Showing posts with label espionage. Show all posts
Showing posts with label espionage. Show all posts

Lust, Caution (Widescreen Edition) (2007) Review

Lust, Caution (Widescreen Edition) (2007)
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Ang Lee breaks through again with a masterful adaptation of Eileen Chang's short story, Lust/Caution (like what he did with Annie Prolux's similarly brief story, Brokeback Mountain). While the hype seems to be mostly misplaced on the controversial acrobatics displayed by Tony Leung and Tang Wei in bed, Lee's storytelling leaves one breathless.
The love story unfolds against the backdrop of 1930's Japanese-invaded Shanghai where tyranny and suffering were synonymous. Nubile Wang Jia Zhi played by Tang Wei joins the resistance movement and gets herself drawn into the role of a spy to crumble the traitor, Mr Yee. In between the espionage and wild climatic trysts, both of them unknowingly embroil themselves in love and deceit, much deeper than they would have liked themselves to.
Tang Wei, as a newcomer to cinema, is impeccable. Her evolution from a wide-eyed country girl to a seductive temptress is enough to make the hardest of most men, in this case, the distrusting Mr. Yee fall for her. Wei acts pretty much on instincts and her body language does wonders at seducing the somewhat vulnerable Mr. Yee played by multiple-award winner Tony Leung. Wei breaks down in the memorable scene where she's talking to the resistance leader on her unyieldingly sacrificial role that is both a torment and insidious attack to her emotions.
As usual, Tony has the penchant for playing dark brooding men and in this instance, an evil Chinese traitor. He does not act. His presence already commands attention as the cynical no-nonsense minister. The pivotal sex scenes, split into three parts, are not just there for visual enhancement. They actually convey the shift in roles between the two throughout their complex relationship. The raw emotions displayed on their faces were enough to convince anyone hard-hearted to think twice about the essence of love. I must say these are some of the best bed scenes you'll ever witness on film.
Of course, the supporting cast of Joan Chen as Mrs Yee and Wong Lee-Hom as Tang Wei's resistance compatriot, Kuang Yu Min, is every bit just as spectacular. In the end, the story about love is bittersweet. You'll also see how fervent the resistance movement, which puts the enemy above self and others, was through Wang Jia Zhi's eyes. Lust Caution is 157 minutes' of rewarding watch that will linger on in your minds well after the credits roll. (A+)


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Provocative, thrilling and passionate, Lust, Caution is the daring new film from acclaimed Academy Award®-winning director Ang Lee (Brokeback Mountain; Crouching Tiger, Hidden Dragon). Set against the backdrop of a transforming country,a young woman finds herself swept up in a radical plot to assassinate a ruthless and secretive intelligence agent. As she immerses herself in her role as a cosmopolitan seductress, she becomes entangled in a dangerous game that will ultimately determine her fate. Erotic, breathtaking and suspenseful, this award-winning film is being called "exquisitely beautiful" (Roger Ebert, Chicago Sun-Times) and "lushly sensual" (Leah Rozen, People).

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Charlie Chan Collection, Vol. 5 (Charlie Chan At The Wax Museum/Murder Over New York/Dead Men Tell/Charlie Chan In Rio/Charlie Chan In Panama/Murder Cruise/Castle in the Desert) Review

Charlie Chan Collection, Vol. 5 (Charlie Chan At The Wax Museum/Murder Over New York/Dead Men Tell/Charlie Chan In Rio/Charlie Chan In Panama/Murder Cruise/Castle in the Desert)
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Sidney Toler's Chan was nothing like Warner Oland's characterization. But if the truth be told, it's Toler who comes through in the pages of Earl Derr Biggers novels, not Oland. I know because as an inveterate Oland fan, I tried very hard to see my hero in the six Chan novels but, alas, it was Toler who showed up in my mind's eyes and ears. As for the Toler films, it took Fox awhile to reposition the series to capture Toler's strengths. If Oland's Chan was like a stately mandarin, Toler's was more of a gritty, Sam Spade-like characterization.
By late 1940, Fox had tailored the scripts to suit Toler's personality and replaced the globe-trotting Oland formula ("At the Race Track," "At the Olympics," "On Broadway") with a compact film noir-like mystery format that was closer stylistically to "The Maltese Falcon" than to "Sherlock Holmes." And it worked too. "Wax Museum" and "Dead Men Tell" are especially adroit little films that benefit from the Fox studio's top technicians, set and costume designers, and superb supporting cast of contract players. Even a pre-Superman George Reeves shows up in "Dead Men Tell." The last of the Fox Chans, "Castle in the Desert" ended the series on a high level of quality. Presumably, the coming of World War II cut off the overseas markets and cut deeply into the potential revenues of these films, thus ending the series.
My favorite Toler is included in the set, CHARLIE CHAN IN PANAMA. The story is surprisingly timely with spies (today we call them terrorists) plotting to blow up the Panama Canal as the U.S. Naval Fleet is going through it. Charlie is working undercover in this one as a shopkeeper but considering how well known he was supposed to be, wouldn't he stand out like a sore thumb? (Maybe the bad guys are still looking for Warner Oland) The plot takes its time to get going but the climax is as suspenseful as any of the higher-rated Chans. The killer is exceptionally well hidden and the writers exploit our subconscious biases so we keep the individual off our suspect list without even realizing it.
While the earlier Tolers of 1939 only served to emphasize that the "real" Charlie Chan was gone, these last entries show a successful evolution in format and are quite enjoyable if you can just let Toler be Toler, forget (albeit momentarily) about Oland, and ironically see the Chan that Earl Derr Biggers probably had in mind when he wrote his stories. I am sure (this is a pre-release review)that the print quality of these films is excellent if the short-lived Fox Movie Channel airings of a few years back were any indication - they offer stunning b/w photography when the studio system was at its peak.

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Disc 1: Charlie Chan at the Wax Museum Disc 2: Murder Over New York Disc 3: Dead Men Tell Disc 4: Charlie Chan in Rio Disc 5: Charlie Chan in Panama Disc 6: Charlie Chan's Murder Cruise Disc 7: Castle in the Desert Disc 8: Charlie Chan: The Fox Years

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Callan: Set 1 (1970) Review

Callan: Set 1 (1970)
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David CALLAN (Edward Woodward, The Equalizer) was blackmailed by a secret part of the British Security Services known as "The Section". They wanted his skills. He didn't like or want the job, but he had no choice, but he was good at it. This former soldier turned thief, was 'drafted' by "The Section".
The Section head, codename Hunter (William Squire), AKA Charlie, is cold, ruthless, needs Callan, and cares little about who gets killed. Concern is only the how, why, and if anyone finds out.
There's a nucleus of regular cast, but each episode (9 in this Set 1) is primarily a new suspense story involving espionage, murder, blackmail, and all those good black things. Callan is THE top agent (realism, no James Bond or Get Smart stuff here)--kills when ordered--is a deadly shot--with a tinge of conscious, fair play, and justice. It's a bit on the dark side, every man for himself. A collection of individuals in a dark world, void of trust. A climate where right and wrong have no definition. Sometimes Callan has to much personal emotion for his job of deceit and dirty-tricks. That makes for a fascinating character. Great character relationships throughout the series. Well, some relationships turn downright nasty. Callan even has feelings, though never shown, toward a dirty, criminal type, Lonely (Russell Hunter), who is occasional helpful, in all the bad ways of getting the job done.
The "Section's" colour code for files: RED= dangerous, priority, target death; YELLOW= occasional surveillance; BLUE= wrong party; WHITE= put out of action via prison, bankruptcy, mental home, etc. What colour is your file?
Downside: no subtitles. But they'd help little with the British slang used occasionally like: bird=girl, nik=arrest, belt up=shut up, ta=thanks, quid and bob=$$$ but how much?
A fun series for those who remember the late 60's/early 70's. Filmed at that time period, the British scenes, decor, and clothing styles resemble everyday life in the USA about then. This DVD series is NOT a 1970 period drama, just a very good intelligence/spy series created and aired during the 60's to 70's decade change.
This CALLAN SET 1, originally aired April to June, 1970, is the 3rd season. Many of the B/W episodes telecast earlier had been "lost." Acorn Media has saved this season for all of us. TA. Fortunately in 1970 the show went to color.
Episode 1, WHERE ELSE COULD I GO?
2, SUMMONED TO APPEAR
3, THE SAME TRICK TWICE
4, A VILLAGE CALLED 'G'
5, SUDDENLY--AT HOME
6, ACT OF KINDNESS
7, GOD HELP YOUR FRIENDS
8, BREAKOUT
9, AMOS GREEN MUST LIVE
Watch them all if you dare, but periodically check over your shoulder.

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For an assassin, loyalty and treachery dictate life and death
In a BAFTA-winning performance, Edward Woodward (The Equalizer) stars as Callan, a brooding, conscience-stricken assassin for a shadowy British intelligence service so secret it doesn\'t have a name.
With the Cold War grinding on, agents from the East and West engage in elaborate deceptions, both sides seeking temporary advantage in an endless struggle. No one plays this game better than Callan. His sharp eyes, steely will, and steady hand with a gun make him a valuable asset to his superior, called Hunter (William Squire, Anne of the Thousand Days). But Callan knows his usefulness could end at any moment--especially with the younger, ruthlessly ambitious agent Cross (Patrick Mower, Target) eager to advance. In this amoral world, where men and women serve only as means to another\'s ends, Callan fully understands the consequences of failure, seizing each assignment as one more chance to survive.
DVD FEATURES INCLUDE Callan trivia and biography of Edward Woodward.

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Lancelot Link: Secret Chimp (1970) Review

Lancelot Link: Secret Chimp (1970)
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This is NOT the complete series. This is 11 and a half episodes. (Each Lancelot Link episode is a pair of 10 minute stories with a musical intermission by the Evolution Revolution all chimp band.) If you count each episode half as an episode, there are 22 on this DVD set.
I can't find a complete episode guide online so I don't know how many were made. I can find titles for 14 episodes on the internet but one episode (or pair of episodes) from this DVD is NOT on that list. How many more are missing from that list? Does anybody know?
Here's what you get (with episode numbers courtesy [...])
Disc 1
1.9) The Dreaded Hong Kong Sneeze / The Great Bank Robbery
1.6) The Reluctant Robot / The Royal Foil
1.7) The Great Great Race / The Great Plane Plot
?) The Lone A.P.E. / Missile Beach Party
1.13) The Evolution Revolution / The Great Water Robbery
1.1) There's No Business Like Snow Business parts 1 & 2
Disc 2
1.5) Bonana / The Greatest Chase In The World
1.12A) The Chump Code Caper
1.3) Lance Of Arabia / The Doctor Goes A.P.E.
1.4) The Surfin' Spy / The Missing Link
1.11) The Golden Swwword / The Chilling Clump Chase
1.8) Landlubber Lance / The Temporary Thanksgiving Turkey Truce
The ones we're missing:
1.2) The Great Brain Drain / The Great Double Double Cross
1.10) The Sour Taste Of Success / The Baron's Birthday Ball
1.12B) Weather Or Not
1.14) The Spy Who Went Out In The Cold / Too Many Chumps
I find it strange that they'd leave off a handful of episodes and VERY strange that they chopped episode 12 in half, showing only the first part of it. The Weather Or Not segment is missing. End Credits roll after the musical interlude. Weird.
Still, it's Lance Link and Mata Hairy on DVD so I'm happy. Well worth the [...]. The show hasn't been cleaned up and is rather grainy and faded but that's part of the charm, really. The only special feature is an option to play just the musical segments.
Here's hoping Image releases a volume 2.

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Move over, James Bond! Lancelot Link: Secret Chimp swings into action as the greatest super spy ever to foil international evil-doers, charm the ladies and drive a really cool car! In this hilarious all-chimp spy spoof airing from 1970 to 1972, Link and his stunning sidekick Mata Hairi adopt more and more outrageous disguises as they use their considerable wit and cunning to battle the Baron, his chauffeur Creto, the Duchess, Dr. Strangemind, Wang Fu and Ali Assa Seen. When he's not fighting diabolical criminals, Lancelot gets groovy as the leader of the psychedelic pop band Evolution Revolution, which rocks out in these 22 memorable episodes.

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The Man Who Never Was (1956) Review

The Man Who Never Was (1956)
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Although the film was a ostensibly a 20th Century Fox production, THE MAN WHO NEVER WAS was filmed in England using primarily English crew and cast (though American leads). It belongs to a tradition of English war films in which aspects of the war are treated slowly, deliberately, and with great precision. While in the US war films tended to feature John Wayne leading Marines into combat, the British tended to focus much more on the preparation and plans of operations. For instance, the very fine film THE DAM BUSTERS features very little in the way of actual combat. And THE MAN WHO NEVER WAY has no combat whatsoever.
The movie is based on a book by the same name about Operation Mincemeat, in which the British attempted to mislead the Germans about the intended invasion spot for D-Day by planting a corpse with fake papers on a beach in Spain, knowing that the Spanish would pass the papers onto the Germans. The entire movie is involved with the formation of the plan, and then creating the man who never was, creating his papers and personal effects. On one level, not much happens in the film, but on another it is one of the most fascinating films ever made about the war, because of the practical problems they deal with in the executing of the operation. Knowing that it was all based upon real events greatly adds to the appeal of the film.
Clifton Webb, who was in fact far too old for the part, turns in a convincing performance as Lieutenant Commander Montagu. In most of his films he comes across as arrogant, but in this one he instead communicates competence and intelligence. Gloria Grahame is excellent as the primary female presence in the film. If you look carefully, you can spot Stephen Boyd in a small role, a few years before he would portray Messala in BEH-HUR.

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Clifton Webb stars in this fascinating account of a daring intelligence operation designed to mislead the Nazis prior to the 1943 Allied invasion of Sicily.In an effort to convince the Germans to redeploy their defenses, Lt. Commander Montagu (Webb) creates a false English officer and fabricates letters that indicate the British intend to land in Greece.Montagu than plants these documents on a dead man and orchestrates the "discovery" of this "officer" on the coast of Spain, Knowing the papers will fall into German hands.What follows is a taut cat-and mouse game as British Intelligence waits for Berlin to respond, then races to stay one step ahead of the Nazi agent dispatched to determine if the dead man is genuine.This true story of ingenious deception is a riveting tale of wartime espionage.

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The Bourne Trilogy (The Bourne Identity | The Bourne Supremacy | The Bourne Ultimatum) Review

The Bourne Trilogy (The Bourne Identity | The Bourne Supremacy | The Bourne Ultimatum)
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Note: Since combining all 3 movies into one review will take me over the character limit, there are two options you can take. 1) you can read this shorter overview of the box set as a whole. Or 2) you can read the reviews for the individual flipper releases that are much more detailed in terms of movie, video, audio, and extras ratings.
Movie - 4.5
The Bourne franchise is a very entertaining and gritty entry that re-infuses a lot of what was missing in the spy/thriller genre. It has just the right mix of conspiracy, politics, action, drama, romance, and a personal enough narrative to keep audiences empathizing for one Jason Bourne. In Identity, we're introduced to Bourne and given a mystery to solve; who is he, how did he come to end up where he is, and where will he go from there to find out the rest? In Supremacy, he's established something of an Identity, but still has a long way to go. In the process of finding himself he loses something very dear to him and seeks vengeance as a result. However, in his pursuit he discovers more of his past and realizes that it's a very dark one. And through this discovery he decides to redeem himself as well as go after the persons he feels are responsible for this constant cycle of killing. And finally, Ultimatum is the culmination of it all where the pieces come together: Bourne finds out who he really is, discovers the system of conditioning behind this government conspiracy, tracks it down to the origin, and comes to terms with himself for who he is and what he's become at that point. This series of films is successful thanks in huge part to the acting talents of Matt Damon, whom I've personally doubted, but have since been a fan of after seeing The Departed. Doug Liman and Paul Greengrass also do excellent jobs in directing their respective films. As an overarching storyline, the narrative has a very good flow of progression and is recommended that when you watch these films you try to do so within a short or consecutive amount of time to get the full effect of the plot.
Video - 4.5
As with the films themselves from a writing standpoint, the video also has a certain level of progression. Identity, while still very good, is probably the worst of the three. Colors, black levels, and contrast all look excellent, but the overall image tends to suffer from various amounts of noise and occasional instances of artifacting and debris. The little specks aren't as prevalent as some older catalog titles, but for a BD presentation on such a great film, it can be distracting at times. Subsequently, Supremacy gets better and looks much richer in terms of everything else, minus the debris. Image detail is notably much sharper and tends to reveal some of the finer qualities within the picture. The only slight inconsistencies one might point out as detractors, though, are some noisier scenes in the dark and possibly some excessive bits of color saturation during the shots in India. But on the flip side, Ultimatum looks as pristine as can be. All of the aforementioned video elements are stunning, and much of the photography is preserved to perfection resulting in a reference level picture. A nice theatrical layer of film grain is present through all three films, but in my opinion, really accentuates the gritty nature of the franchise best via Ultimatum's video transfer. Just know that what you're getting is a good representation of progression, not just in story, but also video-wise.
Audio - 5.0
While the video has to improve throughout each movie, the audio, on the other hand, is excellent from the start. Again, Identity appears as the weakest of the bunch, but only so slightly. And it's not even a question of the transfer, but a result of the overall sound design in general. Each film has a particularly great sense of musical immersion thanks to John Powell's enthralling score. The whirring effect in Identity and the pounding drums throughout Supremacy and Ultimatum are sure to get viewers into the films' plots and make for some adventurous movie-watching. Sound effects are also very well-handled. Background chatter, city noise, car engines, feet shuffling, water drops, flying paper, and all sorts of commotion fill the sound scape enveloping the viewer within the world of Jason Bourne. And that's just without all the action sequences. Punches, kicks, whacks, thuds, crunches, gunshots, crashing vehicles, shattering glass, and heavy breathing dominate when they should, but never overwhelm. Dialogue, a more integral piece to the films, is also spot-on and suffers no dropout or distortion from the center channel. But in terms of directionality and separation, all three films exert these elements extremely well through the front and side speakers, and even more so in the second and third installments. LFEs aren't a very big part of the overall sound design, but really make their mark when the occasional explosion and car chase wreck occurs. However, bass is especially prominent in the music and does a great job keeping things balanced. These movies (aside from maybe Identity) are easily reference material.
Extras - 4.5
Each film comes with the usual kind of goodies: director's commentary, making-of featurettes, and a very informative background on Robert Ludlum, his writing career, and the sad fact that he passed away before the first film ever came out. But with that said, what interviews there are of him are a joy to watch. His demeanor is very friendly, and just from watching him, you get this sense that he really liked what he did as a writer and probably would've loved these films a lot had he ever gotten a chance to see them. But the coolest feature, I feel, is the inclusion of U-Control. Throughout each movie, U-Control allows the viewer to "control" this feature of looking up and accessing these dossier-type profiles on the characters, events, and other elements of the film. It's like being a spy with some omniscient supercomputer that lets you learn all kinds of trivia about the franchise as a whole. I personally think it's a very cool gimmick and very befitting of the Bourne series.
Overall - 4.5
If you've already seen and know the Bourne films, then there's probably not much else to be said. Universal did a splendid job transferring these movies from HD-DVD to BD. Not that I have experience in the former, but technical specs alone should speak for themselves. A higher bit rate, DTS-HD MA track, and U-Control feature for each title should me more than enough to satisfy fans of the franchise. But on the downside, this box set can be pretty expensive. So unless you're lucky enough to get Best Buy Rewards Zone gift cards during a sale on the box or are willing to partake in some potentially defective flipper discs, you can also order the UK box set (region free) from Amazon UK for about $30 shipped. I personally can't stand their age ratings on the covers, though. But if aesthetics aren't a problem, go for it. In any case, The Bourne Trilogy is an excellent effort in film-making with either reference or near-reference quality for every film and comes highly recommended to fans of the spy/thriller genre.

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BOURNE TRILOGY - DVD Movie

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MI-5, Volume 3 (2003) Review

MI-5, Volume 3 (2003)
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I had known about MI-5 for almost a year before I decided to fork over the $39.95 or whatever it was for the first season (or as the British say, first "series") box set. Honestly not knowing what to expect, I put on the first episode...and was immediately hooked. If you like your drama complex, with complicated, all-so-human characters (i.e. fallible)who confront conflicts that are never black-and-white but always gray, where the "good guys" are as prone to ethical and moral compromises as great as the "bad guys", then this is the show for you. This is indeed akin to 24 and Alias, genre-wise, but it really bears a greater resemblance to the best shows on HBO like The Sopranos and The Wire, as well as those edgy FX dramas like Rescue Me and The Shield. The series is broadcast on A&E but edited for length, language, and violence. The best way to watch this is on DVD. I bought the season one box set as Christmas presents for two great friends and it took them all of one episode to be as devoted to it as I am. So buy or rent the first two seasons, watch it as quickly as you can (and you will watch it quickly because you'll want to know what happens next to Tom and Zoe and Danny), get this third season, and devote an hour every night until you finish it. Your only regret will be you have to wait for season 4 whenever A&E broadcasts it. It's one of the best shows on television.

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Worlds collide and nothing is what it seems in the thrilling new installment of MI-5. Tom has been branded a traitor and has disappeared, while Harry is in the hospital, seriously wounded. There's dissension in the ranks as Danny and Zoe are determined to clear Tom's name and an enemy they never thought possible has put the entire service at risk. An enigmatic agent, Adam Carter (Rupert Penry-Jones) has been recruited from MI-6 to help pick up the broken pieces but with his track record nobody will be safe.

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Salt (Deluxe Unrated Edition) (2010) Review

Salt (Deluxe Unrated Edition)  (2010)
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There are 3 versions of Salt available for viewing, the Theatrical, Extended, and Director's Cuts. They run 1:39:56, 1:40:58, and 1:43:59 respectively (credit to Interzone_Records for the correction). Here are the major differences as compared to the base Theatrical Cut, e.g. Theatrical vs. Extended, and Extended vs. Director's Cut. Note, SPOILERS follow below, so read at your own risk. There are a few major, significant differences between the versions.
The Director's Cut makes the most sense plot-wise, and includes some better character development, in my opinion.THEATRICAL vs. DIRECTOR's CUT
*****************************************************
1) Evelyn Salt's opening interrogation scene in North Korea is longer and more brutal. The soldiers force a tube down her throat and subject her to more intense questioning, followed by several kicks to the abdomen.
2) Extended scene of Orlov training little kids who will be future sleeper agents. As the kids finish a race through the woods, Orlov asks which kid was first, and which was last, whipping the last kid with a riding crop.
3) Abduction of Michael (Salt's husband) by Orlov's thugs is shown.
4) Additional scene where Michael tells Salt about a new species of spider that he has discovered.
5) Childhood scene between Salt and Schnaider at Orlov's training camp.
6) Salt's husband is NOT shot in the Director's Cut; rather, he is slowly drowned and Salt is forced to watch. Michael's death is much more harrowing in the Director's Cut.
7) Salt kills Orlov with a broken bottle, and the stabbing is shown in more detail, rather than off-screen.
8) Salt's rampage through Orlov's freighter HQ is more graphic.
9) Gunfights depict more bullet holes and blood, but nothing overly gory.
10) Winter kills the president in the Director's Cut, whereas in the Theatrical cut, Winter only knocks him unconscious. I always thought the Theatrical cut never made much sense, because the President would easily be able to identify Winter as the traitor.
11) At the end of the movie, there is a voiceover that subtly suggests that the vice president is actually one of Orlov's sleeper agents, setting the stage up for a sequel. This voiceover is not present in the Extended Cut.EXTENDED CUT vs. DIRECTOR's CUT
*****************************************************
1) The changes listed above in the Director's Cut are also done in the Extended Cut, with the exception of the differences below.
2) The President is only knocked unconscious in the Theatrical Cut (and killed in the Director's Cut). In the Extended Cut, Winter attempts to make his way towards the unconscious President, who is being wheeled away on a stretcher, in order to kill him.

3) The biggest difference in the Extended Cut is that Salt doesn't kill Orlov until the end of the movie. So the entire sequence in the Theatrical and Director's Cuts where Salt annihilates Orlov's thugs on the barge is missing.
At the end of the Extended Cut, she is being interrogated by Peabody, where she fakes suicide and is taken to a hospital. She subsequently escapes from the hospital, finds Orlov (back in Russia somewhere), and kills him.


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Angelina Jolie stars in Columbia Pictures' Salt, a contemporary espionage thriller. Before becoming a CIA officer, Evelyn Salt (Jolie) swore an oath to duty, honor, and country. She will prove loyal to these when a defector accuses her of being a Russian sleeper spy. Salt goes on the run, using all her skills and years of experience as a covert operative to elude capture, protect her husband, and stay one step ahead of her colleagues at the CIA.

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La Femme Nikita: The Complete Third Season (1997) Review

La Femme Nikita: The Complete Third Season (1997)
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As we left section, Adrian tried to take over Section One but failed. Season three is the season that the show really took shape and the supporting characters came into their own.
There are 22 episodes on six discs.
Disc One -
Looking for Michael - Everyone who knew about Adrian is being killed, including Nikita who escapes her trap. Nikita is looking for Michael and finds him with a wife and child. This episode introduces George, a foe for Operations and Madeline.
Someone Else's Shadow - Michael's cover with Elena moves forward in hopes to draw out her terrorist father. Section initiates letters to Elena and her father to make contact. Elena's father sets up a meeting but does not show.
Opening Night Jitters - The Elena cover continues. Michael is to poison her to draw out her father but he cannot. But section can and does, sending Elena to the hospital. He father comes and is eliminated and so is Michael.
Gates of Hell - Michael is devastated at the loss of Elena and Adam. It is affecting his work and Nikita is worried that his fake death may become permanent. When Nikita is captured during a mission and Michael is told to withdraw, he saves her.
Disc Two -
Imitation of Death - We're back to regular episodes. Section is after a man who trains children into terrorists. Nikita is sold to them.
Love and Country - Section targets a political candidate who has dubious ties including one to Operation's first wife.
Cat and Mouse - Nikita is kidnapped by an old target and replaced with an identical "clone". Nikita is forced to help the clone or Michael will be killed. So is she helping or is she giving secret clues?
Outside the Box - A man is needed for his eidetic memory and is framed for murder. Nikita starts to wonder if she was framed for her murder. But you're going to have to wait until Season 5 to resolve Nikita's question.
Disc Three -
Slipping Into Darkness - Michael gives Operations a hallucinogen making him delusional and paranoid. Michael then takes over Section.
Under the Influence - A subject is brainwashed to believe that Nikita is his fiancé. Nikita has also been drugged to feel for the subject.
Walk on By - Nikita runs into an old neighborhood acquaintance in section and he tells her that her mother is looking for her. Nikita does whatever she must to stop her. Walter looks up an old love.
Threshold of Pain - Nikita and two operatives were captured and tortured. One gave up the location of a substation.
Disc Four -
Beyond the Pale - Michael is passed over for promotion and decides it's time to escape with Nikita. Michael is captured and tortured to locate the router and Nikita.
Hand to Hand - Nikita is to tag an agent but to do so, she must enter a white slavery ring. The thing that Nikita wasn't told was that the girls also are involved in pit fighting to the death.
Before I Sleep - When a hostile commits suicide before Section can utilize her, a duplicate is found and trained. Juliet Landau makes a guest appearance before she came to fame as Druscilla in Buffy, the Vampire Slayer.
I Remember Paris - Section is compromised and destroyed. This is the first time where they actually show a location, the Eiffel Tower. Therefore, Section was in Paris. The mission is retrieve the stolen files before anything can be decoded and Operations is taking it personal.
Disc Five -
All Good Things - Operations is off on assignment and Michael is now in charge. Michael promotes Nikita to tactical. George puts a chess game between Michael and Madeline in action.
Third Party Ripoff - Madeline has decided to penalize Michael's betrayal by ordering an end to his relationship with Nikita. Walter and Birkoff are played by a beautiful operative.
Any Means Necessary - Birkoff is sent into the field to break into a sneaker black hat crew. The question is has he been turned?
Three Eyed Turtle - Tensions between Operations and Madeline intensify. As do those between Birkoff and Hillenger, even after Birkoff covers for Hillenger. George looks to capitalize on the tensions.
Disc Six -
Playing With Fire - Operations and Madeline are not sure if Michael and Nikita have really broken up and set a trap.
On Borrowed Time - Operations and Madeline continue their quest to stop Michael and Nikita. They send them on a mission to remove Nikita and treat her. It appears to have worked. For helping them, they send Walter to "retirement".
This is a great show with Peta Wilson and Roy Dupuis bring up the heat and head a great cast. But this year Alberta Watson as Madeline found her niche. Let's talk cold and scary.
DVD EXTRAS:
Disc One:
Commentary on Looking for Michael with director Jon Cassar and actor Eugene Robert Glaser (Operations)
Cancelled Scenes - Two scenes, one from Looking for Michael and the other from Opening Night Jitters and you choose to have commentary by Cassar and Glaser or none. (You might want to do both as they talk though both scenes.)
Disc Two:
Cancelled Scene from Love and Country with commentary by Cassar and Glaser. The
one thing this scene does is gives Operations' real name, Paul.
Disc Three:
Cancelled Scenes - Five scenes from three episodes with or without (your choice) commentary by Cassar and Glaser.
Disc Four:
Cancelled Scene from Beyond the Pale with (or without) commentary by Cassar and Glaser.
Disc Five:
Cancelled Scene from Three Eyed Turtle with (or without) commentary by Cassar and Glaser.
Disc Six:
Commentary for On Borrowed Time with writer Peter Lenkov and Operations Eugene Robert Glazer.
Designing Nikita - Nine minute featurette on the production design.
Gag Reel - Three minutes of gaffs and goofs.

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"You're one of us now," Nikita is told. But has she truly abandoned her compassionate nature and become an unquestioning member of the soulless covert organization called Section One? Or has she mastered the group's knack for deceit and cover-up so efficiently that she can beat Section at its own game? The sleek, chic and powerful adventures of the agent codenamed Josephine continue in Season Three of the intrigue-filled five-year series that stars Peta Wilson in the title role. Season three is marked by the unveiling of Michael's secret life, Nikita and Michael's romantic relationship and the further suspicion about the true nature of Section One.DVD Features:Audio CommentaryDeleted ScenesFeaturette:"Designing Nikita" a behind the scenes look at the award winning production designer, Rocco MatteoGag Reel


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'Allo 'Allo - The Complete Series Six Review

'Allo 'Allo - The Complete Series Six
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Has the economy got you down? Have politics got your blood pressure up? Will one more idiotic "reality" show on TV send you round the bend?
Time for another dose of 'Allo 'Allo!--the magnificent nonsense that proves the old adage that laughter is the best medicine. And series six, like series five, four, three, two, and one, will leave you whooping with laughter, no matter how many times you have seen its variations on the same theme. The maids and Lieutenant Grueber will find the podgy Rene irresistible; Edith will sing off-key; her bed-ridden mother will complain "Will nobody come to the aid of an old woman?"; Helga will bellow "COME IN!"; the black-leathered Herr Flick and Von Smallhausen will hatch their fiendish plans to no avail; the chicken-helmeted (and -hearted) Capitano Bertorelli will make-a mistake-a; Michelle of the Resistance will "say this only once;" Sergeant Crabtree will murder the "French" language, and the thick-headed British airmen will still not get away from Nuvion, that small village in occupied France where everyone collaborates with everyone else (I am passing over the "Fallen Madonna with the Big Boobies" by von Klomp and the "Cracked Vase with the Big Daisies" by van Gogh.).
The running gags are what make 'Allo 'Allo so much fun, and the gags in this delightful series have been running a long way for a long time. And despite the fact that the show hits all the various national and social stereotypes, the humor is good-natured; even the sexual puns and innuendo, completely lacking in subtlety, are hysterically funny and devoid of the patent crudity that infects so many "modern" American sitcoms.
So, in the words of Sergeant Crabtree, witch this twee-dosk sot in the oovening and you will be sure to have a good moaning the nayxt doo.

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Rene Artois is a simple man. He runs a quite cafe in Nouvion, France, and his only desire is to keep his trysts with the cafe's two beautiful waitresses secret from his wife. But ever since he was drafted by the Resistance to be hero of all France and was shot dead by the Germans, Rene's life is in constant turmoil. The Germans have captured the British airmen and only Rene can save them. But not before he becomes impaled upon a 20 foot radio tower, disguises himself as the hunchback of Notre Dame, and brokers a clandestine deal involving a solid gold cuckoo clock and the Portrait of the Fallen Madonna with the Big You-Know-Whats. What a tangled web of deceit, distress and double entendre! Will things ever sort themselves out? Find out in the sixth season of this outrageously funny sitcom from the BBC.

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MI-5, Volume 1 (2003) Review

MI-5, Volume 1 (2003)
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There've been some uncommonly intelligent spy films produced by British television: TINKER, TAILOR, SOLDIER, SPY and SMILEY'S PEOPLE (both starring Sir Alec Guinness as the owlish George Smiley), and THE SANDBAGGERS miniseries. In all three, the agency involved is Her Majesty's Secret Intelligence Service (MI-6). The operatives are a tweedy lot, and the headquarters, either at the old "Circus" or the more modern Century House, are, like the remains of Empire, comfortably shabby. Thus, it was with some misgivings that I began MI-5, the ongoing glitzy miniseries featuring the SIS's less glamorous sister also known as the Security Service, which like America's FBI, deals with domestic intelligence, anti-subversion and counter-terrorism. The glitz is of Hollywood proportions - almost, for me, an instant turn-off. I'm glad I stuck with it.
The lead "spook" is Tom Quinn, played by Matthew MacFadyen. He runs an undercover operations team, the most prominent members of which are Zoe Reynolds (Keeley Hawes) and Danny Hunter (David Oyelowo). The interior of MI-5's London HQ, Thames House, is ultramodern and high tech; the CIA probably never had it so good. Tom's boss is the hardboiled and sphinx-like Harry Pearce, played by Peter Firth.
Admittedly, I didn't become engaged until episodes three and four, when I realized that the intricate scripts, fast-paced and tautly presented, transcended the glitz. I'm now hooked, and eagerly await the DVD release of the Season 2 episodes in late 2004. My only remaining complaint is the too clever lead-in to each episode which requires excessive button-pushing on the remote to navigate. I mean, just get on with it. Prince Charles will become King in a shorter time.
The storylines are contemporary: embassy take-overs by militant nationalists, insidious plots by Arab terrorists, illegal arms deals by enterprising Russians involving Whitehall cabinet officers, and the occasional appearance of IRA bombers. Gone are the good old days of KGB machinations on behalf of the Evil Empire. The episodes are slickly written with surprising plot twists. And MI-6 across the river maintains a scheming and patronizing presence.
Part of the show's attraction is that it doesn't paint its MI-5 heroes as perfect. They have relationship problems; they embezzle money from the Service; and perhaps have dark secrets in the past that invite blackmail during intra-office power struggles. Why, it sounds like any company I've ever worked for!
The end of the last episode in Series 1 is one of the best I've ever seen. It'll make you think twice before installing that elaborate security system on your house, or at least make you aware of the dangers posed by a small child when catalyzed by chocolate icing.

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Defending their country, deceiving their friends, MI-5 takes us into the secret world of the clandestine UK security service and the people who make up the elite team. This exciting, fast paced drama, full of split screens and technical wizardry, explores the passion, jeopardy and intrigue of people who have to lie for a living and deceive their loved ones about what they do. DVD Features:Audio Commentary:Commentaries on all episodes!BiographiesDeleted ScenesFeaturette:Numerous Behind-the-Scenes featurettes on the making of the programInterviews:Exclusive interviews with the cast and crew!


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Jason King (1971) Review

Jason King (1971)
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Jason King was of the classic british ITC series which were popular round the world in the sixties and seventies. During that era there was an ethos within British television that broadcasters should be producing culturally parochial material which fulfilled a public service agenda- much like Hugo Chavez's current media policies in Venezuala. The results were depressing dramas about drunken parents on poor housing estates etc. Lew Grade the Director of ITC was having none of this and he brazenly set about making glossy productions with high production values, attractive actors and actresses and glamerous overseas locations (albeit with the use of stock footage). Lew Grade's aim was always to score a hit in the USA- the biggest tv market in the world. Ironically the USA was usually the country in which these shows were most poorly received.The Muppet Show, Danger Man (AKA Secret Agent), The Saint, The Prisoner and Space 1999 are familiar to many viewers who grew up in that era, but there many other ITC shows worth discovering.
Jason King is a writer who travels the world drinking Champagn, seducing pretty young women and genrally living a decadent lifesyle. The character was introduced in the earlier series Department S where his imagination was used by Interpol to help them solve bizarre crimes and strange unexplained events- much in the manner that the CIA now consult writers and filmakers to dream up potential scenarios which terrorists might use to undermine our security.
Jason was by far the most popular character in that show and when a follow up was planned the rest of the cast were dropped to focus on the life of the character himself. Peter Wyngarde was nervous about this beciuse he thought that his fabulously flamboyant and over the top character was best used in small doses. To an extent these fears were founded because Jason King lacks the pace and dynamism of the earlier show. What we are treated to is the full excesses of Wyngarde and the joys of his wit and screen presence. In one episode he is given a one-way ticket to London by two soviet agents who want him to leave Vienna straight away. King looks at the ticket and drolly remarks that he never travels economy class.
Wyngarde sports the most incredible 70's fashions much of it culled from his own wardrobe- in one episode he gets though 4 different caftans. What will surprise today's viewers is that nobody suspected that he might be gay despite his high camp manner and penchant for leather outfits. This was, however, a more innocent era. Peter Wyngarde is always a fantastic actor to watch and he brings his full charm and wit to this role.
Some episodes are played fairly seriously while others are played very much for laughs. I think it highly likely that Jason King was a major inspiration for Austin Powers.
If you like British shows,camp humour, decadent living and the 1970's then Jason King is for you- and full marks to Image for the groovy cover.

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BEFORE AUSTIN POWERS SWUNG INTO ACTION, JASON KING SET THE STANDARD FOR THE HIP CRIME-FIGHTING INTERNATIONAL PLAYBOY! THE SUAVELY SOPHISTICATED FORMER SECRET AGENT TURNED NOVELIST (PETER WYNGARDE) PURSUES ADVENTURE IN THIS CLASSIC SEVENTIES BRITISH TV SERIES, A SPIN-OFF OF THE POPULAR DEPARTMENT S. SHARE THE EXCITEMENT IN ALL 26 EPISODES OF THE COMPLETE SERIES AS KING, RECENTLY VOTED ONE OF BRITAIN'S 100 GREATEST TV CHARACTERS, TRAVELS THE WORLD SEARCHING FOR MATERIAL TO FILL HIS BOOKS, ENCOUNTERING AN ENDLESS PARADE OF GLAMOROUS WOMEN, EXOTIC LOCALES, MENACING VILLAINS AND DARING INTRIGUE! BRILLIANT ROSTER OF CULT FAVORITE GUEST STARS INCLUDING DENNIS PRICE (THEATER OF BLOOD), FREDDIE JONES (THE ELEPHANT MAN), RALPH BATES (DR. JEKYLL & SISTER HYDE), JULIAN GLOVER (FOR YOUR EYES ONLY), NIGEL GREEN (THE IPCRESS FILE), YUTTE STENSGAARD (LUST FOR A VAMPIRE), MILTON REID (THE SPY WHO LOVED ME), ME ME LAI (THE MAN FROM DEEP RIVER), MADELINE SMITH (LIVE AND LET DIE), TONY BECKLEY (WHEN A STRANGER CALLS), BRITISH TV CELEBRITY FELICITY KENDAL, CLIVE REVILL (THE LEGEND OF HELL HOUSE), SANDOR ELES (COUNTESS DRACULA), INGRID PITT (THE WICKER MAN), KATE O'MARA (THE VAMPIRE LOVERS), FIONA LEWIS (THE FURY), ANNA GAEL (THERESE AND ISABELLE), ANTHONY HIGGINS (THE DRAUGHTSMAN'S CONTRACT), BURT KWOUK ("KATO" FROM THE PINK PANTHER SERIES), STEPHANIE BEACHAM (TV'S DYNASTY), STUART WILSON (DEATH AND THE MAIDEN), ROY KINNEAR (HELP!), SUE LLOYD (PERCY) AND MICHELE DOTRICE (BLOOD ON SATAN'S CLAW)!

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La Femme Nikita: The Complete Fifth Season (1997) Review

La Femme Nikita: The Complete Fifth Season (1997)
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This final season contains 8 episodes. Like when Highlander disappeared. USA Network showed these episodes without any fanfare. It took me over a year to catch all the episodes but it was worth it. And now anyone who did not get to see all the episodes can see them in one sitting!!!!!
These episodes are more like a miniseries as they answer the questions of how Nikita was "recruited." It reveals who is behind section.
Each episode adds onto the previous upto the conclusion of the series. Although there is a cliffhanger, everything is tied up in a tidy knot and it is very satifying for devotees of the show.
Peta Wilson and Roy DuPuis again shine as the spy and lovers. Alberta Walker again gives her ice cold performance as second in command, Madeline. This seasonette, Edward Woodward makes an appearance and shows that he still has it.
A complete detailed review of this will be written when the DVD is released.

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LA FEMME NIKITA:FIFTH SEASON - DVD Movie

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Ironside - Season 2 (1967) Review

Ironside - Season 2 (1967)
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The wheelchair-bound San Francisco Chief Robert T. Ironside, paralyzed by a would-be assassin's bullet, is back for another season of exciting and thought-provoking episodes in this award winning Classic TV Detective series. Second season episodes, from 1968, continues the high quality writing and acting that was the hallmark of this show through its five year run. Stories run the gamut from racial strife, fortune telling to the shooting of one of Ironside's team members!
"Ironside" was one of the best detective shows of the 1960s and remains a classic of its genre. Memorable characters, brilliant acting, well-crafted stories and unforgettable theme music written by the legendary Quincy Jones, "Ironside" brought the beloved actor Raymond Burr back to series TV after a nine year Hall of Fame portrayal of the most famous lawyer in TV history: Perry Mason. The series was created by Collier Young. The decision to make Burr disabled was remarkable for the era, as few TV leads were ever depicted as anything but able bodied and still are not.
Determined not to be trapped in his wheelchair or give up his career, Ironside volunteers to work within the police department as a "special department consultant." Ironside drafts two young law enforcement officers, Detective Sgt. Ed Brown, portrayed by Don Galloway, and Officer Eve Whitfield, portrayed by Barbara Anderson. He also hired delinquent-turned-bodyguard Mark Sanger, portrayed by Don Mitchell, as his "legs." During the series, Sanger, an African-American with a chip on his shoulder and a hatred for the police, eventually went to law school and became an attorney. Ironside's consultant status was granted by Commissioner Dennis Randall, portrayed by Gene Lyons, who also frequently clashed with his long-time friend over Ironside's investigative methods and his willingness to break the rules to achieve true justice.
Whitfield, who was hugely popular, left the series in 1971. Elizabeth Baur joined the cast as Officer Fran Belding and remained until the series ended in 1975, but never found the fan base that Whitfield had enjoyed.
All 26 episodes remastered for DVD from the second season are included:
"Shell Game," pits a notorious jewel thief against Ironside; "Split Second to an Epitaph Part 1" and "Part II," Ironside is the only witness to a murder, but has to go into hospital for exploratory surgery. Joseph Cotton stars; "The Sacrifice," a cop friend of Ironside's is the prime suspect in a murder; "Robert Phillips vs the Man," a black rights activist is arrested for murder, prompting the Black community to threaten to take to the streets. Paul Winfield stars; "Desperate Encounter," a friend of the Chief's invites him to stay for a weekend visit then promptly disappears; "I, the People," an obnoxious talk show host begins to receive death threats. Written by Milton Berle who also stars; "Price Tag Death," the Chief learns of the murder of homeless man by an ex-cop now living on the streets; "An Obvious Case of Guilt," a friend of the Chief's is suspected of murdering her husband. Anne Baxter stars; "Reprise," Eve is shot and may die. The Chief questions encouraging her to join the force, while Ed wrestles with arresting Eve's shooter or killing him outright; "The Macabre Mr. Micawber," a talking Mynah bird may hold the key to murder. Burgess Meredith stars; "Side Pocket," a young pool hustler is coerced into a contract with a crooked promoter; "Sergeant Mike," an old woman is murdered, and the only witness appears to be a large dog. Bill Bixby stars; "In Search of an Artist," a painting turns up rendered by an old friend presumed dead after confessing to a murder. Broderick Crawford stars; "Up, Down and Even," Eve's niece is arrested for drugs; "Why the Tuesday Afternoon Bridge Club Met on Thursday," the Chief's elderly Aunt turns to him for help when a member of her bridge club goes missing; "Rundown on a Bum Rap," Mark battles to prove the innocence of his former boxing coach; "The Prophecy," a fortune teller makes wild predictions for Ironside and his team; "A World of Jackals," a friend of Mark's lead them into a case of kidnaping and murder; "And Be My Love," Eve falls in love with a robbery victim. Chad Everett stars; "Moonlight Means Money," Ed is suspended after he unwittingly discovers a drug operation during a night on the town with a friend; "A Drug on the Market," an elderly friend of Ironside's contacts him fearing she is losing her mind because she hears voices and has received threatening calls; "Puzzlelock," Ironside investigates an ex-cop whom he believes murdered his wife; "The Tormentor," a famous baseball player receives threats; "A Matter of Love and Death," a woman dies from an illegal abortion; "Not With a Whimper, But a Bang," a local college is plagued by false bomb threats.


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In Season 2, Chief Ironside's crack team includes Sgt. Ed Brown, Don Galloway, ex con turned assistant Mark Sanger, Don Mitchell, and beautiful policewoman Eve Whitfield, Barbara Anderson, who won an Emmy for this role. With superb story lines dealing with socially important topics like racism, drugs, abortion, and terror on a college campus, Ironside’s second season continued the tradition of attracting special guest stars including Milton Berle, Anne Baxter, Bill Bixby, Ricardo Montalban, Burgess Meredith, Ed Asner and many more.

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I Spy - Season 3 (1967) Review

I Spy - Season 3 (1967)
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This is the last season of I Spy. It featured a lot of upcoming actors (Gene Hackman, Richard Kiel), and some that were well known (Will Geer, Andrew Duggan, Jim Backus). Locations were in Greece, Morocco, and mostly Mexico and USA. Still, another great season, with some excellent scripts and a few good ones from Robert Culp. A great series. Cool, comedic rapport between Culp and Cosby. Loved the series and looking forward to watching it again, after 40 years. See my reviews for Seasons 1 and 2.
Here's the synopsis of each episode for Season 3:
Let's Kill Karlovassi -- Kelly and Scotty balk at their new assignment -- to assassinate a Greek man who turns out to be a Soviet agent playing a dangerous game of double-cross. Filmed in Greece.
The Beautiful Children -- Kelly and Scotty run into more trouble than they'd bargained for when they try to help an agent who rescues kidnapped Greek children from a Communist country. Filmed in Casablanca and Greece.
Laya -- Scotty is ordered to cultivate an African woman to learn about armament shipments to her country, while her boss demands that she manipulate Scotty.
The Medarra Block -- In Marrakesh, Kelly and Scotty acquire an ancient cube bearing inscriptions that contain the secret plans for a revolt against the government. Filmed in Morocco.
Philotimo -- A young Bulgarian music prodigy convinces Kelly and Scotty to help him defect -- then accuses them of kidnapping him. Filmed in Greece.
The Honourable Assassins -- Kelly and Scotty agree to help an Arab woman get her father, who has been marked for death, to Marrakesh to retrieve a fortune. Filmed in Morocco.
Now You See Her, Now You Don't -- The murder of a fellow agent Kelly recruited puts Robinson and Scott on the trail of a British mathematician who is being held for ransom by Greek gangsters. Filmed in Greece.
Red Sash of Courage -- Kelly and Scotty are assigned to locate an enemy base on the Greek-Yugoslav border that is interfering with American flights -- a mission complicated by a Greek who thinks Kelly has sullied his daughter's honour. Filmed in Greece.
The Seventh Captain -- Kelly and Scotty have to find out what connection exists between a Greek colleague and the mysterious disappearance of six other agents. Filmed in Greece.
Apollo -- Scott goes undercover at NASA to discover a saboteur, and the woman hired to pose as his ex-wife is kidnapped. Filmed in USA.
Oedipus at Colonnus -- Kelly and Scotty encounter an aging Arab spiritual leader who is, apparently, assassinated while attending an important meeting. Filmed in Morocco.
The Lotus Eater -- Scotty must find out why Kelly has dropped out of the spy business and sought refuge on a Greek isle. Filmed in Greece.
An American Empress -- While trying to return a ring to a Chinese woman they met in San Francisco, Kelly and Scotty discover that she is the Empress of China (France Nuyen) -- and an unwitting pawn of the Red Chinese.
Home to Judgment -- Running for their lives from ruthless killers, Scotty and a wounded Kelly seek refuge on a farm belonging to the latter's aunt and uncle. Filmed in USA. Stars Will Geer from The Walton's. Written by Robert Culp.
Anyplace I Hang Myself Is Home --A psychiatrist has Kelly and Scotty reminiscing about their experiences as spies-in-training to find out why Scotty has this sudden urge to kill himself. Filmed in USA.
Tag, You're It -- A Soviet agent who has infiltrated The Department's training facility begins killing off trainees -- and putting the blame on Kelly and Scotty. Filmed in USA.
A Few Miles West of Nowhere -- Kelly and Scotty investigate the murder of a government employee in a small town whose inhabitants are hostile towards a proposed atomic power plant. Filmed in USA. Stars Richard Kiel (Mr. Jaws) and Andrew Duggan.
This Guy Smith -- The search for a guy called Smith results in Kelly becoming the chief suspect in the apparent murder of a young woman. Filmed in USA.
Turnabout for Traitors -- Kelly teams up with a thief to prove himself innocent of espionage charges levelled against him by a British agent. Filmed in Mexico.
Happy Birthday Everybody -- Kelly and Scotty must protect a retired agent (Jim Backus) and his family from Frank Hunter (Gene Hackman), a demolitions expert and escaped mental patient seeking revenge against the agent. Filmed in Mexico.
Shana -- Kelly and Scotty must prevent a woman (Gloria Foster) from trading top secret rocket fuel to the Communists in exchange for her brother. Filmed in Mexico.
The Name of the Game -- While checking security arrangements for the visit of a VIP, Kelly and Scotty become the prey in a deadly game of hide-and-seek with a fanatical general. Filmed in Mexico. Stars Lloyd Nolan.
Suitable for Framing -- Little do Kelly and Scotty know that the senator they're assigned to bodyguard in Mexico is actually a look-alike working for the enemy.
The Spy Business -- Kelly and Scotty are trying to keep a defector alive, while evidence suggests that Kelly's old friend, an Army Intelligence agent, is working with the enemy. Filmed in Mexico.
Carmelita Is One of Us -- A Mexican agent is killed and Kelly and Scotty inherit his baby daughter, who has now become the killers' new target.
Pinwheel --Kelly and Scotty are teamed up with a flighty female agent on an assignment to acquire details of the Soviets' espionage network in Africa. Filmed in Mexico.
If I have one gripe, it's the plastic casing. The DVDs are so tightly packed within it's easy to crack a disc, which I did after viewing the first 3 episodes on disc 1. So, be careful when removing the discs and opening the case.

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Robert Culp and Bill Cosby star as international espionage agents Kelly Robinson and Alexander Scott on highly dangerous missions in this ever-popular, award-winning series. Culp poses as a world-class playboy/tennis player, and Cosby goes undercover as his trainer. Together they travel the world, trading quips and fighting high-level crime with cool bravado and extraordinary savoir-faire. Combining humor with action/intrigue, "I Spy" was the first adventure TV series to be shot in exotic international locales, establishing a new standard for television dramas.

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La Femme Nikita: The Complete Fourth Season (1997) Review

La Femme Nikita: The Complete Fourth Season (1997)
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All the fans who wrote Warner Brothers and demanded the 4th season, job well done. I am quite surprised Warner Bros. did not add the 5th season on to this one since it only had 8 episodes but oh well us fans will take whatever we can get. Wish the price would have dropped some but the episodes themselves are worth it.
****Episode Guide Season 4****
1.Getting Out Of Reverse- Micheal obtains Birkoff's help to restore Nikita's memory and learns that Operations wants him canceled.
2.There Are No Missions- Micheal learns that Adrian is not dead and seeks her help but realizes she has also suffered memory loss.
3.View Of The Garden-Micheal offers section a deal he returns to Section with Nikita and asks for his status back in exchange for not revealing the truth about Adrian to George, he allows Section to help Nikita.
4.Into The Looking Glass- Micheal kipnaps Nikita and heals her, Nikita pretends not to be healed but Madeline is not fooled.
5.Man In The Middle- Nikita is forced to marry a suspected red cell member under Sections orders.
6. Love Honor And Cherish- The man Nikita has married is not who he turns out to be.
7.Sympathy For The Devil- Operations offers Micheal and Nikita a deal if they secure the safty of one of his vietnam comrades, Birkoff learns he may have a brother.
8.No One Lives Forever- Nikita is chosen to participate in a new program, she can leave section but must break all ties with section, she contacts Micheal and is brought back in.
9. Down A Crooked Path- Section is attacked with a virus that wipes out information from operatives minds, but who released the virus may be surprising.
10.He Came From Four- A new operative named Jerome is brought in and has paranormal abilities, but who is he really?
11.Time To Be Heroes- Micheal and Nikita are sent to take care of 4 operatives at Section 8 known as "the farm" where new recruits are trained, but when Nikita and Micheal are captured section 8 recruits come to the rescue.
12.Hell Hath No Fury- Red Cell's lead strategist is captured but will not break, Madaline puts herself on the line to obtain information from him.
13.Kiss The Past Goodbye- Micheal learns that Elana has a new boyfriend but learns her boyfriend is a section 1 operative sent to protect her from her uncle who wants to kill her.
14.Line In The Sand- Section 1 learns of a trader inside the section, Operations wants Birkoff canceled.
15.Abort, Fail, Retry, Terminate- Birkoff makes a sacrifice.
16.Catch A Falling Star- Micheal and Nikita are sent to a small US town to retrive a fallen satalite.
17.Sleeping With The Enemy- Section 1 and Red Cell make a 2 day truce to find out who is trying to have both organizations destroyed.
18.Toys In The Basement- Nikita is wounded in a mission but before Micheal can get to her she disappears, he finds out she is being held in a basement of house of a guy who wants to marry her.
19.Time Out Of Mind- Nikita goes undercover to a mental hospital to find information about the antidote to a lethal virus.
20.Face in the Mirror- Nikita escapes section 1 and undergoes plastic surgery to her face, so she is not recognized.
21.Up The Rabbit Hole- Section 1 knows Nikita has altered her appearance but cannot find her, Micheal discovers her in the most improbable place, Micheal and Nikita both escape Section 1 and live on a boat.
22.Four Light Years Farther- The plot thickens, Micheal and Nikita are found and brought back into Section, they decide to cancel Nikita and spare Micheal, but before she is canceled Mick Schtoppel comes to the rescue, who really is Mick Schtoppel? Has Madaline and Operations finally gotten what they deserve. Nikita is more important to Section 1 than she will ever know.

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LA FEMME NIKITA:THE COMPLETE FOURTH S - DVD Movie

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Cambridge Spies Review

Cambridge Spies
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This gripping, well-acted film launched me on a reading odyssey, beginning with Philby's "My Silent War" and including Seale and McConville's "Philby: the Long Road to Moscow," G. Borovik's "Philby Files," Yuri Modin's "My Five Cambridge Friends" (Y.M. was one of their KGB handlers), Philip Knightley's "Philby, the Life and Views of the KGB Master Spy", and Miranda Carter's "Anthony Blunt, His Lives", among many others (some of which are less than sympathetic). As a result, I can appreciate the intense research that went into this outstanding TV series.The portrayals are brilliant: the subtle nuances of Toby Stephens' Philby; the ambiguity of Samuel West's Blunt; the vulnerability of Rupert Penry-Jones' Maclean; and finally, the brilliance of Tom Hollander's Burgess. Hollander's portrayal of the outrageous original is so convincing that when one reads Guy Burgess' actual quoted words, one 'hears' Tom Hollander.
Moody and suspenseful, the drama dwells on a theme worthy of Sophoclean tragedy: the conflict between the obligations to oneself (friends and family) and the obligations to the State. Each of the characters, tragically flawed, reaches what seems to be the pinnacle of success, only to suffer a reversal of fortune and be cast down by outside events (here, the intrusion of the Cold War). The tragedy in Mr. Moffat's drama rests not in the fact that Philby, Blunt, Maclean and Burgess spied for the other side. These are mere plot points in an Aristotelian sense (although the repercussions on the State cannot be denied). The tragedy derives from the fact that as each man is compelled to betray his ideals, friends or family, he recognizes the enormity of that betrayal.
The film is enhanced by a riveting musical score and by remarkable camera work, which not only effectively depicts England of the 'thirties and 'forties, but also defines the characters with a sinister juxtaposition of shadow and light. The lighting is especially effective in scenes portraying the enigmatic and (some say) duplicitous Anthony Blunt, whose face is often half-masked in deep shadow.
The commentaries accompanying parts one and four of the series are equally fascinating, providing us with nuggets of information, such as the fact that Trinity College, Cambridge, would not allow its premises to be used for making a film about four of its most notorious graduates (The company was forced to film at King's College, next door.). Similarly, the Reform Club, the haunt of Jules Verne's fictional Phileas Fogg, refused admittance to the film company, because it did not want to advertise the fact that it had once named a double vodka and grapefruit juice a "Double Burgess", after one of its most irrepressibly rambunctious members, Guy Burgess.
We can only hope that Mr. Fywell and Moffat are planning a second series (The film-makers have already hinted at Philby's affair in Moscow with Melinda Maclean.). There are at least four more absorbing episodes: Philby's relentless grilling in London by MI5, his subsequent adventures in Beirut, his defection and miserable reception in Moscow, where he, like Burgess and Maclean, had to face the even colder reality of Russian Winters and the frost-bitten remnants of his utopian dreams, and finally Blunt's secret confession, promise of immunity, and eventual unmasking in London. Then the tragedy will be complete.


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In 1934, four brilliant young men at Cambridge University are recruited to spy for Russia. Fueled by youthful idealism, a passion for social justice, a talent for lying and a hatred for fascism, the four take huge personal risks to pass Britain's biggest secrets to Moscow. Starring four of Britain's most talented young actors, this epic yet intimate drama brings one of the twentieth century's most compelling true stories to exciting new life.DVD Features:Audio CommentaryDocumentary:45 minute documentary "Great Spy Stories of the Twentieth Century: The Cambridge Spies"Featurette:"A Cambridge Spies Historical Scrapbook" - a collection of rare interviews, news clips and other footage featuring the real Cambridge Spies.Other:Trailers


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