In retrospect, War Machines could have been the perfect swan song for Ian & Barbara. I can just see them telling the Doctor that "we have decided to remain here" at the end of this story, fate having steered the Tardis back in their own time finally. An opportunity sadly lost...


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London, 1966. The TARDIS materialises in the shadow of the newly-completed Post Office Tower, and the Doctor senses a strange energy in the air. He instinctively knows that evil is at work nearby. Posing as a scientist, the Doctor and his 'secretary' Dodo gain access to a suite at the top of the tower and meet the driven Professor Brett. His life's work, the thinking computer WOTAN, is about to be linked up in a problem-solving network with many other machines around the world. But the Doctor is concerned. How can WOTAN possibly know the meaning of the word 'TARDIS' and about the Doctor's travels through time and space? What is the strange control that WOTAN can exert over humans via a mere telephone call? Andwhat is the computer's link with the deadly robots being assembled in Covent Garden warehouse?

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Doctor Who: The Beginning (An Unearthy Child / The Daleks / The Edge of Destruction) (1963) Review

Doctor Who: The Beginning (An Unearthy Child / The Daleks / The Edge of Destruction) (1963)
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WHAT A WAY TO CELEBRATE 40+ years in time and space with the first 3 episodes! Presented here are the first 3 William Hartnell stories arcs in 1 set. This is a great way to be introduced to the longest running TV sci-fi series in (and of) history. When we first meet the Doctor's "granddaughter" SUSAN, through her concerned and curious school teachers, IAN & Barbara. The Doctor, very the ANTI-HERO, almost frightening in this story, as he almost abducts the pair to protect his secret (not that he is a Timelord) that he is from "the future" and can travel in time and space. The outer shape of the time machine, A.K.A. the TARDIS remains stuck in the famous police-call-box disguise as it appears on the cusp of the "ice age." After a great 2 episode start, "Unearthly Child" becomes a fairly cliched tale of escape and capture RUNNING from and with cavemen. In 1963, Film and time was at a premium for the fledgling show, so many flubbed lines and missed cues remain in this remastered set. IT IS STILL A MUST SEE/OWN STORY FOR new and old DR. WHO FANS.
The next story introduces the Doctors 40 yr. nemesis, and easily he revial for pop culture popularity, THE DALEKS in the aptly title story arc, "The Daleks." For a series that was intended to introduce history to children, the show immediately gets off track in this 2nd story, introducing the Doctor's classic alien-cyborg foe, thank God. Overall, not a great story, but it is so monumentous a meeting that it is fun to watch on that merit alone!
The 3rd story arc "The Edge of Destruction" is what the Trek writers refered to as a "bottle episode." In an attempt to cut costs on enough stories to save money for the big shows, we have a story contained completely in the TARDIS control room. The "characters trapped in an elevator" story is a fast, cheap way of establishing and defining characters early in a series, Edge of Destruction is highly successful in this way.
This is a great set at a good price.
DON'T SETTLE FOR crummy BOOTLEGS! GET THESE CLEANED & POLISHED PIECES OF TIMELORD HISTORY!

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DOCTOR WHO:BEGINNING COLLECTION - DVD Movie

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Doctor Who - The Aztecs (Story 6) (1975) Review

Doctor Who - The Aztecs (Story 6) (1975)
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BBC Video has released two further adventures from their long running TV series Doctor Who on DVD. The two stories come from the very early days of the programme, and one of its much later seasons, twenty two years later. Comparing the two stories now, 1964's The Aztecs and 1985's Vengeance on Varos, it's very hard to accept that they are even part of the same series.
When William Hartnell first stepped before the cameras as the original Doctor in 1963, so little was known to the viewers about this enigmatic character, and indeed much of what we know about the Doctor now was invented years after the series began. The initial brief for the producers was to inform as well as to entertain, and as such the Doctor and his travelling companions often found themselves going way back into Earth's history to encounter real events. The Aztecs is the second of these purely historial stories to be broadcast. I for one was never very fond of these stories as a child. Ironically, the things that bored me then are what really makes this story stand up so well nearly forty years later. As with all early TV drama in the UK, the show had a tiny budget, miniscule TV studios, a limited cast and was recorded "as live" with no room for editing. Despite these handicaps, the story is still remarkably enthralling to watch.
The DVD is packed with extras, many of which go a long way to perhaps explaining why this four part story has aged so well. Producer Verity Lambert, and the two surviving members of the original Tardis crew, Carole-Ann Ford (Susan) and William Russell (Ian) provide a genuinely interesting commentary, where they recall many of the production issues they faced at the time, with on-screen captions filling in the gaps from their memories. Also here, other members of the cast have been interviewed for a separate 25 minute extra "Remembering the Aztecs" and set designer Barry Newbery appears in another 25 minute special "Designing the Aztecs." You'll also find an animated feature describing how to make Cocoa (in a very "South Park" style) and a clip from another BBC classic show "Blue Peter" telling the story of Cortez and Montezuma. And that's not all! There's an Arabic dub of episode 4, subtitles, a look at the restoration process, an easter egg and some standard photo galleries and character backgrounds.
The story is very reliant on characterisation and performance, and played dead straight by all the actors involved. Sadly, this cannot be said of the tongue in cheek camp playing of the sister release, Vengeance on Varos.
The quality of the images are astounding. The original master tapes were destroyed back in 1967, and only a washed out film print exists in the BBC archives. However, it has been painstakingly restored, cleaned and improved, and finally the restored print being "Vid-Fired" to recreate almost exactly the original quality of the video tapes. It's an amazing technical feat, and the results are very, very impressive. I just wish they had applied the technology to the earlier released "Tomb of the Cybermen."
It's a terrific piece of TV drama, but I admit it may not be to the liking of fans of the sci-fi based Doctor Who. If you like Vengeance on Varos, you almost certainly won't like The Aztecs. I however give it the full five stars!

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`You can't rewrite history, not one line.' When the TARDIS materializes in an ancient Aztec temple, Barbara is mistaken for the reincarnation of the Aztecs' High Priest, Yetaxa. The time travelers soon find themselves caught up in a vicious power struggle that could cost them their lives, especially if Barbara continues to wield her influence in an effort to divert the course of history. DVD Features:Audio Commentary:Original Doctor Who producer Verity Lambert and actors William Russell and Carole Ann Ford Featurette:Remembering the Aztecs, Designing the Aztecs, Restoring the Aztecs, The Story of Cotez and Montezuma, animated featurette on Making Cocoa the Aztec Way


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Doctor Who: The Trial of a Time Lord (Stories 144 - 147) (2008) Review

Doctor Who: The Trial of a Time Lord (Stories 144 - 147) (2008)
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So far, all the reviews have been about the actual 14-episode story on this DVD. Let me start by quickly saying how much I love this season-long epic. I know, I know...it has its flaws, it was riddled with behind-the-scenes turmoil which kept the story from really coming together onscreen, some of the trial scenes simply don't make sense, etc.....but I still love everything about it. I've always loved Colin's portrayal of the Doctor and I think some of his best work is in this season. He was obviously VERY happy to be back to work on the show he loved after a long hiatus.
But "Trial of a Timelord" has been written about a great deal, and other reviewers here have already given you very good reviews of the actual story. My review, then, is about "the rest of the story"....the DVD packaging of "Trial".
Which, by the way, is excellent.
Even if you don't love this season, you have to admit that this is one of the strongest collections of special features on any Doctor Who DVD. What is most admirable here is that the team that puts together these DVDs did't shy away from the controversy that surrounded this season. These features aren't "Doctor Who Confidential" styled pats-on-the-back. The features show the good and the bad in equal measure.
Here are some of the highlights:
- There's a "making of" documentary for each of the four stories that make up "Trial". These are all really great, very entertaining and educational. But the highlights are seeing Tony Selby and Brian Blessed talk about their time on the show. They very obviously loved doing it.
- There's a 55 minute documentary on Colin's time as the Doctor. It goes into great details about the detioration of the relationship between John Nathan-Turner and Eric Saward, the hiatus, the reasons behind the "Trial" story, Colin's firing....its really good. Its a very revealing, "cards on the table" type of discussion. Its amazing to see that even 25 years later, talking about this stuff is difficult for Colin. Its also great to see Eric Saward talk about his role in alienating people who had been his friends and co-workers.
- There's a short bit of commentary with Colin and Nicola watching the scene in Part 14 where the script, at JNT's urging, undoes Peri's death from Part 8 by saying she was living happily-ever-after with King Yrcanos. While Nicola was aware that they'd done that....she'd never seen the scene in question. Her reaction to it is pretty interesting.
- There's a great documentary on what would have been Season 23 had the hiatus not happened and they'd gone on to do Colin's second season as planned. Most of this is pretty well known, and three of the stories were later released as novels. But this is illustrated by new artwork, is narrated by Colin, and talks about each of the stories and the shape of the season. Very enlightening.
- There's a fun little half-hour piece on cliffhangers. Authors, editors and scriptwriters talking about the show's cliffhangers -- which ones were great, which ones didn't work, which ones could have been brillian but weren't, etc. A very fun piece.
- There's a fairly substantial clip from a talk show after the end of the season that has a group of people from one of the DW fan clubs talking about the "Trial" season, and what a mess it was, and if fans couldn't follow it how could the general public? So after a series of comments from each of them, the host says "Well, now lets hear from the producer and the writers of this season". John Nathan-Turner and Pip & Jane Baker seemed genuinely caught off guard to learn that these people didn't completely love their work! It's really interesting viewing.
All-in-all its a stellar package. The sound in particular is cleaned up very nicely. And the picture looks great. There seems to be more contrast in the opening courtroom scenes, where the set looks a bit more darkly lit and moodier. Even if I were't a fan of this season, I would probably give this DVD release of it 5 stars simply on the strength of the packaging, the extras, and the great lengths that the Restoration Team went to to bring us a very thorough and enlightening set. Very well worth the money. I highly recommend this set!

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DOCTOR WHO:TRIAL OF A TIME LORD - DVD Movie

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Doctor Who: The Rescue / The Romans (Stories 11 & 12) (2009) Review

Doctor Who: The Rescue / The Romans (Stories 11 and 12) (2009)
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Season two.
Now then what have we here, well in my opinion we have two neglected little gems, that's what. Two stories from the always ignored (In fan polls.) Hartnell era.
These two stories are from Season two, a season which had the highest "overall" viewing figures in the shows history.
~~~~
The Rescue.(Two Episodes.)
A succinct and competently written two parter, who's sole purpose is to introduce the Granddaughter replacement Vicki.
And by doing so quickly rebalances the demographics of the group after the departure of Susan.
It's main plotline hinges on a murder mystery with Sci-fi overtones, which the Doctor solves, with the help of some prior knowledge of the indigenous civilisation he'd gained from a previous visit.
Originally planned as the first story of the second season it was put back into third place because of extra work required on, "The Dalek Invasion of Earth".
Ep.1~ The Powerful Enemy.(2/1/65)
Ep.2~ Desperate Measures.(9/1/65)
Overall opinion:~a pleasing little diversion from some of Season two's more facetious offerings.
~~~~
The Romans.(Four Episodes.)
Forgetting about the historical inaccuracies in some of the main characters. This story was unique for many years afterwards, as been deliberately done in a farcical fashion.(Input by the great Dennis Spooner.)
The Tardis crew via many convoluted reasons end up in Rome, but neither party (Vicki and the Doctor)(Barbara and Ian.) is aware of the others presence. The Doctor is mistaken for lyre player Maximus Pettulian, and finds himself embroiled in intrigue and murder in Nero's court.
Many of the situations are terribly contrived, but some are amusing.
- The Doctor using the, "Emperors New Clothes" syndrome to fool the snobs in Nero's court, whilst pretending to play the Lyre.
(He can't play a note.)
- The Doctor gives Nero an Idea to rebuild Rome.(Involving fire.)
On a religious note one of the characters turns out to be one of Rome's early Christians.
Anyone who's seen, "Spartacus", "Ben Hur" and "Carry on Cleo" will see at least one scene inspired from those classic films.
Ep.1~ The Slave Traders.(16/1/65)
Ep.2~ All Roads Lead to Rome.(23/1/65)
Ep.3~ Conspiracy.(30/1/65)
Ep.4~ Inferno.(6/2/65)
Overall opinion:~It was nice to actually see The Doctor meeting a historical figure for once, instead of just name dropping, like he does a lot during the Pertwee years.
This story shows Nero not fiddling while Rome burns, instead he "Lyred", much more believable.
(The fiddle hadn't been invented.)
The Romans is still even now an amusing treat, don't let the fact it's in Black and White put you off.
~~~~
DVD Extras.
The Rescue.
Commentary with actor William Russell, director Christopher Barry and designer Raymond Cusick, moderated by Toby Hadoke.
Mounting The Rescue - cast and crew look back on the making of the story in this feature from Steve Broster. With actors William Russell, Maureen O'Brien and Ray Barrett, director Christopher Barry, designer Raymond Cusick and 1960's viewer Ian McLachlan.
~~~~
The Romans.
Commentary with actors William Russell, Nick Evans and Barry Jackson, designer Raymond Cusick (episode four only) and director Christopher Barry, moderated by Toby Hadoke.
What Has `The Romans' Ever Done For Us? - actors, crew and historians look at both the reality and fantasy behind the story of `The Romans' in this fascinating feature from Steve Broster. With actors William Russell, Kay Patrick, Barry Jackson, Anthony Andrews and Christopher Biggins, director Christopher Barry, designer Raymond Cusick, historian Dr. Mark Bradley, writer James Moran, Doctor Who Magazine editor Tom Spilsbury and 1960's viewer Ian McLachlan. Narrated by John Bowe.
Roma Parva - (Latin: 'Little Rome') Director Christopher Barry demonstrates the use of a model of the studio set in the planning of camera positions and moves during recording in this short feature from John Kelly.
Dennis Spooner - Wanna Write a Television Series? - Robert Fairclough's first feature for the range looks at writer Dennis Spooner's work on Doctor Who. With actors William Russell and Peter Purves, script editor Donald Tosh, writers Brian Clemens and Rob Shearman, and Spooner's friend Jane Clemens. Narrated by Anna Hope.
Blue Peter - The Blue Peter team hold a Roman banquet in the studio.
Girls! Girls! Girls! - The 1960's - an affectionate look back at the sixties Who-Girls from producer Robert Fairclough. With actors Carole Ann Ford, William Russell, Peter Purves, Anneke Wills, Deborah Watling, Frazer Hines, Jean Marsh and Honor Blackman, script editor Donald Tosh and director Christopher Barry. Narrated by Dona Croll.
Plus- Photo Galleries, Coming Soon trailer, Radio Times Billings PDF, Programme subtitles and Subtitle Production Notes.
~~~~
Trivia~ According to research Nero died in his thirties. A lot younger then the middle aged Derek Francis, who plays him here.

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"Episodes: The Powerful Enemy, Desperate Measures, The Slave Traders, All Roads Lead to Rome, Conspiracy, Inferno The Rescue: The Doctor and friends come to the aid of two lone survivors of an attack by the reputedly peaceful Didonians. The Romans: The Doctor and companions fall prey to the hazards of ancient Rome which culminate in Nero's Great Fire."

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Doctor Who - The Complete First Season, Vol. 3 (2006) Review

Doctor Who - The Complete First Season, Vol. 3 (2006)
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It is worth noting that the two-part episode included on this disk, The Empty Child/The Doctor Dances, set in London during the Blitz, won the 2006 Hugo for best science fiction Dramatic Presentation Short Form -- and have the kind of dramatic quality that will hold up long after most contemporary science fiction will seem cheesy and dated. The courage and decency of characters that you really come to care about,the originality, in video anyway, of the ideas,and the superb dialogue and acting make this well worth watching.

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Christopher Eccleston's Doctor is wise and funny, cheeky and brave. An alien and a loner, his detached logic gives him a vital edge when the world's in danger. But when it comes to human relationships, he can be found wanting. That's why he needs Rose. From the moment they meet, the Doctor and Rose understand and complement each other. As they travel together through time, encountering new adversaries, the Doctor shows her things beyond imagination. Includes The Long Game, Father's Day, The Empty Child and The Doctor Dances.

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Doctor Who: The Five Doctors (Story 130) (25th Anniversary Edition) (2008) Review

Doctor Who: The Five Doctors (Story 130) (25th Anniversary Edition) (2008)
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I love this special....and I am torn whether or not I want to buy it again, while I struggle to replace all the DW I lost to Katrina ( I was converting to DVD anyway), but don't I already own this one on DVD...if this were Blue-Ray, I'd atleast be able to justify it...granted there are lots of extras I would like to see...but I not sure...but if u don't have it already...and I can't stress this enough..."YOU NEED THIS DVD!"
If you are just learning your way around the Doctor Who universe this is a milestone for you, the 5th Doctor teaming up with his past selves, how cool is that...and surprisingly obvious, he is a timetraver, a long lived one at that, even with the whole universe at his disposal he must meet himself now and again. Well, according to the Doctor it only happens in the direst of times...with the Timelords help, as in the THREE DOCTORS.
Here the Doctor is taken out of time at points in his LIVES, featuring oddly enough 3 original actors playing their respective Doctors, the First Doctor played here by another actor and the 4th Doctor is sparingly taken from the unaired Shada episode (by Douglas Adams). The Doctor is taken out of time to play the GAME OF RASSILON in the Timelord DEATH ZONE facing old enemies like THE CYBERMEN, THE DALEKS, YETI, THE MASTER, who is actually meant to be rescuing the Doctor. Also along for the ride lots of classic companions including the Doctor's first companion SUSAN "FOREMAN", fan fav SARAH JANE SMITH along with a K9 cameo, UNIT'S Finest the Brigadier , cameos by Jamie and Zoey (sort of). Tegan and Turlough are the 5th Doctor's current companions to they help out, but strangely absent is robot shape-shifter Kamelion, who isn't mentioned in the story, by timeline wise is in the TARDIS.

The Doctors and their companions are split up each finding their own way to the Dark Tower at the center of the DEATHZONE games, ultimately leading to a showdown with their abducting benefactor who is no stranger either.
The last DVD offered tweaked SFX options and several different edits have been offered of the Five Doctor's over the year, some more suspect then others, like the DVD deletion of the Cyberman's "AHHH" upon spotting the Doctor, which I greatly missed. The sometimes in, sometimes out "Cyber-barf" as well. Another change was the edited end effects of the TARDISes departure scene, which was removed, while making more sense in the latest edit, aren't nearly as cool.
This release ties in nicely to the inclusion of TIME CRASH the brief 5th Doctor 10th Doctor team up to be included in the season 4th set.
Drinking games for the Five Doctors:
This one is simple...drink whenever there is a retro-reference from the show's past...this one loaded with 'em...for example:.
..baddies from the past, lots of 'em...
...companions from the past, lots of 'em...
....quotes from the past "I'll explain someday..." or "reverse the polarity of the neutron flow!"
...Susan strains an ankle!....Classic!

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THE FIVE DOCTORS - "I am being diminished, whittled away piece by piece. A man is the sum of his memories you know, a Time Lord even more so." Someone is taking the Doctor's past selves out of time and space, placing in a vast wilderness - a battle arena with a sinister tower at its center. As the various incarnations of the Doctor join forces, they learn they are in the Death Zone on their home world of Gallifrey, fighting Daleks, Cybermen, Yeti - and a devious Time Lord Traitor who is using the Doctor and his companions to discover the ancient secrets of Rassilon, the first and most powerful ruler of Gallifrey.The Five Doctors was originally broadcast to celebrate the Twentieth Anniversary of Doctor Who in 1983. This new version of the story features extended scenes, previously unseen sequences, new visual effects and a stereo soundtrack. Not intended as a replacement for the original edition of the story, this is an alternative version which uses state-of-the-art technology to embellish and enlarge one of the greatest Doctor Who adventures ever. THE KING'S DEMONS - "We sing in praise of total war; against the Saracen we abhor" It is thirteenth century England, and King John is visiting the castle stronghold of Sir Ranulf Fitzwilliam. Ranulf's personal fortune has dwindled away, freely donated to Kin John to help fund the Crusade. While staying with Ranulf, the King's greed is criticized by the baron's head-strong son, Hugh. As a result, Hugh is challenged to a duel by the monarch's enigmatic French Knight-at-Arms, Sir Giles Estram, a duel the young Englishman has little hope of surviving.When the TARDIS materializes and disturbs the joust, the Doctor's party are proclaimed friendly demons by the King, who seems strangely interested in their "blue engine." Before long the Doctor becomes embroiled in court politics, and he realizes that there is far more to the situation than a simple battle of honor between nobles.DVD Features:Audio CommentaryDocumentariesOuttakesPhoto galleryProduction Notes


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Doctor Who: Robot (Story 75) Review

Doctor Who: Robot (Story 75)
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There are many firsts in ROBOT - it's the first turn of Tom Baker as the Doctor, it's the first Harry Sullivan story, it's the first time we see the scarf, it's the fourth Doctor's first (and second) trip inside the TARDIS (we know the second trip takes us into THE ARK IN SPACE, but, where did the first land the Doctor?), and it may be the first time the Doctor has killed in cold blood... maybe.
ROBOT is everything the Pertwee years were and more. Picking up and dragging the chain that was UNIT, the series doesn't meddle with the formula too much just yet, but just enough to show us that things have really changed. The pace of this story is fast. Opening like an AVENGERS episode and running like Z CARS, this is a "thief in the night" plot spliced with some COLUMBO detective work which tells you from the title on that a ROBOT is the puppet and then wastes no time in telling us who is pulling its strings. This story zips, and had their been another actor other than Tom Baker in the role, then it may have tripped and fallen on its face as well. As it is, Baker is just as fast as the material and, even from the get go, wasn't scared to pull at his scarf and have fun with the story and us. Watching him and the story, you can't help but just get a sense of how effortless he made it all seem. ROBOT fires on every level here. The cast is top notch, old hat, yet still fresh, which is something of a surprise as the entire set up had been inherited from the Pertwee years. But you can't deny that the Baker/Sladen/Marter trio clicked right from the start.
The story itself borrows heavily from so many sources that when yout tie all the threads together it creates quite the blanket, but there is one thing different in ROBOT than most all other DOCTOR WHO stories - and its in the fact that the Doctor kills the "monster" here without a second thought. Granted, the robot was just that, and when you look back at the story, every time the Doctor encounters the robot, it's hostile, but I find it difficult to accept that the Doctor pays no heed to Sarah's observation and pleas of its "humanity" as the Doctor had often pleaded just the same case with the Brig time and again. Instead of reason, the Doctor rushed headlong into destruction and does so with glee. It's an unsettling moment at the end as what could have been the birth of a whole new form of life is reduced to rust, ash and then nothing.
As usual 2 ENTERAIN has gone out of their way to provide a host of extras. Commentary with Baker, Sladen, Dicks and Letts (uncredited on the extras listing) is casual, comfortable and often very funny. As always, Baker and Sladen demonstrate again why they made such a good team, while Dicks and Letts fill in as much production backstory as they can remember. The documentary follows the lead of all those that have come before it. It's a concise look at the shift change from Pertwee to Baker with some repeat from the commentary, but more face time with everyone involved. It's good, but won't knock your socks off. The review of the creation of the TUNNEL EFFECT is technical, but an interesting look at what would become DOCTOR WHO's most famous opening credit sequence and logo.
Text commentary is included and detailed and worth the time, but, have your remote handy and trigger finger on PAUSE as some of the passages are long, and flip by in under a two seconds or less.
It was smart marketing to release ROBOT shortly after the release of the NEW BEGINNINGS box set which featured Baker's last story LOGOPOLIS. While there are still many stories to go in the Baker years before it is complete, at least we have the bookends to make us feel safe. ROBOT may not go down as a classic, but it does go down easily and is a lot of fun, and for fans is a must buy.

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Mortally wounded by the Spider Queen on Metebilis 3, the Doctor is forced to regenerate. His recuperation is cut short as UNIT investigates a spate of robberies involving components for a top-secret disintegrator gun. The culprit is quickly identified as a highly sophisticated robot built by Professor Kettlewell, which is being ordered to act against its Prime Directive. (Episodes 1-4, 98 mins)DVD Features:Audio CommentaryDVD ROM FeaturesDocumentaryFeaturettePhoto galleryProduction Notes


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Doctor Who - Beneath The Surface:The Silurians, The Sea Devils, and Warriors Of The Deep (Stories 52, 62, and 161) Review

Doctor Who - Beneath The Surface:The Silurians, The Sea Devils, and Warriors Of The Deep (Stories 52, 62, and 161)
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I have been a huge fan of the original Doctor Who series since I was a boy. My local PBS station used to run Doctor Who on Saturday night, and it was a highlight of my boyhood weekends. As a boy, the episodes being released in this set were among my favorites because I loved sea monsters and the Silurians and Sea Devils were great looking creatures.
As an adult, I now have a special appreciation for the unique nature of the Silurians and Sea Devils in the history of Doctor Who creatures. Most of the antagonists that the Doctor encounters in the series are evil aliens and monsters bent on destruction and conquest. But the Silurians and Sea Devils aren't. Instead, they were the original inhabitants of the Earth during pre-historic times, and they want their planet back from the "ape-descended primitives" who now occupy it, i.e. humans. If you see it from their point of view, they just want their home back. The Doctor does see it, and several times seeks to negotiate a peace between them and humanity, pointing out that both species can share the planet since the reptilian Silurians can live in environments that humans avoid.
In "the Silurians", the Doctor (Jon Pertwee) makes his first attempt at negotiated settlement between humanity and the Silurians. But he is thwarted by closed minded individuals among both the Silurians and Humans. In many ways, the humans look more evil than the Silurians in this storyline, although some of the Silurians do take monstrous steps to try to wipe out humanity. In the end, human fear takes advantage of the Doctor's success in countering the destructive plans of the rogue Silurians. The Doctor finds himself disgusted by humanity and even by the actions of his friend, the Brigadier. By the way, for fans of the Brigadier, this story represents some of Nicholas Courtney's best work on the series.
In "the Sea Devils," a cousin species of the Silurians begins to pop up off the coast of Britain and strike out against the humans who once again have invaded their territory. Once again, the Doctor (Pertwee) attempts a negotiated settlement. But this time his plans are thwarted by the Master, who wishes to use the Sea Devils and their superior technology to conquer humanity.
Fast forward in time a decade to the years of Peter Davidson as the Doctor. The Silurians and Sea Devils, together, return in a future Earth time period for the magnificent Doctor Who story "Warriors of the Deep." This time, the Silurians and Sea Devils will not hear the Doctor's entreaties for a negotiated settlement with humanity. Their previous experience with humans has taught them that the human race can not be trusted. They decide they have no alternative but to wipe out humanity once and for all in order to reclaim the world they once called home.
To do so, they assault and take over an undersea missile base to start a nuclear war that will destroy the "ape-primitives" with their own weapons. The Doctor is forced to make a choice-either destroy the Silurians and Sea Devils or let them slaughter all of humanity? In the Doctor's own simple, yet heartbreakingly spoken words, "there should have been another way." This compelling story gives Peter Davidson a chance to shine as a dramatic actor, with the Doctor not sure who he is more angry with-the Silurians or the humans. Especially since in a sub-story, human agents from a rival power have also infiltraited the sea base and unleash murder and treachery even amongst the Silurian and Sea Devil onslaught.
I am so pleased that these stories that span two Doctors and two decades are being released as a set. The stories of the Doctor's encounters with the Silurians and Sea Devils I think will become all the more compelling when taken as a whole. If the DVD quality is as good as the other Doctor Who releases have been so far, especially in terms of the commentaries and special features, this set will be a must have for Doctor Who fans.


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All three classic battles with the Silurians and the Sea Devils! Doctor Who and the Silurians Exiled to Earth and now working for UNIT as their scientific advisor, the Doctor is summoned to an underground research center at Wenley Moor to investigate a series of inexplicable power losses. Initially suspecting sabotage, he soon discovers that the nearby cave system conceals a colony of an ancient race called the Silurians. Awaking from a hibernation which has lasted millions of years, they are now planning to reclaim the Earth from humankind. The Sea Devils Arrested after the events at Devils End, the Master has been incarcerated at a top security prison on a remote island off the south coast of England. When the Doctor and Jo Grant pay a visit to their old enemy, they find him a reformed character. But can the spate of mysterious shipping accidents and garbled reports of sea monsters in the local area really be a coincidence? The Doctor soon finds himself pitted against the Sea Devils, an ancient race of reptile intent on eliminating humankind and reclaiming the Earth for themselves. Warriors of the Deep Earth, 2084. Two global superpowers hover on the brink of war. When the TARDIS is forced to make an unplanned visit to Sea Base Four, the Doctor, Tegan and Turlough find themselves accused of being enemy agents. Quickly embroiled in a deadly game of paranoid intrigue, it becomes clear that others on the base have sabotage and murder in mind. However, there is a greater threat to humankind: the Silurians and Sea Devils, prehistoric reptiles seeking to reclaim the Earth. Can the Doctor prevent them from implementing their "final solution" and triggering a war that could wipe out the entire human race?

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Doctor Who: Image of the Fendahl (Story 94) (2009) Review

Doctor Who: Image of the Fendahl (Story 94) (2009)
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Elaborately balanced between horrific and comedic, "Image of the Fendahl" comes in near the midpoint of Tom Baker's tenure as the Doctor, a justifiably classic phase of the series when those responsible for its making seem confident but not complacent that their efforts will entertain a wide segment of the BBC audience. That is, while a bit murkier and edgier than prior years, this is still "Doctor Who" as the quintessential family show--somehow working on several levels at once. On the simplest and most tangible level we have big slug-like monsters (and, this being the olden days before CGI, I think we should stop a moment and appreciate the inventive craftsmanship that endowed them with a mouthful of squirming writhing tentacles). On an equally thrilling if less visceral level, we have a finely-scripted tale of suspense and mystery. On yet more sophisticated levels yet, all of this is framed and informed by a complex and intriguingly speculative science fiction premise of astronomical scale spanning eons--which might feel overly remote if it didn't all come to a crisis within the familiar context of rural England in the 1970's. And yet all these levels cohere in harmony rather than jarring and grating with each other, which takes astounding storytelling skill if you think about it.
It seems natural to characterize this story as the last gasp of the so-called "gothic" tendency seen in the show in the mid-70's. Certainly this is apt in that for all intents and purposes "Image of the Fendahl" follows the plot logic of a good horror story (in some ways it rather reminds me of John Carpenter's 1987 film "Prince of Darkness", in fact). It also works the old reliable "Doctor Who" alchemy of reinterpreting standard horror motifs in a science fiction idiom: the pentagram is a "neural relay", the inability to move as something wicked approaches (a prototypical nightmare) is due to some sort of psychic force, a pinch of salt to ward of evil works because sodium chloride "prevents control of localized disruption of osmotic pressures" and so on. For all that, though, this story is somewhat atypical. In such beloved classics as "Pyramids of Mars" and "the Brain of Morbius" and such, the scientific technical interpretation straightforwardly replaces the supernatural one, utterly displacing and invalidating it--a well-intended nod anyway to the show's original mandate to encourage an interest in science (and history) among its younger viewers. Here things are not so simple, however. The premodern, pre-scientific, indeed pre-Christian manner of explaining these phenomena, especially as they are articulated by the local wise woman/"witch" Martha Tyler, are portrayed not as backwards, ignorant, and wrong but merely as different, as an alternate frame of reference every bit as functional when the Fendahleen are slithering towards you down the hall. You know things are getting weird when the Doctor reels off three mutually-conflicting explanations for what's happening as if all three are equally valid and equally invalid. That's surely eccentric even by the Fourth Doctor's standards. But for those of us who suspect that a little epistemological doubt is healthy, it's also rather refreshing.
Multiple levels of significance and sophistication would mean little if not for the wonderfully varied cast of characters we have here though, all of them saved from the brink of stereotype and brought to life by impeccable acting of the first order as well as a superb script sensitive to the finer points of characterization. One actually cares what happens to them, and that's the ultimate sorcery that makes or breaks a tale.

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DOCTOR WHO:EP 94 IMAGE OF THE FENDA - DVD Movie

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Doctor Who: The Twin Dilemma (Story 137) Review

Doctor Who: The Twin Dilemma (Story 137)
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Poor Colin Baker, the Sixth Doctor. Over the years, it appears that Baker, a fine actor, and, as far as I'M concerned, a fine Doctor, has become the Rodney Dangerfield of Doctor Who's---he don't get no respect at all (or, at least, not very much). It seems that the Sixth Doctor is not looked back upon with too much fondness for several reasons: his aggressive behavior/bad temper, his very loud wardrobe, and the violent nature of some of his first-season episodes---"Vengeance On Varos" taking place on a planet where people watch "video nasties" on television, "Attack Of The Cybermen" with a main character's hands being crushed by a Cyberman until they bleed (though NOT graphically, unless the sight of fake blood makes you faint), and "Revelation Of The Daleks" with it's various deaths. Throw in an 18-month hiatus dealt to the "Doctor Who" series during Baker's tenure, as well as continuously sagging ratings, and you've got yourself the only actor to ever actually have been *fired* from the role of everyone's favorite Timelord (shame on you Michael Grade, the BBC controller at the time). The BBC then had the audacity to try to get Baker to come back for a final regeneration story so they could "properly" bump off his Doctor---Baker responded by telling the BBC to shove it, and rightfully so. Who could blame him? And now I've just read in Doctor Who Magazine that a recent poll the magazine took has named Colin's debut story, "The Twin Dilemma," the all-time worst Doctor Who story ever, ranking a bottom-of-the-barrel #200 out of 200 stories. With the imminent release of "The Twin Dilemma" on DVD, it's time for THIS Sixth Doctor fan to come to the defense. I'll try to be brief:
I've always liked Colin Baker's Sixth Doctor. In fact, I rank him just behind Jon Pertwee as my all-time favorite Doctor (though Tom Baker, Patrick Troughton and David Tennant are also in my personal Top Five). After Peter Davison's quaint, passive Fifth Doctor (though he was good, especially in his classic finale, "The Caves Of Androzani"), I greatly appreciated that the Sixth Doctor was a tough, take-no-prisoners Timelord. Despite his tetchyness, I still admire the Sixth Doctor for his intelligence, his bravery, and his wit. Had Baker been allowed to play the Doctor longer than a mere two seasons, I'm sure he would've grown in the part even more, and shown us sides to the Sixth Doctor that we hadn't seen yet. Alas, it was not to be, but you can't blame Colin for that. Yes, the Sixth Doctor had a temper---not too unlike William Hartnell's First Doctor, in fact---but he was still a GOOD guy, fighting on the side of GOOD. And don't tell me that the Sixth Doctor never showed Peri any kindness, because he most certainly did. Yes, his temper would briefly flare up every so often, but he would always calm down, and he showed time and time again that he cared about Peri. His friendship with her had certainly grown by the time the events of "The Trial Of A Timelord" happened, so he obviously liked her. So there.
His loud, colorful wardrobe....I liked it! The idea of producer John Nathan Turner was to give the Sixth Doctor a whirlpool costume to suit his whirlpool personality, and I think it worked quite well. I never liked the question marks on the Doctor's collar, but JNT started that with Tom Baker, so JNT has to take the blame for that.
Finally, the violent nature of some of the Sixth Doctor's adventures....I LIKED that the "Doctor Who" series had gotten tougher with Colin Baker at the helm. It showed that the makers of "Doctor Who" were not afraid to take some risks with the series. However, I still maintain that Colin Baker's era was not, I repeat, NOT as graphic as many have been led to believe. I've seen far worse things on TV then a bloodied pair of hands, believe me.
As for "The Twin Dilemma" itself, I don't believe for one single second that it's the turkey it's been made out to be. Okay, so it may not boast the greatest of scripts, and it may not be a terribly *exciting* story, but I still find the story very entertaining, the characters interesting, the look and feel of it quite handsome, and the performances of the cast excellent, with Colin Baker's fresh, colorful performance as the new Doctor at the center.
Peter Davison, as good as he was, was at times a bit too soft. Davison also wasn't served well by his writers, who usually had his Fifth Doctor respond with "I don't know" virtually every time a companion asked him what they should do (and you know a Doctor is in serious trouble, writing-wise, when a companion seems to be more intelligent than he is---in Peter Davison's case, the snotty-nosed Nyssa). Colin Baker's Doctor was unashamedly aggressive, but so is James Bond, and you wouldn't want to mess with him, either. James Bond is still a good guy, fighting on our side. So is Colin Baker's Sixth Doctor. With "The Twin Dilemma," Colin Baker showed that there was a totally new Doctor in town, and totally new in more ways than one. And I like him.

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