The Secret Garden (1975) (1984) Review

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(More customer reviews)It is a pity that so many people are misled into buying the 1993 version or the Hallmark version of this book. The former is valuable as a study of wooden acting and unbelievable dialogue. The Hallmark version (as usual) just throws the book away--they can do it better. The 1949 version also "improves" on the book by turning it into a suspense-thriller in the first half and has all the characteristics of '40s movies--phony characters, phony dialogue and big stars.
This movie is for people who loved the book; and except for extremely minor flaws which most people will not notice, this movie brings the whole book to life perfectly. Nothing is left out. Sarah Hollis Andrews gives a stunning performance for one so young. None of the California accents of the Hallmark version or the East European characters of the 1993 version. This is Yorkshire and this is Francis Hodgson Burnett, not Agnieszka Holland.
There has been an abridged version on the market for years, cut to make it a full-length movie (100 minutes). This present version is twice that length. Even if you have the abridged version, buy this one and see what a difference those cuts make. The characters are even more sympathetic and more real, and there is time to deal more with all the other characters (the nurse, Dr. Craven, Mr. Craven, etc.) and more time for Mary Lennox and more interaction between Mary and Collin and Dickon.
In short, this movie is a treasure and every child above the age of 8 deserves to see this version. If you are a diehard and want to see the other versions, fine, or if you've already been suckered into buying them. But get this version. You'll never watch those other versions again. And your kids will have an experience to carry with them the rest of their lives.


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Sarah Hollis Andrews stars as Mary Lennox, a lonely and spoiled girl who is sent to live with her uncle in the wake of her parents' death. In his dark and foreboding manor, her life is transformed by unexpected friendships and a surprising, hidden fantasy world. Impeccably mounted, with a literate script and superb performances, this magnificent BBC production is among the most acclaimed adaptations of Frances Hodgson Burnett’s classic children’s novel that has captivated generations of readers.

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Little Lord Fauntleroy (1995) Review

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(More customer reviews)I have also seen this version of the movie and it is the best version I have seen. We enjoyed it with our children years ago and were hoping to purchase it for them as a Christmas Present. If it becomes available or someone knows where it can be purchased let us know.

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Plucked from poverty-stricken 1879 New York, kind and compassionate Cedric Errol (Michael Benz) is summoned by his hard-hearted grandfather (George Baker) to "live among the swells" in England as Lord Fauntleroy, the future Earl of Dorincourt. This engaging feature-length version of the lavish BBC miniseries captures all the heart of Francis Hodgson Burnett's classic story of redemption that has captivated generations of readers.

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Persuasion (2007) Review

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(More customer reviews)"Persuasion" is tied with "Pride & Prejudice" as my top favorite Jane Austen novel. I was looking forward to this version, after being a little disappointed with the 1995 adaptation (actors were a bit too old for their roles, I thought, but that's another review).
While "Northanger Abbey" is a story of young love, "Persuasion" is a story of love lost. Anne Eliott was once engaged to Frederick Wentworth but has had to give up the engagement due to the persuasion of her friend Lady Russell. Anne is the daughter of a baronet and Frederick is a young lieutenant with little prospects and was deemed by her friends and family as not worthy enough to marry Anne. Fast forward to 7 or so years later, and Anne's family is in dire circumstances. Her family has to move from their large country estate to Bath in an effort to retrench and avoid further debt. Frederick returns to England as a wealthy and highly eligible naval captain and his and Anne's paths meet again. Frederick is pursued by 2 of Anne's younger sisters-in-law while Anne is left to wonder what might have been. After a stressful visit to Lyme, Frederick and Anne's paths briefly separate. Anne moves to Bath where she is pursued by her cousin William Eliott and she crosses paths with Frederick again. Will love triumph the second time around?
Whether you agree or disagree with my assessment of the 1995 version starring Amanda Root and Ciaran Hinds, I think you will find that Rupert Penry-Jones and Sally Hawkins are wonderful in their roles as Frederick Wentworth and Anne Eliott. Sally Hawkins - unknown to me until now - gives a soul-stirring and endearing performance as Jane Austen's long suffering heroine. Rupert Penry-Jones is aptly dashing and handsome, though perhaps a little bland, as Frederick (I'd take him over Ciaran Hinds any day). The supporting cast is solid - with a few exceptions - and the screenplay, up until the last 10 minutes, stays true to the tone and spirit of the book. The production values, costumes and locations are excellent. This scores points for actually filming in Bath and Lyme (actual locations from the book). Another high note is Martin Phipps (who also composed the amazing score of BBC's "North & South) who delivers yet another stirring score.
The reasons for the 4 stars are as follows (warning, spoilers!):
a) Casting - I absolutely detest Amanda Hale as Mary Musgrove. She is annoying and stands out in a bad way from the rest of the cast. Julia Davis is also off as Elizabeth Eliott and looks more like Anne's wicked stepmom than her older (by 2 years) sister. Elizabeth is supposed to be beautiful and elegant, and Julia Davis is nowhere near this. Surely there are more than enough talented British actresses who could have played these roles.
b) Changes - Some long-time fans will be a little irritated with the changes made to famous scenes from the book. This is where the 1995 version triumphs over this version. While the Amanda Root version remained faithful to the book, this version strayed in some of the vital scenes such as the dialogue between Captain Harville and Anne on woman's constancy; and the scene where Frederick writes a letter to Anne.
c) The last 10 minutes - where Anne runs around Bath like a headless turkey - almost completely ruined it for me. Whoever thought of sending a docile, elegant, poised, upper-class lady like Anne to run around town like a servant girl is beyond me. The adaptation would have been outstanding except for this miscalculation. I am not a purist, but there is just so much a long-time Jane Austen fan can take and this one crossed the line for me.
All in all, however, I give it 4 stars for Sally, Rupert, most of the supporting cast, Bath, the score and the first 80 minutes. It goes along swimmingly up until the climax, at which point I have to fast forward to skip the part I detest. A good and solid adaptation, but "Northanger Abbey" starring JJ Feild and Felicity Jones gets my vote as my favorite of the recent Jane Austen adaptations.

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Jane Austen’s romantic masterpiece comes to DVD in a thrilling new production from the BBC and Masterpiece Theatre. Anne Elliot fell deeply in love with the handsome young naval officer Frederick Wentworth at the age of nineteen. But with neither fortune nor rank to recommend him, Anne was persuaded to break off her engagement. Eight years later, Anne has lived to regret her decision. She never stopped loving Wentworth, and when he returns from sea with a fortune and rank, she can only watch as every eligible young woman in the district falls at his feet.

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Wuthering Heights Review

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(More customer reviews)Director Coky Giedroyc provides the newly thrice-spliced Masterpiece Theatre with a two and a half-hour remake of Emily Bronte's Gothic classic, "Wuthering Heights (Signet Classics)" that adequately depicts the passionate love/hate relationship made famous by Catherine Earnshaw and Heathcliff for readers since 1847.
I have not had the pleasure of rereading the novel for a few years, but this adaptation seems remarkably true to the overall spirit of the story. It includes the two generations of Earnshaws and Lintons most noticeably removed from the 1939 film version starring Lawrence Olivier as Heathcliff and Merle Oberon as Catherine (Wuthering Heights 1939 Classic Black and White with Original Theatrical Trailer (Import, All-Region)). The non-linear time sequencing of the film's plot mirrors the timeline of the novel; the only real difference here is the absence of the novel's first person narrators, Mr. Lockwood (Heathcliff's tenant) and Nellie (housekeeper of both Wuthering Heights and Thrushcross Grange). Giedroyc's version employs a third person technique in both the flashback and present day storyline to retell the Earnshaw/Linton history rather than rely on the biased comments of Bronte's storytellers.
Lockwood's absence also means the sequence of events revolving around the apparition of Catherine's ghost does not move the plotline. Instead the opening scene treats us to a vengeful Heathcliff, manipulating his sickly son Linton's marriage to the second generation Catherine, daughter of Edgar and his love. In fact, the entire aspect of the supernatural is not touched upon in the film as intensely as in the novel. Heathcliff yearns for his dead companion, and participates in a ghoulish digging up of Catherine's corpse. In a fantastic feat of cinematography the audience is privy to two vantage points: Heathcliff's vision of her--young and fully fleshed as if alive--and then the gruesome reality seen from behind Heathcliff's back--Catherine's decomposing skull. This film emphasizes the real and the gritty rather than the ethereal.
Similarly, it includes some passionate and psychologically intense moments that add carnality to the overall telling of the story that fits well with and enhances the wild emotions portrayed by Bronte. Heathcliff and his Catherine consummate their love on the moors; Edgar desperately makes love to Catherine in their marriage bed and Heathcliff commands that his wife not look at him as he takes her after their impromptu elopement. Somehow these moments add drama and needed adult content and motivation to what the other adaptations skirted around. When Heathcliff realizes that his woman has slept with Edgar, his anger boils over with helpless indignation. He wants revenge and after witnessing his closeness to Catherine, the audience sees him more as a jilted second choice despite his accomplishment; the face of the gypsy orphan still stares back at him.
Not that actor Tom Hardy resembles a gypsy in any way. His incontrollable mop of dark brown hair flops annoyingly onto his face; it definitely could use a trim or a ribbon holding it away. Nevertheless, he does the character of Heathcliff and the Byronic hero justice; he most decidedly reigns supreme in the scenes in which he participates. His passion seems almost Pilate-controlled from a steel core that is both practical and functional within the constraints of his world. However, like the novel's character, he loses himself frequently with a cynic's paranoia that lashes out with the intent to destroy whatever is in its path.
Cathy, on the other hand, as portrayed by Charlotte Riley has a feral beauty that aptly suggests the novel's heroine. However, Riley's Catherine has been "de-bratted"; the novel depicts Cathy with a nasty selfish streak while this Masterpiece Presentation shows us a confused child/woman that indeed does what she chooses but then seems at odds with the results.
Isolation plays a big part in Bronte's novel. However, this film fills the screen with an assemblage of others that makes the entire presentation more real. Rather than just the dire foursome and their progeny, villagers, church-goers, barroom card players and fighting children add authenticity to the period and in comparison more starkness to the actual footage shot on the moors.
Bottom Line? The 2009 presentation of "Wuthering Heights" created for Masterpiece Theatre Classics smolders with a raw sexuality and practical strength that will probably not please most purists. Nevertheless, the film's team put together a good adaptation that brings the feel of the novel to life without imitating other film presentations of the past. Recommended.
Diana Faillace Von Behren
"reneofc"


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WUTHERING HEIGHTS - DVD Movie

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Agatha Christie's Poirot: The Definitive Collection Review

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(More customer reviews)Well for the benefit of the woman who asked me to explain the difference in the Poirot collections back when the Acorn sets of the "original series" came out, now she and others who waited can complete their collection and save space at the same time. This indeed is all 12 feature length episodes released to date that were shown here on A&E. For those of you bought them like me in either the smaller sets of 4 and/or individuals, their is nothing new here, but at least this set like the 2 Acorn sets (1 of the hour length shows, the other of the 2 hour ones both of which aired "here" on PBS and A&E later on) will take up less space on your shelf. Since nothing new was added, I will be content with what I have, if by now 7 years after they started you have not gotten any of the A&E ONLY aired stories now is your chance to get them all together. 12 for less than $100 is most definitely a bargain.

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Tony Award-nominee David Suchet is Hercule Poirot - dressed to the nines, impeccably mannered and infuriatingly arch, he is a detective like no other. Adapted from Agatha Christie's celebrated mysteries, each film features beautiful settings and an impeccable cast.Now, for the first time, twelve of Suchet's feature-length Poirot mysteries are available together in this collector's set. Produced by Brian Eastman (Traffik, Jeeves & Wooster), these exquisitely crafted tales of death and deception were filmed on location around the world, and features enough murder and mystery to test the mettle of our inimitably beloved Belgian sleuth.AGATHA CHRISTIE S POIROT: THE DEFINITIVE COLLECTION contains all twelve A&E feature-length Poirot films: THE MURDER OF ROGER ACKROYD: Poirot's retirement in a quiet country village ends abruptly with the death of his disagreeable neighbor. LORD EDGWARE DIES: Intervening in a sticky marital situation, Poirot suddenly finds himself in the midst of murder.MURDER IN MESOPOTAMIA: Poirot visits an ancient site in Iraq just before the head archeologist's unpopular wife is killed.EVIL UNDER THE SUN: Death intrudes on Poirot's island holiday, and only he can determine who is responsible.DEATH ON THE NILE: A pleasure cruise down the Nile turns deadly when a murder is discovered on board. Thank goodness Poirot is along for the ride.SAD CYPRESS: The solution to a double-murder case appears to be cut and dry, but Poirot's impeccable instincts eventually lead him to the real truth.THE HOLLOW: A weekend retreat where all the guests appear to despise one another finds Poirot hard at work doing what he does best.FIVE LITTLE PIGS: Poirot agrees to help a young woman prove her mother's innocence, 14 years after being sent to the gallows.THE MYSTERY OF THE BLUE TRAIN: When the daughter of an oil magnate is found dead on the famous Blue Train to the French Riviera, Poirot must investigate the past to reveal the killer.TAKEN AT THE FLOOD: Mystery surrounds a young woman after her new husband is killed in the London Blitz, and the mystery deepens when a man who may be her first husband shows up dead.AFTER THE FUNERAL: Following the murder of a wealthy patriarch, Poirot is called upon to begin an investigation. The case takes a wild twist however, when his prime suspect turns up dead.CARDS ON THE TABLE: When a woman is found dead at a card game, four investigators--including Poirot himself set out to discover which guest is the killer.

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Agatha Christie's Marple: Series 1 (2005) Review

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(More customer reviews)I watched the new Miss Marple series, excited to see what Geraldine McEwan would do with the role. Unfortunately, I don't like what they've done with this latest batch of Christie's. Mrs. McEwan is a fine actress and she brings a "fluffiness" to the role that is missing from the Hickson version. Still, there is too much tampering with the plotlines to suit me. There are significant changes made in a couple of the stories, most notably in "The Body in the Library" so let the buyer beware. This isn't a minor change either as it involves the resolution of the case. They also add an odd, on-going storyline involving Miss Marple's own past love life that is simply not part of the books and isn't even close to being in keeping with the character of Miss Marple. As Agatha Christie is arguably the most acclaimed and accomplished mystery writer that ever lived, these changes were pretty outrageous. Her books stand the test of time and need no updating simply to satisfy 21st century ideas. I was surprised at this as the British are usually the ones who can be depended upon to leave good stories alone. So, if you just want a few hours of light entertainment, have at it, but if you're an Agatha Christie purist, you won't like this dvd so save your money.

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She's back! Proper, demure, and sharp as a tack, Agatha Christie's beloved Miss Marple returns to the limelight in sparkling new adaptations of four classic Christie novels. Geraldine McEwan (The Magdalene Sisters, Mapp & Lucia) is the ladylike sleuth, a wispy senior citizen who blows the police professionals out of the water with her keen insight and shrewdly analytical nature. Fearless and uncommonly wise to the worst in human nature, Marple has lived a long time-and she's paid attention. As seen on the PBS Mystery! series, these lavish 21st-century productions are rich in post-WWII period atmosphere and delicious Christie wit, with star-studded casts that include Joanna Lumley, Derek Jacobi, Tara Fitzgerald, Ian Richardson, Janet McTeer, Zok Wanamaker, Simon Callow, James Fox, John Hannah, and Celia Imrie. The Mysteries: Murder at the Vicarage The Body in the Library A Murder Is Announced 4:50 From Paddington DVD special features include an hour-long behind-the-scenes featurette with cast and crew interviews, a history of Miss Marple adaptations, a photo gallery and more.

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Agatha Christie's Romantic Detectives (Tommy & Tuppence 1 & 2 / Why Didn't They Ask Evans? / Seven Dials Mystery / Agatha Christie A Life in Pictures) (1984) Review

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(More customer reviews)The Secret Adversary
Who is Mr. Brown?
After the Great War, out of work Captain, Tommy Beresford (James Warwick) accidentally comes across his lifelong friend and pal Prudence "Tuppence" Cowley (Francesca Annis). Tuppence is also out of work. Over their sparse meal they speculate on doing any job of anybody for outrageous fees.
This speculative talk was over heard and the wheels are set in motion when Tuppence is given the opportunity and gives what she thinks is a false name. This sets off a series of events that employs them to find a missing girl and the identity of a mysterious Mr. Brown.
Made for TV and fairly transparent, this film still has all the ambiance of a BBC Agatha Christy production. It is a period piece and employs many major English actors. One actor you can recognize right off is Honor Blackman who played Pussy_Galore in "Goldfinger" (1964).
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The Affair of the Pink Pearl
A pearl of great price
After their re-introduction in "The Secret Adversary", it looks like Tommy Beresford (James Warwick) and Tuppence (Francesca Annis) are married and after finishing their first case are looking for a little more action. They get the opportunity to purchase the international detective agency and with the help of their new friend Albert (Reece Dinsdale) set up shop.
Before Tommy can stop her Tuppence promises their first client their 24 hour guaranteed special. If they can pull this off then they will be in with the right crowd to be thought of incase a pink pearl should end up missing.---------------------------------------------------------------------
House of Lurking Death
Death is like a box of chocolates
Agatha Christie's "The House of Lurking death" adapted by Jonathan Hales.
Mary Chilcott (Louisa Rix) receives a box of chocolates. She naturedly shares them with others to find that the chocolates were lased with poison. Not enough to kill but to make everyone sick. Being private and figuring that the anonymous came from someone in that very house, contacts Tommy Beresford (James Warwick) and Tuppence (Francesca Annis) of the international detective agency.
Naturally as with their first two episodes or movies Tommy and Tuppence are both wise beyond their time and do some of the dumbest things that lead them to the solution of the problem. Will they be there in time to save Mary or if not will they be able to figure out who and how it was done. More important why.
As with most of the Partners in Crime series we are fare ahead of them on the whom. The fun is to watch them figure out not only the whom but the other details. This story is a period piece of just after The Great War.
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Finessing the King
Keep your eye on the queen of hearts
Agatha Christie's "Finessing the King" adapted by Gerald Savory.
Tommy Beresford (James Warwick) and wife/ assistant Tuppence (Francesca Annis) of the international detective agency are getting bored when Tuppence notices an anonymous advertisement in
The Daily Leader (local new paper.)
"I should go three hearts, twelve tricks, Ace of spades, necessary to finesse the king."
Of course it is an obvious secret message. However being clever they figure that the message is some sort of rendezvous. It is to take part at the Three Arts Ball (costume ball) where one of the sleuths gets to dress up as Sherlock Homes and the other as Dr. Watson. One guess as to who gets to be homes.
After the ball is over, like most of the revelers, they go to xxx to have a drink an early breakfast. There they notice a man costumed as the local paper entering a private booth with a woman and coming out alone. We are way ahead of them on the plot
As with most of the "Partners in Crime" series we are fare ahead of them on the whom. The fun is to watch them figure out not only the whom but the other details. This story is a period piece of just after The Great War.
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The Clergyman's Daughter
A mysterious man with a gold tooth
Agatha Christie's "The Clergyman's Daughter" adapted by Paul Annett.
Miss Dean, a clergyman's daughter inherits The Red House, a great house, from her father's deceased and supposedly rich old aunt. Nobody has found any money so to keep the house she must rent it out. The only problem is that it appears to be haunted. There are other complications.
Miss Dean turns to Tommy Beresford (James Warwick) and wife/ assistant Tuppence (Francesca Annis) of the international detective agency for help as had been predicted by Tuppence.
As with most of the "Partners in Crime" series we are fare ahead of them on the whom. The fun is to watch them figure out not only the whom but the other details. This story is a period piece of just after The Great War.
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Made for TV and fairly transparent, this film still has all the ambiance of a BBC Agatha Christy production. It is a period piece and employs many major English actors. Detective Inspector Marriott (Arthur Cox) played the newspaper reporter Salcombe Hardy in Dorothy L. Sayers' Have His Carcase (1987).
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Sunningdale Mystery
Pure deduction
After the Grate World War, Tommy Beresford (James Warwick) and Tuppence (Francesca Annis) are out of work and form a partnership in a detective agency. They eventually marry and continue their detection business. On the surface they look like they are stumbling into the answer of each mystery they solve. But upon further observance they are cunning and resourceful.
In this "The Sunningdale Mystery" story by Agatha Christie and screen play adapted by Jonathan Hales, the international Detective Agency is not finding enough clients so they go out to solve a mystery found in the paper.
In this mystery part of the Tommy and Tuppence, "partners in crime" series, Tommy and Tuppence actually go to the scene of the crime, do their deductions in Hercule Poirot fission using the little gray cells. It is unique in the fact that they do not interview any suspects.
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The Ambassador's Boots
Solve a crime and have fun to boot
After the Grate World War, Tommy Beresford (James Warwick) and Tuppence (Francesca Annis) are out of work and form a partnership in a detective agency. They eventually marry and continue their detection business. On the surface they look like they are stumbling into the answer of each mystery they solve. But upon further observance they are cunning and resourceful.
In this "The Ambassador's Boots" A story by Agatha Christie and screen play adaptation by Paul Annett, Tommy and Tuppence have just saves someone from an international kidnapping. So at an exclusive party they are introduced to the ambassador from the United States.
Later the Ambassador tells them of a mystery where his bag got mixed up with another. You may have guessed that his bag contained his boots. Even though it seems trivial Tommy and Tuppence are determined to get to the bottom of why the bags were swapped and then the other party denies it ever happened.
For some reason you get the feeling that they are just acting and everyone is just going thru the motions. Do not get discourages as it is part of the plot to get to the bottom of the mystery. You will find that the Partners in Crime" are more cunning and coordinated than they look.
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The Case of the Missing Lady
You will want to get the real skinny on this one
Agatha Christie's "The Case of the Missing Lady" adapted by Jonathan Hale.
The Scene opens with a moaning lady; hovering over her is a brute assistant Muldoon to what looks like a mad doctor and his Brunhilda looking assistant. To make matters worse there is the biggest hypodermic syringe ever conserved by man. It is half full of green glop.
Gabriel Stovington just returned from a two year stint in the artic and is getting the runaround while trying to find his fiancé. He is in need of a detective agency.
After the Great War Tommy Beresford (James Warwick) and wife/ assistant Tuppence (Francesca Annis) buy the Blunt International Detective agency. And with out any background become detectives. By the time you get to this episode they are getting good at it (maybe).
The acting at first make you thing that you are sitting in the front row of a Bernard Shaw play.
Of course it is an obvious secret message. However being clever they figure that the message is some sort of rendezvous. It is to take part at the Three Arts Ball (costume ball) where one of the sleuths gets to dress up as Sherlock Homes and the other as Dr. Watson. One guess as to who gets to be homes.
After the ball is over, like most of the revelers, they go to xxx to have a drink an early breakfast. There they notice a man costumed as the local paper entering a private booth with a woman and coming out alone. We are way ahead of them on the plot
As with most of the "Partners in Crime" series we are fare ahead of...Read more›

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Agatha Christie’s fabulous sleuthing couples mix crime and romance in stylish comedy thrillers. More than 17 hours of mystery, romance, and fun. Tommy & Tuppence: Partners in Crime Agatha Christie’s Tommy and Tuppence Beresford were the first to prove that two clever heads are better than one when it comes to solving mysteries. Francesca Annis (Reckless) and James Warwick (Lillie) star as a zany upper-class couple who pursue a shared passion for solving mysteries. A PBS Mystery! favorite set in the roaringly romantic 1920s. Sets 1 & 2, approx 650 min., 11 episodes on 4 discs. Why Didn’t They Ask Evans? A classic Christie mystery starring Francesca Annis and James Warwick as a pair of amateur sleuths. This time Warwick is the vicar’s son and Annis is his aristocratic childhood chum. Together they solve the mystery of a dying man’s last words. Also featuring John Gielgud. Approx. 188 min. on 1 disc. Seven Dials Mystery A feisty flapper (Cheryl Campbell, The Way We Live Now) teams up with a suave man-about-town (James Warwick) in a story that combines the dark forces of murder and international intrigue with the froth of romance and upper-class English frivolity. Also featuring John Gielgud. Approx. 133 min. on 1 disc. Bonus Program! Agatha Christie: A Life in Pictures Using Christie's own words, this innovative BBC drama explores her shadowy personal life and what really happened during her mysterious 11-day disappearance in 1926. Starring Olivia Williams (The Sixth Sense) and Anna Massey (Possession). "Mesmerizing"--Telegraph (U.K.) Approx. 90 min. on 1 disc; 16:9 widescreen.

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Miss Marple - 3 Feature Length Mysteries (The Body in the Library / A Murder Is Announced / A Pocketful of Rye) (1984) Review

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(More customer reviews)My favorite Miss Marple film is BODY IN THE LIBRARY, which is included in this set. First off, unlike for some other reviewers, the films are crisp, no dark multi-gen'd versions on my disks. Re the set appearance itself, quite charming overall, as if one should sit down with coffee, tea or cocoa while perusing. The individual disk decor is lovely, with photos from the particular installment, and the disks contain chaptering of the installments (you can elect to view all three eps on disk 1 & 2 in one go or do it on an individual basis). The real drawback with high irritation factor is the BBC-A ads that appear at the beginning of each disk, you can fast-forward through both, but really they shouldn't be there at all. One point of possible confusion is John Castle, who played Miss Marple's inspector nephew elsewhere is actually an inspector of non-relation in A MURDER IS ANNOUNCED. The introduction of the Inspector Slagg character, who resented Miss Marple's detecting skills, is introduced in BODY IN THE LIBRARY. There is also - on Disk 3 - which contains the two-parter of POCKETFUL OF RYE - a half-hour documentary on the birthplace of Agatha Christie celebrating the centenary of her birth. In this, the Orient Express makes an appearance as well as the actors who played Marple and Poirot (david suchet) appearing in character and meeting each other formally and for the first time.

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The beloved dowager detective Miss Marple (Joan Hickson) unravels three of Agatha Christie's most popular brainteasers: A Murder Is Announced, A Pocketful of Rye and the series premiere, The Body in the Library.

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Campion - The Complete First Season (1989) Review

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(More customer reviews)I was quite relieved, after the passage of almost 15 years, to find that this series was indeed as good as I remembered it. Peter Davison and Brian Glover were both terrific, as, respectively, the owlish Albert Campion and the rough-around-the-edges (but loyal) Magersfontein Lugg. The stories kept my attention with their twists and turns, the supporting casts were top-notch, and the scenery, costumes, and sets were a delight to the eye. Even the opening theme was as charming and soothing as I remembered. As is the case with most BBC transfers to DVD, don't expect much in the way of extras: you get some information concerning the television/film work the stars and supporting casts have engaged in, but that's about it. That's ok.....at least the sound and picture quality are very good, which is the main thing. So, after a hard day at the office settle down with a nice cup of tea (or, as Lugg says, "I prefer cocoa meself") and enjoy these wonderfully crafted stories. And let's hope that we don't have to wait 15 years for season two to come out on DVD!

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Behind his distinctive owlish glasses and gentle, deceptive naivete, Albert Campion conceals a passion for excitement and danger. Peter Davison (All Creatures Great and Small, Doctor Who) plays Margery Allingham's enigmatic sleuth, with Brian Glover as his loyal but slightly shady manservant in these classic mysteries set in the 1930's.

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Silas Marner, The Weaver of Raveloe Review

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(More customer reviews)If it weren't for movies based on books today, many of us would never become acquainted with classic literature. Silas Marner is a gem of a movie, obviously based on a classic, and after seeing it, I understand why the book is required reading in many English classes. I myself have never read the book, and therefore appreciate becoming acquainted with it through this movie.
The setting appears to be in the 1600-1700s England. Silas Marner is wrongly accused of murder and is exiled from his community. When he arrives in another village, he becomes the mysterious weaver of fine cloth, who lives alone and rarely speaks to anyone. The squire from whom he rents his cottage meanwhile, is providing for his opium-addicted wife that he has secretly married. He keeps her and their baby daughter hidden from the public in a tiny apartment in the village. Struggling to the squire's mansion one night to reveal her existence to his family, the woman dies in the snow, and Silas Marner finds the toddler in his cottage. Immediately he takes to her, and convinces people he should adopt her. The following part of the movie of his developing relationship with this adorable little acress is precious.
Marner lives frugally, raising the child, but when she is 16, the squire steps in, and Marner and his daughter must make a decision that will test their relationship. There is a subplot concerning the squire's wayward brother whose actions affect all their lives, forcing all the characters to a turning point.
Ben Kingsley's acting is excellent as he goes through the different periods of his life, and the movie does a fine job of portraying the era. The movie, like the book, may not be top-draw, but like the book, it also deserves classic status.

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Silas Marner was a man who had everything - until he lost it all. Falsely accused of theft and driven out of his town, Silas starts life anew. One day, upon arriving home, he discovers a foundling child asleep on the hearth. Could this young girl be the redemption to love and happiness that Silas has been looking for?

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Agatha Christie's Partners in Crime - Tommy & Tuppence, Set 2 (1984) Review

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(More customer reviews)Thank goodness for Acorn Media, which has given us the Wimsey mysteries on tapes and DVD, the longer Poirots on DVD and the shorter ones on tape. With the arrival of "Partners in Crime" (AMP 5017), there lacks only the 12th boxed set of Poirots to more or less complete the Christie cycle as it exists on this label. (It is A&E who has begun to issue the Marple mysteries on DVD and a few of the more recent Poirots.)
The best thing about this "Tommy & Tuppence: Partners in Crime" series is the outrageous costumes Francesca Annis gets to wear, the most spectacular appearing in the last episode in this boxed set. Now this is featherlight Agatha Christie, so do not expect the complex kind of case that Wimsey always--and Poirot often--has to solve. The inside joke of the T&T novels is that in each one they emulate the techniques of a famous fictional detective. For example, in one episode Tommy (James Warwick) is dressed as Father Brown and the last mystery is described by the team as a real Edgar Wallace case.
"The Case of the Missing Lady" is probably the silliest of them all, and even Tuppence is required to do a comic turn that is frankly embarrassing. "The Unbreakable Alibi" has a solution that is utterly predictable, while the same could be said about the culprit in "The Man in the Mist." "The Crackler" is probably the most satisfactory.
All in all, good lightweight fun, but few thrills. And the Annis character can get a little "too too" now and then and start to grate in a way that she does not in the novels.
Unlike the Poirot tapes, these hold two episodes each. They easily could have gotten three onto each tape, but the people at ABC overseas seem to be able to dictate how the American distributors must package their material. So do not blame Acorn Media for that.

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Created in the 1920s by Agatha Christie, Tommy and Tuppence Beresford were the first to prove that two attractive and clever heads are better than one when it comes to solving mysteries. Fun-loving and flirtatious, they’d rather be working together on a tough case than doing almost anything else. Francesca Annis (RECKLESS) stars as Tuppence, in stunning period outfits created especially for the series, with James Warwick (LILLIE) as the dry-witted and dapper Tommy. In this collection of six episodes from the popular TV series PARTNER IN CRIME, the stylish pair ply their trade as proprietors of Blunt’s Detective Agency.

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Inspector Lynley - A Great Deliverance (2002) Review

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(More customer reviews)This wasn't exactly the story I was expecting to see after reading the novel (some aspects of the solution to the mystery were changed), but it still stood beautifully on its own. This program introduces the odd couple detective team of the aristocratic Thomas Lynley and the working class Barbara Havers, investigating the beheading of a farmer in a small English town. The locales were stunning, and the casting was true to the spirit of the characters in the books, although the dark-haired actor playing Lynley was a little hard to get used to. Sharon Small as the angry, defensive, beleaguered, vulnerable, good-hearted Havers was fantastic. Havers has always been the key character to me, the one I keep reading the mysteries for, and it was such a pleasure to see an actress capture who she was so beautifully. Everything important about the character was there: everything from her family problems to her budget clothing, her inferiority complex, her temper, her capability, her gentleness, and examples of the humorous situations that she keeps finding herself in. The actress was absolutely captivating. This is a wonderful start to this new line of video mysteries. I can't wait to see Havers on the screen again. This fan of Elizabeth George mysteries, for one, is absolutely thrilled.

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Talk about a puzzling case. Detective Inspector Thomas Lynley of Scotland Yard (Nathaniel Parker, Far from the Maddding Crowd) is assigned to investigate the gruesome murder of a farmer in a seemingly peaceful country village, but it’s his new partner, Sgt. Barbara Havers (Sharon Small, About a Boy), whom he’s finding indecipherable. Havers is as gritty, rumpled, and working-class as the Inspector is refined, well-heeled, and sophisticated. Is the murderer the farmer’s shy daughter who was found next to her father’s decapitated corpse? The nephew who stands to inherit the farm? The estranged wife who’s protecting her new family from an unsightly past? Or is it a suspicious village resident with a shady past and a weak alibi? Based on the best-selling mystery by Elizabeth George, A Great Deliverance introduces Inspector Lynley with first-rate performances and abundant amounts of nail-biting suspense.Special DVD features include: virtual tour of the Mystery! studio; Q&A with Nathaniel Parker and Sharon Small; selected cast filmographies; selected cast list; biography for Diana Rigg, host of Mystery!; bibliography for Elizabeth George; selected cast list; link to the Mystery! Web site; closed captions; and described video for the visually impaired.On one DVD9 disc.Region coding: All regions.Audio: Dolby stereo.Screen format: Letterboxed.

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Cranford (2009) Review

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(More customer reviews)I ordered this from Amazon UK to be able to view this prior to its release date. I was not disappointed! Sadly, I had to watch it by myself because my husband didn't think he'd like it. He would have been wrong, by the way. It was exquisite in every way.
I watched it over 2 nights. It's a 5 hour miniseries and it is broken up into five 1 hour-long episodes.
The first 3 hours were very very good. Excellent, even. But the last 2 hours were absolutely perfect.
In Cranford, we meet many of its residents with most of the focus on 2 spinster sisters and their surrounding friends and relatives. Everyone is kind here and look out for their neighbors and generally want to live correctly and do the right thing. Their village has been like this for ages and the citizens have all known eachother since birth. It is an idyllic place and a happy place. They welcome new residents, too, with every bit of friendliness.
Cranford has existed in the same way for years, even though times are changing. A railroad may come through the town and most residents are against this type of change. For with the positive changes-- such as information, goods, and knowledge, there would also be negative changes-- more transients, less safety, etc.
The intertwined story lines here involve the two sisters, class distinctions, entitlements and expectations, a very funny love triangle, and accepting change and modernity.
One of the best stories involves the young son of a poacher (one who kills animals on others' land). The manager of the aristocrat's large estate takes the young boy under his wing and wants to teach him to read and write. The aristocratic Lady finds out and believes that those of this underclass should not attempt to learn skills outside their "class". Maybe worse, the boy's father finds out of the boy's desire to read and also disapproves. We find out later that the Lady isn't cold-hearted. On the contrary. She's kind-hearted and full of pain, yet it's difficult for her to recognize the times are changing and that some of her ways must change, too.
When a new handsome doctor moves to town, he immediately falls for Sophy. Sophy returns his admiration, yet so do 2 others who misunderstand his general kindness for more romantic intentions. This culminates in expected confusion, but the outcome is happy at the end.
Those watching Cranford from the beginning may take it to be an old-fashioned chick-flick. It's really not, though. It does focus on the women of Cranford more than the men, but the stories depicted cross gender lines. Change-- industrialization-- is the antagonist here, along with fear of change. However, as new medical practices save several lives, and a member of the trade class saves a member of the Upper class, it's also obvious that change, by itself, isn't bad. It can be positive for everyone involved.
This is a fantastic series. The only disappointment was that it was only five hours! I definitely could have watched another few episodes with the same interest these five held. Beautifully acted, filmed, and scored. The entire film was thoroughly enjoyable.


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It's the 1840s, and Cranford is on the cusp of change. The railway is pushing its way relentlessly towards town, bringing fears of migrant workers and the breakdown of law and order. The arrival of Frank Harrison, a handsome new doctor from London, causes a stir, not only because of his revolutionary medical methods, but also because of the effect he has on many female hearts in the town.

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The Mill on the Floss (1978) Review

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(More customer reviews)It would be unreasonable to review the BBC miniseries without having a sound relationship with the novel or the author of the novel, for the entire premise of the production rests on it being faithful to the novel. In fact it is masterfully adapted by James Andrew Hall, who is a purist in the full sense of the term, and directed deftly by Ronald Wilson.
The dry nature of the tale is bewildering and draining of the influx of tenderness that George Eliot infuses her writings with. If this was by design it is reprehensible; if by accident unfortunate. The 8 episodes are a quick watch and dramatized expertly, but for a few liberties which are inevitable and must be forgiven. If we are to judge the work independent of the novel it ought to receive one star. It lacks a sense of momentum and remains indifferent to the flow of the narrative which it chooses to highlight and substantiate through an episodic definition and by strength of allusions strewn strategically throughout the period drama. I fear the accuracy and representational realism stops at the recreation of a style, but cannot claim likewise when it comes to the mood of the era, which is all-too-often dramatized as dry and restrained, empty and distant, privileged and scarcely populated. I beg to reason that it is an imagery that has now become branded as accurate, but caters only to the prejudiced imagination we give sway to.
If the production attempted to stay faithful to George Eliot and the novel then it baffles one completely. Why was the end so shoddily patched? Why have so many (actually all) of the events and vignettes of an ostracized Maggie find no place. You watch the previous 7 episodes and appreciate much of the recreation, then you watch the last episode and wonder what happened to the preceding (read: missing) one. It is as if all that follows after Maggie's return from her "eloping" (here treated as Stephen's doing outright and exculpating nature completely) has no bearing on the narrative. And religion is relegated to the vague presence of a Bible when in Eliot's masterpiece it spills into the very fiber of everyday life in ways that are comical, tragic and overtly critical of the church's relationship with the townspeople.
This miniseries is an undeniably appreciated effort which inexplicably falls short of its intention. The casting is practically perfect. Indeed it is. Even Mr. Wakem, here much more loving towards his son than we may like to interpret (but happy to become engaged into the critical dialogue). Stephen, Lucy, the adult Tom and the aunts and uncles are extraordinarily portrayed and the three stars are a testament to the excellence of the cast and the skill they display.
One more episode and it would be a huge success.


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The tragic tale of Maggie Tulliver, the miller's daughter, who defies her embittered brother in standing by the man she loves - shocking the stifling society in which she lives - in an attempt to pursue her blighted dreams. Drama, romance, tragedy and humor all have a place in this most popular of George Eliot's novels.

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Agatha Christie's Partners in Crime - Tommy & Tuppence, Set 1 (1984) Review

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(More customer reviews)The Tommy and Tuppence mysteries are frothier and lighter than the Miss Marple or Hercule Poirot mysteries, but it's their lightness that makes them unique. They're well translated into film in this delightful threepack of the first five mysteries.
"Secret Adversary" is the only movie-length episode: Tommy and Tuppence, childhood friends, reunite post WW1 in financially tight circumstances. To drum up some money, they decide to become adventurers. But their lighthearted venture becomes deadly serious when they become enmeshed in an international situation involving a packet of secret documents, a mysterious girl named Jane Finn, an American millionaire and an elusive mastermind called only "Mr. Brown."
"Affair of the Pink Pearl" takes place a while after "Adversary," and is definitelty frothier. Tommy finds the cure for Tuppence's boredom: a detective agency, which they take over and inject new life into. Soon they are called on to retrieve a stolen pink pearl.
"The House of Lurking Death" is the destination of T&T, when an appealing young woman comes to tell them that someone in her house sent her poisoned chocolates. At first it seems to be a straightforward case -- but nothing is as simple as it seems.
"Finessing the King" is a little more gruesome than its predecessors. Tuppence drags Tommy to a costume ball and then to the restaurant "Ace of Spades," where they find a woman in a Queen of Hearts costume, stabbed on the floor. All evidence points to her lover, including her dying words, but of course nothing is so simple.
"The Clergyman's Daughter" comes to T&T with her problems: She thinks that her house may be haunted, by a poltergeist that is scaring off the paying guests she has there. The two travel to the house to find out exactly what the source of the mayhem is.
If you are expecting the same level of complexity as a Poirot/Wimsey/Marple mystery, you will be disappointed. With the exception of "Adversary," these mysteries were all based on short stories, and so they can't afford to be too complex. Nevertheless, they are enormous fun and some of them will definitely keep you guessing. There's plenty of wry comedy in this series, including Tuppence's turn as a weird spiritualist, her array of hats ("there are... NUANCES to them!"), and Albert's obsession with movies. (His dying gangster act is especially funny)
Francesca Annis is enormous fun as Tuppence, with a delightfully flaky charm that covers a brain as brilliant -- if not more brilliant -- than Tommy's. Her 1920s wardrobe is definitely eye-catching; she is also one of the few women I've ever seen who could make Audrey Hepburn look buxom. James Warwick is as noticeable in a quieter way as Tommy, with his cute smile, delightfully confused attitude, and attempts at Sherlock-Holmesian suavity and brilliance. Reece Dinsdale is flawless as Albert, the loyal sidekick with a weakness for Rudolph Valentino movies.
Some of the secondary actors are not quite as good; almost the entire cast of "House of Lurking Death" (except the fanatic) is about as expressive as pine boards with painfully civil dialogue, the girl playing Lois overdoes the breathy damsel act, and the Esther actress is hammy, period. The title character of "Clergyman's Daughter" also has an annoying habit of starting every sentence with a strained "oh." The other supporting actors are very good, though.
This is a delightful collection, and well worth watching.

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A bored, wealthy socialite couple take over a defunct detective agency.Genre: MysteryRating: NRRelease Date: 8-APR-2003Media Type: DVD

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The Inspector Lynley Mysteries - Series 6 (2007) Review

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(More customer reviews)I mentioned when writing about season five that this delicately etched and excellently acted series on PBS's "Mystery" was my favorite. It still is. I truly believe it is the finest show on television. Nathaniel Parker's Inspector Thomas Lynley and Sharon Small's Barbara Havers are eagerly awaited with passion each season by this viewer like nothing else on television.
Based on Elizabeth George's characters, the BBC show has grown and matured into something really special. The mysteries are always well-written and the lead characters have been allowed to let life and what each brings to the table change both themselves and how they view each other. Parker and Small are a fabulous duo who balance each other out.
The dashing Lynley was originally paired with Havers because it was taken for granted he would not be distracted by her in a romantic way. But the two quickly found there was more to each other than their reputations, and proved a great team. They also became quite close, their deep friendship and affection for each other rarely dwelled upon but always there beneath the surface.
Havers has given the dashing Lynley depth and complexity while he has given her a softer appearance over time. Small really looked terrific in season five with her hair down. Though some griped it was a deviation from the books, it is this intelligent lack of stagnation which has kept things fresh.
Season five ended tragically as Lynley's world changed in the blink of an eye when his beloved Helen was killed. One of the most poignant moments of the series found Havers sitting with Lynley after her funeral to make the world wait a few moments. It is intelligent and very real moments such as that which make this show tower head and shoulders above everything else out there.
It is for that reason that a massive campaign is being waged to persuade the BBC to continue to produce the show so that PBS fans in America can enjoy these richly mature and intelligent mysteries. The carefully nuanced performances of Nathaniel Parker and Sharon Small as Lynley and Havers would be harder to live without than Lynley's beloved Bristol.
Until that happens, we can at least enjoy the two episodes here on season six. In "Limbo," first aired in Australia, the remains of Lynley's godson are discovered twelve years after he was reported missing. Lynley becomes deeply involved with the deceased's sister and will become the prime suspect in a second murder. In "Know Thine Enemy" one young schoolgirl kills herself to escape captivity and Lynley and Havers try to find another before tragedy strikes twice.
The Inspector Lynley series is smart and atmospheric, Debbie Wiseman's opening music setting the tone for each intriguing installment. Fans cherish this show and hopefully this won't be the last we see of our favorite detectives.

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INSPECTOR LYNLEY MYSTERIES 6 SET - DVD Movie

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P.D. James - Death in Holy Orders Review

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(More customer reviews)In "Death in Holy Orders", Commander Adam Dalgliesh (Martin Shaw) of New Scotland Yard returns to the small theological college of Saint Anselm, which he knows from childhood, on the request of a man whose son mysteriously died while studying for the priesthood there. Ronald Treeves' death has come just as the monastery must defend itself from closure by Archdeacon Matthew Crampton (Clive Wood), who feels that its valuable artwork would be better placed elsewhere and disdains the the elitist, old-fashioned ideology of the small college. It proves difficult to glean the details of the dead man's life from among the dirty little secrets that the community of Saint Anselm has collected over the years. But there is little time to lose, as a cloud of death has descended upon the place. Murders begin to pile up.
Modern British murder mysteries seem never to be about serial killers or murder for profit. They are astute enough to realize that murderers who don't know their victims well make for anorexic, underwritten narratives. So they write sordid mysteries, overloaded with character behavior, where every person involved is nursing some dread and improbable secret involving sex, drugs, death, adultery, illegitimacy, and/or homosexuality. "Death in Holy Orders" throws religion, madness, and ancient history into the mix. Yet British murder mysteries are known for their class -even, ironically, for being highbrow. They pull it off by casting excellent character actors, allocating a huge amount of time to character development in the form of dialogue, and giving the suspects at least as much attention as the detective. Adam Dalgliesh mysteries follow that formula. They owe their success to superb ensemble casts that play every variety of villain and flawed character, in particular, to perfection. Highbrow? Not at all. This is sordid, vulgar stuff. But done the way on the British do it, it's stylish.
Actor Martin Shaw makes his debut as Adam Dalgliesh in "Death in Holy Orders". Roy Marsden owned the role from 1983-1998, through 10 adaptations of P.D. James' books. Which actor one prefers is a matter of personal taste, but I always found Marsden's Dalgliesh to be neurotic and distastefully self-righteous. Martin Shaw's Dalgliesh is probably those things, but his interpretation is notably soulful. He still has a kind of righteous detachment from those around him -for which one character takes him to task, but I find him more appealing. Director Jonny Campbell has given "Death in Holy Orders" a persistently ominous tone, and doesn't hesitate to use the ecclesiastical environment to heighten the sense of doom. There are no fewer than 15 suspects in the investigation. Add the multiple victims, and this is quite a large cast. The performances are all excellent, but spare no melodrama. Many of these characters are overwrought, perhaps even moreso than is normal for a British mystery. But "Death in Holy Orders" always entertains. Fans of Brit murders and detectives will surely enjoy it.
The DVD: You have to wait for the Main Menu to appear, which it does after one ad and a short preview. You have the option of watching the film in 2 parts, as it was shown on television. There is a 30-minute featurette entitled "Writers and Places". It looks as if it was made at least 25 years ago under the title "P.D. James on the Dangerous Edge". In this little documentary, author P.D. James talks about the vital role that location plays in detective writing. Using several of her own novels as examples, she describes how her stories evolve from their settings and how place is used to emphasize the horror of the crime. It's not a bad documentary, but it is a little repetitive. It doesn't take a half an hour to get the point. "Cast/Author Biographies" are text bios and include essential filmographies.

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DEATH IN HOLY ORDERS (P.D. JAMES) - DVD Movie

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